March 4th, 2018
It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes.
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March 4th, 2018
It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I will be happy no matter who wins Best Supporting Actress. One last note: The contest is still going and the leading for Best Picture Switched from The Shape of Water to Three Billboards Outside Ebbing, Missouri to tied over the time I was writing this story. This is the closest I’ve ever seen it. Guessing the best picture correctly will go a long way to winning.
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February 19th, 2018
It’s another slow week; however, I prefer to think of it as the calm before the storm, as there are several blockbusters and Oscar contenders coming out over the next few weeks. That’s not to say there are no big hits or Oscar contenders on this week’s list. The Florida Project and Loving Vincent are both up for an Oscar, while there are some massive hits coming out on VOD, like Thor: Ragnarok. As for the Pick of the Week, it was an easy choice: The Florida Project on Blu-ray.
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February 18th, 2018
The BAFTAs were handed out on Sunday night, with Three Billboards Outside Ebbing, Missouri winning the most awards at five. This is not too surprising, as it was technically a British film, despite its setting, and that gave it a leg up on the competition.
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February 15th, 2018
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try to figure out who the favorites are and which films should just feel honored to be nominated. A lot of people call this Oscar the Pixar Award, and look at that, there’s a Pixar film on this list. Is Coco the overwhelming favorite? Or does another film have what it takes?
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January 23rd, 2018
The Oscar nominations were announced starting at just after 5 am Pacific time. They do this every year and no one has been able to adequately explain why to me. At least there were some interesting results this year. The Shape of Water led the way with 13 nominations, which is one below the current record and nearly as many as the next two films combined. Overall, there were seventeen films that earned two or more nominations.
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January 15th, 2018
It’s not a particularly good week on the home market with no one film that is a must have dominating the rest of the pack. However, this is actually a good thing, as there are several smaller releases that get a chance to shine and there are several Pick of the Week contenders as a result. This includes the biggest release of the week, Blade Runner 2049, as well as a limited release, Loving Vincent, and a forgotten film, Matinee. In the end, I went with I, Daniel Blake: The Criterion Collection as the best of the week.
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January 11th, 2018
The BAFTA nominations were announced and this time The Shape of Water led the way with 12 nominations. The same films appear on many of the lists of nominees, but so far no one film has come to dominate the list. This makes it interesting, to say the least. There’s a good chance no one film will win the majority of prestige awards and that multiple films will have lots of reason to celebrate on February 18th when the awards are handed out.
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January 5th, 2018
The Producers Guild of America finally finished announcing their nominations. (They spread out their announcements for reasons I’ve never quite understood.) It is a strange year for the PGAs, as there was a tie resulting in 11 films being nominated for the top prize.
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December 11th, 2017
The Golden Globes nominations are the second major Awards Season set to come out. Sort of. (WGA announced the nominations for TV, radio, etc., but not their theatrical nods.) It is still very early in the year, so it is hard to say if there are any real snubs, or if there are any real favorites. The Shape of Water led the way with seven nominations, while The Post and Three Billboards Outside Ebbing, Missouri were right behind with six a piece.
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November 28th, 2017
Call Me by Your Name dominated the theater average chart with an average of $103,233 in four theaters. It is the first film of the year to reach the $100,000 mark on the per theater chart. Lady Bird was the previous yearly champion with an average of $91,109, also in four theaters. The second-best average of the week was earned by Darkest Hour at $43,752 in four theaters. Bombshell: The Hedy Lamarr Story earned $18,742 in one theater; that’s amazing for a documentary. The overall number one film, Coco, earned an average of $12,742. The only holdover in the $10,000 club was Justice League, as it pulled in $10,143.
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November 21st, 2017
Justice League topped the theater average chart with $23,165 in just over 4,000 theaters. This is in the top ten best theater averages for any wide release that has come out this year, but it is about 25% lower than it needed to be. Last week’s winner, Three Billboards Outside Ebbing Missouri was pushed into second place with an average of $20,796 in 53 theaters. Its strong hold plus its early success during Awards Season should help it stick around in theaters for a long time. Roman J. Israel, Esq was next with an average of $15,500 in four theaters. This would be a good start for a limited release, but it is scheduled to expand wide on Wednesday, so I’m not sure it is good enough. Finally, Lady Bird rounded out the $10,000 club with an average of $10,573 in 238 theaters. It has already earned a significant measure of mainstream success and it still has room to grow.
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November 1st, 2017
The Square was the only film in the $10,000 club this past weekend. The latest from Ruben Ostlund earned an average of $18,558 in four theaters. This is a better opening than his last film, Force Majeure, which earned more than $1 million domestically. Hopefully this one will do the same.
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October 25th, 2017
It was a good weekend with three films earning more than $10,000 on the theater chart, led by The Killing of a Sacred Deer, with an average of $28,780 in four theaters. Its Tomatometer Score is merely good, but its average is even better at 8 out of 10. An average score of 8 out of 10 is close to award-worthy. Meanwhile, Jane did even better with an average of $19,449 in three theaters, which is amazing for a documentary. Its reviews remain 100% positive and the average critic simply loves the movie and it could be an Oscar winner. Wonderstruck rounded out the $10,000 club with an average of $16,471 in four theaters. Its reviews are merely good, so its might have trouble growing. That said, it is more accessible and mainstream than most other limited releases, so that could help.
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September 22nd, 2017
There are a trio of films on this week’s list that are Awards Season adjacent: Battle of the Sexes, Stronger, and Victoria and Abdul. All three earned some pre-release Awards Season buzz, but I’m not sure any of them will be serious contenders. Hopefully at least one of them will be a box office success.
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