Synopsis
In 1931, at the height of his artistic powers, Soviet filmmaker Sergei Eisenstein travels to Mexico to shoot a new film to be titled
Que Viva Mexico. Freshly rejected by Hollywood and under increasing pressure to return to Stalinist Russia, Eisenstein arrives at the city of Guanajuato. Chaperoned by his guide Palomino CaƱedo, he vulnerably experiences the ties between Eros and Thanatos, sex and death, happy to create their effects in cinema, troubled to suffer them in life.
Metrics
Movie Details
Poland Releases: |
February 12th, 2016 (Wide) |
MPAA Rating: |
Not Rated |
Running Time: |
105 minutes |
Keywords: |
Movie Director, Set in Hollywood, Set in Mexico, 1930s, Writing and Writers, LGBTQ+ |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: |
Submarine Entertainment, Fu Works, Paloma Negra Films |
Production Countries: |
Belgium, Finland, France, Mexico, Netherlands |
Languages: |
English, Spanish |
February 9th, 2016
No films earned more than $10,000 on the theater average chart. I Knew Her Well came the closest with $9,312 in its lone theater. Kung Fu Panda 3 landed in second place with just $5,328, which shows you how bad the weekend was.
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February 5th, 2016
It is a bad week for limited releases. Not only are there not a lot of films on this week's list, but most of them are earning reviews that suggest they will struggle in limited release. The biggest film, Regression, is also the worst film, while Rams is at the opposite end when it comes to reviews and theater count.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
2016/02/12 |
- |
$958 |
|
25 |
$38 |
$958 |
1 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits