Brazil Box Office for Dolor y gloria (2019)

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Dolor y gloria
Theatrical Performance (US$)
Brazil Box Office $1,115,186Details
Worldwide Box Office $39,837,366Details
Further financial details...

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Synopsis

Pain and Glory tells of a series of re-encounters experienced by Salvador Mallo, a film director in his physical decline. Some of them in the flesh, others remembered: his childhood in the 60s, when he emigrated with his parents to a village in Valencia in search of prosperity, the first desire, his first adult love in the Madrid of the 80s, the pain of the breakup of that love while it was still alive and intense, writing as the only therapy to forget the unforgettable, the early discovery of cinema, and the void, the infinite void that creates the incapacity to keep on making films. Pain and Glory talks about creation, about the difficulty of separating it from one's own life and about the passions that give it meaning and hope. In recovering his past, Salvador finds the urgent need to recount it, and in that need he also finds his salvation.

Metrics

Movie Details

Production Budget:$10,800,000
Brazil Releases: June 14th, 2019 (Wide)
Video Release: January 14th, 2020 by Sony Pictures Home Entertainment
MPAA Rating: R for drug use, some graphic nudity and language.
(Rating bulletin 2585 (Cert #52289), 7/3/2019)
Running Time: 113 minutes
Keywords: Life Drama, Medical and Hospitals, Movie Director, The Past Catching up with You, Narcotics, Relationships Gone Wrong, Set in Spain, Film Actor, Non-Chronological, 1960s, 1980s, LGBTQ+, Sexual Awakening, Artists, Dysfunctional Family, Adult Child Dealing with the Death of a Parent
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: El Deseo
Production Countries: Spain
Languages: Spanish

2020 Awards Season: Oscar Highlight: Best Leading Actor

February 5th, 2020

Joker

Our annual Oscar Prediction contest is underway so now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. We are continuing our shortened schedule with Best Lead Actor. We have a definite favorite this year, but I’m really hoping for an upset. More...

Home Market Releases for January 21st, 2020

January 21st, 2020

Pain & Glory

It’s an odd week for the home market, as there are four wide releases coming out this week, which is more than most weeks. However, none of them were $100 million hits domestically, so it feels slow on top. That said, The Addams Family did come close to that mark and Zombieland: Double Tap was a solid midlevel hit. As for high quality releases, Jay And Silent Bob Reboot will very likely please fans of the franchise, but I’m unsure about its ability draw in newcomers. Finally, the Pain & Glory is the best of the best and only the lack of substantial extras prevents it from winning Pick of the Week with ease. Zombieland: Double Tap has much better extras, so it a contender for Pick of the Week as well. Pain & Glory does win, but it is relatively close. More...

2020 Awards Season: Oscar Nominations

January 13th, 2020

1917

The Oscar nominations were announced on Monday, and the results were... well, there were some puzzling results. Joker led the way with eleven nominations. ... A film with 69% positive reviews earned the most nominations. It’s not the worst-reviewed movie to earn a Best Picture Nomination—after all, Bohemian Rhapsody was nominated just last year. However, this film is arguably the worst-reviewed movie to ever earn the most nominations in a single year. More...

Home Market Releases for January 14th, 2020

January 13th, 2020

Maleficent: Mistress of Evil

It’s a really bad week on the home market. Granted, there are three wide releases on this week’s list, which is better than most weeks. However, Maleficent: Mistress of Evil is the biggest and the best of these three releases. That’s not a good sign. There are not even a lot of smaller releases to make up for the weakness at the top. More...

2019 - Holiday Gift Guide - Part III - Limited Releases, Classics, Foreign Imports

December 16th, 2019

The Last Black Man in San Francisco

The first two installments of our Holiday Gift Guide had plenty of first-run releases and several TV on DVD releases. This installment includes limited releases and foreign imports. The list of classics isn’t up to the usual standards for the same reasons the TV on DVD list was rather short. Streaming is taking over that part of the market. Did you know The Criterion Collection has their own streaming service? So does Magnolia Pictures. On the one hand, that’s a lot of amazing movies for one price. On the other hand, as a fan of physical media, I’m not happy streaming is becoming so popular. There are still some great smaller titles worthy of the season. More...

2020 Awards Season: Golden Globes Nominations

December 11th, 2019

Marriage Story

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. (This is especially true on the TV end, as there’s talk about how strange the nominations are this year.) Marriage Story led the way with six nominations, just ahead of The Irishman and Once Upon a Time... in Hollywood, both of which picked up five nods. More...

Theater Averages: Frozen Floats on Water

November 28th, 2019

Frozen II

Frozen II led the way on yet another chart, this time the theater average chart, earning an average of $29,339 during its opening weekend. Dark Waters was right behind with an average of $25,652 in four theaters, which does suggest at least some potential to expand. Jay and Silent Bob Reboot continues its impressive road show run earning an average of $16,140 in five theaters. Citizen K was the final film in the $10,000 club with an opening of $10,571 in its lone theater. More...

Theater Averages: The Irishman Enters Witness Protection

November 7th, 2019

The Irishman

It appears Netflix will not be reporting box office numbers for The Irishman. We’ve seen reports by third parties that the film earned $350,000 in eight theaters for an opening weekend average of $43,750. The only confirmed member of the $10,000 club was Jay and Silent Bob Reboot, which earned an average of $15,097 in 15 theaters. However, it is a roadshow tour and ticket prices for some shows are greatly inflated. This is still an impressive number, but don’t expect it to expand truly wide. More...

Theater Averages: Jay and Silent Bob Give Limited Releases a Kick in the Pants

October 24th, 2019

Jay and Silent Bob Reboot

It was an amazing week on the theater average chart with five films in the $10,000 club, incluing three new releases that earned averages of more than $50,000. Jay and Silent Bob Reboot opened with two days of special engagements where the film earned just over $1 million, before having a roadshow performance in one theater over the weekend earning $93,520. However, this wasn’t a usual run and tickets range from about $50 to over $200 for the VIP packages at some shows. That said, even with normal ticket prices, it would still have earned a spot in the $10,000 club. Second place went to Jojo Rabbit with an impressive opening of average $69,911 in five theaters. This is more than enough to expand significantly, perhaps even enough to justify a wide expansion. The Lighthouse also opened well enough to justify significant expansions earning an average of $53,475 in eight theaters. Parasite was the only holdover in the $10,000 club earning an average of $37,616 in 33 theaters. The film topped $1 million over the weekend and it has plenty of room to grow. The final film in the $10,000 club was The Cave, which earned an average of $10,593 in two theaters. More...

Theater Averages: Parasite Sinks Its Teeth into the Competition

October 18th, 2019

Parasite

Parasite was the only new release in the $10,000 club, but it not only led the way over the weekend, its average of $128,072 in three theaters is the best average this year. In fact, this is not only the best average of the year, its the best average since La La Land’s debut in 2016. While Parasite was the only new release in the $10,000 club, it wasn’t the only member. Joker was in a distant second place, a very, very distant second place with an average of $12,771. Meanwhile, Célébration was very close behind with $12,678 in its lone theater. Pain and Glory remained in the $10,0000 club with an average of $11,819 and it managed this feat despite expanding its theater count to 23 theaters. More...

Theater Averages: All Gain for Pain

October 10th, 2019

Pain and Glory

Pain and Glory dominated the theater average earning an average of $40,022 in four theaters. Joker was next with an average of $21,994 in over 4,000 theaters. The final film in the $10,000 Club this weekend was My Country, My People with an average of $13,069 in 67 theaters. That is very impressive and could be a portent of things to come as Chinese films gain a foothold in the domestic market. More...

Weekend Estimates: Joker Takes a Bite Out of Venom

October 6th, 2019

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Limited and VOD Releases: Painful Week for Limited Releases

October 4th, 2019

Pain & Glory

There are not a lot of prime limited releases on this week’s list and a couple that had the loudest pre-release buzz ended up with weak reviews. Pain & Glory is the film with the best shot at box office success, while Rascal Does Not Dream of Bunny Girl is the film I want to see the most. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/06/21 - $189,254   47 $4,027   $446,640 2
2019/06/28 - $108,257 -43% 40 $2,706   $601,350 3
2019/07/05 - $83,766 -23% 41 $2,043   $749,002 4
2019/07/12 - $74,969 -11% 43 $1,743   $851,997 5
2019/07/19 - $53,382 -29% 33 $1,618   $944,921 6
2019/07/26 - $36,767 -31% 23 $1,599   $1,001,997 7
2019/08/02 - $20,963 -43% 17 $1,233   $1,034,034 8
2019/08/09 - $12,878 -39% 17 $758   $1,052,453 9
2019/08/16 - $7,780 -40% 12 $648   $1,068,635 10
2019/08/23 - $8,749 +12% 13 $673   $1,082,308 11
2019/08/30 - $2,827 -68% 9 $314   $1,087,281 12
2019/09/06 - $1,541 -45% 5 $308   $1,091,423 13
2019/09/13 - $807 -48% 3 $269   $1,095,405 14
2019/09/20 - $696 -14% 4 $174   $1,098,479 15
2019/09/27 - $1,153 +66% 5 $231   $1,101,083 16
2019/10/04 - $1,402 +22% 4 $351   $1,102,916 17
2019/10/11 - $876 -38% 3 $292   $1,105,378 18
2019/10/18 - $132 -85% 1 $132   $1,106,208 19
2020/02/07 - $253   2 $127   $1,113,020 35
2020/02/14 - $252 n/c 1 $252   $1,113,743 36
2020/03/06 - $442   1 $442   $1,114,858 39
2020/08/21 - $78   1 $78   $1,115,186 63

