By AnnaKendrick09TIFF.jpg: Sagittarius - TFL Studio at https://www.flickr.com/photos/sagittarius/ / *derivative work: Jack Merridew (AnnaKendrick09TIFF.jpg) [CC BY 3.0], via Wikimedia Commons
Best known as a Leading Actress based on credits in that role in 19 films, with $660,370,288 worldwide aggregate box office (rank #400)
This graph shows Anna Kendrick’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
After two films of true friendship and relentless flirting, Poppy and Branch are now officially, finally, a couple (#broppy)! As they grow closer, Poppy discovers that Branch has a secret past. He was once part of her favorite boyband phenomenon, BroZone, with his four brothers: Floyd, John Dory, Spruce and Clay. But when Branch’s bro Floyd is kidnapped for his musical talents by a pair of nefarious pop-star villains, Branch and Poppy embark on a harrowing and emotional journey to reunite the other brothers and rescue Floyd from a fate even worse than pop-culture obscurity.
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Psychological thriller starring Anna Kendrick opens for Oscar-qualifying run on December 30, expands wide January 20 ... Full Movie Details.
A woman is pushed to the breaking point by her psychologically abusive boyfriend, Simon. While on vacation with two close girlfriends, Alice rediscovers the essence of herself and gains some much-needed perspective. Slowly, she starts to fray the cords of codependency that bind her. But Simon’s vengeance is as inevitable as it is shattering—and, once unleashed, it tests Alice’s strength, her courage, and the bonds of her deep-rooted friendships.
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A Simple Favor hits Video on Demand this week and the screener arrived early, so I figured it was a perfect time to review this movie. (Also, I might have as many as five films to review next week. I kind of messed up requesting screeners, so getting this done now will save me the stress next week.) Is it worth checking out on VOD? Or should you wait for the Blu-ray Combo Pack?
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Overall, August was a little better than expected. Granted, there were no monster hits, but Warner Bros. had two $100 million hits in The Meg and Crazy Rich Asians. Meanwhile, Christopher Robin will come close enough to that milestone to be a hit. This allowed 2018 to stretch its lead over 2017 by over $700 million. Will that lead grow in September? Nope. Not even close. There are three major problems that will hurt September’s box office. Firstly, there are a lot of films that may or may not open wide. Secondly, there are no films opening this month that have a better than 50/50 chance of hitting $100 million. Finally... It. It destroyed records last September, earning more during its opening weekend than any film opening this month will earn in total. Fortunately, 2018 has such an enormous lead that even with It, 2018 should remain ahead of 2107 by $500 million at the end of the month.
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A mommy vlogger seeks to uncover the truth behind her best friend Emily’s sudden disappearance from their small town. Stephanie is joined by Emily’s husband Sean in this thriller filled with twists and betrayals, secrets and revelations, love and loyalty, murder and revenge.
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The box office was mostly as expected during November. Granted, Thor: Ragnarok over-performed and Justice League underperformed, but overall there were no real surprises. This means the month started slow, but we got a couple of wins in the end and that bodes well going into the final month of the year. That said, December is a weird month. There are five weekends, but only seven films that I’m sure are opening truly wide. Additionally, five of those seven films are opening Christmas weekend. I’ve never seen a month this lop-sided. There are no real wide releases the first two weeks of the month, so we will likely start slow again, but when The Last Jedi debuts, we should see explosive growth at the box office. It will open with more than any film last December made and that should help 2017 cut into 2016’s lead. 2017 won’t be able to close the gap entirely, but the month could do well enough to cut 2016’s lead to under $250 million. That’s my goal. If that happens, I will be happy.
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October turned out to be a mixed month. On the one hand, not one movie earned $100 million, or even came close. However, it was also a more steady month than last October and the last two weeks really helped 2016 in the year-over-year comparisons. In November, we have five films with at least a shot at $100 million, three of which should have no trouble getting to at least $200 million. A little while ago, I thought Fantastic Beasts and Where to Find Them would be the biggest hit of the month, but the buzz took a hit recently. More on that below. Meanwhile, Doctor Strange’s reviews are currently 90% positive and that should help it out at the box office. The third very likely $200 million hit is Moana. There is certainly precedent for an animated movie to be a monster hit at this time of year, but there is also a lot of competition. Last November was similar in strength, with five films that earned more than $100 million and two films that earned more than $200 million. None earned more than $300 million, so that’s the goal for this November. If we can get one $300 million and / or three $200 million movies over the month, then it will be seen as a victory.
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September is over and we should all be glad about that. Unless the final weekend brings a surprise $100 million hit or two, 2016’s lead over 2015 will shrink over the month. There were some bright spots, most notably Sully, which will be the biggest hit of the month. On the other hand, we had more outright bombs than even midlevel hits. Sadly, October isn’t much better. There are a couple of films that could be $100 million hits, but most of the films will struggle to become midlevel hits. Both Inferno and The Girl on the Train are aiming for $100 million. One of them might get there too. If both get there, then October will be seen as a success. By comparison, last October was led by The Martian; however, because of a misalignment in the calendar, The Martian’s opening weekend actually lines up with the final weekend in September. It had great legs, so that will help 2015 early in the month, but the rest of the month was terrible last year and I think 2016 will come out ahead as a result.
