Iraq Box Office for The Blinky Bill Movie (2015)
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Synopsis
An adventurer at heart, he dreams of leaving the little town of Green Patch and following in his explorer father’s footsteps. His father, Mr. Bill, went missing in the Outback sometime ago and Blinky is the only one who believes his dad is still alive.
When Blinky discovers a mysterious clue that hints at his dad’s whereabouts, he embarks on a journey that takes him beyond the boundary of Green Patch and into the wild and dangerous Outback!
He quickly makes friends with Nutsy, a zoo koala, and Jacko, a nervous frill-necked lizard. Pursued relentlessly by a vengeful Cat who has a personal score to settle with Blinky, the trio must learn to work together if they ever want to survive the rugged Australian landscape and find Blinky’s father!
Metrics
Movie Details
| Iraq Releases: |
December 31st, 2015 (Wide) |
| Video Release: |
October 11th, 2016 by Shout Factory |
| MPAA Rating: |
PG for some rude humor.
(Rating bulletin 2429 (Cert #50507), 6/15/2016) |
| Running Time: |
93 minutes |
| Keywords: |
Australia, Animal Lead, Talking Animals, 3-D |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: |
Screen Australia, StudioCanal, Flying Bark Productions, Screen NSW, Telegael, Assemblage Entertainment |
| Production Countries: |
Australia, United States |
| Languages: |
English |
October 7th, 2016
It is both a great week for limited releases and a terrible one. While there are a number of fantastic films, like Under the Shadow for example, there are very few that have a legitimate shot at box office success. The usual reason for this is Video on Demand. Voyage of Time will likely be the biggest hit on this week’s list, but as an IMAX film, it will likely be in theaters for years.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2016/01/01 |
10 |
$93 |
|
1 |
$93 |
$93 |
1 |
Box Office Summary Per Territory
| Territory |
Release
Date |
Opening
Weekend |
Opening
Weekend
Screens |
Maximum
Screens |
Theatrical
Engagements |
Total
Box Office |
Report
Date |
| Australia |
9/17/2015 |
$55,857 |
176 |
290 |
1658 |
$1,958,817 |
10/28/2024 |
| Bulgaria |
9/11/2015 |
$16,413 |
40 |
40 |
126 |
$57,594 |
12/30/2018 |
| Croatia |
9/24/2015 |
$0 |
0 |
12 |
36 |
$77,409 |
12/30/2018 |
| Czech Republic |
10/22/2015 |
$26,023 |
85 |
85 |
113 |
$39,345 |
11/3/2015 |
| Hungary |
11/19/2015 |
$30,155 |
0 |
0 |
0 |
$30,155 |
12/30/2018 |
| Iraq |
12/31/2015 |
$93 |
1 |
1 |
1 |
$93 |
12/31/2018 |
| Italy |
3/31/2016 |
$121,025 |
257 |
257 |
419 |
$199,689 |
6/9/2016 |
| Kuwait |
11/26/2015 |
$25,574 |
9 |
9 |
11 |
$46,696 |
12/30/2018 |
| New Zealand |
9/24/2015 |
$30,988 |
87 |
87 |
477 |
$497,473 |
6/9/2016 |
| North America |
10/7/2016 |
$0 |
0 |
0 |
0 |
$0 |
|
| Poland |
8/21/2015 |
$76,779 |
0 |
0 |
0 |
$333,463 |
12/30/2018 |
| Portugal |
8/5/2016 |
$26,001 |
39 |
45 |
130 |
$87,398 |
6/8/2017 |
| Romania |
10/2/2015 |
$96,662 |
54 |
54 |
100 |
$96,662 |
12/30/2018 |
| Russia (CIS) |
7/29/2016 |
$122,036 |
681 |
681 |
1465 |
$181,431 |
12/31/2018 |
| Slovakia |
10/15/2015 |
$23,586 |
53 |
53 |
53 |
$23,586 |
10/21/2015 |
| South Africa |
11/13/2015 |
$0 |
0 |
52 |
52 |
$168,014 |
12/8/2015 |
| South Korea |
2/20/2019 |
$67,932 |
226 |
226 |
246 |
$154,675 |
3/5/2019 |
| Spain |
1/20/2017 |
$96,230 |
128 |
128 |
465 |
$208,564 |
3/30/2017 |
| Turkey |
5/27/2016 |
$64,627 |
164 |
164 |
375 |
$174,171 |
2/26/2019 |
| United Arab Emirates |
11/26/2015 |
$29,911 |
16 |
16 |
27 |
$104,037 |
12/30/2018 |
| United Kingdom |
8/19/2016 |
$27,827 |
149 |
149 |
149 |
$27,827 |
8/25/2016 |
| |
| Worldwide Total | $4,467,099 |
10/28/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
