United Kingdom Box Office for Spider-Man: Into The Spider-Verse (2018)

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Spider-Man: Into The Spider-Verse 3D
Theatrical Performance (US$)
United Kingdom Box Office $13,737,268Details
Worldwide Box Office $374,561,597Details
Home Market Performance
North America DVD Sales $11,769,307 Details
North America Blu-ray Sales $40,629,819 Details
Total North America Video Sales $52,399,126
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

“Spider-Man: Into the Spider-Verse” introduces Brooklyn teen Miles Morales, and the limitless possibilities of the Spider-Verse, where more than one can wear the mask.

Metrics

Movie Details

Production Budget:$90,000,000
United Kingdom Releases: December 12th, 2018 (Wide), released as Spider-Man: Into The Spider-Verse
Video Release: February 26th, 2019 by Sony Pictures Home Entertainment
MPAA Rating: PG for frenetic sequences of animated action violence, thematic elements, and mild language.
(Rating bulletin 2554 (Cert #51438), 11/21/2018)
Running Time: 117 minutes
Franchise: Spider-Man, Sony’s Marvel Universe
Keywords: Alternative Dimensions / Parallel universe, Animal Lead, Talking Animals, Orphan, Film Noir, Anime, 3-D, 3-D - Shot in 3-D, IMAX: DMR, Action Adventure
Source:Based on Comic/Graphic Novel
Genre:Adventure
Production Method:Digital Animation
Creative Type:Super Hero
Production/Financing Companies: Columbia Pictures, Marvel Studios, Avi Arad, Lord Miller, Pascal Pictures, Sony Pictures Animation
Production Countries: United States
Languages: English

Home Market Releases for February 26th, 2019

February 26th, 2019

Ralph Breaks the Internet

This week’s list includes a number of releases that are worth picking up, mostly of the smaller variety. There’s a foreign-language import, Border; a mostly forgotten comedy from the 1980s, Used Cars; a good movie that is busted Oscar-bait, Mary Queen of Scots; and an Anime slice of life, Love Live! Sunshine!!: Season Two. However, for most people, it’s the two biggest releases that are also the best: The Little Mermaid and Ralph Breaks the Internet. For me, Ralph Breaks the Internet on Blu-ray or 4K Ultra HD is the clear Pick of the Week. More...

2018 - Awards Season: BAFTA - Winners

February 11th, 2019

The Favorite

The BAFTA winners were announced and The Favorite led the way with 7 wins. Like I mentioned before, understandably, the BAFTAs tend to favor British films and this can lessen their ability to predict Oscar winners and The Favorite is such a British Film that they managed to spell the word correctly. That doesn’t mean there are no lessons we can learn from these results. More...

2018 Awards Season: Oscar Highlight: Best Feature-Length Animated Film

February 7th, 2019

Spider-man: Into the Spider-Verse

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. A lot of people call this Oscar the Pixar Award, and there is a Pixar film on this list. However, in a shocking twist, it isn’t the overwhelming favorite to win. More...

Weekend Estimates: Glass and Others put a Ceiling on New Releases

January 27th, 2019

The Kid Who Would Be King

Glass bounced back after a weak Friday earning an estimated $19.05 million over the weekend for a two-week total of $73.59 million. This is even better than our original prediction. It’s practically guaranteed to get to $100 million domestically, while it is doing a little better internationally. This weekend it pulled in $23.6 million for a two-week total of $89.1 million. The film has yet to open in China and when it does, it will get past $250 million worldwide. More...

International Box Office: Aquaman Cracks $750 million Worldwide

January 3rd, 2019

Aquaman

Aquaman remained the top draw on the international market with $88.4 million on 23,360 screens in 78 markets for totals of $562.4 million internationally and $751.4 million worldwide. The film’s biggest new market was Australia where it opened with $7.94 million on 632 screens over the weekend for a total opening $11.04 million. Its biggest market overall is China where it added $11.45 million over the weekend to its running tally, which now sits at $261.28 million after four weeks of release. It overtook Suicide Squad for third place in the D.C.E.U. and it is not done yet. More...

Weekend Estimates: Aquaman and Entire Top Five have a Repeat Performance

December 30th, 2018

Aquaman

It has been an even more predictable weekend than expected, as every film in the top five finished in the same order as last weekend. This includes Aquaman topping the chart with an estimated $51.55 million over the weekend for a ten-day total of $188.79 million. It will cross $200 million shortly and overtake A Star is Born as Warner Bros.’ biggest domestic hit of the year. Internationally, the film added $85.4 million this weekend to push its global running tally to just shy of $750 million at $748.8 million. It is already ahead of Man of Steel and Suicide Squad on the DCEU chart and should soon step into first place. More...

Friday Estimates: Aquaman Rises with the Tides

December 29th, 2018

Aquaman

The Friday box office estimates are almost exactly as predicted, with most films out-pacing expectations by a small amount. At least as far as the top five is concerned. The lower films struggled more. For example, Aquaman led the way with $17.1 million putting it on pace for $52 million over the weekend. The film will become Warner Bros.’ second film released in 2018 to get to the $200 million mark (A Star is Born quietly got there before Christmas.) but it might have to wait till the new year to get there. Internationally, the film has already cracked $500 million with a running tally of $511.8 million as of the end of business on Friday. More...

Weekend Predictions: Aquaman Will Celebrate the New Year on Top

December 28th, 2018

Aquaman

It’s the weekend after Christmas and as is the holiday tradition, there are no new releases this week. I guess you could technically call Holmes and Watson and Vice new releases, but they’ve been out since Tuesday. This means there won’t be much new news to talk about. Aquaman will dominate, while Mary Poppins Returns will bounce back, as will most other family fair. I think the same five films that appeared in the top five last weekend will appear in the top five this weekend. Holmes and Watson might not collapse and could grab a spot in the top five, but I personally wouldn’t bet on it. This weekend last year, Star Wars: The Last Jedi barely stayed ahead of Jumanji: Welcome to the Jungle, as both films earned more than $50 million. Aquaman has close to a 50/50 chance of earning $50 million, but the rest of the films will be well back resulting in 2018 ending on a losing note. That said, it should be relatively close and 2018 has already topped last year’s final box office by a significant margin. More...

International Box Office: Aquaman Surfs to $400 million Internationally

December 27th, 2018

Aquaman

Aquaman had another significant expansion helping it keep first place with $95.2 million on 31,900 screens in 70 markets for totals of $415.5 million internationally and, including updated Domestic tallies, the global take is $488.2 million worldwide. It is ahead of every other film in the D.C.E.U. on the international chart, which is impressive. Its biggest new market was South Korea, where it earned first place with $7.94 million on 1,272 screens for a total opening of $10.08 million. It also opened in first place in France with $6.6 million on 607 screens, as well as in Germany with $4.9 million 805. The film’s biggest market overall was China, where it slipped to second with $23.41 million on 12,000 screens for a three-week total of $233.59 million. More...

Weekend Wrap-Up: Box Office Christmas Clean-up

December 27th, 2018

Aquaman

The Christmas holiday is over for most people, although it is not entirely over for some studios. This is making getting all of the box office details much harder to do. In fact, we are still limited to estimated for more than half the top five this weekend. We have enough details now to look at the weekend results and the Christmas Day releases and see which are thriving and which are not. Aquaman dominated the charts with just over $100 million so far, including its paid previews. On the other hand, Mary Poppins Returns missed expectations by a substantial margin. It will still break even. The same can be said of Bumblebee, which could usher in a new era of Transformers movies. Overall, the box office rose by 53% from last weekend to $177 million. This is just 0.3% lower than the same weekend last year; however, last year, Christmas Eve fell on a Sunday and Christmas Eve is a dead zone at the box office. We can’t even compare Christmas Day, because landing on a Monday vs. a Tuesday is a huge difference. Next weekend’s comparison will be much easier to make. Year-to-date, and this is up to Boxing Day, 2018 is ahead by 7.7% or $810 million at $11.37 billion to $10.56 billion. This would be an impressive year, even if no more movie tickets were sold after boxing day. More...

Christmas Predictions: Can Sherlock Solve the Case?

December 24th, 2018

Holmes and Watson

Tomorrow is Christmas Day, which is a surprisingly good day to release a movie, and two new films are hoping to take advantage of this. Holmes and Watson is by far the bigger of the two releases, but despite the comedic talent in the movie, its reviews are, well, practically non-existent. There’s only one review and it is negative. Not that long ago, I thought the film would still open with $10 million for the day, as Will Ferrell and John C. Reilly do have box office drawing power. However, the lack of reviews hurts and the buzz isn’t loud enough to compensate. I think $8 million is more likely. More...

