Synopsis
Taking place 500 years after the Havoc in Heaven, the Tang Priest is appointed by Buddha to go to the West to fetch the sacred scriptures, only to accidentally free the Monkey King. With Lady White aiming to break up the team assembled to defeat her, the Monkey King must fight in order to save his world!
Metrics
Movie Details
Production Budget: | $60,000,000 |
Vietnam Releases: |
February 8th, 2016 (Wide), released as Xi You Ji zhi Sun Wu Kong San Da Bai Gu Jing |
Video Release: |
January 3rd, 2017 by Well Go USA Video |
MPAA Rating: |
Not Rated |
Running Time: |
118 minutes |
Franchise: |
The Monkey King |
Keywords: |
Demons, Shapeshifter, Buddhism, Witches, Monks and Nuns, Action Adventure |
Source: | Based on Fiction Book/Short Story |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Fantasy |
Production/Financing Companies: |
Global Star Productions, China Film Company, Fanoy Planet Entertainment, HG Entertainment, Luxun Group, Jiangsu Wenhua Dongrun Film and TV Culture, Yoo.com, IQIYI Motion Pictures, Filmko Film Co, Golden Shores Films |
Production Countries: |
China, Hong Kong |
Languages: |
Mandarin |
January 2nd, 2017
The first Tuesday of the year is deceptively busy. There are a ton of romantic films being re-released on DVD, and a few on Blu-ray that I mention below, with Fandango money for Fifty Shades Darker. Most cost between $8 and $10, so if you really wanted one of these movies and were planning on buying tickets for Fifty Shades Darker, then it is a bargain. However, most of the movies that are part of this deal are not good. Strip those out of the mix and the week is really slow. The best of the week is Denial on Blu-ray, while Best and Most Beautiful Things on DVD and The Librarians: Season Two on DVD are also worth grabbing.
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February 25th, 2016
Deadpool remained in first place with $85.0 million in 74 markets over the weekend for totals of $256.3 million internationally and $493.2 million worldwide. The film had a trio of openings in major markets. This includes South Korea where it earned $7.36 million on 1,035 screens over the weekend for a total opening of $11.58 million. This is the biggest opening for a 18+ film, which is the South Korean equivalent of an R-rating. The film also opened in first place in Spain with $3.86 million on 319 screens, but had to settle for second place in Italy with $3.24 million on 368. Even if the film doesn't earn another dollar, its return on investment would be well over 100%.
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February 18th, 2016
Deadpool opened in first place on the international chart, but it was surprisingly close. The film earned $125.0 million in 61 markets, which is a little lower than its domestic numbers, but its worldwide opening of $257.4 million is fantastic, especially for a film that cost $58 million to make. Its biggest opening came from the U.K., where it earned $20.52 million in 543 theaters. It also earned more than $10 million in Russia ($12.11 million in 1119 theaters) and in Australia ($10.87 million in 393). The film is already playing in most major international markets, but even if it just matches its opening weekend during the rest of its run, it will earn near enough a $100 million profit margin. There will be a sequel, but there may also be several copycat films as well .
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February 9th, 2016
No films earned more than $10,000 on the theater average chart. I Knew Her Well came the closest with $9,312 in its lone theater. Kung Fu Panda 3 landed in second place with just $5,328, which shows you how bad the weekend was.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
2016/02/12 |
3 |
$271,845 |
|
176 |
$1,545 |
$1,051,248 |
1 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits