| Theatrical Performance (US$) | ||
| Slovakia Box Office | $281,467 | Details |
| Worldwide Box Office | $86,661,493 | Details |
| Further financial details... | ||
| Slovakia Releases: | March 1st, 2019 (Wide), released as Čo sme komu zase urobili? |
| Running Time: | 99 minutes |
| Franchise: | Serial (Bad) Weddings |
| Keywords: | Comedy Drama, Dysfunctional Family, Empty Nest |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | France |
| Languages: | French, Hebrew, Portuguese |
February 5th, 2019
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How to Train Your Dragon: The Hidden World roared into first place on the international chart with $40.8 million in 40 markets for a still early international total of $85.5 million. It was buoyed by a quartet of major market openings, led by Mexico, where it earned first place with $7.56 million in 891 theaters. This is 20% more than the previous film in the franchise opened with in that market. It also opened in first place in the U.K. ($6.95 million in 556 theaters) and in Italy ($3.67 million in 467). On the other hand, it had to settle for third place in South Korea with $3.30 million on 971 screens over the weekend for a total opening of $4.61 million. The film opens in France and Germany this weekend, but doesn’t finish its box office run until August, when it finally opens in Japan.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/03/01 | 2 | $86,738 | 64 | $1,355 | $86,738 | 1 | |
| 2019/03/08 | 5 | $56,428 | -35% | 35 | $1,612 | $164,297 | 2 |
| 2019/03/15 | 6 | $38,229 | -32% | 30 | $1,274 | $217,600 | 3 |
| 2019/03/22 | 7 | $19,439 | -49% | 25 | $778 | $244,834 | 4 |
| 2019/03/29 | 12 | $6,409 | -67% | 9 | $712 | $256,217 | 5 |
| 2019/04/05 | 13 | $6,353 | -1% | 10 | $635 | $264,066 | 6 |
| 2019/04/12 | 18 | $5,243 | -17% | 5 | $1,049 | $273,786 | 7 |
| 2019/05/10 | 13 | $5,320 | 18 | $296 | $281,467 | 11 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Czech Republic | 3/1/2019 | $112,997 | 97 | 97 | 235 | $324,167 | 4/9/2019 |
| France | 1/30/2019 | $14,856,103 | 852 | 864 | 6676 | $53,492,496 | 4/19/2019 |
| Germany | 4/5/2019 | $1,745,947 | 0 | 0 | 0 | $11,086,118 | 6/8/2019 |
| Italy | 3/7/2019 | $690,954 | 0 | 17 | 26 | $1,372,446 | 4/13/2019 |
| Lithuania | 9/6/2019 | $0 | 0 | 3 | 15 | $23,961 | 12/10/2019 |
| Mexico | 12/16/2021 | $21,036 | 0 | 0 | 0 | $15,279,930 | 10/20/2022 |
| Netherlands | 3/29/2019 | $27,367 | 34 | 34 | 67 | $62,909 | 4/9/2019 |
| Poland | 7/19/2019 | $166,093 | 151 | 151 | 668 | $1,015,595 | 10/19/2022 |
| Portugal | 12/6/2019 | $82,321 | 46 | 52 | 251 | $524,919 | 7/13/2021 |
| Russia (CIS) | 7/1/2021 | $0 | 0 | 213 | 233 | $90,456 | 10/20/2022 |
| Slovakia | 3/1/2019 | $86,738 | 64 | 64 | 196 | $281,467 | 5/14/2019 |
| Spain | 12/20/2019 | $589,564 | 304 | 322 | 1473 | $3,107,029 | 1/30/2020 |
| Worldwide Total | $86,661,493 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Christian Clavier | Claude Verneuil | |
| Chantal Lauby | Marie Verneuil |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Philippe de Chauveron | Director | |
| Philippe de Chauveron | Screenwriter | |
| Guy Laurent | Screenwriter | |
| Romain Rojtman | Producer |
