This graph shows Bill Murray’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
The wait is over for fans of Ant-Man as the follow-up has finally made its way into theaters—4,345 of them to be exact. That makes it the 40th-widest release of all time, placing itself firmly in between two other franchise sequels, Guardians of the Galaxy Vol 2 and Spider-Man: No Way Home. Its forerunners, Ant-Man, and Ant-Man and the Wasp started out in 3,856 and 4,206 theaters respectively. The third and latest installment of the franchise brings back Paul Rudd as the titular character, while containing a bevy of big name talent including Evangeline Lilly, Jonathan Majors, and Bill Murray, among others.
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After an array of release date changes, Ghostbusters: Afterlife is finally here. The latest in the Ghostbusters franchise is set to launch in 4,315 theaters, only trailing No Time to Die’s 4,407 venues as the largest opening this year, and overtaking both Jungle Cruise (4,310) and Shang-Chi and the Legend of the Ten Rings (4,300). The supernatural comedy is directed by Jason Reitman and stars a plethora of Hollywood talent, including the familiar faces of Bill Murray, Dan Aykroyd, Ernie Hudson, Sigourney Weaver, and archival footage of the late Harold Ramis as the serious Dr. Egon Spengler. Also new in wide release this week is the latest from Warner Bros. in King Richard. The biographical drama follows the life of Richard Williams, the father of tennis icons Venus and Serena Williams. The film opens in 3,302 locations while simultaneously being available for viewing on HBO Max.
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Late Night should be the biggest box office hit of the week with an already scheduled wide expansion next weekend. However, it isn’t the only film that has a chance to do well. The Last Black Man in San Francisco is also earning some strong buzz, while there are a number of documentaries vying for audiences this week.
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Isle of Dogs is the latest movie by Wes Anderson. It is a stop-motion animated film that had one of the best theater averages of the year during its opening weekend and is one of the best limited release hits of 2018. Is it also one of the best limited release hits? Or did it get by on star power?
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Well, March has ended and it was a very disappointing month. Black Panther made more than any of the new releases did. The only potential big hit that didn’t miss expectations was Ready Player One. Because of this, 2018 lost its lead over 2017 and is now over $100 million behind last year’s pace. April is usually a terrible month, because it is a dumping ground, especially late in the month. No studio wants to compete with the first monster hit of the Summer. This year, the first monster hit of the summer, Avengers: Infinity War, opens in April. It will make more during its opening weekend than any other April release will make in total. It might make more opening day than any other April release will make in total. The only film that has a real chance to earn more than $100 million is Rampage, a video game adaptation. Last April, The Fate of the Furious earned more than $1.2 billion worldwide, but “only” earned $225.76 million of that domestically. Infinity War should earn more than that opening weekend. The second biggest hit of last April was Smurfs: The Lost Village and Going in Style, both of which earned $45.02 million. If 2018 doesn’t retake the lead by the end of the month, then 2018 is in trouble at the box office.
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The Jungle Book is the latest live-action remake of a classic Disney cartoon. The film is the third biggest domestic release of the year so far. (It just topped Deadpool this weekend.) It also earned 95% positive reviews. Is it truly one of the best films of 2016? Or am I going to be in the minority when it comes to this movie?
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March was a really good month, for the most part. There were a few bombs, but the two biggest films, Zootopia and Batman v Superman: Dawn of Justice, both beat expectations by significant margins, so overall the box office was better than expected. Unfortunately, April is a mess, which makes prognosticating really tough. Every single week has at least one film that either moved, switched from wide to limited release, or disappeared entirely. The Jungle Book appears to be the biggest film of the year, but The Huntsman: Winter's War could also be a $100 million hit. Sadly, last April was led by Furious 7, which earned more than $350 million at the box office. That's very likely more than both The Jungle Book and The Huntsman: Winter's War will make combined. Worse still, there were only four weekends in April last year, meaning the month ends by going head-to-head with The Avengers: Age of Ultron. By the time the month ends, 2016's lead over 2015 might be gone. Let's hope it is not that bad.
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September ended on a record note with the debut of Hotel Transylvania 2. Additionally, there was great depth and 2015's lead over 2014 grew to nearly $500 million. How do things look going forward? The month starts out with The Martian, which should have no trouble becoming the biggest hit of the month and might even top $200 million. On the other hand, no other film is expected to get to $100 million. There's only one or two that will even come close. Fortunately, last October was very similar with one $100 million hit, Gone Girl, while two other films came close, Annabelle and Fury. It looks like it will be up to the depth films from both years to determine which year comes out on top.
