Synopsis
A host of well-known film stars appear in a series of comedy shorts.
Metrics
Theatrical Performance (US$) | ||
Australia Box Office | $1,435,750 | Details |
Worldwide Box Office | $31,164,747 | Details |
Home Market Performance | ||
North America DVD Sales | $2,396,246 | Details |
North America Blu-ray Sales | $1,142,503 | Details |
Total North America Video Sales | $3,538,749 | |
Further financial details... |
A host of well-known film stars appear in a series of comedy shorts.
August 21st, 2013
There were five new releases to reach the chart on the June 23rd, 2013 edition of the Blu-ray sales chart, but most of them missed the top five. Jack the Giant Slayer earned first place with 234,000 units / $5.42 million, giving it an opening week Blu-ray share of 42%. This is acceptable, but not great.
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August 21st, 2013
New releases were rather sparse on the June 23rd, 2013 edition of the DVD sales chart. Granted, Jack the Giant Slayer did earn first place, but it was the only new release in the top five. It sold 319,000 units and generated $4.79 million in revenue, which is weak given the film's production budget.
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June 18th, 2013
It's another typical summer week on the home market. That is to say, it's a bad week on the home market. There are several first-run releases, the biggest of which was Jack the Giant Killer, which bombed at the box office. There are some limited releases that help the overall quality, but it is still a bad week. As far as Pick of the Week candidates go, Quartet on DVD or Blu-ray is the best choice. One could argue it is the only choice, but there are three Criterion Collection releases that are worth checking out, as well as some horror films, both old and new, that should please genre fans. On a side note, there are six Disney Channel releases on this week's list. That's a little strange.
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June 17th, 2013
Movie 43 earned some of the worst reviews of the year so far, with many critics calling it the worst movie they've ever seen. When I got the chance to review the movie, I jumped at it. I had to know if it was really as bad as its reviews. It couldn't possible be, right?
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February 4th, 2013
There were a number of factors that hurt the box office over the weekend, not the least of which was the rather exciting Super Bowl game. (At least it sounds like it was exciting. I Googled the score a couple times, but I didn't watch the game.) Warm Bodies easily won the weekend race and finished on the high end of expectations, while Silver Linings Playbook remains on pace to reach $100 million. On the other hand, Bullet to the Head bombed. Overall, the box office fell 21% to just $89 million. Again, the Super Bowl had a lot to do with that. Compared to last year, the box office was down 23%. 2013 is still ahead of 2012 by 3.4% at $917 million to $887 million but that lead could be gone by the end of next weekend.
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January 28th, 2013
January ended, and we should all be glad it did. Hansel and Gretel: Witch Hunters did beat modest expectations, but most of the rest failed that test with Movie 43 crashing worse than even my low expectations. The overall box office fell 20% from last weekend to $112 million. This was 11% less than the same weekend last year; fortunately, this was the first miss of 2013 and the year still has a lead of 10% over 2012 at $797 million to $721 million.
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January 27th, 2013
January will go out like a lamb at the box office, with three new releases failing to catch on with moviegoers this weekend and not much action among the holdovers. Hansel & Gretel: Witch Hunters will win the weekend more-or-less by default, with a modest $19 million bow from 3,372 theaters. That spells financial disaster for a film that reportedly cost $50 million to make. FilmDistrict's $30 million-budgeted Parker will have a similarly tough time recouping its investment, although lower marketing costs will help. It starts out with $7 million and a per theater average of $3,147. Even more disappointing is Movie 43, which is set to open with $5 million, although its $6 million budget and likely long shelf life on video will avert catastrophe.
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January 24th, 2013
There are three wide releases during the final weekend of January, but it looks like none of them will please critics. As I write this, the three films have a total of seven reviews on Rotten Tomatoes, none of them are positive. Hansel and Gretel: Witch Hunters should easily be the biggest hit of the three new films, but not everyone thinks it will come out on top, as Mama could remain potent. Parker and Movie 43 will likely struggle and getting to just $10 million over the weekend might be asking too much. Fortunately, the combination of new releases and holdovers is very similar to last year, so 2013 could win yet another weekend to start the year.
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January 18th, 2013
Next weekend there are three films opening wide, but only one of them is opening in saturation level theater count, Hansel and Gretel: Witch Hunter. (Parker and Movie 43 are opening in barely more than 2000 theaters.) Hansel and Gretel should have no trouble winning the weekend and it is the clear choice for target film for this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Hansel and Gretel: Witch Hunter.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Dora the Explorer: Dora Loves Boots on DVD. (This is the French-language bilingual edition.)
Meanwhile, whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Dora the Explorer: Dora Loves Boots on DVD.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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January 1st, 2013
December ended on a positive note with 2012 topping 2011 with a week to spare. Hopefully this will translate into strong box office numbers going forward. There are several January releases that actually look very interesting, but you always have to ask, if the films are as good as they look, why are they opening in January? The biggest hit on this list will likely not be a January release, but a limited release from December that is expanding wide in January. Zero Dark Thirty opened in limited release the Wednesday before Christmas and right away it got off to an incredible start. If it can turn some of its Awards Season nominations into wins, which seems very likely at this point, it should be the biggest hit of January. If it can earn some major Oscars, then it might crack $100 million. Unfortunately, no other film on this release list is likely to come close to the $100 million mark. Last January was unseasonably strong with three films opening with $20 million or more and four films finishing with $50 million or more. It is possible that none of the new releases will reach those relatively weak standards.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2013/02/08 | 6 | $579,499 | 145 | $3,997 | $634,236 | 1 | |
2013/02/15 | 8 | $409,164 | -29% | 143 | $2,861 | $1,225,972 | 2 |
2013/02/22 | 13 | $152,595 | -63% | 115 | $1,327 | $1,435,750 | 3 |
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 3/28/2013 | $0 | 0 | 23 | 49 | $354,924 | 12/30/2018 |
Australia | 2/7/2013 | $579,499 | 145 | 145 | 403 | $1,435,750 | 12/14/2015 |
Austria | 1/24/2013 | $187,579 | 57 | 58 | 259 | $659,060 | 12/14/2015 |
Belgium | 3/27/2013 | $61,909 | 18 | 18 | 64 | $161,942 | 12/14/2015 |
Brazil | 2/8/2013 | $138,394 | 81 | 85 | 244 | $602,519 | 12/14/2015 |
Bulgaria | 1/25/2013 | $35,816 | 22 | 22 | 68 | $136,009 | 12/30/2018 |
Czech Republic | 1/24/2013 | $76,637 | 76 | 76 | 124 | $263,156 | 12/30/2018 |
Estonia | 1/18/2013 | $21,599 | 7 | 7 | 16 | $58,638 | 12/14/2015 |
Germany | 1/24/2013 | $595,889 | 203 | 224 | 906 | $1,770,423 | 12/14/2015 |
Hong Kong | 2/21/2013 | $172,302 | 24 | 24 | 49 | $353,652 | 12/14/2015 |
Latvia | 4/5/2013 | $0 | 0 | 2 | 5 | $17,765 | 12/30/2018 |
Lithuania | 1/11/2013 | $45,697 | 8 | 8 | 34 | $177,996 | 12/14/2015 |
Netherlands | 2/21/2013 | $289,411 | 66 | 66 | 231 | $863,995 | 12/14/2015 |
New Zealand | 2/7/2013 | $70,820 | 25 | 25 | 69 | $156,427 | 12/14/2015 |
North America | 1/25/2013 | $4,805,878 | 2,023 | 2,023 | 4,959 | $8,840,453 | 12/4/2014 |
Peru | 9/19/2013 | $0 | 0 | 3 | 4 | $72,041 | 12/30/2018 |
Philippines | 3/13/2013 | $22,612 | 30 | 30 | 30 | $22,612 | 12/30/2018 |
Poland | 2/8/2013 | $142,075 | 80 | 80 | 158 | $414,390 | 12/30/2018 |
Portugal | 2/21/2013 | $43,213 | 18 | 18 | 62 | $120,819 | 12/14/2015 |
Russia (CIS) | 1/3/2013 | $0 | 0 | 921 | 1126 | $8,046,719 | 12/30/2018 |
Serbia and Montenegro | 1/24/2013 | $0 | 0 | 8 | 56 | $49,355 | 12/30/2018 |
Singapore | 2/21/2013 | $26,066 | 5 | 5 | 5 | $26,066 | 12/14/2015 |
Slovakia | 1/24/2013 | $45,048 | 30 | 30 | 56 | $143,528 | 12/14/2015 |
Slovenia | 1/24/2013 | $25,008 | 8 | 8 | 80 | $137,678 | 12/14/2015 |
South Africa | 2/8/2013 | $55,728 | 34 | 34 | 68 | $123,749 | 12/14/2015 |
Spain | 1/25/2013 | $452,079 | 210 | 210 | 673 | $996,988 | 12/14/2015 |
Thailand | 3/21/2013 | $55,774 | 38 | 43 | 81 | $84,875 | 12/14/2015 |
Turkey | 2/1/2013 | $37,844 | 35 | 35 | 60 | $86,293 | 12/30/2018 |
Ukraine | 1/17/2013 | $153,821 | 53 | 53 | 130 | $320,558 | 12/30/2018 |
United Kingdom | 1/25/2013 | $1,279,849 | 274 | 274 | 724 | $2,942,128 | 12/14/2015 |