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John Hollar, a struggling NYC artist is forced to navigate the small middle-American town he left behind when news of his mother's illness brings him home. Back in the house he grew up in, John is immediately swept up in the problems of his dysfunctional family, high-school rival and an over-eager ex-girlfriend as he faces impending fatherhood with his girlfriend in New York.
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Christian Wolff is a math savant with more affinity for numbers than people. Behind the cover of a small-town CPA office, he works as a freelance accountant for some of the world’s most dangerous criminal organizations. With the Treasury Department’s Crime Enforcement Division, run by Ray King, starting to close in, Christian takes on a legitimate client: a state-of-the-art robotics company where an accounting clerk has discovered a discrepancy involving millions of dollars. But as Christian uncooks the books and gets closer to the truth, it is the body count that starts to rise.
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It's July 1st, which is Canada Day. To celebrate, I wanted to give a gift to my American readers down south, so here's a bunch of "u"s. U, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u. Now you can spell words like "colour" and "neighbour" correctly. As for the July preview... June wasn't a good month, despite Finding Dory being on pace to become the biggest hit of the year so far. Most other films failed to match expectations and as a result, 2016's lead over 2015 has nearly evaporated. In fact, ticket sales are below last year's pace. So how does July look in comparison? Well, last July, there were five films that earned more than $100 million, led by Minions, which earned more than $300 million. This July, there are five films that should earn more than $100 million, led by The Secret Life of Pets, which should earned around $250 million. I don't think July 2016 will live up to July 2015, but it should be close. Maybe if one of the expected midlevel hits is a surprise $100 million hit, or if two more of the $100 million hits crack $200 million, then the month will look great. Or one of the expected $100 million hits could flop and 2016 will actually fall behind 2015, even without taking into account ticket price inflation.
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It's not a good week for limited releases. Not only is it a short list this week, but none of them look like they will be a hit at the box office. Demolition is the widest release of the week, but it is too wide for a limited release. The Invitation is earning amazing reviews, but it is also playing on Video on Demand. Neon Bull is earning even better reviews, but it is a foreign-language film, so that limits its chances. The rest of the films are not earning strong enough reviews to suggest they will do well in limited release.
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It is a relatively good week for limited releases with a few films earning stunning reviews. This includes Born to be Blue, which I think has the best shot at mainstream success. April and the Extraordinary World and Mia madre also have a chance at doing well in limited release.
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April is over and there was good news and bad news. Good news: Furious 7 crushed the competition, and broke records along the way. Bad news: Furious 7 crushed the competition and no other April release will earn as much in total as Furious 7 earned during its opening day. Fortunately, Furious 7 was so strong that it carried April of 2015 to a draw when compared to April of 2014. May has a lot of similarities to April. The Avengers: Age of Ultron is expected to break records during its opening weekend and even the low end has it earning more than $1 billion worldwide. Unfortunately, no other film is going to come close to that figure. There are five other films with a potential to reach $100 million at the box office. The keyword there is "potential". There's a chance less than half of those five films will get to that milestone. And like last April, last May had much better depth with five films that reached $100 million, including four that surpassed $200 million. Age of Ultron will earn more than the combined totals of Maleficent, last month's winner, and X-Men: Days of Future Past, which placed second for the month. I am a little concerned about the lack of depth this month and this could cause May to lose in the month-over-month comparison in the end.
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Into the Woods first debuted 30 years ago in 1985 starting its Broadway run a year later. The show's original Broadway run earned three Tony Awards and five Drama Desk Awards, while the 2002 revival was nearly as well received with award voters. It is not a surprise that the film was turned into a big budget musical. However, does the theatrical version of Into the Woods live up to the source material? Will fans of musicals who haven't seen the original like it?
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November is over and there are not a lot of positive things to say about what happened during the month. There were a couple of films that matched expectations, but there were no breakout hits and a few that missed expectations by wide margins. Granted, The Hunger Games: Mockingjay, Part 1 will top $300 million with relative ease, but that's still nearly $100 million lower than some people were predicting. The month ends with 2014 about $300 million behind 2013's pace and there's really no chance to catch up in December. That doesn't mean there are no films that will be worth watching in December. The Hobbit: The Battle of the Five Armies should at least earn $200 million, while $300 million is not out of the question. Additionally, there are several films that at least have a shot at $100 million at the box office, but not all will get there. At least this December and last December are on par with each other. The Hobbit: The Desolation of Smaug topped $250 million while there were three others that topped $100 million. I think we will get the same result this month. Last year there were a lot more wide releases, but many of them bombed. I think this year the lack of competition will help more films reach their potential.
