October 8th, 2015
The Martian opened in first place with $45.2 million on 9,299 screens in 50 markets. This includes a first place, 10.01 million opening on 582 theaters in the U.K. This was the biggest opening for both the director and the star. The film had a similarly strong opening in Australia earning first place with $4.28 million on 582 screens. It also earned first place in Hong Kong ($2.26 million on 70 screens) and Taiwan ($1.68 million on 137 screens). It only managed second place in Italy with $2.53 million on 464 screens and in Mexico with $2.9 million on 1,757, while it debuted in third place in Brazil with $1.82 million on 507. Overall, the film it doing about as well internationally as it did here, which is good news for Fox.
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October 1st, 2015
Lost in Hong Kong opened in first place in China and internationally with $106.80 million. This is better than Monster Hunt opened with, so if it has the same legs, the box office record in China will fall for the third time this year. Speaking of records, the overall Chinese box office rose to $5 billion with three months left in the year. This is amazing.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
2015/09/25 |
1 |
$494,213 |
|
76 |
$6,503 |
$3,059,659 |
3 |
2015/10/02 |
3 |
$343,449 |
-31% |
70 |
$4,906 |
$3,542,313 |
4 |
2015/10/09 |
2 |
$249,815 |
-27% |
67 |
$3,729 |
$3,947,631 |
5 |
2015/10/16 |
3 |
$203,506 |
-19% |
40 |
$5,088 |
$4,246,389 |
6 |
2015/10/23 |
3 |
$107,515 |
-47% |
32 |
$3,360 |
$4,378,405 |
7 |
2015/10/30 |
2 |
$87,511 |
-19% |
27 |
$3,241 |
$4,481,801 |
8 |
2015/11/13 |
6 |
$35,763 |
|
16 |
$2,235 |
$4,578,687 |
10 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits