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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $2,211 | Details |
| Worldwide Box Office | $50,018 | Details |
| Further financial details... | ||
| United Kingdom Releases: | August 18th, 2017 (Wide) |
| MPAA Rating: | Not Rated |
| Running Time: | 105 minutes |
| Keywords: | Cinema Verite, African Americans, 2000s, Set in Philadelphia, Poverty, Artists, Singers |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production Countries: | United States |
| Languages: | English |
December 6th, 2017
It was another stellar weekend at the box office, at least as far as the theater average chart was concerned. The Shape of Water earned an average of $83,282 in two theaters. This is the fourth best of the year so far. Call Me by Your Name was right behind with an average of $73,890 in four theaters. This is by far the best result of the year for a holdover, more than doubling Lady Bird’s sophomore stint. However, Lady Bird expanded its theater count during its second weekend of release, while Call Me by Your Name did not. The Disaster Artist was close behind with an average of $63,755 in 19 theaters. You could argue this was the best result of the week, because the film was playing in many more theaters than the two films above it. Wonder Wheel was well back with an average of $28,111 in five theaters. Normally this would be an amazing start, but this week it won’t make an impact and it could fade away by the end of the year. Finally, Darkest Hour was the final film in the $10,000 club earning an average of $27,093 in four theaters during its second weekend of release.
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November 22nd, 2017
The Independent Spirit Awards nominations were announced yesterday and thus the 2017 Awards Season begins. The movie with the most nominations is Call Me by Your Name, which opens on Friday. This is amazingly good timing. It’s not the only film that should get a financial boost.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/08/18 | - | $2,211 | 7 | $316 | $2,211 | 1 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 12/1/2017 | $6,591 | 1 | 3 | 13 | $47,807 | |
| United Kingdom | 8/18/2017 | $2,211 | 7 | 7 | 7 | $2,211 | 8/23/2017 |
| Worldwide Total | $50,018 | 8/23/2017 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Christine’a Rainey | ||
| Patricia Rainey |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Jonathan Olshefski | Director | |
| Sabrina Schmidt Gordon | Producer |