Weekend Estimates: Aquaman Easily Tops Weekend Chart, Poppins / Bumblebee Need Long Legs

December 23rd, 2018

Aquaman

Aquaman is the only certifiable hit of the weekend with an estimated opening of $67.4 million over the weekend for a total of $72.1 million including last week’s paid previews. This is not more than we predicted, but it is dominating the chart, because the competition didn’t show up. It should hit $100 million by the end of Christmas Day. Its reviews are good, but not great, and the same is true of its A minus from CinemaScore. It is also a comic book movie and those tend to have shorter legs, so it might not get as large a multiplier as the average Christmas weekend release, but it should be a large enough hit that Warner Bros. will keep this new direction going for the DCEU. Internationally, it is earning an estimated $91.3 million on 31,930 screens in 70 markets for a three-week total of $410.7 million. Overall, it is tracking ahead of every other film in the DCEU, but a lot of that has to do with China. More...

Friday Estimates: Aquaman Easily Tops Chart, Bumblebee tops Struggling Mary Poppins

December 22nd, 2018

Aquaman

Friday was not as potent as midnight previews led us to believe it would be. That said, Aquaman still had an impressive $28.0 million opening day. This does include the previous night’s $9.0 million in previews, but not last weekend’s $4.7 million in previews, giving the film a $32.7 million running tally. The film’s reviews remain in the overall positive level and it earned an A minus from CinemaScore, so it should have relatively good legs over the weekend, for a comic book movie. We predicted an opening weekend of $67 million and I think the film will top that, by one or two million dollars. It is more than enough for Warner Bros. to continue with the new direction DCEU is taking. More...

Weekend Predictions: Will Aquaman Swim to Victory, or will Mary Poppins Return to Top Spot?

December 19th, 2018

Mary Poppins Returns

It is a busy week, as there are seven films opening wide over the next seven days. Not all of these will be hits—the competition is just too great for that. However, there could be a real race for Christmas champion this year. Because of its fast start in China and its strong pre-sales numbers, many believe Aquaman will top earlier expectations and earn first place over the three-day weekend. However, I think Mary Poppins Returns will be number one over the full week, partially because it should earn a bigger boost over Christmas, but also because it is opening two days early. Meanwhile, Bumblebee’s surprisingly strong reviews are lifting its box office potential. More...

International Box Office: Aquaman Tops Competition by $100 million

December 19th, 2018

Aquaman

Aquaman expanded worldwide at the weekend, earning $131.3 million on 44,134 screens in 43 markets for a two-week total of $266.4 million on the international market. It debuted in over 40 markets, but China was still the dominant force, as it pulled in $54.24 million on 24,528 screens there over the weekend for a two-week total of $189.30 million. A 42% drop-off is amazing for China, which is know for sharp sophomore declines, and the film is already the fourth-biggest super hero film in that market. On the other hand, the film’s biggest opening came in Mexico, where it earned $6.62 million over the weekend for a total opening of $8.00 million there. This is significantly below the openings of both Wonder Woman and Justice League. Overall, Aquaman beat those films more often then not, sometimes by rather large margins. For example, it earned $7.8 million on 3,110 screens in Russia, which was more than double Wonder Woman’s opening in that market. However, at this point, we can safely say China will contribute a disproportionate share of its international box office. More...

Weekend Wrap-Up: Spider-Man Starts Strong as Christmas Holidays Begin

December 18th, 2018

Spider-Man: Into The Spider-Verse

The weekend went according to predictions, more or less. Spider-Man: Into The Spider-Verse was the biggest surprise and it beat our prediction by barely more than $1 million at $35.36 million. The Mule was a distant second place with $17.51 million, but this is still a good result for its production budget / target demographic. On the other hand, Mortal Engines bombed. There’s no polite way to describe this result. The overall box office rose by 37% from last weekend, hitting $115 million. Unfortunately, this weekend last year, Star Wars: The Last Jedi opened with nearly double that by itself. 2018 was off by 58% when compared to last year. That would be a terrible result, even if there were a misalignment in holidays. Fortunately, 2018 still has a huge lead over 2017, up by 9.3% or $930 million at $10.96 billion to $10.03 billion and even if 2018 loses by this amount for the next two weeks, it will still end the year with a massive lead over 2018. More...

Weekend Estimates: Spider-Man is too much for just one Universe

December 16th, 2018

Spider-Man: Into The Spider-Verse

Sony’s estimates have Spider-Man: Into The Spider-Verse earning $35.4 million over the weekend. Its reviews and its A plus from CinemaScore should both helps its legs, as will the upcoming holidays. On the other hand, it does have direct competition next weekend, more or less. Aquaman will attack it from the super hero side of things, while Mary Poppins Returns will take from its family film side. That said, with a start like this, $100 million domestically is practically guaranteed, while $150 million is a solid goal to aim for. More...

Friday Estimates: Spidey Starts Miles Ahead of the Competition

December 15th, 2018

Spider-Man: Into The Spider-Verse

Spider-Man: Into The Spider-Verse debuted with $12.6 million on Friday, putting it on pace for $35.5 million over the full weekend, at least according to Sony. It will get a tiny boost on Sunday, because about 5% of school kids start their winter holidays on Monday. It will get a larger boost from its reviews, which remain Oscar-worthy. And this is not a case of the critics loving it and the audiences being more ambivalent, as the film earned an A plus from CinemaScore and a five-star rating from PostTrak. If the film does match Sony’s estimates, then it will be a little better than our prediction. More importantly, if its word-of-mouth boosts its legs, it could earn more than $200 million domestically. That’s asking a lot, but it is a possibility. It is certainly something to keep our eyes on. More...

Thursday Night Previews: Spider-Man gets off to a Swinging Start

December 14th, 2018

Spider-Man: Into The Spider-Verse

Spider-Man: Into The Spider-Verse opened with $3.5 million during its previews last night. Unfortunately, it is nearly impossible to make an accurate prediction based on this opening, as this is an unusual film. It is an animated film, so we could use other animated films released during this time of year. Sing earned $1.7 million during its previews two years ago; however, that was a Wednesday release that opened less than a week before Christmas Day. Into the Spider-Verse doesn’t have school holidays to boost its numbers, which should help its legs. On the other hand, it is a super hero movie and its Fanboy Effect will hurt its legs. Overall, I think this is good news for the film and it should top our prediction, but we won’t have a really firm grasp on where it’s going until we get Friday’s estimates tomorrow. More...

Weekend Predictions: Will Spider-man Swing into First Place?

December 13th, 2018

Spider-Man: Into The Spider-Verse

After two weeks with no new releases in the top five, we have three new films vying for a position there. This includes Spider-Man: Into The Spider-Verse, which is all but guaranteed a spot in the top five. The Mule was thought to be an Awards Season contender, but its reviews are disappointing, given those high hopes. Finally there’s Mortal Engines, a film that cost $100 million to make and will likely barely earn a spot in the top five. This weekend last year, Star Wars: The Last Jedi opened with $220.01 million. That’s more than the entire box office will earn this year. This could be more than all three wide releases earn in total. Fortunately, 2018 has a $1 billion lead over 2017, so three weeks of bad losses won’t change that. More...

2018 - Awards Season: Golden Globes - Nominations

December 6th, 2018

Vice

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. For example Vice led the way with six nominations, so its Oscar chances have gone up, but don’t expect it to lead the way when the Oscars nominations are announced. More...

2018 Preview: December

December 1st, 2018

Mary Poppins Returns

November turned out to be a really, really good month. I thought 2018’s lead over 2017 would shrink, potentially by $200 million to $300 million. However, the lead actually managed to grow a little bit, thanks to hits like Ralph Breaks the Internet, Dr. Seuss’ The Grinch, Fantastic Beasts: The Crimes of Grindelwald, and Bohemian Rhapsody. December has an equal number of potential hits, led by Mary Poppins Returns, which some think will top $300 million. Additionally, Spider-man Into the Spider-Verse, Aquaman, Bumblebee, and Holmes and Watson all have a realistic shot at $100 million or more. On the other hand, last December was stronger, at least on top. The Last Jedi earned more than $500 million just during December, which is more than any December release this year will earn in total. It could be more than the top two films earn in total. 2018 will win the in year-over-year competition; however, its lead won’t be as large as it is at the start of the month. More...

Spider-man: Into the Spider-Verse Trailer

October 2nd, 2018

Super hero adventure starring Shameik Moore opens December 14 ... Full Movie Details. More...

