Synopsis
Beatrice is a motor-mouthed fantasist, a self-styled billionaire countess who likes to believe she’s on intimate terms with world leaders. Donatella is a tattooed introvert, a fragile young woman locked in her own mystery. They are both patients at the Villa Biondi, a progressive but secure psychiatric clinic.
Metrics
Movie Details
| Italy Releases: |
May 17th, 2016 (Wide) |
| MPAA Rating: |
Not Rated |
| Running Time: |
118 minutes |
| Keywords: |
Mental Illness, Mental Hospital, Escape, Fugitive / On the Run, Joyride, Suicide, Non-Chronological, Road Trip, Set in Tuscany, Set in Italy, Underwater |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: |
France, Italy |
| Languages: |
Italian |
May 10th, 2017
Not only did Guardians of the Galaxy Vol 2 earn first place on the weekend box office chart, it was also the top film on the theater average chart earning an average of $33,704. This is the fourth best result of the year so far, second best for a wide release. (Beauty and the Beast is still the best of the year with an average of $41,508.) Second place went to the re-release of Stalker with $20,540 in its lone theater. The Lovers was the only other film in the $10,000 club with an average of $16,572 in four theaters.
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May 5th, 2017
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It is one of those weeks where it is hard to find a film with high box office potential. Last Men in Aleppo is the best movie, but as a documentary, it likely won’t expand significantly. Chuck has a great cast, but it’s reviews are merely good. Maybe The Lovers will do the best.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2016/05/20 |
2 |
$1,496,320 |
|
0 |
|
$1,836,111 |
1 |
| 2016/05/27 |
2 |
$1,157,482 |
-23% |
0 |
|
$3,503,544 |
2 |
| 2016/06/03 |
3 |
$1,243,225 |
+7% |
0 |
|
$5,204,301 |
3 |
| 2016/06/10 |
4 |
$464,381 |
-63% |
0 |
|
$5,839,458 |
4 |
| 2016/06/17 |
7 |
$229,443 |
-51% |
0 |
|
$6,173,167 |
5 |
| 2016/06/24 |
11 |
$91,622 |
-60% |
0 |
|
$6,253,646 |
6 |
| 2016/07/01 |
16 |
$40,515 |
-56% |
0 |
|
$6,338,390 |
7 |
| 2016/07/08 |
14 |
$37,940 |
-6% |
0 |
|
$6,353,760 |
8 |
| 2016/07/15 |
13 |
$40,671 |
+7% |
0 |
|
$6,429,836 |
9 |
| 2016/07/22 |
13 |
$35,021 |
-14% |
0 |
|
$6,431,872 |
10 |
| 2016/07/29 |
11 |
$40,882 |
+17% |
0 |
|
$6,606,195 |
11 |
| 2016/08/05 |
15 |
$26,399 |
-35% |
0 |
|
$6,607,745 |
12 |
| 2016/08/19 |
12 |
$21,756 |
|
0 |
|
$6,832,306 |
14 |
| 2016/08/26 |
15 |
$17,995 |
-17% |
0 |
|
$6,810,010 |
15 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
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