January 1st, 2020
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It’s the year 2020, the year where we find out how many times you can say, “Well, hindsight is 20/20.” before you get punched. On the positive side, while December wasn’t a great month, it was good enough to help 2019 end on a positive note, a positive note that should continue into January. There are no real potential monster hits coming out this month, but there are three films that have a real shot at $100 million domestically. These are, in alphabetical order, 1917, which will rely on Awards Season to get to the century mark. Bad Boys for Life will have a much, much easier time getting to $100 million, assuming people still care about the franchise 17 years later. Finally, Dolittle is looking like a disaster with a really troubled production; however, a $100 million run isn’t out of the question and if it can get there, it will at least save face. As for last January, Glass was the biggest hit of the month in terms of raw dollars, but The Upside was more impressive, as it is one the biggest hits in STX Entertainment’s history. We need two of the three potential $100 million hits to reach that mark to keep pace with last year, but we also have one more weekend to get there.
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September 30th, 2014
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September is over and while it got off to a bad start, a really, really, truly terrible start, it actually ended on a bit of a strong note. Granted, no film has yet to reach $100 million, but The Maze Runner and The Equalizer both could get there in the end. As for October, we might go another month without a $100 million hit. There are a couple of films that have the potential to reach the century mark, Gone Girl and Fury. Hopefully they will get there, but given the recent box office woes, it is probably best to keep expectations low. Last October, there were two films that earned more than $100 million. Bad Grandpa just made it passed that mark. On the other hand, Gravity was a monster hit earning nearly $275 million. It you compare its run to this year's batch of films, it only ranks behind Guardians of the Galaxy. ... There's no way any film opening this month is going to match that. ... There no way the top two films will match that. ... The top three films might not match that. ... 2014 is going to get crushed in the year-over-year comparison and by the end of the month, it will be safe to say its chances of ever catching up to 2013 will be over. It is going to be a depressing month.
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All Technical Credits
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Director Credits
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Writer Credits
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Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|
| Top Grossing Director at the Domestic Box Office (Rank 601-700) |
608 |
$132,411,380 |
| Top Grossing Executive Producer at the Domestic Box Office (Rank 4,301-4,400) |
4,393 |
$7,115,854 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 9,301-9,400) |
9,386 |
$6,877 |
| Top Grossing Director at the International Box Office (Rank 1,201-1,300) |
1,248 |
$46,965,930 |
| Top Grossing Executive Producer at the International Box Office (Rank 7,701-7,800) |
7,782 |
$178,182 |
| Top Grossing Director at the Worldwide Box Office (Rank 801-900) |
835 |
$179,377,310 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 5,301-5,400) |
5,306 |
$7,294,036 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 11,701-11,800) |
11,747 |
$6,877 |
