| Best known as an Editor based on credits in that role in 5 films, with $11,424,651 worldwide aggregate box office (rank #1,327) |
| Best-known technical roles: Lisa Frankenstein (Editor), Patti Cake$ (Editor), Ted K (Editor), Trigger Point (Director), Trigger Point (Executive Producer) |
| Best-known acting roles: Beat Cop (Alone in the Dark), Turkish Band-Gallipoli (The Water Diviner), Hockey Player (Mystery, Alaska), Aitch (Unwelcome) |
| Most productive collaborators: Kathryn Newton, Zelda Williams, Diablo Cody, Cole Sprouse, Mason Novick |
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| As an Actor | Supporting | 4 | $18,291,593 | $32,570,917 | $50,862,510 |
| In Technical Roles | Editor | 5 | $10,614,109 | $810,542 | $11,424,651 |
| Director | 2 | $29,262 | $0 | $29,262 | |
| Executive Producer | 1 | $29,262 | $0 | $29,262 | |
| Screenwriter | 1 | $4,212 | $0 | $4,212 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Mar 10, 2023 | Unwelcome | Aitch | $21,284 | $306,797 | $328,081 |
| Apr 24, 2015 | The Water Diviner | Turkish Band-Gall… | $4,200,117 | $26,854,610 | $31,054,727 |
| Jan 28, 2005 | Alone in the Dark | Beat Cop | $5,178,569 | $5,409,510 | $10,588,079 |
| Oct 1, 1999 | Mystery, Alaska | Hockey Player | $8,891,623 | $8,891,623 | |
| Averages | $4,572,898 | $10,856,972 | $12,715,628 | ||
| Totals | 4 | $18,291,593 | $32,570,917 | $50,862,510 | |
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Mar 10, 2023 | Unwelcome | $10,813 | 75 | $21,284 | $328,081 | 6.5% |
| Apr 24, 2015 | The Water Diviner | $1,220,335 | 385 | $4,200,117 | $31,054,727 | 13.5% |
| Jan 28, 2005 | Alone in the Dark | $2,834,421 | 2,124 | $5,178,569 | $10,588,079 | 48.9% |
| Oct 1, 1999 | Mystery, Alaska | $3,102,191 | 1,704 | $8,891,623 | $8,891,623 | 100.0% |
| Averages | $1,791,940 | 1,072 | $4,572,898 | $12,715,628 | 42.2% | |
| Totals | 4 | $18,291,593 | $50,862,510 | |||
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Feb 9, 2024 | Lisa Frankenstein | Editor | $9,774,285 | $122,399 | $9,896,684 |
| Feb 18, 2022 | Ted K | Editor | $35,464 | $17,201 | $52,665 |
| Apr 16, 2021 | Trigger Point | Director Executive Producer |
$29,262 | $29,262 | |
| Aug 18, 2017 | Patti Cake$ | Editor | $800,148 | $670,942 | $1,471,090 |
| Jun 24, 2016 | Breaking a Monster | Editor Screenwriter |
$4,212 | $4,212 | |
| Nov 30, 2012 | King Kelly | Editor | |||
| Nov 27, 2004 | Species III | Director | |||
| Averages | $2,128,674 | $270,181 | $2,290,783 | ||
| Totals | 7 | $10,643,371 | $810,542 | $11,453,913 | |
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Apr 16, 2021 | Trigger Point | $29,262 | 77 | $29,262 | $29,262 | 100.0% |
| Nov 27, 2004 | Species III | |||||
| Averages | $29,262 | 77 | $29,262 | $29,262 | 100.0% | |
| Totals | 2 | $29,262 | $29,262 | |||
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Jun 24, 2016 | Breaking a Monster | $1,302 | 1 | $4,212 | $4,212 | 100.0% |
| Averages | $1,302 | 1 | $4,212 | $4,212 | 100.0% | |
| Totals | 1 | $4,212 | $4,212 | |||
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Director at the Domestic Box Office (Rank 6,001-6,100) | 6,084 | $29,262 |
| Top Grossing Editor at the Domestic Box Office (Rank 1,001-1,100) | 1,054 | $10,614,109 |
| Top Grossing Executive Producer at the Domestic Box Office (Rank 9,301-9,400) | 9,306 | $29,262 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 9,601-9,700) | 9,635 | $4,212 |
| Top Grossing Editor at the International Box Office (Rank 1,701-1,800) | 1,716 | $810,542 |
| Top Grossing Director at the Worldwide Box Office (Rank 14,301-14,400) | 14,367 | $29,262 |
| Top Grossing Editor at the Worldwide Box Office (Rank 1,301-1,400) | 1,327 | $11,424,651 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 11,401-11,500) | 11,452 | $29,262 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 11,901-12,000) | 11,981 | $4,212 |
