Australia Box Office for My Cousin Rachel (2017)

Theatrical Performance (US$)
Australia Box Office	$1,642,237	Details
Worldwide Box Office	$9,833,292	Details
Home Market Performance
North America DVD Sales	$163,097	Details
North America Blu-ray Sales	$92,144	Details
Total North America Video Sales	$255,241
Further financial details...

Summary
News
Box Office
Worldwide
Full Financials
Cast & Crew
Trailer

Synopsis

The story of a young Englishman who plots revenge against his mysterious, beautiful cousin, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.

Metrics

Movie Details

Australia Releases:	June 9th, 2017 (Wide)
Video Release:	August 29th, 2017 by Fox Home Entertainment
MPAA Rating:	PG-13 for some sexuality and brief strong language. (Rating bulletin 2461 (Cert #50809), 2/1/2017)
Running Time:	106 minutes
Keywords:	Revenge, Romance, Incest, Love Triangle, Remake, Terminal Illness, Romantic Drama, Relationships Gone Wrong, 1800s
Source:	Remake
Genre:	Drama
Production Method:	Live Action
Creative Type:	Contemporary Fiction
Production/Financing Companies:	Fox Searchlight Pictures, TSG Entertainment, Free Range Film
Production Countries:	United States
Languages:	English

Home Market Releases for August 29th, 2017

August 29th, 2017

It’s one of those weeks that are deceptively busy. The biggest new release of the week is Wonder Woman, but it is only coming out on Video on Demand. The biggest overall release is the The Lion King franchise on separate Blu-ray releases, but it’s at least a double-dip on Blu-ray. I think a triple-dip on Blu-ray. If it weren’t for these circumstances, they would be clear Pick of the Week contenders. Without those two movies, the next best is... My Cousin Rachel on Blu-ray. Its reviews are not quite Pick of the Week level, but it is the best of what we've got. More...

Theater Averages: Big Sick has a Very Healthy $84,315 Opening

June 28th, 2017

Two limited releases that came out this past weekend topped the previous theater average record for 2017. The Big Sick earned an average of $84,315 in five theaters, which bodes well for its planned wide expansion in a couple of weeks. The Beguiled was next with an average of $57,323 in four theaters. Both of these are well ahead of the $41,508 average Beauty and the Beast earned during its opening weekend. The only other film in the $10,000 club was the overall number one film, Transformers: The Last Knight, which earned an average of $10,981. More...

Theater Averages: Beatriz Fills Up with Average of $28,392

June 13th, 2017

Beatriz at Dinner led the way on the theater average chart with an average of $28,392 in five theaters. Last week’s winner, Wonder Woman, was pushed into second place with a still impressive average of $14,050. The final film in the $10,000 club was The Hero with an average of $11,329 in four theaters. More...

Weekend Estimates: Mummy’s $32 Million Debut No Match for Wonder Woman

June 11th, 2017

There are precious few crumbs of comfort to be found from Universal’s launch of The Mummy this weekend. The studio is projecting a $32.2 million opening this weekend from 4,035 theaters. That will be a fairly distant second to Wonder Woman, which is expected to earn about $57.1 million. Even the bright news—that this is Tom Cruise’s biggest global opening weekend—comes with an asterisk. More...

Limited and VOD Releases: Dinner and a Movie

June 9th, 2017

It is not a particularly busy week as far as limited releases are concerned. However, there are a few that have a shot at earning some mainstream success: Beatriz at Dinner, I, Daniel Blake, and My Cousin Rachel. There’s a chance none of them will do well this weekend, but hopefully they can all find an audience. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

Date	Rank	Gross	% Change	Screens	Per Screen	Total Gross	Week
2017/06/09	5	$312,446		74	$4,222	$312,446	1
2017/06/16	8	$214,494	-31%	73	$2,938	$703,958	2
2017/06/23	11	$156,383	-27%	78	$2,005	$955,969	3
2017/06/30	12	$124,780	-20%	84	$1,485	$1,175,375	4
2017/07/07	11	$91,973	-26%	83	$1,108	$1,321,870	5
2017/07/14	10	$71,787	-22%	100	$718	$1,480,832	6
2017/07/21	15	$54,335	-24%	116	$468	$1,591,056	7
2017/08/04	-	$11,628		54	$215	$1,641,593	9
2017/08/11	-	$2,132	-82%	21	$102	$1,642,237	10

Box Office Summary Per Territory

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Territory	Release Date	Opening Weekend	Opening Weekend Screens	Maximum Screens	Theatrical Engagements	Total Box Office	Report Date
Australia	6/9/2017	$312,446	74	116	683	$1,642,237	8/14/2017
France	7/28/2017	$233,659	0	0	0	$418,608	6/27/2018
Italy	3/15/2018			0	0	$0
Netherlands	6/23/2017	$56,773	35	37	240	$321,878	8/10/2017
New Zealand	6/23/2017	$68,109	43	49	323	$370,728	8/21/2017
North America	6/9/2017	$969,941	523	531	1,374	$2,716,368	7/27/2020
United Kingdom	6/9/2017	$812,258	467	501	1604	$3,448,593	9/28/2017

Rest of World						$914,880

Worldwide Total						$9,833,292	7/27/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Rachel Weisz		Rachel
Sam Claflin		Philip

Supporting Cast

Holliday Grainger		Louise
Iain Glen		Kendall
Pierfrancesco Favino		Rainaldi
Simon Russell Beale		Couch
Vicki Pepperdine		Mrs. Pascoe
Tim Barlow		Seecombe
Bobby Scott Freeman		John
Tristram Davies		Wellington
Andrew Havill		Parson Pascoe
Poppy Lee Friar		Mary Pascoe
Katherine Pearce		Belinda Pascoe
Roy Sampson		Doctor
Adam Loxley		Adam
Andrew Knott		Joshua
Alexander Arnold		Young Lad
Cal McCrystal		Geoffrey
Dorian Lough		Gabriel
Tobias Beer		William
Harrie Hayes		Tess
Chris Gallarus		Timothy
Neill Maccoll		Singer
Wilf Walters		Pig Farmer
Margaret Michell		Market Girl
Corin Chatwin		Philip at 2
Sparrow Michell		Philip at 4
Austin Taylor		Philip at 6
Louis Suc		Philip at 10

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Roger Michell		Director
Roger Michell		Screenwriter
Daphne du Maurier		Based on the novel by
Kevin Loader		Producer
Roger Michell		Executive Producer
Mike Eley		Director of Photography
Alice Normington		Production Designer
Kristina Hetherington		Editor
Anita Overland		Co-Producer
Rael Jones		Composer
Dinah Collin		Costume Designer
Fiona Weir		Casting Director
Lee Sheward		Stunt Coordinator
Nicola Morrow		Unit Production Manager
Barrie McCulloch		First Assistant Director
Tom Rye		Second Assistant Director
Charmian Adams		Supervising Art Director
Andrea Matheson		Art Director
Barbara Herman-Skelding		Set Decorator
Nicola Dove		Stills Photographer
Danny Hambrook		Sound Mixer
Louise Seymour		Post-Production Supervisor
Joanne Dixon		First Assistant Editor
Charlie Thorne		Second Assistant Editor
Danny Sheehan		Supervising Sound Editor
Jenna McGranaghan		Costume Supervisor
Barrie Gower		Prosthetics Designer
Harriet Lawrence		Location Manager
Sarah Wilson		Casting Associate
Chris Reynolds		Special Effects Supervisor
Adam Gascoyne		Visual Effects Supervisor
Tim Caplan		Visual Effects Producer
Noga Alon Stein		Visual Effects Producer
Paul Carter		Sound Designer
Matt Davies		Dialogue/ADR Editor
Keith Partridge		Foley Recordist
Paul Cotterell		Re-recording Mixer
Paul Carter		Re-recording Mixer
Danny Sheehan		Re-recording Mixer
Rachel Park		Sound Mixer
Jeremy Sams		Additional Music
Jake Jackson		Score Recordist
Laurence Anslow		Score Recordist
Jake Jackson		Score Mixer
Al Green		Music Editor
Kevin Loader		Second Unit Director
Enrico Ballarin		Line Producer
Maurizio Corridori		Special Effects
Franco Ragusa		Special Effects

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.