Vietnam | 2/8/2012 | $0 | 0 | 4 | 7 | $889,598 | 12/30/2018 |
Rest of World | $834,641 | ||||||
Worldwide Total | $31,164,747 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Elizabeth Banks | Amy | |
Anna Faris | Vanessa | |
Emma Stone | Ellen Malloy | |
Johnny Knoxville | Pete | |
Leslie Bibb | Wonder Woman | |
Richard Gere | Boss | |
Hugh Jackman | Davis | |
Christopher Mintz-Plasse | Mikey | |
Chloƫ Grace Moretz | Amanda | |
Seann William Scott | Brian |
Halle Berry | Emily | |
Kate Winslet | Juliet Hulme | |
Kristen Bell | Supergirl | |
Terrence Howard | Coach Jackson | |
Jason Sudeikis | Batman | |
Kate Bosworth | Arlene | |
Gerard Butler | Chaun | |
Josh Duhamel | Anson | |
Justin Long | Robin | |
Liev Schreiber | Robert | |
Uma Thurman | Lois Lane | |
Naomi Watts | Samantha | |
Kieran Culkin | Neil | |
Bobby Cannavale | Superman | |
John Hodgman | The Penguin | |
Stephen Merchant | Donald | |
Chris Pratt | Jason | |
Greg Kinnear | Studio Executive | |
Dennis Quaid | Scriptwriter | |
Jack McBrayer | Brian | |
Aasif Mandvi | Robert | |
Jimmy Bennett | Nathan | |
Jared Dudley | Moses | |
Corey Brewer | Wallace | |
Patrick Warburton | Dad |
Nicole Polizzi | Snooki | |
Martin Klebba | Killer Chaun (uncredited) |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Steven Brill | Director | |
Peter Farrelly | Director | |
Will Graham | Director | |
Steve Carr | Director | |
Griffin Dunne | Director | |
James Duffy | Director | |
Jonathan Van Tulleken | Director | |
Elizabeth Banks | Director | |
Patrik Forsberg | Director | |
Brett Ratner | Director | |
Rusty Cundieff | Director | |
James Gunn | Director | |
Will Carlough | Screenwriter | |
Tobias Carlson | Screenwriter | |
Jacob Fleisher | Screenwriter | |
Patrik Forsberg | Screenwriter | |
Will Graham | Screenwriter | |
James Gunn | Screenwriter | |
Claes Kjellstrom | Screenwriter | |
Jack Kukoda | Screenwriter | |
Bill O'Malley | Screenwriter | |
Matthew Portenoy | Screenwriter | |
Greg Pritikin | Screenwriter | |
Rocky Russo | Screenwriter | |
Olle Sarri | Screenwriter | |
Elizabeth Shapiro | Screenwriter | |
Jeremy Sosenko | Screenwriter | |
Jonathan Van Tulleken | Screenwriter | |
Jonas Wittenmark | Screenwriter | |
Ricky Blitt | Screenwriter | |
Charles B. Wessler | Producer | |
John Penotti | Producer | |
Peter Farrelly | Producer | |
Ryan Kavanaugh | Producer | |
Tim Williams | Executive Producer | |
Tucker Tooley | Executive Producer | |
Ron Burkle | Executive Producer | |
Jason Beckman | Executive Producer | |
Jason Felts | Executive Producer | |
Jason Colodne | Executive Producer | |
Rene Rigal | Co-Executive Producer | |
Brian Komreich | Co-Executive Producer | |
Kenneth Halsband | Co-Producer | |
Jason Barhydt | Co-Producer | |
Marc Ambrose | Co-Producer | |
Tom Gomican | Co-Producer | |
Happy Walters | Music Supervisor | |
Bob Bowen | Music Supervisor | |
Kerry Barden | Casting Director | |
Paul Schnee | Casting Director | |
Russell Barnes | Production Designer | |
Tim Burgin | Production Designer | |
Toby Corbett | Production Designer | |
Robb Wilson King | Production Designer | |
Arian Jay Vetter | Production Designer | |
Debra Chiate | Editor | |
Jon Corn | Editor | |
Patrick J. Don Vito | Editor | |
James Duffy | Editor | |
Craig Herring | Editor | |
Jason Macdonald | Editor | |
Sam Seig | Editor | |
Cara Silverman | Editor | |
Sandy Solowitz | Editor | |
Hakan Warn | Editor | |
Paul Zucker | Editor | |
Billy Goodrum | Composer | |
Frank G. DeMarco | Director of Photography | |
Bryan Dembinski | Sound Mixer | |
Graham Gardner | Sound Mixer | |
Justin Gray | Sound Mixer | |
Sam Hamer | Sound Mixer | |
Steve Nelson | Sound Mixer | |
Matthew Nicolay | Sound Mixer | |
Martin Klebba | Stunts |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.