South Korea Box Office for Shinui Han Soo Gwisoopyeon (2019)
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Synopsis
“You’re destined to become a monster when you try to make yourself a god.” In the 1990s, when Go gambling fever swept Korea, Gui-su loses everything because his father gambled obsessively until there was nothing left. Left all alone in the world, Gui-su meets a mentor and Go teacher, Il-do, and goes through vicious training to become the grandmaster of Go. He sets out for revenge on the world that destroyed his life, but soon finds himself chased by an unknown loner pursuing his own vendetta.
Metrics
Movie Details
November 22nd, 2019
There are not a lot of limited releases on this week’s list, but a few are earning the buzz and reviews needed to find an audience in theaters. This includes Dark Waters, the biggest release of the week, as well as Varda by Agnès, which could become a breakout hit for a documentary.
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November 20th, 2019
Waves led the way on the theater average chart with an opening weekend average of $33,583 in four theaters. Jay and Silent Bob Reboot was in second place with an average of $16,899 in ten theaters. Its road show has been a success so far, but the film did cost $10 million to make, so it will need to continue to have strong weekend numbers for a long time to break even. Recorder: The Marion Stokes Project opened with $12,140 in its lone theater. Honey Boy fell from an average of $75,266 in four theaters to an average of just $11,957 in 17. That’s still a good average, but its odds of expanding even semi-wide have been lowered dramatically.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2019/11/08 |
1 |
$6,713,833 |
|
1,246 |
$5,388 |
$8,040,999 |
1 |
| 2019/11/15 |
2 |
$2,771,720 |
-59% |
1,026 |
$2,701 |
$13,556,369 |
2 |
| 2019/11/22 |
3 |
$709,436 |
-74% |
650 |
$1,091 |
$15,225,080 |
3 |
| 2019/11/29 |
7 |
$109,203 |
-85% |
152 |
$718 |
$15,421,499 |
4 |
| 2019/12/06 |
- |
$2,786 |
-97% |
10 |
$279 |
$15,443,239 |
5 |
| 2019/12/27 |
- |
$1,170 |
|
8 |
$146 |
$15,926,132 |
8 |
Box Office Summary Per Territory
| Territory |
Release
Date |
Opening
Weekend |
Opening
Weekend
Screens |
Maximum
Screens |
Theatrical
Engagements |
Total
Box Office |
Report
Date |
| North America |
11/15/2019 |
$12,269 |
2 |
10 |
20 |
$67,578 |
|
| South Korea |
11/7/2019 |
$6,713,833 |
1246 |
1246 |
3092 |
$15,926,132 |
1/2/2020 |
| |
| Worldwide Total | $15,993,710 |
1/2/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
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