| Theatrical Performance (US$) | ||
| Germany Box Office | $35,065,932 | Details |
| Worldwide Box Office | $119,999,878 | Details |
| Further financial details... | ||
| Germany Releases: | July 25th, 2014 (Wide) |
| Running Time: | 97 minutes |
| Keywords: | Family Comedy, Wedding Day, Romance, Dysfunctional Family, Interracial Romance, Ensemble |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | France |
| Languages: | French |
June 4th, 2014
Maleficent opened on top of the international chart with $106.1 million in 47 markets, making it the latest movie to open with more than $100 million on the international chart. The film opened in a number of major markets, but individual results were mixed. The film opened in first place in Mexico with $14.05 million on 2,892 screens and in Russia with $13.06 million on 1,733 screens. In the U.K. it pulled in $11.04 million on 486 screens. It didn't crack $10 million, but did earn first place in Italy ($5.87 million on 650 screens); in Brazil ($5.63 million on 452); and in Germany ($4.87 million on 525 screens over the weekend for a total opening of $5.26 million); and Spain ($4.29 million on 625). It had to settle for second place in Australia with $3.76 million on 530 screens over the weekend for a total opening of $3.90 million. It only managed third place in France ($5.01 million on 550 screens) and in South Korea ($3.38 million on 631 screens over the weekend for a total opening of $3.81 million). The film has yet to open in China and Japan and given this start, it should reach $500 million worldwide before it is done.
More...
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 12/18/2015 | $3,527 | 3 | 3 | 17 | $31,625 | 11/26/2019 |
| Brazil | 8/7/2015 | $122,100 | 106 | 106 | 254 | $353,794 | 11/9/2018 |
| France | 4/16/2014 | $0 | 0 | 0 | 0 | $0 | |
| Germany | 7/25/2014 | $0 | 0 | 0 | 0 | $35,065,932 | 8/22/2018 |
| Hong Kong | 1/2/2015 | $22,799 | 9 | 9 | 16 | $48,842 | 11/25/2018 |
| Italy | 2/6/2015 | $1,266,924 | 0 | 0 | 0 | $4,133,719 | 11/6/2018 |
| Mexico | 3/6/2015 | $71,512 | 0 | 0 | 0 | $870,899 | 9/7/2018 |
| Poland | 11/14/2014 | $0 | 0 | 0 | 0 | $1,238,193 | 12/30/2018 |
| Russia (CIS) | 7/1/2021 | $41,180 | 482 | 482 | 695 | $93,312 | 10/20/2022 |
| Spain | 12/19/2014 | $0 | 0 | 379 | 2915 | $10,368,680 | 11/28/2018 |
| Rest of World | $67,794,882 | ||||||
| Worldwide Total | $119,999,878 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Christian Clavier | Claude Verneuil | |
| Chantal Lauby | Marie Verneuil |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Philippe de Chauveron | Director | |
| Philippe de Chauveron | Screenwriter | |
| Guy Laurent | Screenwriter | |
| Romain Rojtman | Producer |
