Spain Box Office for A dos metros de ti (2019)

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Five Feet Apart
Theatrical Performance (US$)
Spain Box Office $2,906,588Details
Worldwide Box Office $92,554,209Details
Home Market Performance
North America DVD Sales $2,452,143 Details
North America Blu-ray Sales $1,331,171 Details
Total North America Video Sales $3,783,314
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Stella Grant is every bit a seventeen-year-old… she’s attached to her laptop and loves her best friends. But unlike most teenagers, she spends much of her time living in a hospital as a cystic fibrosis patient. Her life is full of routines, boundaries and self-control—all of which is put to the test when she meets an impossibly charming fellow CF patient named Will Newman. There’s an instant flirtation, though restrictions dictate that they must maintain a safe distance between them. As their connection intensifies, so does the temptation to throw the rules out the window and embrace that attraction. Further complicating matters is Will’s potentially dangerous rebellion against his ongoing medical treatment. Stella gradually inspires Will to live life to the fullest, but can she ultimately save the person she loves when even a single touch is off limits?

Metrics

Movie Details

Production Budget:$7,000,000
Spain Releases: September 13th, 2019 (Wide), released as A dos metros de ti
Video Release: May 24th, 2019 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for thematic elements, language and suggestive material.
(Rating bulletin 2559 (Cert #51947), 1/2/2019)
Running Time: 116 minutes
Keywords: Romance, Medical and Hospitals, Terminal Illness, Coming of Age, Actors Making Their Directorial Debut, Young Adult Book Adaptation, Romantic Drama
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: CBS Films, Welle Entertainment, Wayfare Entertainment
Production Countries: United States
Languages: English

Home Market Releases for June 11th, 2019

June 12th, 2019

Captain Marvel

It is a very busy week on the home market, but like last week, there’s a lot of what would be filler in a normal week. In fact, there’s only one big release, Captain Marvel, which is also one of the better releases on this week’s list. The only other release that was really in contention for Pick of the Week was The Mustang, but the lack of extras on the Blu-ray hurt its chances. More...

Home Market Releases for May 21st, 2019

May 21st, 2019

How to Train Your Dragon: The Hidden World

It is a very strange week on the home market. There are two $100 million hits, How to Train Your Dragon: The Hidden World and The Upside, a midlevel hit, Isn’t it Romantic, and then practically nothing. The week’s releases are more top-heavy than any other week I can remember. Fortunately, the biggest release of the week, How to Train Your Dragon: The Hidden World, is also one of the best wide releases of the year so far and it is easily the Pick of the Week. In fact, it would likely have won that title even if it was a busier than average week. More...

Weekend Wrap-Up: Dumbo Marches to the Top

April 2nd, 2019

Dumbo

Dumbo wasn’t able to match expectations, but it still topped the chart over the weekend with $45.99 million. This isn’t enough for this weekend to match last weekend, as it fell 7.3% to $137 million. This is better than the same weekend last year by a tiny 0.6%, but anything that keeps 2019’s winning streak alive is good news in my book. Year-to-date, 2019 is still behind 2018 by practically the same margin as it was last weekend. In fact, the margin in raw dollars rose to $470 million, while the percent gap dipped below 17% at $2.34 billion to $2.81 billion. Hopefully things will improve in April. More...

Weekend Estimates: Dumbo Tops Chart with $45 million

March 31st, 2019

Dumbo

Dumbo will open in first place with over the weekend with an estimated $45.0 million. This is lower than expected and not a strong opening for a film that reportedly cost $170 million to make. It did marginally better internationally, earning $71.0 million, but it is also playing in all major markets, so it has almost nowhere to expand at this point. Going forward, the film should have decent legs, in part because it is a family film. Also, while its reviews are not going to be a major asset, it did earn an A minus from CinemaScore, so its word-of-mouth is going to be better than its critical reception. However, unless it has really long legs, it is going to be a real challenge to pay for that production budget any time soon. Part of the reason I think this film is struggling is “Franchise Fatigue”. Granted, I’m not sure I would call Disney’s Live Action Remakes a real franchise, not unless they start doing some crossovers to unite the universe. (Don’t do that. Please don’t do that.) However, I do think it is susceptible to the same fatigue and this is a real problem for Disney, because they have two more major releases for this year, plus about a dozen further releases in various stages of development. More...

Friday Estimates: Dumbo Flies, But Doesn’t Reach Blockbuster Heights

March 30th, 2019

Dumbo

Dumbo opened with $15.32 million on Friday. This is weaker than expected, but hardly a bad start. Its reviews are merely mixed, while it got an A minus from CinemaScore, so its legs should be decent. I don’t think it will reach $50 million over the weekend, so it will miss even low end expectations. That said, a $46 million opening is more than enough to get it to $100 million domestically and if it can find an audience internationally, it will break even sometime during its home market run. More...

Weekend Predictions: Can Dumbo Soar Like the Original Did?

March 29th, 2019

Dumbo

Dumbo essentially has the weekend to itself and should earn first place with ease. Both The Beach Bum and Unplanned are opening in just over 1,000 theaters, but neither is expected to be a major player at the box office. Finally, Hotel Mumbai is expanding into nearly 1,000 theaters and could reach the top ten. At least one of these smaller films will reach the top ten; in fact, all three of them could reach the top ten. However, this is due to really weak competition, not any box office strength these films possess. This weekend last year, Ready Player One led the way with $41 million, while Acrimony earned second place with $17 million. There’s a chance Dumbo will earn more than those two films earned. There’s also a chance Us and Captain Marvel will match those two films at the box office. It should be a good weekend for 2019 in the year-over-year comparison. More...

Weekend Wrap-Up: Us vs. Them Wasn’t Even Close

March 26th, 2019

Us

Us topped the weekend chart and expectations with $71.12 million during its debut. This was more than double what Captain Marvel earned during this weekend and it helped the overall box office grow 6.8% from last weekend to $148 million. More importantly, this is 14% higher than the same weekend last year. Granted, 2019 is still way behind 2018, but it is chipping away at the deficit and is now behind by 17% or $450 million at $2.15 billion to $2.60 billion. Furthermore, 2019 is no longer an historically bad year at the box office. It used to be the worst year at box office in terms of dollars in over a decade. Now it’s the worst year since 2013 and if April is as good as March was, it could be in the top five best years in box office dollars by the beginning of May. More...

Weekend Estimates: Us Appeals to a lot of us with $70 Million Opening

March 24th, 2019

Us

Us made the most of its opening weekend with an estimated debut of $70.25 million, which is much higher than even the high end of expectations. If this opening holds, it would be the tenth-biggest March opening, but that’s a big if. It’s just behind 300 and just ahead of The Lorax, so I expect it to change a spot when Monday’s final numbers are released. The film should have reasonable legs going forward, as its reviews are a major asset, while it earned a B from CinemaScore, which is a good result for a horror film. Internationally, the film is opening ahead of Get Out, but far behind its domestic debut with an estimated $16.7 million in 47 markets. This includes the U.K., where it earned $3.7 million during its opening weekend. However, it only cracked $1 million in three other markets: France ($2 million); Germany ($1.4 million); and Spain ($1.2 million). More...

Friday Estimates: Us Ends Captain Marvel’s Run on Top with $29 million

March 23rd, 2019

Us

Us topped expectations, and even beat Friday’s revisions, with an opening day of $29.06 million on Friday. Universal is projecting an opening weekend of $67 million after this result; however, studios tend to lowball these projections, so there’s a good chance it’ll do even better. That said, it would be wise to treat the movie like a horror sequel when it comes to predicting its legs. Granted, its reviews are more than 90% positive, and it earned a B from CinemaScore. That might seem low, but it is actually quite strong for a horror film. More...

Weekend Predictions: Us will be Lonely at the Top

March 21st, 2019

Us

Us is the only wide release of the week and it should easily earn top spot on the box office chart. It won’t dominate the box office chart, as Captain Marvel should still be a powerful draw this weekend. Unfortunately, there will be a huge gap between those two films and the rest of the box office, as no other movie is expected to crack $10 million at the box office. Fortunately, this weekend last year wasn’t particularly strong. Granted, there were five films that earned more than $10 million over the weekend, but the best, Pacific Rim: Uprising, only managed $28.12 million. There’s a chance the top two films this year will earn more than the top five did last year, giving 2019 only its third win of the year so far. It would also be its third win in a row. More...

Weekend Estimates: Captain Marvel Continues to Fly High, Most New Releases Open Strong

March 17th, 2019

Captain Marvel

Captain Marvel will remain in top spot on the weekend chart with an estimated $69.32 million, giving it a two-week total of $266.21 million. This is higher than predicted and a 55% decline bodes well for its future. It is already ahead of the lifetime domestic totals of eight previous installments in the MCU and it will quickly rise into the top ten. Internationally, the film added $119.7 million to its running tally, which now sits at $494.0 million, while its worldwide total rose to $760.2 million. Yesterday, I said the film could be in the top ten for the MCU. If these estimates hold, it will miss that mark by about $10 million. In fact, given its holds this weekend, it has a pathway to enter the top five. The film’s only, and last, new international opening was Japan. There the film’s estimated weekend opening was $5.6 million, which was the highest opening for a standalone film in the MCU. Meanwhile, outside of China, the film held on even better than it did domestically. China tends to be a very front-loaded market, but the film held on well enough there to get to $132.0 million after just two weeks, making it the fourth highest grossing film in the MCU already. It is even better in Indonesia where its two week total of $16.1 million is the fourth highest total of all-time. We will have more details on the international numbers later in the week. More...

Friday Estimates: Captain Marvel Hits $200 million Domestically and $600 million Worldwide

March 16th, 2019

Captain Marvel

Captain Marvel held on a little better than expected to earn $19.05 million on Friday, which pushes it past the $200 million mark in just 8 days. This is 69% lower than its opening Friday, but is still a fantastic start to its sophomore weekend. In fact, it should top our prediction with $68 million over the full weekend for a two week total of nearly $265 million. Disney hasn’t released Friday’s international numbers, but it is widely expected to top $400 million internationally and $600 million worldwide. The film has already surpassed five previous installments in the MCU on the worldwide chart and did so in just eight days. By the end of the weekend, it could be in the top ten for the franchise. More...

Thursday Night Previews: Five Feet Barely Ahead of Wonder Park

March 15th, 2019

Five Feet Apart

As expected, Five Feet Apart led the way when it came to previews; however, Wonder Park made it a very close race. The young adult adaptation earned $715,000 during its previews, which isn’t a good start for a film like this. Then again, it has been a while since this genre had a good start. Unfortunately, the film’s reviews are not good enough to suggest things will turn around during the rest of the weekend. That said, it likely won’t miss our prediction by a huge margin either. More...

Weekend Predictions: Will Captain Marvel Give the New Releases Room to Breathe?

March 15th, 2019

Five Feet Apart

Captain Marvel will undoubetedly dominate the box office again this weekend with some thinking it will avoid a 50% drop-off. I think that is overly optimistic, but there are some good signs. This includes a lack of top-notch new releases. Wonder Park is the biggest new release, at least in terms of theater count, but it also has the worst reviews of the three wide releases. Five Feet Apart has better reviews, but they can best be described as mixed. Meanwhile, Captive State still has barely any reviews and its buzz is so quiet that it might not top the Mendoza Line. Finally, some sources have Nancy Drew and the Hidden Staircase opening wide, but that isn’t happening. That’s too bad, because if it were opening wide, it would have the best reviews of the weekend. This weekend last year, Black Panther completed its month at the top of the chart, while Tomb Raider was the best new releases. Those two films earned almost exactly $50 million combined, which Captain Marvel will top by itself, leading 2019 to the victory in the year-over-year comparison. More...

2019 Preview: March

March 1st, 2019

Captain Marvel

2019 has been terrible so far and by the end of February, will be about half a billion dollars behind 2018’s pace. March should be the first step in 2019’s attempt to recover from this hole it has dug for itself. Captain Marvel will be the biggest film of the year so far and tracking has it opening with more than $100 million during the second weekend of March. While that film is undoubtedly going to become the biggest hit of the month, it isn’t the only potential hit opening in March, as both Us and Dumbo are expected to earn $100 million domestically; Dumbo might even top $200 million domestically. As for last March, there were only two films that hit $100 million, A Wrinkle in Time and Ready Player One, and neither of them came close to $200 million. There’s a slim chance this March will be better than last year, even if we ignore Captain Marvel. We could cut the deficit in half by the end of the month, if everything goes well. Then again, if everything went well during the first two months of the year, we wouldn’t be in such a deep hole at this point. More...

Five Feet Apart Trailer

January 28th, 2019

Romantic drama starring Cole Sprouse and Haley Lu Richardson opens on March 15 ... Full Movie Details.