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There are not a lot of great limited releases on this week's list. There are a few films that are earning overwhelmingly positive reviews; however, there are just as many films on this list that have no reviews. The best film is arguably A Most Wanted Man, but its high theater count might hurt its changes on the per theater chart. Happy Christmas is earning better than average buzz, but it is also playing on Video on Demand, so its theatrical numbers are less important. Also... Christmas in July?
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Part III of the Holiday Gift Guide is a little late due to reasons you probably don't want to hear the details about. (I believe I've developed a food allergy to something in Eggnog.) The third installment of our holiday gift guide includes independent films, classics, foreign films, etc. The fastest way to find gifts is to go to the Independent Spirit Awards nominations and find any film that is on that list that is already out on DVD / Blu-ray (Frances Ha, Mud, etc.). Unfortunately, most of the films competing for Awards Season glory are still in theaters and not available as gifts. But there are still many films worth picking up, starting with...
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Twilight came out in 2008 to a mixture of high buzz and abject horror. There were a lot of people who were major fans of the book series by Stephenie Meyer, while others consider Stephenie Meyer the worst author of all time. That might be a bit harsh. The first movie opened with mixed reviews, but smashed through all expectations with nearly $200 million domestically. A year later, New Moon came out and despite earning just 27% positive reviews. That's awful any way you look at it, but even so, it earned nearly $300 million at the box office. Clearly this franchise is critic-proof and I'm under no delusion that any of my criticisms will stop anyone from buying this 10-disc Blu-ray box set. I'm so convinced that no one will change their minds over my opinion of the movie that I'm going to keep that portion of the review to a minimum and concentrate on the extras instead. After all, anyone interested in this box set has already made up their mind about the movie and just want to know if this box set has enough extras to be worth the price.
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There are not a lot of limited releases on this week's list, but a few of them have good reviews and / or big name casts. Drinking Buddies is one such film, but I think Short Term 12 will come out on top of the Per Theater Chart thanks in part to its reviews.
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End of Watch was released in September, which is usually a terrible sign. It didn't seem like a bad movie from the trailer, and there was a lot of buzz going in, but still, that release date is usually a death sentence. Its reviews turned out to be better than expected, award-worthy, in fact. But it was only able to become a midlevel hit. Granted, it was profitable thanks to its low budget and it is one of the best runs for the studio. Will it be able to find an audience on the home market?
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Pitch Perfect came out in select theaters in September, which is usually a terrible way to release a movie and time of the year. However, it earned an impressive per theater average during its opening weekend, enough to warrant a wide expansion. Over the following weekends, it held on well enough to become a solid midlevel hit. By the time it reached the home market, it was already profitable, thanks in part to is low production budget. The film is clearly aimed at fans of the many music-centered TV shows, like Glee or Smash, but will it have much crossover appeal?
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It's the last week before Christmas, which means it is the last chance for last minute gifts. There are a number of first-run releases coming out this week, some of which are not coming out till Friday, or even next Monday. There are also quite a few limited releases and TV on DVD releases hitting the home market this week. However, none of these were big hits and very few earned strong praise from critics. That doesn't mean there are none that are worth picking up. In fact, we have a trio of contenders for Pick of the Week. Shameless: The Complete Second Season on DVD or Blu-ray; Pitch Perfect on DVD or Blu-ray Combo Pack; and Arbitrage on DVD or Blu-ray. It was a close call, but in the end I went with Arbitrage. Also coming out this week is Rush: 2012 - CD and Blu-ray in a Deluxe Edition or Super Deluxe Edition, which is a clear winner of Puck of the Week.
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2012 continues its downward path. After a record-breaking spring, thanks to The Hunger Games, and a record-breaking start to the summer, thanks to The Avengers, the box office hasn't been able to maintain any real momentum. For most of the month, September was no better than August and now the year-over-year gains are just a little more than inflation. October will need to improve or 2012 will be in real trouble. Unfortunately, that might be tough. There's not a single film coming out in October that looks like it will be a guaranteed $100 million hit and there are only two films with a realistic chance, Taken 2 and Paranormal Activity 4. (There's also Cloud Atlas, which is a wild card. That movie could bomb or be the biggest hit of the month and I wouldn't be surprised either way.) There is a chance all three will get to the century mark, but there's a better chance none of them will. Last October, two films cracked $100 million: Paranormal Activity 3 and Puss in Boots, with the latter nearly reaching $150 million. I don't see any film coming close to matching that figure. On the other hand, last year there were six films that one could accurately describe as bombs. So while 2012 is weaker at the top, it could have better depth than 2011 did. Let's hope so, because we can't afford more bad news.
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There are only four films on this week's list that we have solid theater counts for, but I've included a few others that are coming out on this week's list. The biggest limited release of the week is Pitch Perfect, which is expanding wide next Friday (assuming it doesn't bomb this weekend). However, the limited release that is earning the best reviews is The Hole 3D. I would not have guessed that would happen. Pitch Perfect will obviously earn the most in terms of raw dollars, some even think it will reach the top ten overall, but I don't think there's any film that will really be a hit on the per theater average.
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