Synopsis
In late 1967, a young orphaned boy goes to live with his loving grandma in the rural Alabama town of Demopolis. As the boy and his grandmother encounter some deceptively glamorous but thoroughly diabolical witches, she wisely whisks him away to a seaside resort. Regrettably, they arrive at precisely the same time that the world’s Grand High Witch has gathered her fellow cronies from around the globe — under cover — to carry out her nefarious plans.
Metrics
Movie Details
December 13th, 2020
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The Croods: A New Age continues to dominate at the box office (relatively speaking) this weekend, with Universal projecting a weekend box office of $3.01 million for a total of $24.26 million to date. Half Brothers is outperforming expectations in second place with a projected $490,000 sophomore weekend, down just 30% from its last outing.
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December 6th, 2020
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The Croods: A New Age will remain top at the box office this weekend, with Universal projecting a $4.4-million weekend as of Sunday morning. That will take the animated adventure past $20 million in total by the end of the day today. That fact pales in comparison to bad news regarding the continued decline in box office receipts. Returning films are falling 12% to 25% short of our model’s pre-weekend predictions. Part of that is down to the post-Thanksgiving decline that’s to be expected, but the continued toll of the pandemic is further dragging on spending. Perhaps the glimmer of good news is that more people are heeding experts’ advice and watching their movies at home.
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November 22nd, 2020
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Freaky will remain top at the domestic box office this weekend in spite of a steep 66% decline from its opening weekend. Its win at the box office was practically guaranteed going into the weekend, with Vanguard, the only new wide release, playing in a more modest 1,375 theaters for indie distributor Gravitas Ventures (it is now projected to open with $400,000). Freaky’s steep decline was also expected, with our model predicting a $1.56 million weekend and a decline of 57%. The fact that it fell 20% short of that low figure is a measure of how audience attitudes are changing towards the theatrical experience as COVID-19 cases rise steeply across the United States.
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November 1st, 2020
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Come Play is outperforming expectations and set for a comfortable weekend win, according to studio projections released on Sunday morning. Its $3.15-million debut is a little behind other recent chart toppers like Honest Thief and The War with Grandpa, both of which picked up $3.6-million openings, but it’s also comfortably ahead of our pre-weekend prediction of $2.2 million.
Is this better-than-expected performance a sign of a strengthening market? Unfortunately not.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2020/12/11 |
- |
$115,728 |
|
104 |
$1,113 |
$195,694 |
1 |
| 2020/12/18 |
1 |
$89,139 |
-23% |
105 |
$849 |
$346,496 |
2 |
| 2020/12/25 |
3 |
$55,457 |
-38% |
98 |
$566 |
$487,683 |
3 |
| 2021/01/01 |
- |
$47,026 |
-15% |
96 |
$490 |
$592,271 |
4 |
| 2021/01/08 |
9 |
$26,598 |
-43% |
55 |
$484 |
$651,518 |
5 |
| 2021/01/15 |
11 |
$17,037 |
-36% |
95 |
$179 |
$675,288 |
6 |
| 2021/01/22 |
11 |
$16,509 |
-3% |
39 |
$423 |
$715,311 |
7 |
| 2021/01/29 |
15 |
$9,734 |
-41% |
47 |
$207 |
$740,812 |
8 |
| 2021/02/05 |
- |
$4,009 |
-59% |
27 |
$148 |
$746,903 |
9 |
| 2021/02/12 |
- |
$1,412 |
-65% |
27 |
$52 |
$754,222 |
10 |
| 2021/02/19 |
- |
$836 |
-41% |
8 |
$105 |
$763,399 |
11 |
| 2021/02/26 |
- |
$922 |
+10% |
5 |
$184 |
$757,885 |
12 |
| 2021/03/05 |
- |
$175 |
-81% |
2 |
$88 |
$747,497 |
13 |
| 2021/03/12 |
- |
$308 |
+76% |
2 |
$154 |
$751,780 |
14 |
| 2022/10/14 |
- |
$57 |
|
1 |
$57 |
$582,827 |
97 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
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