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In a Summer already littered with franchise films, it’s good to see something original top the charts, even if it is something as rote as a disaster movie based on an earthquake in California. The $53.2 million projected opening for San Andreas is something of a triumph for Dwayne Johnson, who carries the film as its sole lead, unlike his contributions to the Furious 7 ensemble. With only the domestic opening numbers in, Johnson has already moved up to third on our top current stars list, and will most likely pass Vin Diesel for second place before San Andreas’ run is over.
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This is the best week on the home market in a long time. Game of Thrones is one of the best TV shows on at the moment, if not the best TV show, and its DVD and Blu-ray is Pick of the Week material. Additionally, there are a few potential Oscar winners hitting the home market this week as well. On the down side, there is not a lot of depth. Birdman, The Tale of the Princess Kaguya, and The Theory of Everything are all up for Oscars next weekend and all of them are worth picking up. Life Itself was snubbed by Oscar voters, but it too is a must have. However, in the end, I went with Game of Thrones for Pick of the Week.
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The Golden Globes nominations were announced this morning, at three in the morning, because the people at Golden Globes are under the delusion that news announced at 3:00 a.m. is somehow more important if it is announced before anyone is awake. As for the actual nominations, like with the Independent Spirit Awards and the SAG nominations, Birdman led the way. It earned seven nominations, while Boyhood and The Imitation Game tied for second with five apiece. Starting to notice a pattern here? This could be a really dull Awards Season with very few surprises. On the other hand, predictable means less work for me. Plus, predictable probably means the Awards Season voters are making the right choices, as surprises usually mean someone made the wrong choice.
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Kingpin was not a hit when it was first released nearly 20 years ago. It earned mixed reviews and barely matched its production budget domestically. However, it became a huge cult hit on the home market. This week it comes out on Blu-ray for the first time. It is also the first time I've seen it. Was it worth the wait? Or was I smart skipping it the first time it came out?
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We have a rather long list of limited releases this week, but sadly only three of them are earning overwhelmingly positive reviews. Unfortunately, two of these films will likely not do well in theaters. Dead Snow 2: Red vs. Dead is a horror film, which is one strike against it, while it is also playing on Video on Demand. I Am Ali is a documentary, so it could do well in art house circuits, but its chances of expanding significantly are very limited. Finally there's Whiplash, which could lead the way on the Per Theater Chart.
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The Grand Budapest Hotel is the latest film from auteur director, Wes Anderson, and it is also his biggest box office hit. I liked some of his earlier films, but after The Life Aquatic and The Darjeeling Limited, I didn't consider myself a fan of his work. Then I saw The Fantastic Mr. Fox and Moonrise Kingdom and I lovedboth. Because of this, I was super excited to see The Grand Budapest Hotel and its box office success caused my expectations to rise even more. Did they rise too high? Is this Wes Anderson's best movie, as well as his biggest hit?
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After a weak start, January rebounded and a couple of films on last month's preview cracked $100 million at the box office. Granted, Lone Survivor is technically a December release, but Ride Along will become one of the rare January releases to reach the century mark. Unfortunately, there doesn't appear to be too many February releases that have a real shot at $100 million. It is very likely that The Lego Movie will reach that milestone, but most of the rest of the movies will be lucky if they reach $50 million. Last February was very similar. We had one surprise $100 million hit, Identity Thief, plus a couple of solid midlevel hits, Warm Bodies, for instance. However, for the most part, the month was one miss after another. This means 2014 could continue its winning ways, or at the very least, shouldn't fall behind 2013's pace.
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The Hollywood Foreign Press Association announced their nominations and the same list of films that have been mentioned since the beginning of Awards Season were rewarded today. Lincoln led the way with seven nods, while Argo and Django Unchained were close behind with five.
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It is a really, really busy week for limited releases. However, of the more than a dozen films on this week's list, only one of them is earning overwhelmingly positive reviews, Wagner and Me. That film is a documentary, so even if it does perform well during its opening weekend, it likely won't find any mainstream success. All of the rest are either earning too few reviews to have a Tomatometer Score, or have overall negative reviews. Combined with the previously released Awards Season hopefuls, and there's too much competition for such weak films.
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I have seen nearly everything Wes Anderson has ever made and I've liked most of it. I was disappointed by The Darjeeling Limited, but lovedThe Fantastic Mr. Fox. His latest film is Moonrise Kingdom, a story of young love set in 1965 with an ensemble cast, including two newcomers in the central two roles. It became one of his biggest hits, but was it also one of his best?
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