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 6/7/2019 $140,771 68 68 264 $719,046 2/14/2020
Australia 11/8/2019 $73,343 23 26 236 $563,223 6/13/2022
Bolivia 6/20/2019 $7,810 19 19 32 $15,647 7/17/2019
Brazil 6/14/2019 $179,443 43 47 368 $1,115,186 8/26/2020
Bulgaria 12/6/2019 $15,422 0 0 0 $111,785 2/12/2020
Central America 7/11/2019 $25,779 19 19 41 $65,723 2/19/2020
Chile 6/20/2019 $26,825 13 13 60 $123,826 8/28/2019
Colombia 7/11/2019 $54,432 47 47 109 $151,759 2/12/2020
Czech Republic 5/24/2019 $15,317 63 63 134 $65,911 6/25/2019
Ecuador 6/7/2019 $0 0 5 10 $43,544 8/14/2019
France 5/17/2019 $1,245,331 324 704 4013 $5,948,487 7/30/2021
Germany 5/17/2019 $1,231,126 434 434 1812 $1,912,331 9/24/2021
India 1/31/2020 $1,022 14 14 14 $1,022 2/7/2020
Italy 5/17/2019 $1,240,260 0 21 84 $3,619,969 8/7/2020
Lithuania 6/14/2019 $7,861 65 65 153 $35,551 9/18/2019
Mexico 7/4/2019 $173,392 0 52 177 $833,686 10/23/2019
Netherlands 9/20/2019 $129,592 44 65 514 $1,184,120 10/19/2022
New Zealand 11/7/2019 $4,106 5 10 48 $27,774 10/19/2022
North America 10/4/2019 $152,636 4 266 1,849 $4,567,338 9/27/2022
Paraguay 6/27/2019 $0 0 1 3 $4,642 7/24/2019
Peru 7/11/2019 $36,556 16 16 27 $109,670 8/14/2019
Poland 8/30/2019 $141,983 157 157 581 $960,165 10/19/2022
Portugal 9/6/2019 $3,186 2 45 196 $285,046 1/25/2023
Romania 10/18/2019 $12,120 18 18 67 $36,624 1/8/2020
Russia (CIS) 6/12/2019 $154,562 320 320 739 $476,667 10/19/2022
Slovakia 5/24/2019 $14,840 54 54 79 $39,069 6/26/2019
Slovenia 9/6/2019 $8,934 9 9 30 $36,145 11/6/2019
South Korea 2/7/2020 $52,447 175 175 265 $194,165 3/4/2020
Spain 3/22/2019 $1,394,551 312 419 2941 $7,006,621 9/17/2021
Taiwan 8/2/2019 $18,422 13 13 34 $81,679 1/5/2020
Turkey 10/11/2019 $18,611 35 35 101 $88,712 10/19/2022
United Kingdom 8/23/2019 $376,571 125 177 638 $1,876,571 1/3/2020
Uruguay 6/6/2019 $0 0 9 39 $109,439 9/25/2019
Venezuela 6/7/2019 $0 0 0 0 $12,606 9/18/2019
 
Rest of World $7,413,617
 
Worldwide Total$39,837,366 1/25/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Antonio Banderas    Salvador
Asier Etxeandia    Alberto
Leonardo Sbaraglia    Federico
Nora Navas    Mercedes
Julieta Serrano    Jacinta, old
Penélope Cruz    Jacinta, young

Supporting Cast

Raul Arevalo    Venancio
Cecilia Roth    Zulema
Susi Sanchez    Pious Woman
Asier Flores    Young Salvador
Cesar Vicente    Eduardo

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Pedro Almodovar    Director
Pedro Almodovar    Screenwriter
Agustin Almodovar    Producer
Esther Garcia    Executive Producer
Alberto Iglesias    Composer
Jose Luis Alcaine    Director of Photography
Teresa Font    Editor
Antxon Gomez    Production Designer
Eva Leira    Casting Director
Yolanda Serrano    Casting Director
Barbara Peiro    Associate Producer
Diego Pajuelo    Associate Producer
Toni Novella    Production Manager
Clara Notari*    Art Director
Paola Torres    Costume Designer
Sergio Burman    Sound Designer
Marc Orts    Sound Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.