New Zealand Box Office for Once Upon a Time…in Hollywood (2019)

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Once Upon a Time in Hollywood
Theatrical Performance (US$)
New Zealand Box Office $2,099,736Details
Worldwide Box Office $377,426,903Details
Home Market Performance
North America DVD Sales $9,714,455 Details
North America Blu-ray Sales $20,378,036 Details
Total North America Video Sales $30,092,491
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

1969 Los Angeles, where everything is changing, as TV star Rick Dalton and his longtime stunt double Cliff Booth make their way around an industry they hardly recognize anymore.

Metrics

Movie Details

Production Budget:$90,000,000
New Zealand Releases: August 15th, 2019 (Wide)
Video Release: November 26th, 2019 by Sony Pictures Home Entertainment
December 9th, 2019 by Sony Pictures
MPAA Rating: R for language throughout, some strong graphic violence, drug use, and sexual references.
(Rating bulletin 2587 (Cert #52050), 7/17/2019)
Running Time: 159 minutes
Keywords: Set in Los Angeles, 1960s, Set in Hollywood, Ensemble, TV Industry, TV Actor, Aspiring Actress / Actor, Stuntman, Inspired by a True Story, Addiction, IMAX: DMR, 2020 Oscars Best Picture Nominee, Golden Globe Winner Best Picture—Musical or Comedy, Crime Thriller
Source:Based on Real Life Events
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Columbia Pictures, Heyday Films, Bona Film Group
Production Countries: United Kingdom, United States
Languages: English

2020 Awards Season: Oscars Winners and Reactions

February 10th, 2020

Parasite

The Oscars were handed out last night and unlike most years, I wasn’t able to live-blog the awards. This is a real shame, because it was one of the best Oscar nights I can remember and there were very few awards that made me legitimately angry, unlike many years in the past. There was even a surprise winner for the full night, as Parasite earned the most wins with four Oscars. It is incredibly rare for a foreign-language film to pull off that feat. More...

2020 Awards Season: Oscar Highlight: Best Picture

February 8th, 2020

1917

Our annual Oscar Prediction contest closes at noon, Pacific Time, on Sunday, so now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. We finish our shortened schedule with Best Picture, which is basically a two-horse race at this point. More...

2020 Awards Season: Oscar Highlight: Best Director

February 8th, 2020

1917

Our annual Oscar Prediction contest closes at noon, Pacific Time, on Sunday, so now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. We are continuing our shortened schedule with Best Director. We have yet another close race with two films that are practically a coin-toss away from being the winner. More...

2020 Awards Season: Oscar Highlight: Best Original Screenplay

February 6th, 2020

Parasite

Our annual Oscar Prediction contest is underway so now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. We are continuing our shortened schedule with Best Original Screenplay. We have yet another close race with two films that are practically a coin-toss away from being the winner. More...

2020 Awards Season: Oscar Highlight: Best Leading Actor

February 5th, 2020

Joker

Our annual Oscar Prediction contest is underway so now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. We are continuing our shortened schedule with Best Lead Actor. We have a definite favorite this year, but I’m really hoping for an upset. More...

2020 Awards Season: Oscar Highlight: Best Supporting Actor

February 4th, 2020

Once Upon a Time … In Hollywood

Our annual Oscar Prediction contest underway so now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. We are continuing our schedule with Best Supporting Actor. This might be the least competitive category we talk about this year. More...

2020 Awards Season: Oscar Nominations

January 13th, 2020

1917

The Oscar nominations were announced on Monday, and the results were... well, there were some puzzling results. Joker led the way with eleven nominations. ... A film with 69% positive reviews earned the most nominations. It’s not the worst-reviewed movie to earn a Best Picture Nomination—after all, Bohemian Rhapsody was nominated just last year. However, this film is arguably the worst-reviewed movie to ever earn the most nominations in a single year. More...

2020 - Awards Season: Golden Globes Winners

January 6th, 2020

1917

The Golden Globes winners were announced on Sunday and we have some interesting developments for the rest of Awards Season. 1917 wasn’t considered a front-runner with five films earning more nominations. However, after this result, it might be the front-runner to become the big winner on Oscar night. More...

2020 - Awards Season: SAG - Nominations

December 12th, 2019

Bombshell

The Screen Actors Guild announced their nominations this week and we are starting to see some patterns with similar names appearing over and over again. This time Bombshell led the way, earning four nominations, but four other films earned two or more nominations. More...

Home Market Releases for December 10th, 2019

December 11th, 2019

Hustlers

As Christmas rapidly approaches, the number of home market releases shrinks. That said, we do have three $100 million hits on this week’s list, Hustlers, It: Chapter Two, and Once Upon a Time…in Hollywood. All three are worth picking up, but Hustlers and Linda Ronstadt: The Sound of My Voice are Pick of the Week contenders, with the former winning out. More...

2020 Awards Season: Golden Globes Nominations

December 11th, 2019

Marriage Story

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. (This is especially true on the TV end, as there’s talk about how strange the nominations are this year.) Marriage Story led the way with six nominations, just ahead of The Irishman and Once Upon a Time... in Hollywood, both of which picked up five nods. More...

2019 - Holiday Gift Guide - Part I - First-Run Releases and Franchise Box Sets

November 27th, 2019

Avengers: Endgame

It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This year, Thanksgiving is as late as it could have been, which means there’s no way to squeeze in four weeks of regular installments of the gift guide, as well as the December monthly preview, etc. So we are going to have a condensed list this year. That said, there weren’t a ton of first-run releases that would have made this list regardless. More...

Home Market Releases for November 26th, 2019

November 27th, 2019

MST3K

It is an even worse week on the home market than it was last week. There are two Pick of the Week contenders, MST3K: The Gauntlet and RoboCop: Limited Edition Collector’s Set. The latter has far more extras, but it has also been released on the home market far too many times. It’s not even the first time it has come out on Blu-ray. It was still a very close competitoion, but in the end, MST3K won the title of Pick of the Week. More...

International Box Office: Ad Astra is the Real Star of the International Chart

September 26th, 2019

Ad Astra

Last week, the international box office was dominated by international releases with six of the top seven films coming from overseas. This week, there is only four films that earned more than $10 million and only one of them wasn’t a Hollywood release. Ad Astra led the way earning $26 million in 44 markets during its first weekend of release. The film’s biggest market was the U.K., where it opened in second place with $2.83 million in 616 theaters. It did as well in South Korea with $2.32 million on 853 screens over the weekend for a total opening of $2.68 million. The film also cracked $2 million in France ($2.7 million) and Japan ($2.2 million). The film has yet to open in several major markets, so it is far from done. That said, it was an expensive movie to make and while it is doing better internationally, it isn’t doing well enough to break even any time soon. More...

International Box Office: It Earns Itself First Place

September 12th, 2019

It: Chapter Two

It: Chapter Two matched its domestic opening weekend internationally, earning $94.0 million on 26,790 screens in 75 markets over the weekend. Unlike the film’s domestic debut, its international opening was close to on par with the first It’s debut, in local currencies not counting inflation. In fact, Chapter Two had a faster start in Russia earning $9.20 million to $7.28 million for its predecessor. The film had nearly identical openings in both Mexico ($9.14 million) and in the U.K. ($9.06 million). The film opens in France this weekend, while it doesn’t finish off its international run until it debuts in Japan in November. More...

International Box Office: Hobbs and Shaw Plummet in China Still Top the International Chart

September 4th, 2019

Hobbs and Shaw

Fast and Furious Presents: Hobbs and Shaw had a very steep decline in China, but still managed to earn first place on the international chart with $37.9 million in 68 markets over the weekend for totals of $528.7 million internationally and $$687.9 million worldwide. The film plummeted 72% during its second weekend in China earning $27.65 million for a two-week total of $170.36 million. This drop-off is extreme, even for China. However, it doesn’t matter. The movie will hit $200 million in that market and $700 million worldwide, which is more than enough to break even and get yet another installment in the franchise. More...

International Box Office: Hobbs and Shaw have a Fantastically Fast Start in China

August 28th, 2019

Hobbs and Shaw

Fast and Furious Presents: Hobbs and Shaw roared back into first place on the international chart earning $119.4 million in 68 markets for totals of $440.4 million internationally and $588.1 million worldwide. This includes a first place, three-day $99.08 million debut in China, for a total opening in the market of $103.06 million. Granted, films tend to have short legs in China, but a start like this will still give the film an easy time reaching $700 million worldwide, which is enough to be a financial success, even if it doesn’t match the previous installments in the franchise. More...

International Box Office: Hollywood Goes Global

August 21st, 2019

Once Upon a Time... In Hollywood

Once Upon a Time... In Hollywood started its international run in earnest with $48.53 million over the three-day weekend, $55.22 million including previews and weekdays. It was playing on 10,054 screens in 59 markets and has a running tally of $65.44 million after two weeks of release. Its biggest market of the weekend was either France or the U.K., depending on how you look at it. In the former, it earned first place with $7.08 million on 683 screens. It also opened in first place in the latter with $6.22 million on 708 screens over the weekend, and had a total opening of $9.16 million. It also had strong openings in Germany ($5.06 million on 820 screens over the weekend for a total opening of $5.82 million); Australia ($4.52 million on 299 screens); and Spain ($2.41 million on 869 screens over the weekend for a total opening of $3.63 million). More...

Weekend Wrap-Up: Hobbs and Shaw Survive Their Sophomore Stint

August 12th, 2019

Fast and Furious Presents: Hobbs and Shaw

The weekend box office was mediocre with many of the new releases missing expectations, and some of them had low expectations to begin with. Fast and Furious Presents: Hobbs and Shaw was able to remain in first place, but on the low end of expectations, leaving Scary Stories to Tell in the Dark as the biggest positive news of the weekend. Overall, the weekend box office was 11% lower than last weekend at $132 million. Worse still, this is 10% lower than the same weekend last year, leaving 2019 further behind last year’s pace. 2019 is now behind 2018 by 6.2% or $480 million at $7.16 billion to $7.64 billion. More...

Weekend Estimates: Hobbs and Shaw Remain Top Draw

August 11th, 2019


Friday Estimates: Scary Tops Friday, Hobbs and Shaw Set to Win Weekend

August 10th, 2019

Scary Stories to Tell in the Dark

Scary Stories to Tell in the Dark led the way on Friday with $7.86 million. The film’s reviews are Certified Fresh at 80% positive, but it only managed a C from CinemaScore. To be fair, this isn’t a bad result for a horror film, but it does mean it likely won’t have great legs and will sink into second place over the full weekend. It will still beat our prediction and could even become CBS Films’ best opening of all time. Right now, it is on pace to come close to The Woman in Black’s current record with about $20 million during the opening weekend. It would be ironic is CBS Films set the company record now, as it is ceasing theatrical releases and instead shifting towards streaming content. More...

Weekend Predictions: Can Dora find Box Office Gold?

August 8th, 2019

Dora and the Lost City of Gold

There are five wide or semi-wide releases coming out this weekend, which is just too many and practically guarantees at least one of them will flop at the box office. Of these films, Dora and the Lost City of Gold is the only one expected to compete for first place, while Scary Stories to Tell in the Dark should do well as a low-budget horror movie. Unfortunately, The Kitchen and The Art of Racing in the Rain are not connecting with critics and that will likely keep them out of the top five. Finally, Brian Banks is opening in just 1,240 theaters and that could keep it out of the top ten. This weekend last year, The Meg opened with $45 million. No film playing this weekend will match that and I don’t think this year’s depth is going to compensate, meaning we are going to lose in the year-over-year competition yet again. More...

Weekend Wrap-Up: Hobbs and Shaw Stumble Out of the Gate

August 7th, 2019

Fast and Furious Presents: Hobbs and Shaw

It was a mixed weekend at the box office with Fast and Furious Presents: Hobbs and Shaw missing lofty expectations by a huge margin and this left the box office 8.4% lower than last weekend at $149 million. More importantly, this was 6.9% higher than the same weekend last year. 2019 closed the gap between it and last year a little bit and it is now down by 6.2% or $460 million at $6.96 billion to $7.42 billion. Unfortunately, we really needed a much faster start from Hobbs and Shaw to have a good month, so this might be as good as it gets until September. More...

Weekend Estimates: Hobbs and Shaw’s International Numbers Save Weekend Haul

August 4th, 2019

Fast and Furious Presents: Hobbs and Shaw

Fast and Furious Presents: Hobbs and Shaw missed even the low end of predictions with an estimated opening weekend of just $60.8 million. This is not a good start for a film that cost $200 million to make. Additionally, its reviews and its A minus from CinemaScore do not suggest long enough legs to make up for this opening. Fortunately, the film is doing a lot better internationally with an estimated opening of $120 million in 63 markets. Furthermore, this number doesn’t include China, because the film doesn’t open there until the end of the month. (It has also yet to open in France, Italy, and Japan, but it will earn more in China than those three markets combined.) The film is opening well behind The Fate of the Furious in most markets, including Russia where it managed $8.20 million on 1,766 screens, compared to $14.26 million on 1,470 screens for the previous film. It was even worse in the U.K. at $7.85 million in 610 theaters vs. $17.58 million on 572. Overall, the film is more in line with Fast Five than the other recent films in the franchise. This is still enough to earn a profit, especially if it does well in China, but the spin-off won’t replace the main films in the Fast and the Furious franchise like I thought it had a chance of doing. More...

Friday Estimates: Hobbs and Shaw has an Impossible Start

August 3rd, 2019

Fast and Furious Presents: Hobbs and Shaw

Fast and Furious Presents: Hobbs and Shaw is going to miss predictions, but it did bounce back from weak previews with $23.72 million on Friday. This is higher than Mission: Impossible—Fallout managed during its opening day, despite worse preview numbers. This bodes well for the film’s legs. Its reviews are slightly better than the previous installment in the Fast and the Furious franchise, while its A minus from CinemaScore is a little weaker. Universal is projecting a $60 million opening weekend after this result, but studios tend to underestimate these things so it looks like their movies over-performed in the end, so I think $61 million or $62 million is more likely. More...

Weekend Predictions: How Fast can Hobbs and Shaw Start?

August 1st, 2019

Fast and Furious Presents: Hobbs and Shaw

It’s the first weekend of August and we have the last potential monster hit of the summer debuting. Fast and Furious Presents: Hobbs and Shaw is the first spin-off in the Fast and the Furious franchise. A lot of people think it will perform weaker at the box office than the other recent films in the franchise, but I think they are underestimating the box office appeal of Dwayne Johnson. Holdovers will be led by The Lion King and Once Upon a Time…in Hollywood, both of which should still be major factors at the box office. This weekend last year, Mission: Impossible—Fallout and Christopher Robin combined for just under $60 million. Even throwing in The Spy Who Dumped Me and the top three barely pass $70 million. Hobbs and Shaw should earn more than that by itself, giving 2018 a very strong win in the year-over-year competition. More...

Theater Averages: Lion King Can’t Be Dethroned

July 31st, 2019

The Lion King

The Lion King remained in first place on the overall chart and the theater average chart. It managed an average of $16,216 on the latter, putting it ahead of Honeyland, which landed in second place with an average of $15,000 in two theaters. The Farewell remained in the $10,000 club with an average of $11,246 in 135 theaters. Once Upon a Time... in Hollywood was the final film in the $10,000 club with an average of $11,228. More...

Weekend Wrap-Up: Once Upon a Time has a Fairy Tale Start

July 30th, 2019

The Lion King

It was a mixed weekend at the box office with Once Upon a Time…in Hollywood becoming Quentin Tarantino’s biggest opening film in his career, but The Lion King falling much faster than expected. The overall box office was down 38% from last weekend, hitting $162 million. However, this was 4.1% more than the same weekend last year and that’s a much more important result. 2019 is still behind 2018 by a 6.4% or $460 million margin at $6.73 billion to $7.19 billion, but at this point, I will celebrate any victory, no matter how small. More...

Weekend Estimates: Hollywood Can’t Tame Lion King

July 28th, 2019

The Lion King

As expected, The Lion King is easily topping the box office chart this weekend. Unfortunately, it is doing so despite falling much faster than expected, down 61% to an estimated $75.52 million during its third weekend of release for a running tally of $350.78 million. Fortunately, it could still be on pace to reach $500 million domestically, while it earned $142.8 million internationally for totals of $611.9 million internationally and $962.7 million worldwide. It will reach $1 billion shortly, making it yet another profitable disappointment. We’ve had too many of those this year, but I guess it is better than having these films lose money. More...

Friday Estimates: The Lion King Plummets, Hollywood Celebrates

July 27th, 2019

Once Upon a Time…in Hollywood

The Lion King had a decidedly un-family-friendly fall on Friday, earning $22.30 million. This is 71% lower than the film’s opening Friday and this is a terrible result for a family film. The movie will bounce back over the rest of the weekend, but a 60% decline to about $76 million is much lower than our prediction. Granted, the movie will still make more than enough money to break even, but it will be yet another profitable disappointment. We’ve had far too many of those and not enough films matching their potential at the box office this year. More...

Thursday Night Previews: Hollywood is Quentin Tarantino’s Fastest Debut

July 26th, 2019

Once Upon a Time…in Hollywood

Once Upon a Time…in Hollywood earned $5.8 million during previews on Thursday, making it the fastest starting film in Quentin Tarantino’s career. Granted, his most recent film, The Hateful Eight, came out in December of 2015 and it was a box office disappointment. Meanwhile, his biggest hit, Django Unchained, came out in December of 2012 and midnight previews have come a long way since then. That said, this is still an impressive opening and does put the film on pace to beat Quentin Tarantino’s top opening in his career with about $40 million. Add in its reviews and it should last long enough to break even relatively soon. More...

Weekend Predictions: Once Upon a Time at the Box Office

July 25th, 2019

Once Upon a Time…in Hollywood

Once Upon a Time…in Hollywood is Quentin Tarantino’s first film in four years and it is generating a ton of buzz. However, it is going up against The Lion King, which set records last weekend and has a slim chance at $100 million this weekend. Fortunately, the two films don’t share much of their respective target audiences, so they shouldn’t cannibalize each other at the box office too much. As a result, 2019 should easily beat the same weekend last year in the year-over-year competition. It is too soon to get excited about a potential comeback, but any victory is worth celebrating when you are this far behind. More...

2019 Preview: July

July 1st, 2019

The Lion King

June was a disaster, with no pleasant surprises for the entire month, and a boatload of disappointments. In fact, one could argue Aladdin was the biggest hit of the month, despite it opening in May. Toy Story 4 is the biggest hit released in June, but it still missed expectations by a huge margin. In fact, so many films missed expectations by huge margins I’m rethinking my predictions for July. I still think there will be monster hits and I seriously doubt Spider-Man: Far from Home and The Lion King will bomb, but I also don’t think they will reach the heights some of the tracking data suggests they will. The only other film that has a shot at $100 million is Once Upon a Time in Hollywood, but the overall box office is so weak that I’m no longer sure it will get there. Meanwhile, last July wasn’t as strong on top with just two films topping $200 million, Mission: Impossible - Fallout and Ant-Man and the Wasp, neither of which came close to $300 million. However, last year had a lot better depth and I think that could result in 2019 merely breaking even in the year-over-year competition. More...

Once Upon a Time in Hollywood Trailer

May 16th, 2019

Quentin Tarantino’s homage to 1969 Hollywood, starring Leonardo DiCaprio, Brad Pitt and Margot Robbie opens July 26 ... Full Movie Details.

1969 Los Angeles, where everything is changing, as TV star Rick Dalton and his longtime stunt double Cliff Booth make their way around an industry they hardly recognize anymore. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/08/16 1 $527,279   160 $3,295   $541,560 1
2019/08/23 1 $353,483 -33% 109 $3,243   $1,062,103 2
2019/08/30 1 $197,372 -44% 105 $1,880   $1,343,034 3
2019/09/06 2 $151,259 -23% 105 $1,441   $1,591,366 4
2019/09/13 4 $91,433 -40% 88 $1,039   $1,712,852 5
2019/09/20 10 $33,327 -64% 63 $529   $1,739,953 6
2019/09/27 11 $31,310 -6% 52 $602   $1,798,034 7
2019/10/04 18 $12,147 -61% 22 $552   $1,826,676 8
2019/10/11 25 $7,242 -40% 14 $517   $1,847,372 9
2019/10/18 30 $2,194 -70% 7 $313   $1,860,272 10
2019/10/25 - $563 -74% 3 $188   $1,858,649 11
2019/11/01 - $427 -24% 2 $214   $1,883,489 12
2020/02/07 - $940   2 $470   $1,874,575 26
2020/02/14 - $439 -53% 2 $220   $1,884,169 27
2020/02/21 - $161 -63% 1 $161   $1,859,531 28
2020/02/28 - $43 -73% 1 $43   $1,824,855 29
2020/06/12 - $138   1 $138   $1,883,392 44
2020/06/19 - $315 +128% 1 $315   $1,881,225 45
2020/06/26 - $100 -68% 1 $100   $1,880,297 46
2021/02/26 - $54   1 $54   $2,124,006 81
2021/03/19 - $82   1 $82   $2,099,736 84

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 8/22/2019 $581,985 295 295 787 $1,792,572 2/19/2020
Australia 8/16/2019 $4,524,777 624 624 3304 $16,878,802 10/28/2024
Austria 8/15/2019 $491,326 120 120 783 $2,968,691 12/3/2019
Bahrain 8/15/2019 $130,955 12 12 31 $267,925 9/24/2019
Belgium 8/14/2019 $1,152,331 114 114 814 $3,632,714 11/19/2019
Bolivia 8/15/2019 $35,968 21 21 61 $120,920 9/24/2019
Brazil 8/15/2019 $1,726,835 435 593 2025 $5,217,469 2/19/2020
Bulgaria 8/16/2019 $96,384 0 1 6 $462,947 2/25/2020
Cambodia 8/29/2019 $6,870 53 53 75 $13,632 9/24/2019
Central America 8/22/2019 $288,061 202 202 380 $684,506 10/1/2019
Chile 8/22/2019 $328,326 89 114 386 $1,167,223 2/26/2020
Colombia 8/15/2019 $252,049 113 113 375 $903,191 2/19/2020
Croatia 8/15/2019 $186,728 58 58 289 $837,003 11/5/2019
Curacao 8/29/2019 $1,490 1 2 3 $3,443 9/11/2019
Czech Republic 8/15/2019 $819,753 152 152 717 $2,917,156 10/19/2022
Denmark 8/15/2019 $1,515,754 106 118 695 $5,425,716 10/19/2022
Dominican Republic 8/22/2019 $33,413 20 20 69 $104,010 10/8/2019
East Africa 8/15/2019 $5,910 5 5 26 $13,834 10/8/2019
Ecuador 8/16/2019 $108,045 47 47 175 $426,117 10/8/2019
Egypt 8/21/2019 $93,418 16 16 67 $265,142 10/1/2019
Estonia 8/16/2019 $87,521 22 22 101 $455,850 10/17/2019
Finland 8/16/2019 $677,653 113 113 708 $3,163,946 3/17/2020
France 8/14/2019 $7,076,506 683 818 4925 $21,810,768 10/29/2019
Germany 8/15/2019 $5,058,224 820 895 6616 $20,383,756 2/25/2020
Ghana 8/16/2019 $1,404 3 4 11 $3,350 9/4/2019
Greece 8/22/2019 $563,775 203 203 523 $1,804,461 10/8/2019
Hong Kong 7/25/2019 $0 0 47 136 $1,430,546 5/21/2020
Hungary 8/15/2019 $518,981 74 98 457 $1,774,523 10/19/2022
Iceland 8/14/2019 $68,562 13 13 43 $303,125 10/8/2019
India 8/15/2019 $512,361 337 337 539 $1,292,539 2/19/2020
Indonesia 8/27/2019 $278,430 359 359 469 $531,379 2/4/2020
Iraq 8/15/2019 $55,378 8 8 28 $109,716 9/17/2019
Israel 8/15/2019 $517,363 37 37 237 $1,836,300 10/19/2022
Italy 9/18/2019 $4,996,934 0 10 40 $14,182,674 10/19/2022
Jamaica 8/28/2019 $6,648 5 5 6 $14,389 9/11/2019
Japan 8/30/2019 $2,129,603 317 317 1769 $10,936,013 12/27/2019
Jordan 8/15/2019 $48,893 6 6 22 $117,178 9/24/2019
Kenya 8/16/2019 $7,142 19 19 29 $15,820 9/17/2019
Kuwait 8/15/2019 $209,257 19 19 46 $377,718 9/24/2019
Latvia 8/16/2019 $51,566 13 13 90 $367,784 11/19/2019
Lebanon 8/15/2019 $80,134 23 23 69 $232,047 1/15/2020
Lithuania 8/16/2019 $94,143 16 16 90 $501,162 2/12/2020
Malaysia 8/15/2019 $83,653 85 85 227 $189,977 10/1/2019
Mexico 8/23/2019 $2,355,962 0 213 347 $6,096,024 10/19/2022
Middle East Region 8/15/2019 $404,177 11 11 39 $1,212,752 9/24/2019
Mongolia 8/23/2019 $12,989 8 9 36 $48,037 9/24/2019
Netherlands 8/16/2019 $1,841,755 139 140 1358 $6,988,749 10/19/2022
New Zealand 8/15/2019 $527,279 160 160 741 $2,099,736 3/31/2021
Nigeria 8/16/2019 $4,900 42 42 83 $10,372 9/4/2019
North America 7/26/2019 $41,082,018 3,659 3,659 25,655 $142,502,728
Norway 8/16/2019 $1,016,279 191 191 823 $3,969,305 12/27/2019
Oman 8/15/2019 $57,474 18 18 33 $99,053 9/11/2019
Pakistan 8/16/2019 $31,684 35 35 85 $111,512 10/8/2019
Paraguay 8/22/2019 $17,108 16 16 30 $51,803 10/1/2019
Peru 8/15/2019 $163,684 67 67 188 $566,984 2/12/2020
Philippines 8/28/2019 $136,565 114 114 174 $220,466 2/4/2020
Poland 8/16/2019 $1,199,861 236 268 1298 $5,239,616 10/19/2022
Portugal 8/15/2019 $456,512 119 119 611 $1,735,933 10/19/2022
Qatar 8/15/2019 $120,270 17 17 42 $224,367 9/24/2019
Romania 8/16/2019 $212,418 83 83 471 $907,865 3/5/2020
Russia (CIS) 8/8/2019 $7,710,779 1387 1387 6124 $18,727,996 10/19/2022
Serbia and Montenegro 8/15/2019 $106,980 32 332 491 $444,482 12/10/2019
Singapore 8/15/2019 $219,382 25 29 155 $659,828 2/25/2020
Slovakia 8/15/2019 $285,628 74 74 273 $861,298 2/5/2020
Slovenia 8/15/2019 $99,028 25 25 107 $324,450 12/3/2019
South Africa 8/30/2019 $85,709 51 57 235 $349,378 2/12/2020
South Korea 9/25/2019 $908,515 678 678 997 $1,850,966 3/24/2020
Spain 8/15/2019 $2,463,370 425 449 2948 $13,504,250 3/11/2020
Sweden 8/16/2019 $1,123,642 243 243 1054 $4,911,120 2/25/2020
Switzerland 8/15/2019 $817,681 141 142 830 $3,863,689 2/12/2020
Syria 8/15/2019 $3,118 1 1 4 $43,500 9/11/2019
Taiwan 7/24/2019 $0 0 67 137 $1,209,855 5/21/2020
Thailand 9/12/2019 $184,468 125 125 263 $416,553 10/19/2022
Trinidad 8/28/2019 $14,751 17 17 28 $23,018 9/11/2019
Turkey 8/23/2019 $398,030 272 278 1132 $1,394,901 10/19/2022
Ukraine 8/15/2019 $1,035,017 358 358 1133 $2,567,528 2/12/2020
United Arab Emirates 8/15/2019 $722,244 68 68 207 $1,805,039 10/23/2019
United Kingdom 8/14/2019 $9,168,119 663 697 4159 $26,033,998 3/17/2020
Uruguay 8/15/2019 $52,182 30 30 82 $180,967 2/19/2020
Venezuela 8/16/2019 $11,266 41 41 181 $61,612 10/17/2019
Vietnam 8/16/2019 $72,693 118 118 247 $169,139 10/1/2019
 
Worldwide Total$377,426,903 10/28/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Leonardo DiCaprio    Rick Dalton
Brad Pitt    Cliff Booth
Margot Robbie    Sharon Tate

Supporting Cast

Emile Hirsch    Jay Sebring
Margaret Qualley    Kitty Kat
Timothy Olyphant    James Stacy
Austin Butler    Charles “Tex” Watson
Dakota Fanning    Lynette “Squeaky” Fromme
Bruce Dern    George Spahn
Al Pacino    Marvin Schwarz
Burt Reynolds    George Spahn
Kurt Russell    Randy
Michael Madsen    TV Show Sherriff
Luke Perry    Wayne Maunder
Damian Lewis    Steve McQueen
Scoot McNairy    Business Bob Gilbert
Damon Herriman    Charles Manson
Julia Butters    Meryl Streep
Martin Kove    TV Character
Brenda Vaccaro   
Nichole Galicia   
Mike Moh    Bruce Lee
Craig Stark   
Marco Rodriguez   
Ramon Franco   
Raul Cardona    Delgado
Lena Dunham    Catherine Share
Maya Hawke    Flower Child
Zoë Bell    Stunt Coordinator’s Wife
Keith Jefferson    Land Pirate Keith
Eddie Perez    Land Pirate Eddie
Clifton Collins, Jr.    Ernesto “The Mexican” Vaquero
Madisen Beaty    Katie
Victoria Pedretti    Lulu
Dreama Walker    Connie Stevens
Rumer Willis    Joanna Pettet
Samantha Robinson    Abigail Folger
Costa Ronin    Wojciech Frykowski
Rafal Zawierucha    Roman Polanski
Lorenza Izzo    Francesca Cappucci
Maurice Compte    Land Pirate Mao
Lew Temple    Land Pirate Lew
Spencer Garrett    Allen Kincade
Nicholas Hammond    Sam Wanamaker
Sydney Sweeney    Snake

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Quentin Tarantino    Director
Quentin Tarantino    Screenwriter
Quentin Tarantino    Producer
David Heyman    Producer
Shannon McIntosh    Producer
Georgia Kacandes    Executive Producer
Yu Dong    Executive Producer
Jeffrey Chan    Executive Producer
Robert Richardson    Director of Photography
Fred Raskin    Editor
Arianne Phillips    Costume Designer
Victoria Thomas    Casting Director
Barbara Ling    Production Designer
Nancy Haigh    Set Decorator
Michael Minkler    Sound Mixer
Christian P. Minkler    Sound Mixer
Mark Ulano    Sound Mixer
Christopher T. Sadler    Key Second Assistant Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.