Synopsis
The suspicious circumstances surrounding the death of a wealthy patriarch is investigated by spy-turned-private-detective Charles Hayward, who is lured by his former lover to catch her grandfather’s murderer before Scotland Yard exposes dark family secrets. On the sprawling estate, amidst a poisonous atmosphere of bitterness, resentment and jealousy in a truly crooked house, Hayward encounters three generations of the dynasty, including a theater actress, the old man's widow 50 years his junior, and the family matriarch Lady Edith de Haviland.
Metrics
Movie Details
Australia Releases: |
May 11th, 2018 (Wide) |
Video Release: |
January 16th, 2018 by Sony Pictures Home Entertainment |
MPAA Rating: |
PG-13 for thematic material and some sexual content. (Rating bulletin 2490 (Cert #51170), 8/23/2017) |
Running Time: |
115 minutes |
Keywords: |
Private Investigator, Scotland Yard, Family Secrets, Murder Mystery, Early / Simultaneous Video-on-Demand release |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: |
Stage 6 Films, Metro International , Brilliant Films, Abrams/Wood Venture, Fred Films, Hindsight, Enigma Pictures, Twickenham Studios, Headgear Films, Metrol Technology |
Production Countries: |
United Kingdom |
Languages: |
English |
January 15th, 2018
It’s not a particularly good week on the home market with no one film that is a must have dominating the rest of the pack. However, this is actually a good thing, as there are several smaller releases that get a chance to shine and there are several Pick of the Week contenders as a result. This includes the biggest release of the week, Blade Runner 2049, as well as a limited release, Loving Vincent, and a forgotten film, Matinee. In the end, I went with I, Daniel Blake: The Criterion Collection as the best of the week.
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December 22nd, 2017
It’s Christmas weekend, and, while there are a large number of wide releases, there are not that many limited ones. Some of them, like The Post, are going for Oscar glory. Others just feel like they are being dumped into theaters to disappear.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
2018/05/11 |
8 |
$167,858 |
|
199 |
$844 |
$169,792 |
1 |
2018/05/18 |
11 |
$79,209 |
-53% |
192 |
$413 |
$318,704 |
2 |
2018/05/25 |
23 |
$22,913 |
-71% |
85 |
$270 |
$394,004 |
3 |
2018/06/01 |
33 |
$9,456 |
-59% |
44 |
$215 |
$419,441 |
4 |
2018/06/08 |
39 |
$5,147 |
-46% |
20 |
$257 |
$432,755 |
5 |
2018/06/15 |
- |
$3,345 |
-35% |
16 |
$209 |
$431,387 |
6 |
2018/06/22 |
- |
$1,501 |
-55% |
9 |
$167 |
$433,001 |
7 |
2018/06/29 |
47 |
$1,751 |
+17% |
7 |
$250 |
$434,238 |
8 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits