| Theatrical Performance (US$) | ||
| China Box Office | $183,354,992 | Details |
| Worldwide Box Office | $186,027,770 | Details |
| Further financial details... | ||
| China Releases: | September 30th, 2018 (Wide) |
| Running Time: | 130 minutes |
| Keywords: | Crime Thriller, Crime, Police Detective, Forgery, Hong Kong, Organized Crime, 1990s, Set in Vancouver, Canada, Set in British Columbia, Set in Canada, Artists |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Hong Kong |
| Languages: | Cantonese |
October 25th, 2018
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Venom earned its fourth first place finish on the international chart with $33.17 million on 14,966 screens in 83 markets for totals of $291.61 million internationally and $462.68 million worldwide. The film had no major market openings this past weekend, but it has yet to open in Japan and China, so it has a shot at $400 million internationally and $600 million worldwide, which would be more than enough to become Sony’s biggest hit released in 2018.
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October 17th, 2018
Venom remained the top draw internationally earning $70.89 million on 20,248 screens in 83 markets for totals of $236.49 million internationally and $378.60 million worldwide. The film’s biggest new market was France, where it opened in first place with $6.65 million on 703 screens over the weekend for a total opening of $7.04 million. It also opened in first place in Thailand with $2.14 million on 365 screens and in Vietnam with $1.05 million on 501 screens over the weekend for a total opening of $2.22 million. Its biggest market overall is South Korea, where it has amassed $25.41 million, including $4.38 million on 1,011 screens this past weekend. At this pace, the film will soon overtake Hotel Transylvania 3: Summer Vacation, becoming Sony’s biggest hit released in 2018.
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October 9th, 2018
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Venom dominated the international chart with $127.15 million on 22,319 screens in 76 markets. Both Russia and South Korea could claim top spot for the film. In the former, it earned $14.39 million in 2,672 screens over the weekend. In the latter, it earned $10.63 million on 1,295 screens over the weekend for a total opening of $16.48 million. The film debuted in Mexico with $10.07 million on 3,465 screens. It also cracked the $10 million mark in the U.K., if you include previews, as it earned $7.42 million on 867 screens over the weekend for a total opening of $10.50 million. The film has yet to open in France, Japan, and China, although I’m not convinced it will get passed Chinese censors.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/09/28 | 3 | $7,920,000 | 63,104 | $126 | $7,920,000 | 1 | |
| 2018/10/05 | 1 | $37,030,000 | +368% | 87,007 | $426 | $98,400,000 | 2 |
| 2018/10/12 | 1 | $20,620,000 | -44% | 82,795 | $249 | $135,250,000 | 3 |
| 2018/10/19 | 1 | $13,550,000 | -34% | 70,517 | $192 | $158,610,000 | 4 |
| 2018/10/26 | 3 | $6,710,000 | -50% | 38,926 | $172 | $173,860,000 | 5 |
| 2018/11/02 | 6 | $3,430,000 | -49% | 22,288 | $154 | $180,260,000 | 6 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 10/5/2018 | $115,362 | 18 | 18 | 59 | $397,780 | 11/13/2018 |
| China | 9/30/2018 | $7,920,000 | 63104 | 87007 | 364637 | $183,354,992 | 12/6/2018 |
| Rest of World | $2,274,998 | ||||||
| Worldwide Total | $186,027,770 | 12/6/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Chow Yun-Fat | Painter | |
| Aaron Kwok | Lee Man |
| Jingchu Zhang | Yuen Man | |
| Joyce Feng | Ng Sau Ching |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Felix Chong | Director | |
| Felix Chong | Screenwriter |