Stella Grant is every bit a seventeen-year-old…she’s attached to her laptop and loves her best friends. But unlike most teenagers, she spends much of her time living in a hospital as a cystic fibrosis patient. Her life is full of routines, boundaries and self-control—all of which is put to the test when she meets an impossibly charming fellow CF patient named Will Newman. There’s an instant flirtation, though restrictions dictate that they must maintain a safe distance between them. As their connection intensifies, so does the temptation to throw the rules out the window and embrace that attraction. Further complicating matters is Will's potentially dangerous rebellion against his ongoing medical treatment. Stella gradually inspires Will to live life to the fullest, but can she ultimately save the person she loves when even a single touch is off limits? More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/09/13 2 $601,760   255 $2,360   $601,760 1
2019/09/20 5 $558,507 -7% 284 $1,967   $1,417,333 2
2019/09/27 6 $437,083 -22% 291 $1,502   $2,056,797 3
2019/10/04 7 $318,052 -27% 271 $1,174   $2,514,255 4
2019/10/11 11 $140,278 -56% 204 $688   $2,771,558 5
2019/10/18 15 $53,590 -62% 98 $547   $2,885,824 6
2019/10/25 21 $21,234 -60% 73 $291   $2,899,957 7
2019/11/01 - $5,872 -72% 19 $309   $2,910,617 8
2019/11/08 - $1,459 -75% 13 $112   $2,913,206 9
2019/11/15 - $360 -75% 3 $120   $2,906,508 10
2019/11/22 - $360 n/c 3 $120   $2,906,588 11

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/14/2019 $65,383 51 74 169 $354,776 5/16/2019
Aruba 3/14/2019 $2,785 0 0 0 $5,696 4/2/2019
Australia 3/29/2019 $1,136,999 256 256 1356 $4,972,380 6/7/2019
Austria 6/21/2019 $189,230 51 69 406 $863,591 9/5/2019
Bahrain 3/21/2019 $16,485 9 9 11 $29,267 4/12/2019
Bolivia 3/21/2019 $18,267 16 16 35 $56,424 4/18/2019
Brazil 3/21/2019 $1,420,299 497 560 2059 $5,161,248 5/24/2019
Cambodia 4/11/2019 $28,000 0 1 1 $50,400 5/26/2019
Chile 3/21/2019 $203,119 58 72 234 $901,528 5/10/2019
China 3/12/2021 $540,000 15674 15674 17585 $1,030,000 4/5/2021
Colombia 3/21/2019 $246,539 189 189 348 $704,005 4/24/2019
Costa Rica 3/21/2019 $40,596 24 24 55 $134,118 4/24/2019
Curacao 3/14/2019 $800 0 0 0 $3,436 4/2/2019
Denmark 5/16/2019 $41,650 17 17 36 $113,183 7/10/2019
Dominican Republic 3/21/2019 $23,337 19 19 61 $86,552 4/24/2019
Ecuador 3/22/2019 $94,473 36 36 119 $365,105 5/2/2019
Egypt 3/27/2019 $0 0 4 4 $58,264 5/10/2019
El Salvador 3/21/2019 $15,043 6 6 17 $48,971 4/18/2019
Estonia 4/19/2019 $11,088 15 17 56 $54,862 6/20/2019
Finland 5/3/2019 $29,751 70 70 172 $215,271 8/9/2019
Germany 6/20/2019 $1,155,822 429 496 3781 $5,648,388 9/26/2019
Guatemala 3/21/2019 $30,361 20 20 44 $85,366 4/18/2019
Honduras 3/21/2019 $17,124 20 20 31 $34,523 4/12/2019
Hong Kong 4/11/2019 $99,954 27 27 51 $228,113 5/16/2019
Hungary 5/2/2019 $131,833 41 51 209 $430,907 7/16/2019
Iceland 4/19/2019 $15,320 4 4 13 $43,527 5/26/2019
India 4/12/2019 $29,600 50 50 50 $51,574 4/24/2019
Indonesia 3/20/2019 $113,680 0 0 0 $605,953 4/18/2019
Iraq 3/21/2019 $0 0 2 2 $13,900 4/12/2019
Italy 3/21/2019 $1,519,344 0 45 58 $5,597,699 5/31/2019
Jordan 3/21/2019 $8,595 5 5 14 $52,870 5/16/2019
Kuwait 3/21/2019 $28,150 5 5 7 $63,481 4/12/2019
Laos 4/18/2019 $0 0 0 0 $9,000 6/7/2019
Lebanon 3/14/2019 $0 0 7 17 $113,180 4/24/2019
Lithuania 5/3/2019 $23,642 88 88 178 $63,532 6/4/2019
Malaysia 3/21/2019 $128,119 71 71 226 $504,236 4/24/2019
Mexico 3/22/2019 $860,989 1235 1235 1377 $2,653,779 5/24/2019
Netherlands 6/14/2019 $134,685 57 57 345 $690,596 9/5/2019
New Zealand 3/28/2019 $172,199 70 74 381 $647,120 5/31/2019
Nicaragua 3/21/2019 $8,983 9 9 16 $23,424 4/12/2019
North America 3/15/2019 $13,190,286 2,803 2,866 13,871 $45,729,221
Oman 3/21/2019 $3,902 3 3 4 $11,326 4/12/2019
Panama 3/21/2019 $30,291 21 21 42 $89,452 4/18/2019
Paraguay 3/21/2019 $20,200 12 14 26 $69,879 5/2/2019
Peru 3/21/2019 $242,660 70 70 168 $878,941 4/24/2019
Philippines 3/20/2019 $337,024 188 188 354 $640,129 5/2/2019
Poland 5/10/2019 $187,104 116 121 669 $944,399 7/16/2019
Qatar 3/21/2019 $16,701 12 12 16 $41,279 4/12/2019
Romania 5/3/2019 $62,468 63 63 235 $163,937 3/24/2021
Russia (CIS) 5/1/2019 $1,314,128 754 763 2219 $3,356,803 7/10/2019
Singapore 3/21/2019 $56,912 13 14 64 $309,377 5/10/2019
Slovenia 5/9/2019 $25,913 15 15 47 $56,695 7/18/2019
South Korea 4/10/2019 $330,605 457 457 613 $755,282 5/24/2019
Spain 9/13/2019 $601,760 255 291 1514 $2,906,588 11/29/2019
Suriname 3/21/2019 $4,583 0 0 0 $6,976 4/18/2019
Sweden 6/14/2019 $23,996 24 24 62 $76,325 7/25/2019
Switzerland (French Speaking) 9/4/2019 $0 0 12 23 $38,154 10/18/2019
Switzerland (German Speaking) 6/20/2019 $99,046 50 50 183 $495,540 10/18/2019
Switzerland (Italian Speaking) 3/21/2019 $5,633 3 4 14 $57,915 5/16/2019
Taiwan 3/29/2019 $159,347 60 60 189 $875,143 5/31/2019
Thailand 4/18/2019 $62,812 52 52 67 $148,302 6/7/2019
Ukraine 5/1/2019 $113,972 157 157 311 $251,617 5/31/2019
United Arab Emirates 3/14/2019 $54,459 0 31 49 $193,302 4/12/2019
United Kingdom 3/22/2019 $334,886 204 204 781 $1,265,138 6/28/2019
Uruguay 3/21/2019 $15,817 12 15 51 $107,947 6/20/2019
Vietnam 3/29/2019 $59,483 0 298 299 $265,349 5/10/2019
West Indies 3/13/2019 $12,424 11 12 25 $48,948 4/24/2019
 
Worldwide Total$92,554,209 4/5/2021

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Cole Sprouse    Will Newman
Haley Lu Richardson    Stella

Supporting Cast

Moises Arias    Poe
Kimberly Hebert Gregory    Nurse Barb
Parminder Nagra    Dr. Noor Hamid
Claire Forlani    Meredith
Gary Weeks    Tom
Emily Baldoni    Julie
Elena Satine    Sarah
Cynthia Evans    Erin
Sophia Bernard    Abby
Cecilia Leal    Camila
Ariana Guerra    Hope Gomez
Jim Gleason    ER Doctor
Todd Terry    Surgeon
Phillip Mullings Jr    EMT
Armando Leduc    RRT Doctor
Ivy Dubreuil    Young Abby
Toney Chapman Steele    Businessman
Trina LaFarque    Mya
Patrick Kearns    Doctor
Rebecca Chulew    Doctor
Brett Austin Johnson    Jason
Demi Castro    Anesthesiologist
Keianna Nutley    Young girl in hospital
Kaleb Williams    Family Member

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Justin Baldoni    Director
Mikki Daughtry    Screenwriter
Tobias Iaconis    Screenwriter
Cathy Schulman    Producer
Justin Brown    Producer
Christopher H. Warner    Executive Producer
Frankie DeMarco*    Director of Photography
Anthony T. Fanning*    Production Designer
Angela Catanzaro    Editor
Rachel Sage Kunn    Costume Designer
Brian Tyler    Composer
Breton Vivian    Composer
Barbara J. McCarthy    Casting Director