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| Theatrical Performance (US$) | ||
| Australia Box Office | $407,439 | Details |
| Worldwide Box Office | $32,408,855 | Details |
| Further financial details... | ||
| Australia Releases: | March 30th, 2018 (Wide) |
| MPAA Rating: | Not Rated |
| Franchise: | Baaghi |
| Keywords: | Kidnap, Rescue, Set in India, Drug Dealer, Organized Crime, Russian Mafia, Jungle, Tortured as Punishment |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | India |
| Languages: | Hindi |
April 11th, 2018
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You Were Never Really Here was the clear winner on the theater average chart earning over $130,000 in just three theaters for an average of $44,276. This isn’t the best theater average for a film released in 2018, but it is in the top five. The overall number one film, A Quiet Place, was next with an average of $14,311. The final film in the $10,000 club is Lean on Pete, which earned an average of $11,744 in four theaters.
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April 4th, 2018
Ready Player One opened in first place on the international chart with $127.5 million on 35,600 screens in 62 markets. Its biggest single market was China with $61.61 million on 18,200 screens over the weekend for a total opening of $62.06 million. This is Warner Bros.’ biggest opening ever in this market. The film’s second biggest international market of the weekend was South Korea, where it earned second place with $6.35 million on 1,079 screens for a total opening of $8.08 million. The film also had to settle for second place behind Peter Rabbit in the U.K. with $7.3 million on 1,251 screens. The film did open in first place in several other major markets, including France ($6.15 million on 719 screens) and Russia ($5.74 million on 1,461).
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April 3rd, 2018
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For the second weekend in a row, Isle of Dogs led the way on the theater average chart with $17,839 in 165 theaters. The only other film to reach the $10,000 mark was Love After Love, which pulled in $11,290 in its lone theater.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/03/30 | 12 | $191,851 | 30 | $6,395 | $191,851 | 1 | |
| 2018/04/06 | 17 | $67,709 | -65% | 27 | $2,508 | $362,456 | 2 |
| 2018/04/13 | - | $14,899 | -78% | 28 | $532 | $402,518 | 3 |
| 2018/04/20 | - | $4,961 | -67% | 15 | $331 | $407,439 | 4 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 3/30/2018 | $191,851 | 30 | 30 | 100 | $407,439 | 4/23/2018 |
| India | 3/30/2018 | $13,900,000 | 0 | 0 | 0 | $30,176,478 | 5/17/2018 |
| New Zealand | 3/30/2018 | $126,352 | 16 | 18 | 67 | $270,228 | 5/14/2018 |
| North America | 3/30/2018 | $650,722 | 123 | 124 | 295 | $1,319,579 | |
| United Kingdom | 3/30/2018 | $235,131 | 51 | 51 | 51 | $235,131 | 4/4/2018 |
| Worldwide Total | $32,408,855 | 5/17/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Ahmed Khan | Director |