Spider-man: Into the Spider-Verse Trailer

June 7th, 2018

Animated adventure starring Shameik Moore opens December 14 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/12/14 2 $2,866,116   567 $5,055   $2,866,116 1
2018/12/21 5 $1,259,930 -56% 524 $2,404   $5,215,582 2
2018/12/28 6 $1,289,530 +2% 513 $2,514   $7,465,213 3
2019/01/04 7 $1,119,592 -13% 520 $2,153   $9,849,072 4
2019/01/11 10 $771,244 -31% 487 $1,584   $11,073,983 5
2019/01/18 10 $648,193 -16% 452 $1,434   $11,988,023 6
2019/01/25 - $488,914 -25% 386 $1,267   $12,465,421 7
2019/02/01 15 $297,384 -39% 343 $867   $13,146,969 8
2019/02/08 - $103,697 -65% 219 $474   $12,975,594 9
2019/02/15 - $124,736 +20% 368 $339   $13,125,006 10
2019/02/22 - $85,001 -32% 210 $405   $13,430,343 11
2019/03/01 - $130,441 +53% 246 $530   $13,501,001 12
2019/03/08 - $56,864 -56% 166 $343   $13,604,153 13
2019/03/15 - $49,984 -12% 163 $307   $13,657,365 14
2019/03/22 - $13,732 -73% 57 $241   $13,678,144 15
2019/03/29 - $5,658 -59% 23 $246   $13,684,944 16
2019/04/05 - $4,157 -27% 14 $297   $13,692,424 17
2019/04/12 - $1,888 -55% 9 $210   $13,693,310 18
2019/04/19 - $2,137 +13% 9 $237   $13,697,560 19
2019/04/26 - $1,090 -49% 5 $218   $13,699,107 20
2019/05/03 - $19,311 +1,672% 95 $203   $13,718,418 21
2019/05/10 - $5,072 -74% 51 $99   $13,735,873 22
2019/05/17 - $1,106 -78% 10 $111   $13,736,979 23
2019/06/07 - $60   1 $60   $13,737,268 26

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/10/2019 $420,474 241 241 801 $1,332,324 5/24/2019
Aruba 12/13/2018 $603 2 2 7 $8,055 1/10/2019
Australia 12/14/2018 $1,870,565 421 421 2292 $9,291,053 10/14/2024
Austria 12/14/2018 $78,639 101 101 469 $434,217 3/26/2019
Bahrain 12/13/2018 $53,540 18 18 60 $317,198 4/24/2019
Belgium 12/19/2018 $125,003 147 147 513 $702,703 2/20/2019
Bolivia 12/20/2018 $43,504 41 41 81 $195,254 1/29/2019
Brazil 1/11/2019 $2,797,140 1079 1079 3877 $8,408,623 4/18/2019
Bulgaria 12/14/2018 $50,876 0 68 149 $207,117 6/4/2019
Cambodia 12/13/2018 $23,461 92 92 207 $67,710 2/5/2019
Central America 12/25/2018 $423,643 278 278 580 $1,378,607 3/12/2019
Chile 12/20/2018 $182,825 166 166 480 $927,334 3/19/2019
China 12/21/2018 $162,271 0 87857 161049 $61,988,276 3/19/2019
Colombia 12/20/2018 $282,784 411 411 977 $987,868 3/19/2019
Croatia 12/13/2018 $46,249 95 95 379 $183,178 4/10/2019
Curacao 12/13/2018 $1,666 6 6 16 $12,067 1/10/2019
Czech Republic 12/13/2018 $157,222 135 135 506 $623,324 2/12/2019
Denmark 12/13/2018 $112,814 69 69 209 $517,433 2/20/2019
Dominican Republic 12/20/2018 $0 0 31 57 $103,268 2/8/2019
East Africa 12/14/2018 $1,587 1 1 7 $6,016 1/29/2019
Ecuador 12/21/2018 $145,940 95 95 342 $778,490 3/5/2019
Egypt 12/13/2018 $30,014 21 21 130 $190,505 2/20/2019
Estonia 12/14/2018 $27,964 26 26 57 $113,386 2/6/2019
Finland 12/14/2018 $89,653 83 83 212 $376,442 4/2/2019
France 12/14/2018 $1,432,320 539 542 2997 $5,900,000 3/10/2019
Germany 12/14/2018 $677,844 925 925 3990 $3,564,061 4/10/2019
Ghana 12/14/2018 $3,018 4 4 28 $24,559 2/12/2019
Greece 12/13/2018 $64,620 117 117 403 $329,345 3/19/2019
Hong Kong 12/13/2018 $454,388 150 150 437 $1,738,803 3/5/2019
Hungary 12/13/2018 $51,591 46 65 282 $279,382 4/24/2019
Iceland 12/26/2018 $37,252 14 15 80 $224,071 3/26/2019
India 12/14/2018 $568,772 995 995 1478 $1,665,821 4/2/2019
Indonesia 12/14/2018 $768,816 453 453 1109 $2,711,731 1/23/2019
Iraq 12/13/2018 $12,119 21 21 47 $35,851 1/15/2019
Israel 12/13/2018 $179,875 72 72 698 $1,501,089 5/8/2019
Italy 12/25/2018 $1,192,289 0 65 366 $3,111,969 8/31/2019
Jamaica 12/14/2018 $13,773 5 5 9 $33,024 12/27/2018
Japan 3/8/2019 $1,438,610 337 337 1656 $8,016,332 5/29/2019
Jordan 12/13/2018 $13,506 11 11 43 $81,226 3/12/2019
Kenya 12/14/2018 $9,004 21 21 89 $50,309 3/26/2019
Kuwait 12/13/2018 $104,290 29 29 86 $631,691 3/26/2019
Latvia 12/14/2018 $13,553 17 17 30 $76,181 2/6/2019
Lebanon 12/13/2018 $31,147 30 30 78 $172,730 2/1/2019
Lithuania 12/14/2018 $38,520 152 152 373 $123,617 6/17/2020
Malaysia 12/13/2018 $213,296 270 270 938 $1,362,460 3/26/2019
Mexico 12/25/2018 $2,162,465 0 207 358 $8,815,176 5/2/2019
Middle East Region 12/13/2018 $35,332 4 4 25 $237,086 3/19/2019
Mongolia 12/14/2018 $15,584 8 8 49 $55,516 2/12/2019
Netherlands 12/20/2018 $172,471 104 105 614 $1,267,283 3/26/2019
New Zealand 1/3/2019 $243,986 81 83 565 $1,472,972 10/19/2022
Nigeria 12/14/2018 $22,146 38 38 199 $126,258 2/12/2019
North America 12/14/2018 $35,363,376 3,813 3,813 32,982 $190,173,195
Norway 12/14/2018 $212,104 225 225 641 $817,163 3/5/2019
Oman 12/13/2018 $28,111 23 23 53 $112,669 1/15/2019
Pakistan 12/14/2018 $22,720 36 36 77 $71,421 3/19/2019
Paraguay 1/10/2019 $23,439 20 20 75 $71,252 3/12/2019
Peru 12/25/2018 $410,778 164 164 365 $1,375,760 3/12/2019
Philippines 12/12/2018 $449,506 236 236 542 $1,511,074 3/5/2019
Poland 12/25/2018 $621,613 146 146 699 $1,911,785 3/14/2019
Portugal 12/13/2018 $81,714 83 83 451 $622,165 3/26/2019
Qatar 12/13/2018 $63,284 26 26 85 $335,334 3/12/2019
Romania 12/28/2018 $135,059 110 110 371 $507,356 3/12/2019
Russia (CIS) 12/13/2018 $2,305,600 1305 1305 4461 $6,143,550 4/10/2019
Serbia and Montenegro 12/13/2018 $19,939 54 54 242 $105,775 3/5/2019
Singapore 12/13/2018 $230,136 35 35 201 $1,430,693 6/4/2019
Slovakia 12/7/2018 $13,228 18 70 302 $262,726 3/12/2019
Slovenia 12/13/2018 $19,085 39 39 114 $80,030 3/19/2019
South Africa 12/14/2018 $159,690 84 117 412 $869,271 3/26/2019
South Korea 12/12/2018 $25,637 0 722 1451 $5,248,492 9/13/2023
Spain 12/21/2018 $972,269 341 393 2568 $5,879,781 8/24/2020
Suriname 12/13/2018 $1,219 2 2 8 $8,078 1/23/2019
Sweden 12/14/2018 $185,208 187 187 682 $1,306,707 5/8/2019
Switzerland 12/12/2018 $97,199 83 83 310 $504,319 5/8/2019
Syria 12/13/2018 $3,959 2 2 9 $20,938 1/15/2019
Taiwan 12/13/2018 $306,818 168 168 573 $1,460,778 3/19/2019
Thailand 1/11/2019 $695,840 206 206 520 $2,293,666 3/12/2019
Trinidad 12/14/2018 $40,752 28 28 86 $186,235 2/1/2019
Turkey 12/14/2018 $275,818 243 243 631 $503,430 1/25/2019
Ukraine 12/13/2018 $182,125 297 297 676 $455,074 3/12/2019
United Arab Emirates 12/13/2018 $419,425 104 104 346 $1,764,465 3/12/2019
United Kingdom 12/12/2018 $2,866,116 567 567 5438 $13,737,268 6/12/2019
Uruguay 1/10/2019 $32,295 20 20 94 $166,081 5/23/2019
Venezuela 12/21/2018 $95,749 69 69 375 $1,214,407 4/10/2019
Vietnam 12/14/2018 $130,945 178 178 424 $651,668 2/5/2019
 
Worldwide Total$374,561,597 10/14/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Shameik Moore    Miles Morales / Spider-Man
Jake Johnson    Peter B. Parker/Spider-Man
Hailee Steinfeld    Gwen Stacy
John Mulaney    Spider-Ham
Kimiko Glenn    Peni Parker
Nicolas Cage    Spider-Man Noir

Supporting Cast

Mahershala Ali    Uncle Aaron
Brian Tyree Henry    Jefferson Davis
Lily Tomlin    Aunt May
Lauren Luna Vélez    Rio Morales
Liev Schreiber    Wilson Fisk
Zoë Kravitz    Mary Jane
Kathryn Hahn    Doc Ock
Chris Pine    Peter Parker
Natalie Morales    Miss Calleros
Edwin Bravo    Brooklyn Visions Security Guard
Oscar Isaac    Interesting Person #1
Greta Lee    Interesting Person #2
Jorma Taccone    Green Goblin/Last Dude
Joaquin Cosio    Scorpion
Marvin Jones III    Tombstone
Kim Yarbrough    Scientist In Cafeteria
Lake Bell    Vanessa Fisk
Jessica Mikayla Adams    Brooklyn Friend
Gredel Berrios-Calladine    Brooklyn Friend
Sarah D. Cole    Brooklyn Friend
Kelby Alex Joseph    Brooklyn Friend
Mimi Davila    Brooklyn Visions Student
Claudia Choi    Brooklyn Visions Teacher
Melanie Haynes    Brooklyn Visions Teacher
Joseph Izzo    Brooklyn Visions Teacher
Nick Jaine    Brooklyn Visions Teacher
Muneeb Rehman    Brooklyn Visions Teacher
Carlos Zaragoza    Brooklyn Visions Teacher
Post Malone    Brooklyn Bystander
David Applebee    Additional Voice
Juan Carlos Arvelo    Additional Voice
Adam Brown    Additional Voice
Jon Bruno    Additional Voice
Darcy Rose Byrnes    Additional Voice
June Christopher    Additional Voice
Alycia L. Cooper    Additional Voice
Michelle Jubilee Gonzalez    Additional Voice
Terrence Hardy    Additional Voice
Bridget Hoffman    Additional Voice
Rif Hutton    Additional Voice
Miguel Jiron    Additional Voice
Harrison Knight    Additional Voice
Lex Lang    Additional Voice
Donna Lynn Leavy    Additional Voice
Andrew Leviton    Additional Voice
Caitlin McKenna    Additional Voice
Scott Menville    Additional Voice
Christopher Miller    Additional Voice
Arthur Ortiz    Additional Voice
Juan Pacheco    Additional Voice
Devika Parikh    Additional Voice
Shakira Ja’nai Paye    Additional Voice
Courtney Peldon    Additional Voice
Chrystee Pharris    Additional Voice
Jacqueline Pinol    Additional Voice
Juan Pope    Additional Voice
Al Rodrigo    Additional Voice
Joseph Sanfelippo    Additional Voice
Justin Shenkarow    Additional Voice
Dennis Singletary    Additional Voice
Warren Sroka    Additional Voice
Melissa Sturm    Additional Voice
Holly Walker    Additional Voice
Jason Linere White    Additional Voice
Ruth Zalduondo    Additional Voice
Ruby Zalduondo    Additional Voice

Narrator(s)

Oscar Camacho    Additional Voice

Cameos

Stan Lee    Stan

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Bob Persichetti    Director
Peter Ramsey    Director
Rodney Rothman    Director
Phil Lord    Producer
Christopher Miller    Producer
Avi Arad    Producer
Amy Pascal    Producer
Christina Steinberg    Producer
Phil Lord    Screenwriter
Christopher Miller    Screenwriter
Phil Lord    Story by
Stan Lee    Executive Producer
Brian Michael Bendis    Executive Producer
Will Allegra    Executive Producer
Justin K. Thompson    Production Designer
Robert Fisher, Jr.    Editor
Daniel Pemberton    Composer
Christian Hejnal    Co-Producer
Theresa Bentz    Co-Producer
Danny Dimian    Visual Effects Supervisor
Dean Gordon    Art Director
Patrick O’Keefe    Art Director
Shiyoon Kim    Character Designer
Paul Watling    Head of Story
Kier Lehman    Music Supervisor
Dave Morehead*    Head of Layout
Rich Turner    Head of Layout
James Williams    Head of Layout
Joshua Beveridge    Head of Character Animation
Dave Blais    Supervising Animator
Derek Esparza    Supervising Animator
Robin George    Supervising Animator
Julie Bernier Gosselin    Supervising Animator
Min Hong    Supervising Animator
Jeff Panko    Supervising Animator
Dylan Reid    Supervising Animator
Humberto Rosa    Supervising Animator
Philip Rudolph    Supervising Animator
Joseph Izzo    Production Manager
Charles G Abou Aad    Character CG Supervisor
Benjamin Aguillon    Character CG Supervisor
Benjamin Hendricks    Character CG Supervisor
Jason Greenblum    Character CG Supervisor
Matt Hausman    Character CG Supervisor
Michael Lasker    Character CG Supervisor
Michael Muir    Character CG Supervisor
Larry Weiss    Character CG Supervisor
Mary Hidalgo    Casting Director
Mark Ackland    Story Artist
Paula Assadourian    Story Artist
Sharon Bridgeman    Story Artist
Eva Bruschi    Story Artist
Cody Cameron    Story Artist
Riccardo Durante    Story Artist
Miguel Jiron    Story Artist
Denise Koyama    Story Artist
Yoriaki Mochizuki    Story Artist
Vi-Dieu Nguyen    Story Artist
Jihyun Park    Story Artist
John Puglisi    Story Artist
Ryan Savas    Story Artist
Miles Thompson    Story Artist
Heiko von Drengenberg    Story Artist
Jane Wu    Story Artist
Florent Auguy    Character Designer
Andrea Blasich    Character Designer
Denis Bodart    Character Designer
Jesús Alonso Iglesias    Character Designer
Craig Kellman    Character Designer
Brittany Myers    Character Designer
Sei Riondet    Character Designer
Tony Siruno    Character Designer
Omar Smith    Character Designer
Matt Landon    Editor
Jennifer Dolce    Associate Editor
Andrew Leviton    Associate Editor
Vivek Sharma    Associate Editor
Sarah D. Cole    First Assistant Editor
Bret Allen    Assistant Editor
Patrick Ballin    Assistant Editor
Brian Casper    Character Effects Supervisor
Simon Corbaux    Character Effects Supervisor
Jessica Smialek    Post-Production Supervisor
Monica Kelly    Post-Production Supervisor
Michael Semanick    Re-recording Mixer
Tony Lamberti    Re-recording Mixer
Geoffrey G. Rubay    Supervising Sound Editor
Curt Schulkey    Supervising Sound Editor
John Pospisil    Sound Designer
Kip Smedley    Sound Effects Editor
Andy Sisul    Sound Effects Editor
David Werntz    Sound Effects Editor
Christopher S. Aud    Sound Effects Editor
Ando Johnson    Sound Effects Editor
Benjamin L. Cook    Sound Effects Editor
Mike Reagan    Sound Effects Editor
Donald Flick    Sound Effects Editor
James Morioka    Dialogue Editor
Matthew E. Taylor    Dialogue Editor
Randy Singer    Foley Mixer
Katie Greathouse    Music Editor
Sam Okell    Score Recordist
Sam Okell    Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.