Synopsis
For some, the countryside is a place of exile where all hopes ultimately merge with solitude. A boundless place of exile where all hopes and dreams merge with despair like the coinciding destinies of fathers and sons…
Metrics
Theatrical Performance (US$) | ||
Turkey Box Office | $593,544 | Details |
Worldwide Box Office | $1,696,386 | Details |
Further financial details... |
For some, the countryside is a place of exile where all hopes ultimately merge with solitude. A boundless place of exile where all hopes and dreams merge with despair like the coinciding destinies of fathers and sons…
February 6th, 2019
Never Look Away held up well earning $19,033 in its lone theater. Its Oscar Nod is helping, but its real test is when the film tries to expand. The only new release in the $10,000 club was Arctic, with an average of $12,720 in four theaters.
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February 1st, 2019
It is not a great week for limited releases. There are some that are certainly worth checking out, like Braid and The Wild Pear Tree. However, the film earning the loudest buzz, Velvet Buzzsaw, is only earning good reviews and not great reviews, but that should be good enough for Netflix.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/06/01 | 2 | $143,853 | 216 | $666 | $146,027 | 1 | |
2018/06/08 | - | $99,504 | -31% | 204 | $488 | $355,857 | 2 |
2018/06/15 | 8 | $56,636 | -43% | 155 | $365 | $459,944 | 3 |
2018/06/22 | 8 | $30,045 | -47% | 119 | $252 | $544,333 | 4 |
2018/06/29 | 10 | $21,524 | -28% | 84 | $256 | $611,156 | 5 |
2018/07/06 | 13 | $11,524 | -46% | 50 | $230 | $639,098 | 6 |
2018/07/13 | 18 | $5,733 | -50% | 20 | $287 | $620,032 | 7 |
2018/07/20 | 19 | $2,832 | -51% | 12 | $236 | $632,001 | 8 |
2018/07/27 | - | $1,693 | -40% | 6 | $282 | $629,960 | 9 |
2018/08/03 | - | $1,338 | -21% | 6 | $223 | $603,719 | 10 |
2018/08/10 | - | $798 | -40% | 5 | $160 | $481,977 | 11 |
2018/08/17 | - | $684 | -14% | 3 | $228 | $504,842 | 12 |
2018/08/24 | - | $1,100 | +61% | 4 | $275 | $513,464 | 13 |
2018/08/31 | - | $810 | -26% | 5 | $162 | $470,724 | 14 |
2018/09/07 | - | $1,179 | +46% | 5 | $236 | $487,160 | 15 |
2018/09/14 | - | $1,876 | +59% | 6 | $313 | $512,889 | 16 |
2018/09/21 | - | $764 | -59% | 5 | $153 | $503,796 | 17 |
2018/09/28 | - | $1,081 | +41% | 4 | $270 | $528,970 | 18 |
2018/10/05 | - | $1,085 | n/c | 4 | $271 | $519,969 | 19 |
2018/10/12 | 20 | $1,122 | +3% | 4 | $281 | $540,147 | 20 |
2018/10/19 | - | $1,029 | -8% | 4 | $257 | $563,367 | 21 |
2018/10/26 | - | $269 | -74% | 2 | $135 | $571,444 | 22 |
2018/11/02 | - | $119 | -56% | 1 | $119 | $593,544 | 23 |
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 5/31/2019 | $5,496 | 0 | 0 | 0 | $12,089 | 7/22/2019 |
Australia | 12/21/2018 | $0 | 0 | 3 | 13 | $27,858 | 2/21/2019 |
Bulgaria | 3/29/2019 | $1,250 | 0 | 0 | 0 | $4,649 | 4/2/2019 |
France | 8/10/2018 | $180,132 | 0 | 0 | 0 | $720,373 | 9/7/2018 |
Germany | 6/18/2020 | $0 | 0 | 0 | 0 | $0 | |
Italy | 10/5/2018 | $0 | 0 | 1 | 1 | $91,738 | 1/10/2019 |
Lithuania | 4/5/2019 | $784 | 3 | 3 | 7 | $1,595 | 5/28/2019 |
Netherlands | 5/31/2019 | $33,281 | 32 | 32 | 93 | $106,883 | 6/18/2019 |
North America | 1/30/2019 | $4,923 | 1 | 5 | 26 | $33,326 | |
Portugal | 3/29/2019 | $1,764 | 3 | 3 | 7 | $10,698 | 6/11/2019 |
Spain | 8/2/2019 | $20,121 | 27 | 30 | 81 | $77,197 | 8/22/2019 |
Turkey | 6/1/2018 | $143,853 | 216 | 216 | 924 | $593,544 | 2/26/2019 |
United Kingdom | 11/30/2018 | $16,436 | 14 | 14 | 14 | $16,436 | 12/6/2018 |
Worldwide Total | $1,696,386 | 8/22/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Dogu Demirkol | Sinan |
Murat Cemcir | Idris | |
Bennu Yildirimlar | Asuman | |
Hazar Ergicli | Hatice | |
Serkan Keskin | Süleyman | |
Tamer Levent | Grandfather Recep | |
Akin Aksu | Imam Veysel | |
Ahmet Rifat Sungar | Riza | |
Kubilay Tunçer | Ilhami | |
Oner Erkan | Imam Nazmi | |
Ozay Fecht | Grandmother Hayriye | |
Kadir Cermik | Mayor Adnan | |
Ercüment Balakoglu | Grandfather Ramazan | |
Sencar Sagdic | Nevzat | |
Asena Keskinci | Yasemin |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Nuri Bilge Ceylan | Director | |
Nuri Bilge Ceylan | Screenwriter | |
Ebru Ceylan | Screenwriter | |
Akin Aksu | Screenwriter | |
Gokhan Tiryaki | Director of Photography | |
Nuri Bilge Ceylan | Editor | |
Yildiz Asanboga | Assistant Director | |
Meral Aktan | Set Designer | |
Selcen Demet Kadizade | Costume Designer | |
Erkut Emre Sungur | Casting Director | |
Zeynep Ozbatur Atakan | Producer | |
Fabian Gasmia | Co-Producer | |
Stefan Kitanov | Co-Producer | |
Labina Mitevska | Co-Producer | |
Alexandre Mallet-Guy | Co-Producer | |
Olivier Pere | Co-Producer | |
Muge Kolat | Co-Producer | |
Muzaffer Yildirim | Co-Producer | |
Remi Burah | Co-Producer | |
Nuri Bilge Ceylan | Co-Producer | |
Mirsad Purivatra | Co-Producer | |
Jon Mankell | Co-Producer | |
Anthony Muir | Co-Producer |