Russia (CIS) Box Office for Once Upon a Time (2017)

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Once Upon a Time
Theatrical Performance (US$)
Russia (CIS) Box Office $18,100Details
Worldwide Box Office $82,891,949Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A story of epic battles, deep passion, and the powerful forces that drive mortals and gods alike toward revenge, loyalty, and eternal love. Bai Qian, a goddess and monarch from the Heavenly Realms, is sent to the mortal world to undergo a trial to become a High Goddess. There, she meets Ye Hua, with whom she falls in love and marries. When an old enemy reappears in her life, everything she holds dear is threatened.

Metrics

Movie Details

Russia (CIS) Releases: March 15th, 2018 (Wide)
Video Release: November 21st, 2017 by Well Go USA Video
MPAA Rating: Not Rated
Running Time: 108 minutes
Keywords: Suicide, Set in China, Non-Chronological, Romance, Dragon, Gods and Goddesses, War, Demons, Faulty Memory, 3-D, 3-D - Post-production Conversion, IMAX: DMR
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Fantasy
Production Countries: China
Languages: Mandarin

Theater Averages: Ingrid Westward Trip nets $45,100

August 16th, 2017

Ingrid Goes West

Ingrid Goes West opened in first place on the theater average chart with an average of $45,100 in three theaters. This is the third best average of the year behind The Big Sick (average of $84,315 in five) and The Beguiled ($57,323 in four). A24 had another success with Good Time earning an average of $31,275 in four theaters. The Trip to Spain opened with an average of $15,102 in three theaters, which is in the middle of the franchise average so far. Finally there’s Wind River, which was the only holdover in the $10,000 club. It managed an average of $13,615 in 45 theaters and already has nearly $1 million in limited release. More...

Weekend Estimates: Annabelle to the Rescue

August 13th, 2017

Annabelle: Creation

After a series of lackluster weekends at the box office, Annabelle: Creation is doing its bit to clear away the end-of-Summertime blues with a $35 million opening this weekend. That’s right in line with the $37 million Annabelle opened with three years ago, which is an impressive performance for a horror franchise. It’s also the best opening for a horror movie since Split’s $40 million start back in January. The first film in the franchise fell away quite rapidly, and ended up with $84 million in total, so a final total of over $100 million is far from assured, but with a production budget of only $15 million, and probably not much more than $20 million in marketing, this should be a highly profitable movie for Warner Bros., especially since the franchise is popular globally. More...

International Box Office: Wolves Feasts on the Competition with $164 million

August 10th, 2017

Wolf Warriors 2

Wolf Warriors 2 remained in top spot on the international chart with $164 million at the weekend. This is dominated by a sophomore stint of $163.38 million in its native China for a two-week total of $471.94 million. It is already the biggest hit in China, crushing The Mermaid, at least in terms of local currency. It still has a ways to go to become the number one film in terms of the US dollar, but it should get there shortly. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 9/1/2017 $33,712 8 8 16 $55,020 9/11/2017
China 8/3/2017 $38,720,000 106171 106171 111482 $82,313,688 8/15/2018
North America 8/11/2017 $249,933 51 51 110 $485,728
Russia (CIS) 3/15/2018 $7,894 0 0 0 $18,100 1/1/2019
South Korea 1/18/2018 $0 0 0 0 $5,709 3/15/2018
United Kingdom 8/18/2017 $13,704 13 13 13 $13,704 8/23/2017
 
Worldwide Total$82,891,949 1/1/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Uncategorized

Liu Yifei   
Yang Yang   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Anthony LaMolinara    Director
Zhao Xiaoding    Director