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| Theatrical Performance (US$) | ||
| South Korea Box Office | $233,498 | Details |
| Worldwide Box Office | $4,682,327 | Details |
| Further financial details... | ||
| South Korea Releases: | January 23rd, 2019 (Wide) |
| MPAA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Keywords: | Royalty, Dragon, Good vs. Evil, Sword & Sorcerer, Prince/Princess |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Anima Estudios, Prime Focus World, GFM Animation |
| Production Countries: | Mexico, United Kingdom, United States |
| Languages: | Spanish |
September 20th, 2018
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It was a crowded week on the theater average chart with five films in the $10,000 club. This includes Museum, which led the way with $16,554 in its lone theater. Hal actually jumped into the $10,000 club with $12,150 in one theater during its second weekend of release. Lizzie was the widest release in the $10,000 club with an average of $11,895 in four theaters. Science Fair was next with $11,231 in one theater. Another documentary, The Dawn Wall, was next with an average of $10,829 in two theaters.
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September 14th, 2018
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Every week, I have to decide which limited releases to talk about in the main list of this column. Usually I limit myself to those with double-digit reviews on Rotten Tomatoes. Last week, there were so few limited releases to talk about, I included some that I wouldn’t normally include. This week, there are about 30 films coming out in limited release, so I have to be extra judicious and cut some films just to keep the list manageable. Unfortunately, it feels like a case of quantity over quality. There are some movies that are getting excellent reviews, but a lot of movies that had strong pre-release buzz are disappointing critically. There are some I’m interested in, like I Think We’re Alone Now, but that’s more for the cast than the reviews. Mandy is one of the best films, but it is playing on Video on Demand, so I don’t expect it will do well at the box office. There are also several documentaries, with Science Fair being the one I want to see the most.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/01/25 | 8 | $148,531 | 344 | $432 | $203,010 | 1 | |
| 2019/02/01 | - | $2,601 | -98% | 11 | $236 | $231,934 | 2 |
| 2019/02/08 | - | $1,866 | -28% | 9 | $207 | $233,498 | 3 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 8/2/2019 | $11,286 | 86 | 86 | 215 | $36,647 | 9/17/2019 |
| Finland | 9/2/2022 | $0 | 0 | 0 | 0 | $602,843 | 9/16/2022 |
| Italy | 3/1/2018 | $638,951 | 0 | 0 | 0 | $1,988,160 | 3/26/2018 |
| Lithuania | 5/18/2018 | $15,655 | 106 | 106 | 373 | $68,582 | 1/3/2019 |
| Mexico | 7/26/2018 | $403,718 | 0 | 0 | 0 | $992,866 | 8/6/2018 |
| New Zealand | 8/1/2019 | $0 | 0 | 39 | 74 | $18,311 | 10/1/2019 |
| North America | 9/14/2018 | $1,593 | 10 | 10 | 10 | $2,150 | |
| Poland | 8/3/2018 | $113,263 | 0 | 0 | 0 | $357,388 | 1/1/2019 |
| Russia (CIS) | 6/28/2018 | $110,014 | 928 | 928 | 1536 | $276,555 | 2/26/2019 |
| South Korea | 1/23/2019 | $3,853 | 3 | 344 | 367 | $233,498 | 2/15/2019 |
| Turkey | 12/7/2018 | $39,801 | 120 | 120 | 263 | $87,347 | 10/19/2022 |
| United Kingdom | 5/11/2018 | $17,980 | 85 | 85 | 85 | $17,980 | 5/21/2018 |
| Worldwide Total | $4,682,327 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Andres Couturier | Director |
