Chris McKenna

Best known as a Screenwriter based on credits in that role in 8 films, with $5,858,231,105 worldwide aggregate box office (rank #12)
Best-known technical roles: Spider-Man: No Way Home (Screenwriter), Spider-Man: Far From Home (Screenwriter), Jumanji: Welcome to the Jungle (Screenwriter), Jumanji: Welcome to the Jungle (Story Creator), Spider-Man: Homecoming (Screenwriter)
Most productive collaborators: Tom Holland, Jon Watts, Zendaya, Erik Sommers, Jon Favreau
                                    

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
In Technical RolesScreenwriter8$2,357,191,645$3,501,039,460$5,858,231,105
Story Creator1$404,508,916$557,123,891$961,632,807
Producer1$11,236$0$11,236
Executive Producer1$0$0$0

Latest Ranking on Selected Box Office Record Lists


2018 Preview: July

July 1st, 2018

Ant-Man and the Wasp

June was amazing, with two absolute monster hits and a solid $100 million hit. By the end of the month, 2018’s lead over 2017 will be well over $500 million, or close to 10%. Even if 2018 only managed to maintain this lead in terms of raw numbers for the rest of the year, it will be a massive jump at the box office. As for July, there are a couple of potential monster hits, Ant-Man and the Wasp and Mission: Impossible—Fallout, plus four potential $100 million hits. Last July, there was only one monster hit, Spider-Man: Homecoming, and three $100 million hits. I don’t think 2018 will match 2017 at the top, but 2018 appears to have more depth and that should put it a little ahead over the full month. More...

2017 Preview: December

December 1st, 2017

The Last Jedi

The box office was mostly as expected during November. Granted, Thor: Ragnarok over-performed and Justice League underperformed, but overall there were no real surprises. This means the month started slow, but we got a couple of wins in the end and that bodes well going into the final month of the year. That said, December is a weird month. There are five weekends, but only seven films that I’m sure are opening truly wide. Additionally, five of those seven films are opening Christmas weekend. I’ve never seen a month this lop-sided. There are no real wide releases the first two weeks of the month, so we will likely start slow again, but when The Last Jedi debuts, we should see explosive growth at the box office. It will open with more than any film last December made and that should help 2017 cut into 2016’s lead. 2017 won’t be able to close the gap entirely, but the month could do well enough to cut 2016’s lead to under $250 million. That’s my goal. If that happens, I will be happy. More...

2017 Preview: July

July 1st, 2017

Spider-Man: Homecoming

I hate it when the first of the month lands on a Saturday. By the time this story goes live, we will still have almost no box office data for Despicable Me 3, so we won’t know if June ended on a positive note. Fortunately, Wonder Woman beat expectations and might end up as the biggest hit of the summer, at least for a little while. July begins with Spider-Man: Homecoming, which should make at least $300 million and is the last film being released this summer that has a shot at being a $400 million hit domestically. It is very likely that nothing else this month will come within $100 million of that movie, so that could help its legs. There are a few potential $100 million hits, including War for the Planet of the Apes, Dunkirk, and a couple of other long shots. Last July had a similar feel with The Secret Life of Pets topping the list with well over $300 million, while there were five other $100 million hits. This July would have to beat expectations substantially to match this performance. I’m not confident 2017 will be able to maintain its pace at the box office. I’m worried at least one big film will struggled and 2017 will end the month behind 2016’s pace. More...

All Acting Credits



All Technical Credits



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Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
Mar 29, 2024Lousy Carter Producer $11,236$11,236
Apr 21, 2023Ghosted Screenwriter
Dec 17, 2021Spider-Man: No Way Home Screenwriter $814,811,535$1,106,395,051$1,921,206,586
Jul 2, 2019Spider-Man: Far From Home Screenwriter $391,362,492$740,936,182$1,132,298,674
UnknownFrances Ferguson Executive Producer
Jul 6, 2018Ant-Man and the Wasp Screenwriter $216,648,740$406,495,920$623,144,660
Dec 20, 2017Jumanji: Welcome to the Jungle Screenwriter
Screen story by
$404,508,916$557,123,891$961,632,807
Jul 7, 2017Spider-Man: Homecoming Screenwriter $334,580,976$544,271,773$878,852,749
Feb 10, 2017The Lego Batman Movie Screenwriter $175,750,384$134,331,896$310,082,280
Sep 19, 2008Igor Screenwriter $19,528,602$11,484,747$31,013,349
 
Averages $294,650,360$500,148,494$732,280,293
Totals 10 $2,357,202,881$3,501,039,460$5,858,242,341


Producer Credits


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Release
Date
TitleOpening
Weekend
Maximum
Theaters
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
Mar 29, 2024Lousy Carter $8,58413$11,236$11,236100.0%
 
Averages $8,58413$11,236$11,236100.0%
Totals 1 $11,236$11,236


Writer Credits


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Release
Date
TitleOpening
Weekend
Maximum
Theaters
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
Apr 21, 2023Ghosted
Dec 17, 2021Spider-Man: No Way Home $260,138,5694,336$814,811,535$1,921,206,58642.4%
Jul 2, 2019Spider-Man: Far From Home $92,579,2124,634$391,362,492$1,132,298,67434.6%
Jul 6, 2018Ant-Man and the Wasp $75,812,2054,206$216,648,740$623,144,66034.8%
Dec 20, 2017Jumanji: Welcome to th… $36,169,3283,849$404,508,916$961,632,80742.1%
Jul 7, 2017Spider-Man: Homecoming $117,027,5034,348$334,580,976$878,852,74938.1%
Feb 10, 2017The Lego Batman Movie $53,003,4684,088$175,750,384$310,082,28056.7%
Sep 19, 2008Igor $7,803,3472,341$19,528,602$31,013,34963.0%
 
Averages $91,790,5193,972$336,741,664$836,890,15844.5%
Totals 8 $2,357,191,645$5,858,231,105