Just Getting Started (2017)
| Theatrical Performance | ||
| Domestic Box Office | $6,069,605 | Details |
| International Box Office | $686,807 | Details |
| Worldwide Box Office | $6,756,412 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $682,040 | |
| Blu-ray Sales (estimated) | $195,596 | |
| Total | $877,636 | |
| OpusData ID: 264800100 More info... | ||
| Further financial details... | ||
Synopsis
Duke Diver is the freewheeling manager of the luxury Palm Springs resort, the Villa Capri. Diver may have a mysterious past, but he’s a pro at making sure that life for the high-spirited residents is one big, non-stop party. But the status quo is challenged when ex-military charmer Leo checks in, triggering a competition between Duke and Leo for the top spot of Alpha male, as well as for the affections of the newly-arrived Suzie. When Duke’s past suddenly catches up with him, the rivals put aside their differences and the two men reluctantly team up to stop whoever is trying to kill Duke, and also save the Villa Capri.
Metrics
| Opening Weekend: | $3,201,459 (52.7% of total gross) |
| Legs: | 1.90 (domestic box office/biggest weekend) |
| Domestic Share: | 89.8% (domestic box office/worldwide) |
| Production Budget: | $22,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 2,161 opening theaters/2,161 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,092,136 |
Movie Details
| Domestic Releases: | December 8th, 2017 (Wide) by Broad Green Pictures |
| International Releases: | December 15th, 2017 (Wide) (Portugal)
December 15th, 2017 (Wide), released as Viskas tik prasideda (Lithuania) January 11th, 2018 (Wide), released as ВСЕ ТОЛЬКО НАЧИНАЕТСЯ (Russia (CIS)) May 18th, 2018 (Wide), released as Daha Yeni Başladık (Turkey) ... Show all releases |
| Video Release: | February 27th, 2018 by Broad Green |
| MPA Rating: | PG-13 for language, suggestive material and brief violence. (Rating bulletin 2495 (Cert #51177), 9/27/2017) |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Posthumous Release |
| Plot point: | FBI, Golf, Hitmen, Lawyers, Rivals Becoming Friends |
| Social setting: | Retirement, Retirement Home, Witness Protection |
| Subgenre: | Action Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Broad Green Pictures, Entertainment One, Endurance Pictures, Gerber Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 8, 2017 | 10 | $3,201,459 | 2,161 | $1,481 | $3,201,459 | 1 | |
| Dec 15, 2017 | 15 | $1,008,113 | -69% | 1,840 | $548 | $5,493,590 | 2 |
| Dec 22, 2017 | 34 | $22,092 | -98% | 48 | $460 | $5,995,522 | 3 |
| Dec 29, 2017 | 43 | $15,273 | -31% | 15 | $1,018 | $6,036,997 | 4 |
| Jan 5, 2018 | 58 | $5,699 | -63% | 5 | $1,140 | $6,058,383 | 5 |
| Jan 12, 2018 | 72 | $1,994 | -65% | 1 | $1,994 | $6,064,130 | 6 |
| Jan 19, 2018 | 78 | $1,970 | -1% | 1 | $1,970 | $6,067,735 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 8, 2017 | 8 | $1,156,007 | 2,161 | $535 | $1,156,007 | 1 | ||
| Dec 9, 2017 | 10 | $1,264,839 | +9% | 2,161 | $585 | $2,420,846 | 2 | |
| Dec 10, 2017 | 10 | $780,613 | -38% | 2,161 | $361 | $3,201,459 | 3 | |
| Dec 11, 2017 | 10 | $301,537 | -61% | 2,161 | $140 | $3,502,996 | 4 | |
| Dec 12, 2017 | 9 | $496,373 | +65% | 2,161 | $230 | $3,999,369 | 5 | |
| Dec 13, 2017 | 12 | $279,535 | -44% | 2,161 | $129 | $4,278,904 | 6 | |
| Dec 14, 2017 | 11 | $206,573 | -26% | 2,161 | $96 | $4,485,477 | 7 | |
| Dec 15, 2017 | 14 | $307,672 | +49% | -73% | 1,840 | $167 | $4,793,149 | 8 |
| Dec 16, 2017 | 15 | $412,963 | +34% | -67% | 1,840 | $224 | $5,206,112 | 9 |
| Dec 17, 2017 | 15 | $287,478 | -30% | -63% | 1,840 | $156 | $5,493,590 | 10 |
| Dec 18, 2017 | 15 | $147,794 | -49% | -51% | 1,840 | $80 | $5,641,384 | 11 |
| Dec 19, 2017 | 15 | $215,016 | +45% | -57% | 1,840 | $117 | $5,856,400 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 8, 2017 | 10 | $4,485,477 | 2,161 | $2,076 | $4,485,477 | 1 | |
| Dec 15, 2017 | 17 | $1,487,953 | -67% | 1,840 | $809 | $5,973,430 | 2 |
| Dec 22, 2017 | 40 | $48,294 | -97% | 48 | $1,006 | $6,021,724 | 3 |
| Dec 29, 2017 | 42 | $30,960 | -36% | 15 | $2,064 | $6,052,684 | 4 |
| Jan 5, 2018 | 57 | $9,452 | -69% | 5 | $1,890 | $6,062,136 | 5 |
| Jan 12, 2018 | 73 | $3,629 | -62% | 1 | $3,629 | $6,065,765 | 6 |
| Jan 19, 2018 | 76 | $3,840 | +6% | 1 | $3,840 | $6,069,605 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Lithuania | 12/15/2017 | $9,121 | 49 | 49 | 61 | $15,506 | 12/29/2017 | |||
| Portugal | 12/15/2017 | $63,979 | 42 | 42 | 136 | $234,093 | 1/22/2018 | |||
| Russia (CIS) | 1/11/2018 | $257,364 | 675 | 675 | 1,116 | $411,374 | 1/1/2019 | |||
| Turkey | 5/18/2018 | $11,778 | 45 | 45 | 68 | $25,834 | 2/26/2019 | |||
| International Total | $686,807 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Morgan Freeman | Duke Diver | |
| Tommy Lee Jones | Leo | |
| Rene Russo | Suzie |
Supporting
| Joe Pantoliano | Joey | |
| Glenne Headly | Jane | |
| Sheryl Lee Ralph | Margarite | |
| Elizabeth Ashley | Lily | |
| George Wallace | Larry | |
| Graham Beckel | Burt | |
| Jane Seymour | Delilah | |
| Johnny Mathis | Johnny Mathis | |
| Mel Raido | Oscar | |
| Nick Peine | Jimmy | |
| Kristen Rakes | Ginger | |
| Eli Goodman | Corporate Santas | |
| Teddy Eggleston | Woman With Walker | |
| Dave Colon | Salvation Army Santa | |
| Tasos Hernandez | Melvyn’s Valet | |
| Kat Sawyer | Woman Lecturer | |
| Nina Michaels | Female Caroler #1 | |
| Connie Atkinson | Female Caroler #2 | |
| James Michaels | Male Caroler #1 | |
| Willie Johns, Sr | Male Caroler #2 | |
| Boots Southerland | Tow Truck Driver | |
| Forrie J Smith | Animal Farm Manager | |
| Drago Sumonja | Patel The Hotel Manager | |
| Vic Browder | Tony | |
| Ryan Staats | Man Driving Van | |
| Jesse Phillips | Good Looking Guy | |
| Oscar Avila | Arturo | |
| Whit Washing | Elf Valet |
Production and Technical Credits
| Ron Shelton | Director | |
| Ron Shelton | Screenwriter | |
| Steve Richards | Producer | |
| Bill Gerber | Producer | |
| Gabriel Hammond | Executive Producer | |
| Daniel Hammond | Executive Producer | |
| Steve Barnett | Executive Producer | |
| Alan Simpson | Executive Producer | |
| John Mass | Executive Producer | |
| Peter Strauss | Executive Producer | |
| Barry Peterson | Director of Photography | |
| Guy Barnes | Production Designer | |
| Paul Seydor | Editor | |
| Carol Oditz | Costume Designer | |
| Jeffrey Lampert | Co-Producer | |
| Kellie Davis | Co-Producer | |
| Alex Wurman | Composer | |
| Laura Katz | Music Supervisor | |
| Ed Johnston | Casting Director | |
| Jeffrey Lampert | Unit Production Manager | |
| Steve Danton | First Assistant Director | |
| Sarah Lemon | Second Assistant Director | |
| Charles V Bender | Co-Producer | |
| Andrew Roda | Associate Producer | |
| Al Goto | Stunt Coordinator | |
| Tara Tovarek | Production Supervisor | |
| Derek Jensen | Art Director | |
| Colleen E. Moody | Script Supervisor | |
| Darryl L. Frank | Sound Mixer | |
| Randy Moore | Randy E Moore | |
| Jason Bonnell | Location Manager | |
| Wendy Ozols-Barnes | Set Decorator | |
| Nicole Capasso | Costume Supervisor | |
| Rebecca Deherrera | Make up | |
| Joann Stafford-Chaney | Hairstylist | |
| Michael Walker | Choreography | |
| Steve Sahagun | First Assistant Editor | |
| Kevin Ham | First Assistant Editor | |
| Ellen Segal | Music Editor | |
| Sean Findley | Visual Effects Producer | |
| Eran Barnea | Visual Effects Supervisor | |
| Xander Lott | Supervising Sound Editor | |
| Chris David | Re-recording Mixer | |
| Ryan Briley | ADR/Dialogue Editor | |
| Eric Offin | Sound Effects Editor | |
| Philip Moross | Executive Music Producer | |
| James Gibb | Executive Music Producer | |
| Alex Wurman | Score Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Duke Diver is the freewheeling manager of the luxury Palm Springs resort, the Villa Capri. Diver may have a mysterious past, but he’s a pro at making sure that life for the high-spirited residents is one big, non-stop party. But the status quo is challenged when ex-military charmer Leo checks in, triggering a competition between Duke and Leo for the top spot of Alpha male, as well as for the affections of the newly-arrived Suzie. When Duke’s past suddenly catches up with him, the rivals put aside their differences and the two men reluctantly team up to stop whoever is trying to kill Duke, and also save the Villa Capri.
Metrics
| Opening Weekend: | $3,201,459 (52.7% of total gross) |
| Legs: | 1.90 (domestic box office/biggest weekend) |
| Domestic Share: | 89.8% (domestic box office/worldwide) |
| Production Budget: | $22,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 2,161 opening theaters/2,161 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,092,136 |
Movie Details
| Domestic Releases: | December 8th, 2017 (Wide) by Broad Green Pictures |
| International Releases: | December 15th, 2017 (Wide) (Portugal)
December 15th, 2017 (Wide), released as Viskas tik prasideda (Lithuania) January 11th, 2018 (Wide), released as ВСЕ ТОЛЬКО НАЧИНАЕТСЯ (Russia (CIS)) May 18th, 2018 (Wide), released as Daha Yeni Başladık (Turkey) ... Show all releases |
| Video Release: | February 27th, 2018 by Broad Green |
| MPA Rating: | PG-13 for language, suggestive material and brief violence. (Rating bulletin 2495 (Cert #51177), 9/27/2017) |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Posthumous Release |
| Plot point: | FBI, Golf, Hitmen, Lawyers, Rivals Becoming Friends |
| Social setting: | Retirement, Retirement Home, Witness Protection |
| Subgenre: | Action Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Broad Green Pictures, Entertainment One, Endurance Pictures, Gerber Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 8, 2017 | 10 | $3,201,459 | 2,161 | $1,481 | $3,201,459 | 1 | |
| Dec 15, 2017 | 15 | $1,008,113 | -69% | 1,840 | $548 | $5,493,590 | 2 |
| Dec 22, 2017 | 34 | $22,092 | -98% | 48 | $460 | $5,995,522 | 3 |
| Dec 29, 2017 | 43 | $15,273 | -31% | 15 | $1,018 | $6,036,997 | 4 |
| Jan 5, 2018 | 58 | $5,699 | -63% | 5 | $1,140 | $6,058,383 | 5 |
| Jan 12, 2018 | 72 | $1,994 | -65% | 1 | $1,994 | $6,064,130 | 6 |
| Jan 19, 2018 | 78 | $1,970 | -1% | 1 | $1,970 | $6,067,735 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 8, 2017 | 8 | $1,156,007 | 2,161 | $535 | $1,156,007 | 1 | ||
| Dec 9, 2017 | 10 | $1,264,839 | +9% | 2,161 | $585 | $2,420,846 | 2 | |
| Dec 10, 2017 | 10 | $780,613 | -38% | 2,161 | $361 | $3,201,459 | 3 | |
| Dec 11, 2017 | 10 | $301,537 | -61% | 2,161 | $140 | $3,502,996 | 4 | |
| Dec 12, 2017 | 9 | $496,373 | +65% | 2,161 | $230 | $3,999,369 | 5 | |
| Dec 13, 2017 | 12 | $279,535 | -44% | 2,161 | $129 | $4,278,904 | 6 | |
| Dec 14, 2017 | 11 | $206,573 | -26% | 2,161 | $96 | $4,485,477 | 7 | |
| Dec 15, 2017 | 14 | $307,672 | +49% | -73% | 1,840 | $167 | $4,793,149 | 8 |
| Dec 16, 2017 | 15 | $412,963 | +34% | -67% | 1,840 | $224 | $5,206,112 | 9 |
| Dec 17, 2017 | 15 | $287,478 | -30% | -63% | 1,840 | $156 | $5,493,590 | 10 |
| Dec 18, 2017 | 15 | $147,794 | -49% | -51% | 1,840 | $80 | $5,641,384 | 11 |
| Dec 19, 2017 | 15 | $215,016 | +45% | -57% | 1,840 | $117 | $5,856,400 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 8, 2017 | 10 | $4,485,477 | 2,161 | $2,076 | $4,485,477 | 1 | |
| Dec 15, 2017 | 17 | $1,487,953 | -67% | 1,840 | $809 | $5,973,430 | 2 |
| Dec 22, 2017 | 40 | $48,294 | -97% | 48 | $1,006 | $6,021,724 | 3 |
| Dec 29, 2017 | 42 | $30,960 | -36% | 15 | $2,064 | $6,052,684 | 4 |
| Jan 5, 2018 | 57 | $9,452 | -69% | 5 | $1,890 | $6,062,136 | 5 |
| Jan 12, 2018 | 73 | $3,629 | -62% | 1 | $3,629 | $6,065,765 | 6 |
| Jan 19, 2018 | 76 | $3,840 | +6% | 1 | $3,840 | $6,069,605 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Lithuania | 12/15/2017 | $9,121 | 49 | 49 | 61 | $15,506 | 12/29/2017 | |||
| Portugal | 12/15/2017 | $63,979 | 42 | 42 | 136 | $234,093 | 1/22/2018 | |||
| Russia (CIS) | 1/11/2018 | $257,364 | 675 | 675 | 1,116 | $411,374 | 1/1/2019 | |||
| Turkey | 5/18/2018 | $11,778 | 45 | 45 | 68 | $25,834 | 2/26/2019 | |||
| International Total | $686,807 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Morgan Freeman | Duke Diver | |
| Tommy Lee Jones | Leo | |
| Rene Russo | Suzie |
Supporting
| Joe Pantoliano | Joey | |
| Glenne Headly | Jane | |
| Sheryl Lee Ralph | Margarite | |
| Elizabeth Ashley | Lily | |
| George Wallace | Larry | |
| Graham Beckel | Burt | |
| Jane Seymour | Delilah | |
| Johnny Mathis | Johnny Mathis | |
| Mel Raido | Oscar | |
| Nick Peine | Jimmy | |
| Kristen Rakes | Ginger | |
| Eli Goodman | Corporate Santas | |
| Teddy Eggleston | Woman With Walker | |
| Dave Colon | Salvation Army Santa | |
| Tasos Hernandez | Melvyn’s Valet | |
| Kat Sawyer | Woman Lecturer | |
| Nina Michaels | Female Caroler #1 | |
| Connie Atkinson | Female Caroler #2 | |
| James Michaels | Male Caroler #1 | |
| Willie Johns, Sr | Male Caroler #2 | |
| Boots Southerland | Tow Truck Driver | |
| Forrie J Smith | Animal Farm Manager | |
| Drago Sumonja | Patel The Hotel Manager | |
| Vic Browder | Tony | |
| Ryan Staats | Man Driving Van | |
| Jesse Phillips | Good Looking Guy | |
| Oscar Avila | Arturo | |
| Whit Washing | Elf Valet |
Production and Technical Credits
| Ron Shelton | Director | |
| Ron Shelton | Screenwriter | |
| Steve Richards | Producer | |
| Bill Gerber | Producer | |
| Gabriel Hammond | Executive Producer | |
| Daniel Hammond | Executive Producer | |
| Steve Barnett | Executive Producer | |
| Alan Simpson | Executive Producer | |
| John Mass | Executive Producer | |
| Peter Strauss | Executive Producer | |
| Barry Peterson | Director of Photography | |
| Guy Barnes | Production Designer | |
| Paul Seydor | Editor | |
| Carol Oditz | Costume Designer | |
| Jeffrey Lampert | Co-Producer | |
| Kellie Davis | Co-Producer | |
| Alex Wurman | Composer | |
| Laura Katz | Music Supervisor | |
| Ed Johnston | Casting Director | |
| Jeffrey Lampert | Unit Production Manager | |
| Steve Danton | First Assistant Director | |
| Sarah Lemon | Second Assistant Director | |
| Charles V Bender | Co-Producer | |
| Andrew Roda | Associate Producer | |
| Al Goto | Stunt Coordinator | |
| Tara Tovarek | Production Supervisor | |
| Derek Jensen | Art Director | |
| Colleen E. Moody | Script Supervisor | |
| Darryl L. Frank | Sound Mixer | |
| Randy Moore | Randy E Moore | |
| Jason Bonnell | Location Manager | |
| Wendy Ozols-Barnes | Set Decorator | |
| Nicole Capasso | Costume Supervisor | |
| Rebecca Deherrera | Make up | |
| Joann Stafford-Chaney | Hairstylist | |
| Michael Walker | Choreography | |
| Steve Sahagun | First Assistant Editor | |
| Kevin Ham | First Assistant Editor | |
| Ellen Segal | Music Editor | |
| Sean Findley | Visual Effects Producer | |
| Eran Barnea | Visual Effects Supervisor | |
| Xander Lott | Supervising Sound Editor | |
| Chris David | Re-recording Mixer | |
| Ryan Briley | ADR/Dialogue Editor | |
| Eric Offin | Sound Effects Editor | |
| Philip Moross | Executive Music Producer | |
| James Gibb | Executive Music Producer | |
| Alex Wurman | Score Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.