Central America Box Office for The Gallows (2015)

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The Gallows poster
Theatrical Performance (US$)
Central America Box Office $379,231Details
Worldwide Box Office $41,656,474Details
Home Market Performance
North America DVD Sales $995,507 Details
North America Blu-ray Sales $392,582 Details
Total North America Video Sales $1,388,089
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Twenty years after an accident during a small town high school play results in death, students at the school resurrect the failed stage production in a misguided attempt to honor the anniversary of the tragedy—but ultimately find out that some things are better left alone.

Metrics

Movie Details

Production Budget:$100,000
Central America Releases: August 13th, 2015 (Wide)
Video Release: September 25th, 2015 by Warner Home Video
MPAA Rating: R for some disturbing violent content and terror.
(Rating bulletin 2380, 7/1/2015)
Running Time: 81 minutes
Keywords: Theater Actor, Accidental Death, Found Footage, Slasher Horror
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Fantasy
Production/Financing Companies: New Line Cinema, Blumhouse, Tremendum Pictures, Entertainment 360
Production Countries: United States
Languages: English

Home Market Numbers: Aladdin Shakes Things Up

November 11th, 2015

San Andreas

It was a strange week on the home market, as there were two new releases that could legitimately say they won on the combined DVD and Blu-ray chart for October 18th. San Andreas sold 801,000 units / $16.42 million for an opening week Blu-ray share of 40%. This put it on top of the chart; however, Aladdin arguably had the better week, as it sold 706,000 units / $13.92 million, all of which was on Blu-ray. More...

Home Market Releases for October 13th, 2015

October 13th, 2015

Aladdin

There are two $100 million movies on this week's list of Home Market Releases: Spy, which earned more than $100 million domestically, and Tomorrowland, which merely cost more than $100 million to make. Spy is arguably the best release on this week's list, but the Blu-ray was already named Pick of the Week, so that honor is going to Aladdin's Blu-ray debut this week. More...

Weekend Wrap-Up: Ant-Man Tops Terrific Weekend

July 20th, 2015

Ant-Man

The top of the box office had a small surprise, as Ant-Man earned first place with $57.23 million over the weekend. This is a little lower than predicted, but Minions really collapsed, so Ant-Man easily won the race for the top of the box office race. Meanwhile, Trainwreck had a solid third place opening and could be on its way to $100 million, thanks in part to its target demographic and to its reviews. Overall, the box office pulled in $194 million. This is 9.6% lower than last weekend, but more importantly, it is 30% higher than the same weekend last year. 30%. That's a massive margin of victory. Year-to-date, 2015 has pulled in $6.20 billion, which is 8.1% more than 2014's pace. Summer is winding down, so 2015 is in a great place moving into the slower part of the year. Even if August and September are slower than average, there's almost no chance 2015 will blow through the $460 million lead it has over 2014. More...

Weekend Wrap-Up: Minions Crush Competition, but Fall Short of Record

July 14th, 2015

Minions

As expected Minions dominated the box office earning first place with more than a 50% share of the total box office. It became the fourth film to open with more than $100 million this year. Three of those were released by Universal. On the other hand, the less said about The Gallows or Self/Less the better. To be fair, The Gallows earned more during its opening day that it cost to make, but its advertising budget is much bigger than its production budget. Meanwhile, Self/Less barely topped the Mendoza Line (earning only just over $2,000 per theater). The overall box office reached $215 million, which was 59% more than last week and 43% the same weekend last year. Year-to-date, 2015 has earned $5.92 billion, which is 6.4% higher than last year's pace. More...

Weekend Estimates: Minions Have Second-Best Animated Opening

July 12th, 2015

Minions

2015 is becoming a golden year for blockbuster openings, and a platinum year for Universal. The studio is celebrating yet again, with Minions heading to a gigantic $115.2 million projected opening weekend. That’s the second-best debut of all time for an animated film (see all-time opening weekend records), although, incredibly, it’s only the third-best weekend for the studio this year after the debuts of Furious 7 and Jurassic World. The studio, which would usually consider a 12% market share an excellent year, has so far earned a whopping 26% share for 2015—quite literally off the charts. More...

Friday Estimates: Minions On Pace for Century Opening, Perhaps Record

July 11th, 2015

Minions

The Friday estimates are in and Minions pulled in $46.2 million. On the one hand, this makes my job as a box office analyst easy, because all I have to say is “Wow!” On the other hand, it is hard to compare this film to others to calculate its most likely weekend haul, because there are so few animated films that opened this well. More...

Weekend Predictions: Will Minions Top $100 Million?

July 9th, 2015

Minions

Of the three wide releases this week, only Minions is dominating the box office tracking. Unfortunately, its reviews are nowhere near as strong as they were at the beginning of the month. Even worse, they are twice as good as the reviews for Self/Less and The Gallows. The Gallows should earn a spot in the top five during its opening weekend, but the prospects for Self/Less are not as good. This weekend last year, Dawn of the Planet of the Apes opened with $72.61 million. Minions should crush that number. Also, last year only three films earned more than $10 million over the weekend, while this year, the top five should do the same. 2015 should earn a solid win in the year-over-year comparison. More...

2015 Preview: July

July 1st, 2015

Minions

June was a much better month than expected due to two films, Jurassic World and Inside Out. Had those two films merely matched expectations, then 2015 would have likely fallen behind 2014. As for this coming month, there are five weekends in July and each week there is at least one film with the potential to reach $100 million. Most weeks there are two films that at least have a shot at getting to the century mark. The biggest hit of the month will likely be Minions, which has already opened in several international markets and it's ahead of Despicable Me 2 at the same point. That film made more than $300 million and nearly $1 billion worldwide, so any growth would be fantastic. There are also a number of potential $200 million films, led by Ant-man. Ant-man is the latest release in the Marvel Cinematic Universe, a franchise that has averaged $300 million domestically over eleven films and all of the past six films have reached at least $200 million. I'm not saying this one is guaranteed to do the same, but you can't dismiss that possibility. Mission: Impossible - Rogue Nation and Pixels have smaller chances to get to $200 million, but you have to at least entertain the possibility. Additionally, last July was a lot weaker than this July looks to be, so 2015 should win in the year-over-year comparison most weeks. Or I might have let the box office success of June cloud my judgment. We will soon find out. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2015/09/04 4 $6,962   9 $774   $372,873 4
2015/09/11 - $1,710 -75% 1 $1,710   $376,589 5
2015/09/18 4 $1,775 +4% 1 $1,775   $379,231 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 7/9/2015 $423,367 76 91 365 $2,160,289 10/20/2015
Australia 7/23/2015 $306,489 128 128 379 $744,754 9/22/2015
Austria 8/27/2015 $51,820 45 46 155 $193,278 9/30/2015
Bolivia 8/13/2015 $40,800 14 14 21 $147,892 12/30/2018
Brazil 7/23/2015 $346,337 158 168 383 $752,577 11/8/2018
Central America 8/13/2015 $0 0 9 11 $379,231 9/22/2015
Colombia 7/23/2015 $0 0 5 6 $706,390 12/30/2018
Ecuador 7/24/2015 $0 0 1 3 $279,831 12/30/2018
Finland 7/24/2015 $22,343 47 47 90 $64,828 8/18/2015
France 7/22/2015 $362,471 165 165 165 $362,471 7/30/2015
Germany 8/27/2015 $130,827 0 74 159 $399,253 8/22/2018
Hungary 7/9/2015 $0 0 17 17 $44,623 12/30/2018
India 7/10/2015 $0 0 5 5 $44,169 7/21/2015
Indonesia 7/10/2015 $258,885 191 191 199 $579,009 12/30/2018
Italy 8/19/2015 $308,381 0 19 19 $838,922 9/9/2015
Lebanon 7/9/2015 $18,228 11 11 11 $18,228 12/30/2018
Malaysia 7/23/2015 $103,856 65 65 109 $207,897 8/18/2015
Mexico 7/24/2015 $760,202 0 83 226 $2,429,647 9/7/2018
Netherlands 7/16/2015 $54,181 28 28 78 $175,364 11/24/2018
New Zealand 7/23/2015 $60,373 30 30 115 $157,302 9/8/2015
North America 7/10/2015 $9,808,463 2,720 2,720 7,593 $22,764,410 6/2/2016
Norway 7/24/2015 $60,577 74 74 74 $60,577 7/30/2015
Peru 8/6/2015 $243,704 64 64 122 $451,859 12/30/2018
Philippines 7/22/2015 $115,293 78 78 133 $166,280 12/30/2018
Poland 7/31/2015 $136,139 0 0 0 $317,883 12/30/2018
Russia (CIS) 7/23/2015 $829,684 777 777 1553 $1,384,631 12/30/2018
Singapore 8/27/2015 $55,128 20 20 41 $114,490 9/18/2015
Slovakia 7/9/2015 $16,312 33 33 33 $16,312 7/17/2015
South Korea 9/3/2015 $350,781 298 298 299 $575,924 9/22/2015
Spain 7/31/2015 $224,996 259 259 703 $876,570 11/3/2015
Taiwan 7/9/2015 $216,941 54 54 126 $463,047 8/4/2015
Turkey 7/24/2015 $19,109 91 91 117 $42,926 12/30/2018
United Arab Emirates 7/16/2015 $0 0 7 7 $252,662 12/30/2018
United Kingdom 7/17/2015 $524,805 315 315 696 $1,370,662 8/25/2015
Uruguay 8/6/2015 $23,722 11 11 32 $62,387 12/30/2018
Venezuela 8/7/2015 $226,157 30 30 86 $1,216,549 9/18/2015
 
