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| Theatrical Performance (US$) | ||
| Italy Box Office | $293,961 | Details |
| Worldwide Box Office | $3,758,446 | Details |
| Home Market Performance | ||
| North America Blu-ray Sales | $29,347 | Details |
| Total North America Video Sales | $29,347 | |
| Further financial details... | ||
| Italy Releases: | April 19th, 2018 (Wide), released as L'Amore secondo Isabelle |
| Video Release: | May 21st, 2019 by Criterion |
| MPAA Rating: | Not Rated |
| Running Time: | 94 minutes |
| Keywords: | Romance, Divorcée Romance, Artists, Infidelity, The Other Woman, Film Actor |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Belgium, France |
| Languages: | French |
May 21st, 2019
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It is a very strange week on the home market. There are two $100 million hits, How to Train Your Dragon: The Hidden World and The Upside, a midlevel hit, Isn’t it Romantic, and then practically nothing. The week’s releases are more top-heavy than any other week I can remember. Fortunately, the biggest release of the week, How to Train Your Dragon: The Hidden World, is also one of the best wide releases of the year so far and it is easily the Pick of the Week. In fact, it would likely have won that title even if it was a busier than average week.
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May 3rd, 2018
Avengers: Infinity War had the weekend’s best theater average at $57,599. However, this isn’t the best theater average of the year, as Isle of Dogs opened with an average of $60,011. Disobedience was close behind with an average of $47,479 in five theaters. The final film in the $10,000 club was Let the Sunshine In with an average of $19,850 in two theaters.
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April 27th, 2018
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There are not a lot of limited releases on this week’s list, but there are a few that are worth checking out. This includes Let The Sunshine In and Adventures in Public School, but the one I think will do the best is Disobedience.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/04/20 | 11 | $112,481 | 0 | $112,481 | 1 | ||
| 2018/04/27 | 15 | $58,012 | -48% | 0 | $220,218 | 2 | |
| 2018/05/04 | 19 | $31,085 | -46% | 0 | $293,961 | 3 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 10/6/2017 | $55,428 | 0 | 0 | 0 | $158,733 | 1/1/2019 |
| Australia | 1/25/2019 | $2,096 | 1 | 2 | 5 | $7,509 | 2/21/2019 |
| Bulgaria | 9/14/2018 | $919 | 0 | 0 | 0 | $2,520 | 2/26/2019 |
| France | 9/29/2017 | $847,020 | 0 | 0 | 0 | $1,782,643 | 9/23/2018 |
| Italy | 4/19/2018 | $112,481 | 0 | 0 | 0 | $293,961 | 5/7/2018 |
| Lithuania | 10/19/2018 | $0 | 0 | 9 | 19 | $16,411 | 1/3/2019 |
| North America | 4/27/2018 | $39,699 | 2 | 70 | 332 | $892,421 | |
| Portugal | 12/22/2017 | $6,295 | 7 | 11 | 37 | $63,559 | 1/31/2018 |
| South Korea | 4/27/2018 | $9,405 | 0 | 0 | 0 | $44,627 | 9/10/2018 |
| Spain | 4/6/2018 | $161,227 | 52 | 69 | 186 | $418,262 | 4/26/2018 |
| Turkey | 11/17/2017 | $2,998 | 9 | 9 | 9 | $9,678 | 2/26/2019 |
| United Kingdom | 4/20/2018 | $68,122 | 22 | 22 | 22 | $68,122 | 5/21/2018 |
| Worldwide Total | $3,758,446 | 2/26/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Juliette Binoche | Isabelle |
| Xavier Beauvois | Vincent | |
| Philippe Katerine | Mathieu | |
| Josiane Balasko | Maxime | |
| Bruno Podalydes | Fabrice | |
| Gerard Depardieu | ||
| Valeria Bruni Tedeschi | ||
| Laurent Grévill | François | |
| Paul Blain | Sylvain | |
| Nicolas Duvauchelle | ||
| Alex Descas |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Claire Denis | Director | |
| Roland Barthes | Based on 'Fragments d'un discours amoureux' by | |
| Agnes Godard | Cinematographer |
