Synopsis
A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, Joe’s nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening.
Metrics
United Kingdom Box Office for You Were Never Really Here (2017)
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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $1,368,141 | Details |
| Worldwide Box Office | $10,891,281 | Details |
| Further financial details... | ||
2018 - Awards Season: Independent Spirit Awards - Winners
February 23rd, 2019
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The Independent Spirit Awards nominations kicked off the 2018 Awards Season and the winners are announced just before the end. If Beale Street Could Talk only had three nominations, but it won all three awards. This could be a good Omen for tomorrow’s Oscar ceremony.
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2018 - Awards Season: BAFTA - Nominations
January 12th, 2019
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The BAFTA nominations were announced and The Favorite led the way with 12 nominations. Sometimes the BAFTAs are a really good indicator for who will do well on Oscar night. Other times their bias to British films is too much. I think this year will be an example of the latter and I don't think The Favourite is suddenly an Oscar favorite. That said, there’s still some things you can learn here.
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2018 - Holiday Gift Guide - Part IV - Books, Music, and Anything I Missed
December 20th, 2018
We’ve already talked about First-run Releases, TV on DVD releases, and Limited Releases / Classics / Foreign-Imports. This week we look at some books, music, movies that didn’t arrive in time to talk about before, movies I just forgot to mention, or screeners that arrived late and I won’t be able to get to.
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2018 - Awards Season: Independent Spirit Awards - Nominations
November 17th, 2018
The Independent Spirit Awards nominations were announced on Friday and thus the 2018 Awards Season begins. We The Animals topped the list with five nominations, while A24 earned 12 as a studio.
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Home Market Releases for July 17th, 2018
July 18th, 2018
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It’s a shallow week in terms of the total number of releases, but a lot of films on this list are worth picking up. Rampage is the biggest and it is worth buying, if you are into popcorn action flicks. There are a lot of other releases that are worth picking up, but not quite Pick of the Week contenders, like Disobedience, The Good Place: Season Two, etc. As for true Pick of the Week contenders, we have a limited selection and I’m going with Isle of Dogs on Blu-ray Combo Pack for that title.
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Featured Blu-ray and DVD Review: You Were Never Really Here
July 15th, 2018
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You Were Never Really Here earned amazing reviews and earned one of the best theater averages of the year during its opening weekend. However, the film couldn’t maintain this explosive start as it expanded. It still managed $2.5 million in limited release, which is better than most limited releases manage, but that’s not enough for true mainstream success. Is there a reason the film failed to maintain its audience as it expanded? Is it simply not a mainstream movie?
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Theater Averages: Avengers Remains Supreme
May 8th, 2018
Avengers: Infinity War remained on top of the theater average chart with $25,654. The only other flm in the $10,000 club was RBG, which earned an average of $17,014 in 34 theaters. That’s amazing for a documentary.
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Theater Averages: Never Really Here Arrives on the Top
April 11th, 2018
You Were Never Really Here was the clear winner on the theater average chart earning over $130,000 in just three theaters for an average of $44,276. This isn’t the best theater average for a film released in 2018, but it is in the top five. The overall number one film, A Quiet Place, was next with an average of $14,311. The final film in the $10,000 club is Lean on Pete, which earned an average of $11,744 in four theaters.
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Weekend Estimates: A Quiet Place Opens in the Black with $50 million
April 8th, 2018
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If it weren’t for Black Panther, A Quiet Place would be the biggest surprise hit of the year so far. The film earned $50 million during its opening weekend, on a budget of just $17 million. Its initial ad buy was probably less than $25 million, meaning this film earned more in its opening weekend that its combined budget. However, I assume Paramount Pictures put in at least another $10 million ad buy on Saturday after Friday’s estimates showed up. As for the film’s future, its reviews are close to Award-worthy and it earned a B plus from CinemaScore, which is impressive for a horror film. Additionally, the film saw its score rise on Saturday when compared to Friday, which is not common for a new release. Previews plus the opening day rush usually result in small declines for films aimed at this target audience. It is still a horror film and next week there is big competition and direct competition, so its legs likely won’t be great, but its nearly guaranteed a profit by this time next week.
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Limited and VOD Releases: Will You Be Here for Limited Releases.
April 6th, 2018
There are only seven limited releases on this week’s list, but all of them are earning reviews that are at least good. Several of them are earning reviews that are amazing. This includes You Were Never Really Here, which is also the biggest film with the loudest buzz. Perhaps this will give it an edge over the competition.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/03/09 | 12 | $399,756 | 77 | $5,192 | $399,756 | 1 | |
| 2018/03/16 | - | $201,463 | -50% | 101 | $1,995 | $843,477 | 2 |
| 2018/03/23 | - | $144,125 | -28% | 105 | $1,373 | $1,149,523 | 3 |
| 2018/03/30 | - | $57,970 | -60% | 38 | $1,526 | $1,307,502 | 4 |
| 2018/04/06 | - | $15,403 | -73% | 17 | $906 | $1,375,011 | 5 |
| 2018/04/13 | - | $7,049 | -54% | 10 | $705 | $1,413,119 | 6 |
| 2018/04/20 | - | $8,310 | +18% | 17 | $489 | $1,406,560 | 7 |
| 2018/04/27 | - | $6,842 | -18% | 8 | $855 | $1,397,279 | 8 |
| 2018/05/04 | - | $1,593 | -77% | 4 | $398 | $1,382,001 | 9 |
| 2018/05/11 | - | $2,352 | +48% | 4 | $588 | $1,389,159 | 10 |
| 2018/05/25 | - | $413 | 1 | $413 | $1,370,254 | 12 | |
| 2018/06/01 | - | $182 | -56% | 1 | $182 | $1,376,058 | 13 |
| 2018/06/08 | - | $173 | -5% | 1 | $173 | $1,381,664 | 14 |
| 2018/06/15 | - | $534 | +209% | 1 | $534 | $1,370,332 | 15 |
| 2018/06/22 | - | $134 | -75% | 1 | $134 | $1,368,141 | 16 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 8/31/2018 | $1,725 | 2 | 19 | 73 | $119,181 | 11/5/2018 |
| France | 11/10/2017 | $583,742 | 0 | 0 | 0 | $1,259,276 | 6/28/2018 |
| Italy | 5/1/2018 | $132,964 | 0 | 0 | 0 | $241,905 | 5/14/2018 |
| Lithuania | 4/20/2018 | $0 | 0 | 15 | 15 | $13,436 | 5/4/2018 |
| Mexico | 5/25/2018 | $85,960 | 0 | 0 | 0 | $85,960 | 5/30/2018 |
| Netherlands | 1/5/2018 | $156,943 | 42 | 42 | 198 | $552,105 | 9/12/2018 |
| North America | 4/6/2018 | $132,829 | 3 | 233 | 848 | $2,523,610 | 11/1/2019 |
| Poland | 4/13/2018 | $52,746 | 0 | 0 | 0 | $88,520 | 1/1/2019 |
| Portugal | 5/18/2018 | $17,446 | 22 | 24 | 69 | $79,079 | 6/20/2018 |
| Russia (CIS) | 3/15/2018 | $30,768 | 42 | 207 | 529 | $559,583 | 2/26/2019 |
| Slovakia | 3/2/2018 | $2,341 | 7 | 7 | 7 | $2,383 | 3/6/2018 |
| South Korea | 10/3/2018 | $30,299 | 47 | 47 | 105 | $112,017 | 11/14/2018 |
| Spain | 11/24/2017 | $128,084 | 74 | 88 | 249 | $413,158 | 12/22/2017 |
| Turkey | 5/25/2018 | $7,091 | 36 | 36 | 94 | $20,144 | 2/26/2019 |
| United Kingdom | 3/9/2018 | $399,756 | 77 | 105 | 386 | $1,368,141 | 6/27/2018 |
| Rest of World | $3,452,783 | ||||||
| Worldwide Total | $10,891,281 | 11/1/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Joaquin Phoenix | Joe |
Supporting Cast
| Judith Roberts | Joe's Mother | |
| Ekaterina Samsonov | Nina Votto | |
| John Doman | John McCleary | |
| Alex Manette | Senator Albert Votto | |
| Dante Pereira-Olsen | Young Joe | |
| Alessandro Nivola | Governor Williams | |
| Frank Pando | Angel | |
| Vinicius Damasceno | Moises |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Lynne Ramsay | Director | |
| Lynne Ramsay | Screenwriter | |
| Jonathan Ames | Based on the novel by | |
| Rosa Attab | Producer | |
| Pascal Caucheteux | Producer | |
| James Wilson | Producer | |
| Lynne Ramsay | Producer | |
| Jonny Greenwood | Composer | |
| Tim Grimes | Production Designer | |
| Joe Bini | Editor | |
| Thomas Townend | Director of Photography |