This graph shows Tommy Lee Jones’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
Summer ended on a thoroughly mediocre note, with more August releases missing expectations than topping them. That said, it wasn’t a complete mess, with Hobbs and Shaw doing extremely well internationally, and some others heading towards profitability, if not becoming spectacular hits. September, on the other hand, should be one of the best months in the year, at least on the year-over-year competition. The month starts with It: Chapter Two, which could open with more than $100 million. By comparison, last September, only one film, The Nun, earned more than $100 million in total. Additionally, Abominable has a slim but realistic chance at reaching the $100 million milestone, so it should be a great month on the year-over-year comparison. 2019 isn’t going to catch up to 2018, but it should narrow the gap considerably.
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The box office was mostly as expected during November. Granted, Thor: Ragnarok over-performed and Justice League underperformed, but overall there were no real surprises. This means the month started slow, but we got a couple of wins in the end and that bodes well going into the final month of the year. That said, December is a weird month. There are five weekends, but only seven films that I’m sure are opening truly wide. Additionally, five of those seven films are opening Christmas weekend. I’ve never seen a month this lop-sided. There are no real wide releases the first two weeks of the month, so we will likely start slow again, but when The Last Jedi debuts, we should see explosive growth at the box office. It will open with more than any film last December made and that should help 2017 cut into 2016’s lead. 2017 won’t be able to close the gap entirely, but the month could do well enough to cut 2016’s lead to under $250 million. That’s my goal. If that happens, I will be happy.
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Duke Diver is the freewheeling manager of the luxury Palm Springs resort, the Villa Capri. Diver may have a mysterious past, but he’s a pro at making sure that life for the high-spirited residents is one big, non-stop party. But the status quo is challenged when ex-military charmer Leo checks in, triggering a competition between Duke and Leo for the top spot of Alpha male, as well as for the affections of the newly-arrived Suzie. When Duke’s past suddenly catches up with him, the rivals put aside their differences and the two men reluctantly team up to stop whoever is trying to kill Duke, and also save the Villa Capri.
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March was a really good month, for the most part. There were a few bombs, but the two biggest films, Zootopia and Batman v Superman: Dawn of Justice, both beat expectations by significant margins, so overall the box office was better than expected. Unfortunately, April is a mess, which makes prognosticating really tough. Every single week has at least one film that either moved, switched from wide to limited release, or disappeared entirely. The Jungle Book appears to be the biggest film of the year, but The Huntsman: Winter's War could also be a $100 million hit. Sadly, last April was led by Furious 7, which earned more than $350 million at the box office. That's very likely more than both The Jungle Book and The Huntsman: Winter's War will make combined. Worse still, there were only four weekends in April last year, meaning the month ends by going head-to-head with The Avengers: Age of Ultron. By the time the month ends, 2016's lead over 2015 might be gone. Let's hope it is not that bad.
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It's a long list this week, but you could eliminate nearly all of the films and concentrate on just Foxcatcher and Rosewater. These two films are earning the vast majority of the buzz. They are not the only films worth seeing, Red Army looks particularly good, but I worry no other film will thrive.
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August ended, and we should be very grateful for that. Lee Daniels' The Butler was a surprise hit, while We're the Millers did better than expected. However, most other films that were expected to be solid hits failed to live up to expectations. Fortunately, August of 2012 was even worse, so 2013 regained the lead on the year-to-year comparison during the month. Looking forward, there is exactly one film that will likely become more than a midlevel hit in September: Cloudy with a Chance of Meatballs 2. That film has a chance to reach $100 million in total. Most of the rest of the new releases will be lucky if they get halfway there. Fortunately, September of 2012 was even worse. Hotel Transylvania was a surprise hit, earning nearly $150 million, and there were a few others that topped $50 million, but there were also several outright bombs. If we can avoid those types of bombs, then 2013 should continue its winning streak.
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Argo was the big winner at the Oscars last night, although arguably, there were no big winners, but a lot of films that shared in the glory. There were also some pretty interesting twists and a few events that stand out. Due to ongoing computer difficulties, I was unable to live-blog the Oscars this year. I will still be giving my reactions on a category by category basis, but not in the order they were handed out.
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Voting is closed in our annual Predict the Academy Awards contest, and Argo is the clear favorite to pick up the Best Picture award, based on the opinion of nearly 500 entrants. Ben Affleck's thriller took an impressive 80% of the vote, more than six times the score of Lincoln, which took second place in the poll. Coincidentally, the contest has predicted the winner of the Best Picture Oscar 80% of the time in the 15 years we've been running it. Quite a few other categories have strong favorites, but there are also some really close calls, and it looks as though the awards will be shared by several films tonight.
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. This week we will look at the four acting categories, continuing with Best Supporting Actor. This category is more competitive than Best Supporting Actress, but even so, it is mostly a two horse race.
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The SAG handed out their awards over the weekend and while Lincoln took home two awards, Argo continues its surprising run by winning the big award of the night.
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Hollywood Foreign Press Association handed out their awards last night, and the trend of surprises continues. Les Miserables led the way with three awards, only one of which I was truly expecting. Meanwhile, Argo won more awards than Lincoln. I don't think anyone was predicting that.
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The Oscar nominations were announced this morning, and there's certainly a lot to talk about. There are some nominations that should surprise no one. For instance, Lincoln led the way with twelve nominations, and it has been seen as the major contender for a long time. However, there were also a few surprise nominations and some major snubs. Here are the list of nominations, and some reactions.
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The Hollywood Foreign Press Association announced their nominations and the same list of films that have been mentioned since the beginning of Awards Season were rewarded today. Lincoln led the way with seven nods, while Argo and Django Unchained were close behind with five.
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SAG nominations were announced and there were only a few surprises to deal with. Leading the way for total nominations was The Silver Linings Playbook, Lincoln, and Les Miserables, all of which earned nominations in four of the six categories.
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October was pretty good with a few films really crushing expectations, which made up for the few duds that opened at the end. 2012 gained about $100 million over 2011 during the month of October. We really needed this success and hopefully November will continue this push forward. However, November is a bit of a weird month. There are five weekends, but only eight true wide releases, half of which open on the Thanksgiving long weekend, leaving the other four weeks with just one true wide release each. There are a couple others opening in the semi-wide level and another opening in limited release with a planned wide release, but even so, it is not a busy month. That said, it is a case of quality over quantity. There are four films that are pretty much guaranteed to reach $100 million, one of which should reach $300 million. By comparison, last November only produced one $100 million film. Granted, that film was The Twilight Saga: Breaking Dawn, Part 1, which made nearly $300 million, which is a huge number no matter how you look at it. But this year, The Twilight Saga: Breaking Dawn, Part 2 should top that number and with the other $100 million movies pulling in more than $400 million combined, it should be a very profitable month at the box office.
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All Acting Credits
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