| Theatrical Performance (US$) | ||
| South Korea Box Office | $860,185 | Details |
| Worldwide Box Office | $13,776,043 | Details |
| Further financial details... | ||
| South Korea Releases: | October 20th, 2000 (Wide) |
| Video Release: | October 2nd, 2012 by Criterion |
| MPAA Rating: | PG for thematic elements and brief language |
| Running Time: | 98 minutes |
| Keywords: | Romantic Drama, 1860s, Relationships Gone Wrong, Romance, Infidelity, Love Triangle |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
October 2nd, 2012
It's the first week of the month and there is a wide variety of releases worth checking out, but not exactly a strong selection of best sellers. The biggest first-run release is Dark Shadows and while I'm looking forward to possibly reviewing the Blu-ray Combo Pack, I don't think it will be a huge hit. New Girl: Season One and The Princess Bride: 25th Anniversary Edition Blu-ray look great, but I'm waiting for the screeners to make final decisions. I won't get a chance to review Universal Classic Monsters: The Essential Collection, but it is a contender for Pick of the Week. The winner of that honor is Cinderella Blu-ray, which is a classic, even if it is a little old-fashioned.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2020/12/18 | - | $3,414 | 2 | $1,707 | $83,801 | 1,053 | |
| 2020/12/25 | 3 | $124,640 | +3,551% | 411 | $303 | $247,865 | 1,054 |
| 2021/01/01 | 2 | $98,252 | -21% | 434 | $226 | $466,389 | 1,055 |
| 2021/01/08 | 2 | $78,748 | -20% | 447 | $176 | $596,393 | 1,056 |
| 2021/01/15 | 5 | $60,391 | -23% | 376 | $161 | $701,780 | 1,057 |
| 2021/01/22 | 5 | $30,832 | -49% | 210 | $147 | $763,369 | 1,058 |
| 2021/01/29 | 12 | $11,802 | -62% | 46 | $257 | $785,647 | 1,059 |
| 2021/02/05 | 17 | $5,424 | -54% | 21 | $258 | $807,250 | 1,060 |
| 2021/02/12 | 15 | $14,742 | +172% | 36 | $410 | $830,183 | 1,061 |
| 2021/02/19 | - | $7,206 | -51% | 22 | $328 | $844,557 | 1,062 |
| 2021/02/26 | 20 | $6,909 | -4% | 22 | $314 | $847,363 | 1,063 |
| 2021/03/05 | 19 | $3,163 | -54% | 12 | $264 | $841,734 | 1,064 |
| 2021/03/12 | - | $3,340 | +6% | 14 | $239 | $857,182 | 1,065 |
| 2021/03/19 | - | $1,537 | -54% | 5 | $307 | $858,558 | 1,066 |
| 2021/03/26 | - | $1,150 | -25% | 7 | $164 | $862,434 | 1,067 |
| 2022/02/25 | 14 | $25,029 | 86 | $291 | $869,124 | 1,115 | |
| 2022/03/04 | 16 | $10,442 | -58% | 62 | $168 | $870,532 | 1,116 |
| 2022/03/11 | - | $1,535 | -85% | 15 | $102 | $877,122 | 1,117 |
| 2022/03/18 | - | $557 | -64% | 5 | $111 | $891,432 | 1,118 |
| 2024/02/16 | - | $12,821 | 50 | $256 | $843,829 | 1,218 | |
| 2024/02/23 | - | $5,853 | -54% | 30 | $195 | $860,185 | 1,219 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 3/29/2001 | $0 | 0 | 1 | 2 | $0 | |
| Hong Kong | 9/29/2000 | $0 | 0 | 0 | 0 | $73,690 | 5/7/2021 |
| Italy | 10/27/2000 | $0 | 0 | 10 | 22 | $188,856 | 9/17/2021 |
| Japan | 8/19/2022 | $0 | 0 | 0 | 0 | $0 | |
| Netherlands | 2/12/2021 | $0 | 0 | 397 | 443 | $46,823 | 6/28/2021 |
| New Zealand | 2/11/2022 | $0 | 0 | 1 | 2 | $2,030 | 2/27/2023 |
| North America | 2/2/2001 | $113,280 | 6 | 74 | 684 | $2,734,044 | |
| Portugal | 4/7/2001 | $0 | 0 | 3 | 15 | $13,001 | 7/29/2021 |
| Russia (CIS) | 3/4/2021 | $36,518 | 123 | 123 | 160 | $144,074 | 10/19/2022 |
| South Korea | 10/20/2000 | $0 | 0 | 447 | 2313 | $860,185 | 2/28/2024 |
| Spain | 1/1/2021 | $47,641 | 52 | 60 | 352 | $289,144 | 3/4/2021 |
| Rest of World | $9,424,196 | ||||||
| Worldwide Total | $13,776,043 | 2/28/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Ping Lam Siu | Ah Ping | |
| Chi-ang Chi | The Amah | |
| Tony Leung Chiu Wai | Chow Mo-wan | |
| Maggie Cheung | Mrs. Chan, nee Su Li-zhen | |
| Rebecca Pan | Mrs. Suen | |
| Lai Chen | Mr. Ho |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Kar-wai Wong (王家卫) | Director | |
| Kar-wai Wong (王家卫) | Screenwriter |
