Joby Harold

Best known as a Producer based on credits in that role in 6 films, with $139,630,336 worldwide aggregate box office (rank #1,525)
Best-known technical roles: Transformers: Rise of the Beasts (Screenwriter), Transformers: Rise of the Beasts (Story Creator), John Wick: Chapter 3 — Parabellum (Executive Producer), Edge of Tomorrow (Executive Producer), King Arthur: Legend of the Sword (Producer)
Most productive collaborators: Anthony Ramos, Steven Caple Jr, Charlie Hunnam, Guy Ritchie, Dominique Fishback
                                    

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
In Technical RolesProducer6$39,175,066$100,455,270$139,630,336
Screenwriter4$210,890,640$400,950,093$611,840,733
Executive Producer3$302,047,611$476,876,760$778,924,371
Story Creator2$196,516,815$382,355,270$578,872,085
Director1$14,373,825$18,594,823$32,968,648

Latest Ranking on Selected Box Office Record Lists


2018 Preview: November

November 1st, 2018

Ralph Breaks the Internet

October continued 2018’s phenomenal box office run, for the most part. There were a couple of films that missed expectations by $10 million or more, but on the other hand, Vemon and Halloween were smash hits and are now the first and second biggest October debuts of all time. Furthermore, 2018’s lead over 2017 is, as I’m writing this, just shy of $1 billion and if 2018 can maintain this lead, it will be one of the biggest year-over-year increases of all time. It won’t. The fun times end now. Why is that? Last November was amazing. There were only eight wide releases, but six of them earned more than $100 million. Three of those hit $200 million, including Thor: Ragnarok, which earned over $300 million. This year, there are a lot more movies opening in November, but it is a case of quantity over quality. No movie is expected to come close to $300 million and it would take a bit of luck just to have five $100 million hits. The film I’m looking forward to the most is Ralph Breaks the Internet, while it, Dr. Seuss’ The Grinch, and Fantastic Beasts: The Crimes of Grindelwald are all aiming for $200 million this month. Fortunately, even if 2018 is behind 2017’s pace by around $300 million, 2018 has built up such a large lead that it should still go into December with an insurmountable lead at the box office. More...

2017 Preview: May

May 1st, 2017

Guardians of the Galaxy, Vol. 2

April is over and thank god for that. The Fate of the Furious is currently the only film that was better than a midlevel hit, while Going in Style might end up being the second-biggest release of the month. On the low end, there were seven films on last month’s list that didn’t even manage to open in truly wide release (2,000 or more theaters). Fortunately, May looks a lot brighter. Guardians of the Galaxy, Vol. 2 should dominate the chart and get the month off to a fast start. Furthermore, every week there’s at least one film with a reasonable chance of earning $100 million domestically. Additionally, last May wasn’t particularly strong, so that should help 2017 overall. Granted, Captain America: Civil War earned more than $400 million, so the month got off to a fast start, but films struggled the rest of the way. The second-biggest film was X-Men: Apocalypse at just $155 million, while only one other movie, The Angry Birds Movie, earned more than $100 million. Guardians of the Galaxy, Vol. 2 should at least be competitive with Captain America: Civil War, allowing 2017 to win thanks to its superior depth. More...

2014 Preview: June

June 1st, 2014

Transformers: Age of Extinction poster

It is too soon to tell how May will end, as this story will be published before the weekend estimates came out. (Maleficent had an excellent start on Friday, unlike A Million Ways to Die in the West.) Overall, it was a good month with at least three movies that are on track to hit $200 million, but there was no really big winner for the month. It was nice and balanced. Unfortunately, last May there was a monster hit, Iron Man 3, and 2014 could not compete with that, so it lost ground to 2013. June hopes to turn things around and there are some reasons to be optimistic. All four weeks there is at least one film opening that at least has a shot at $100 million. There are even two films that at least have a shot at $300 million. Transformers: Age of Extinction should win the monthly box office race while How to Train Your Dragon 2 is a long shot to win, but I wouldn't be completely surprised if it did. Additionally, 22 Jump Street, Edge of Tomorrow, The Fault in Our Stars, and Think Like a Man 2 are all contenders for the century club. Not all of them will get to that milestone, but all of them at least have a short. Last June, there were three films that reached $200 million, including Man of Steel, which nearly reached $300 million. It looks like June of 2014 will be about as strong as June of 2013, more or less. If all films reach their potential, it could win the year-over-year comparison. Unless there are some shocking bombs, it shouldn't struggle so much that 2014 loses its lead over 2013 entirely.

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All Acting Credits



All Technical Credits



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Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
May 24, 2024Atlas Producer
Jun 9, 2023Transformers: Rise of the B… Screenwriter
Story Creator
$157,341,749$281,900,000$439,241,749
May 14, 2021Army of the Dead Screenwriter
May 17, 2019John Wick: Chapter 3 — Para… Executive Producer $171,016,727$155,668,652$326,685,379
Nov 21, 2018Robin Hood Executive Producer $30,824,628$54,385,384$85,210,012
May 12, 2017King Arthur: Legend of the … Screenwriter
Story by
Producer
$39,175,066$100,455,270$139,630,336
Jun 6, 2014Edge of Tomorrow Executive Producer $100,206,256$266,822,724$367,028,980
Nov 30, 2007Awake Director
Screenwriter
$14,373,825$18,594,823$32,968,648
 
Averages $85,489,709$146,304,476$231,794,184
Totals 8 $512,938,251$877,826,853$1,390,765,104


Director Credits


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Release
Date
TitleOpening
Weekend
Maximum
Theaters
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
Nov 30, 2007Awake $5,856,8722,023$14,373,825$32,968,64843.6%
 
Averages $5,856,8722,023$14,373,825$32,968,64843.6%
Totals 1 $14,373,825$32,968,648


Producer Credits


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Release
Date
TitleOpening
Weekend
Maximum
Theaters
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
May 24, 2024Atlas
May 12, 2017King Arthur: Legend of… $15,371,2703,702$39,175,066$139,630,33628.1%
 
Averages $15,371,2703,702$39,175,066$139,630,33628.1%
Totals 2 $39,175,066$139,630,336


Writer Credits


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Release
Date
TitleOpening
Weekend
Maximum
Theaters
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
Jun 9, 2023Transformers: Rise of … $61,045,4643,680$157,341,749$439,241,74935.8%
May 14, 2021Army of the Dead
May 12, 2017King Arthur: Legend of… $15,371,2703,702$39,175,066$139,630,33628.1%
Nov 30, 2007Awake $5,856,8722,023$14,373,825$32,968,64843.6%
 
Averages $27,424,5353,135$70,296,880$203,946,91135.8%
Totals 4 $210,890,640$611,840,733