Rest of World $833,350
 
Worldwide Total$41,656,474 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Cassidy Gifford    Cassidy Spilker

Supporting Cast

Pfeifer Brown    Pfeifer Ross
Ryan Shoos    Ryan Shoos
Travis Cluff    Mr. Schwendiman
Price Morgan    Stage Boy
Melissa Bratton    Pfeifer's Mom
Theo Burkhardt    Rick Houser
David Herrera    David the Janitor
Gannon Del Fierro    Gannon
Mackie Burt    Cheerleader #1
Adrian Salas    Superstar Football Player
Mark Hales    Peasant #5
John Hales    The King
Shannon Wetzel    Ms. Shannon
Caeleb Trace    Football Player #1
Theo Stratigos    Football Player #2
Paris Cluff    Officer Lang
Jason James    Police Officer
Ryan Wade    Police Officer
Ed Osuna    Police Officer
Jordan Hunter    Police Officer
Matt Benson    Mr. BHS
Kelly Davis    Brooke/Kelly
Emily Jones    Ryan's Mom
Trina Short    Parent of the Nerds
Shirley Hales    Parent of the Nerds
Rebecca Dowty    Parent of the Nerds
Karen Kidder    Parent of the Nerds
Ed Nicolls    Parent of the Nerds
Daniel Short    Parent of the Nerds
Dave Kidder    Parent of the Nerds
Blake Taylor    Football Coach
Corey Costelloe    Football Coach
Terry Meyers    Football Coach
Derrik Carter    Football Coach
Nathan Healy    Soda Drinking Coach
Richie Mirlez    Chuckling Student
Burkelee Woods    Chuckling Student
Chris Akers    Stage Boy's Friend
Jacob Burnett    Stage Boy's Friend
Gabriela Duran    Painting Girl
Milan Duran    Painting Girl
Jesse Cross    Charlie Grimille
Alexis Schneider Young    Young Pfeifer's Mom/Mary
John Tanksly    Rick Houser
Steven Hrdlicka    TV News Anchor
Jerris Ramirez    Scroll Reader
Jeff Smith    Gallows Director
Kelley Yeager    Assistant Director
Brandon Cornejo    Called in Sick Kid
Brad Jacobson    Whispering Parent #1
Dorothy Snyder    Whispering Parent #2
Tom Milne    Photographer
Paul Rutigliano    Photographer

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Travis Cluff    Director
Chris Lofing    Director
Travis Cluff    Screenwriter
Chris Lofing    Screenwriter
Jason Blum    Producer
Guymon Casady    Producer
Dean Schnider    Producer
Benjamin Forkner    Producer
Chris Lofing    Producer
Travis Cluff    Producer
Dave Neustadter    Executive Producer
Walter Hamada    Executive Producer
Couper Samuelson    Executive Producer
Brad Jacobson    Executive Producer
Steven Imhoff    Executive Producer
Steven Hrdlicka    Executive Producer
Debbie Hrdlicka    Executive Producer
Gabriela Revilla Lugo    Line Producer
Edd Lukas    Director of Photography
Stephanie Hass    Production Designer
Chris Lofing    Editor
Brandon Jones    Sound Designer
Zach Lemmon    Composer
10K Islands    Composer
Nicki Stewart    Costume Designer
Jessica Peter    Costume Designer
Carollyn Devore    Casting Director
Scott Miller    Unit Production Manager
James Mahoney    First Assistant Director
Brian Esraelian    Associate Producer
Clark Jacobson    Associate Producer
Judi Coleman    Associate Producer
Esther Holland    Associate Producer
Kathleen Hubka    Associate Producer
Paula Jacobson    Associate Producer
Dennis Mabry    Associate Producer
Irene Mabry    Associate Producer
Magdalena Mirelez    Associate Producer
James Rodgers    Associate Producer
Vicki Rodgers    Associate Producer
Tony Snegoff    Stunt Coordinator
Kyle Gentz    Director of Photography-Second Unit
Tom Milne    Additional Photography-Still Photographer
Paul Barlow    Additional Photography-Still Photographer
Nathan Healy    Additional Photography-Still Photographer
Brandon Jones    Re-recording Mixer
Vincent Keenan    Sound Mixer
Ethan Ellenberger    Sound Mixer
Brandon Payan    Sound Mixer
Lisa Vialpando    Make-up and Hair Designer
Michael Needham    Special Make-up Effects
Travis Cluff    Assistant Editor
Chris Lofing    Visual Effects Designer
Travis Cluff    Visual Effects Designer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.