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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $182,223 | Details |
| Worldwide Box Office | $3,149,293 | Details |
| Further financial details... | ||
Everyone in Justine’s family is a vet. And a vegetarian. At sixteen she’s a brilliant student starting out at veterinary school where she experiences a decadent, merciless and dangerously seductive world. Desperate to fit in, she strays from her family principles and eats RAW meat for the first time. Justine will soon face the terrible and unexpected consequences as her true self begins to emerge…
May 24th, 2017
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It is a great week on the home market with two monster hits coming out: Logan and Get Out. However, both have previously been named Pick of the Week. Fortunately there was one other release in competition for Pick of the Week, My Life as a Zucchini on Blu-ray. Thank goodness this film comes out this week. Otherwise, John Wick: Chapter Two would have become the third Video on Demand release in a row to win Pick of the Week.
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March 15th, 2017
Personal Shopper had the best theater average this past weekend earning an average of $19,794 in four theaters. The overall box office champ, Kong: Skull Island, earned $15,867. Raw was the only other film in the $10,000 club with an average of $12,413 in two theaters. Meanwhile, The Sense of an Ending just missed the mark with an average of $9,923 in four theaters.
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March 12th, 2017
Kong: Skull Island is reigning over movie theaters this weekend, with Warner Bros. predicting a $61 million opening for the monster movie. This is a franchise that’s been rebooted so many times that it’s meaningful to compare this outing’s opening with previous incarnations. And I’m pleased to report that this is the best ever weekend for a reboot of a King Kong movie, topping King Kong’s $50.1 million, and King Kong’s $7 million. The bad news is that this outing doesn’t look so great when adjusted for inflation. The 2005 King Kong opened with an inflation-adjusted $65 million, and the 1933 original went on to make an inflation-adjusted $366 million at the box office… a number that’s a very distant prospect this time. In fact, once adjusted for inflation, this will probably be the lowest-grossing film to start a King Kong franchise, and the only one to miss $200 million at the domestic box office.
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March 10th, 2017
It is not a particularly busy week for limited releases, but there are a few that are earning good reviews and louder buzz. My Scientology Movie, Personal Shopper, and Raw all fit that description, but Personal Shopper probably has the best shot at box office success.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/04/07 | - | $83,117 | 77 | $1,079 | $83,117 | 1 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 4/7/2017 | $2,410 | 3 | 16 | 48 | $68,527 | 10/14/2024 |
| France | 3/17/2017 | $313,872 | 0 | 0 | 0 | $1,042,817 | 6/27/2018 |
| Japan | 2/9/2018 | $26,160 | 0 | 1 | 1 | $124,547 | 6/8/2018 |
| Mexico | 4/14/2017 | $158,128 | 0 | 0 | 0 | $158,128 | 4/20/2017 |
| New Zealand | 4/21/2017 | $2,366 | 3 | 3 | 9 | $5,963 | 5/8/2017 |
| North America | 3/10/2017 | $24,825 | 2 | 45 | 186 | $514,870 | |
| Poland | 9/22/2017 | $0 | 0 | 16 | 29 | $18,268 | 1/1/2019 |
| South Korea | 8/4/2017 | $2,761 | 2 | 2 | 3 | $11,751 | 10/17/2017 |
| Spain | 3/17/2017 | $143,212 | 166 | 166 | 391 | $364,530 | 10/29/2018 |
| United Kingdom | 4/7/2017 | $83,117 | 77 | 77 | 77 | $182,223 | 9/18/2018 |
| Worldwide Total | $3,149,293 | 10/14/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Garance Marillier | ||
| Ella Rumpf | ||
| Rabah Nait Oufella |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Julia Ducournau | Director |
