| Theatrical Performance (US$) | ||
| Portugal Box Office | $69,803 | Details |
| Worldwide Box Office | $10,055,367 | Details |
| Home Market Performance | ||
| North America DVD Sales | $30,975 | Details |
| North America Blu-ray Sales | $16,365 | Details |
| Total North America Video Sales | $47,340 | |
| Further financial details... | ||
| Portugal Releases: | February 9th, 2018 (Wide), released as Abelha Maia: Os Jogos de Mel |
| Video Release: | May 1st, 2018 by Shout Factory |
| Running Time: | 83 minutes |
| Franchise: | Maya the Bee |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production Countries: | Australia, Germany |
| Languages: | English |
May 2nd, 2018
-2-News.jpg)
It is a really shallow week. There are releases that are fighting for a spot in the top five that normally would be so far down the list that we wouldn’t even cover them. That doesn’t mean there are no releases that are worth picking up. In Between was a limited release that earned near perfect reviews. The 1970s film, Legend of the Mountain, got a recent release and its reviews are even better. I reviewed Mary and the Witch’s Flower last week and it nearly won Pick of the Week then. I reviewed Miss Kobayashi's Dragon Maid: The Complete Series this week and it is one of my favorite recent Anime comedies. It was a really close race between these four films and in the end, it came down to a coin-toss with Miss Kobayashi's Dragon Maid coming out ahead.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/02/09 | 16 | $15,757 | 46 | $343 | $15,757 | 1 | |
| 2018/02/16 | 14 | $11,469 | -27% | 43 | $267 | $55,314 | 2 |
| 2018/02/23 | 24 | $2,857 | -75% | 29 | $99 | $61,916 | 3 |
| 2018/03/02 | 29 | $2,384 | -17% | 20 | $119 | $65,046 | 4 |
| 2018/03/16 | 36 | $712 | 6 | $119 | $66,595 | 6 | |
| 2018/06/01 | 38 | $906 | 7 | $129 | $68,985 | 17 | |
| 2018/06/08 | 37 | $175 | -81% | 3 | $58 | $69,803 | 18 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 7/27/2018 | $60,863 | 237 | 237 | 639 | $198,496 | 3/1/2021 |
| Brazil | 5/18/2018 | $171,923 | 0 | 0 | 0 | $328,714 | 6/14/2018 |
| Bulgaria | 4/20/2018 | $0 | 0 | 0 | 0 | $146,948 | 2/26/2019 |
| Czech Republic | 3/9/2018 | $61,947 | 139 | 139 | 303 | $134,618 | 1/1/2019 |
| France | 7/20/2018 | $610,457 | 0 | 0 | 0 | $2,010,532 | 8/31/2018 |
| Germany | 3/2/2018 | $775,121 | 0 | 0 | 0 | $1,898,953 | 6/11/2018 |
| Italy | 10/18/2018 | $194,848 | 0 | 46 | 72 | $413,238 | 12/23/2018 |
| Lithuania | 3/9/2018 | $34,315 | 0 | 0 | 0 | $72,077 | 5/4/2018 |
| Netherlands | 2/15/2019 | $56,565 | 135 | 138 | 724 | $432,010 | 3/25/2019 |
| New Zealand | 8/3/2018 | $5,866 | 19 | 19 | 19 | $7,481 | 8/9/2018 |
| Poland | 2/2/2018 | $468,311 | 0 | 0 | 0 | $2,302,119 | 1/1/2019 |
| Portugal | 2/9/2018 | $15,757 | 46 | 46 | 154 | $69,803 | 6/12/2018 |
| Russia (CIS) | 5/17/2018 | $242,774 | 1059 | 1059 | 1912 | $424,487 | 2/26/2019 |
| Slovakia | 2/23/2018 | $10,810 | 18 | 69 | 286 | $186,499 | 6/12/2018 |
| South Korea | 1/30/2018 | $8,054 | 0 | 429 | 657 | $626,554 | 9/28/2018 |
| Spain | 2/9/2018 | $202,001 | 195 | 195 | 540 | $503,346 | 3/1/2018 |
| Turkey | 9/7/2018 | $83,311 | 313 | 313 | 859 | $274,069 | 2/26/2019 |
| United Kingdom | 4/6/2018 | $25,423 | 85 | 85 | 85 | $25,423 | 4/11/2018 |
| Worldwide Total | $10,055,367 | 3/1/2021 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Noel Cleary | Co-Director | |
| Sergio Delfino | Co-Director | |
| Alexs Stadermann | Co-Director |
