March 1st, 2020
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The box office had mixed results during February with Birds of Prey missing expectations by a huge margin, but Sonic the Hedgehog did well enough to almost make up the difference. This March, there are three films that will almost certainly reach $100 million domestically: Onward, A Quiet Place: Part II, and Mulan. In fact, all three at least have a slim shot at $200 million domestically. By comparison, last March Captain Marvel was released, which earned more than $400 million, while Us and Dumbo earned close to $300 million combined. I don’t think the top three films this year will match last year’s top three, or even come particularly close, and I fear 2020 will fall behind 2019 in the year-over-year comparison. So much for that lead 2020 built up in January.
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October 1st, 2016
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September is over and we should all be glad about that. Unless the final weekend brings a surprise $100 million hit or two, 2016’s lead over 2015 will shrink over the month. There were some bright spots, most notably Sully, which will be the biggest hit of the month. On the other hand, we had more outright bombs than even midlevel hits. Sadly, October isn’t much better. There are a couple of films that could be $100 million hits, but most of the films will struggle to become midlevel hits. Both Inferno and The Girl on the Train are aiming for $100 million. One of them might get there too. If both get there, then October will be seen as a success. By comparison, last October was led by The Martian; however, because of a misalignment in the calendar, The Martian’s opening weekend actually lines up with the final weekend in September. It had great legs, so that will help 2015 early in the month, but the rest of the month was terrible last year and I think 2016 will come out ahead as a result.
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January 1st, 2016
2016 will begin the same way 2015 ended, with Star Wars: The Force Awakens on top. In fact, three of the five films that have the best shot at box office success in January are The Force Awakens, The Hateful Eight, and The Revenant, all of which opened in December. There are two true January releases that could also do really well, for this time of year: Ride Along 2 and Kung Fu Panda 3. The rest of the releases are just hoping to become midlevel hits. Last January, American Sniper dominated earning more than $300 million. Its success could prevent 2016 from being ahead in the year-over-year comparison by the end of the month, but this year does have better depth.
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All Acting Credits
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Supporting Roles
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Latest Ranking on All Acting Box Office Record Lists
| Record | Rank | Amount |
|---|
| Top 100 Stars in Supporting Roles at the Domestic Box Office (Rank 46,001-46,100) |
46,085 |
$17,951,431 |
| Top Live Action Stars at the Domestic Box Office (Rank 45,201-45,300) |
45,269 |
$19,301,679 |
| Top Below the Line Stars at the Domestic Box Office (Rank 43,701-43,800) |
43,766 |
$17,951,431 |
| Top Stars at the Domestic Box Office (Rank 47,801-47,900) |
47,806 |
$19,301,679 |
| Top 100 Stars in Supporting Roles at the International Box Office (Rank 47,601-47,700) |
47,658 |
$4,910,354 |
| Top Live Action Stars at the International Box Office (Rank 47,401-47,500) |
47,439 |
$5,348,274 |
| Top Below the Line Stars at the International Box Office (Rank 43,801-43,900) |
43,869 |
$4,910,354 |
| Top Stars at the International Box Office (Rank 50,401-50,500) |
50,411 |
$5,348,274 |
| Top 100 Stars in Supporting Roles at the Worldwide Box Office (Rank 49,101-49,200) |
49,175 |
$22,861,785 |
| Top Live Action Stars at the Worldwide Box Office (Rank 48,601-48,700) |
48,674 |
$24,649,953 |
| Top Below the Line Stars at the Worldwide Box Office (Rank 46,101-46,200) |
46,105 |
$22,861,785 |
| Top Stars at the Worldwide Box Office (Rank 51,601-51,700) |
51,622 |
$24,649,953 |
All Technical Credits
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Director Credits
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Producer Credits
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Writer Credits
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Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|
| Top Grossing Director at the Domestic Box Office (Rank 601-700) |
613 |
$130,762,188 |
| Top Grossing Executive Producer at the Domestic Box Office (Rank 1,601-1,700) |
1,631 |
$86,260,045 |
| Top Grossing Producer at the Domestic Box Office (Rank 2,301-2,400) |
2,341 |
$27,247,629 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 2,401-2,500) |
2,452 |
$31,568,317 |
| Top Grossing Story Creator at the Domestic Box Office (Rank 2,001-2,100) |
2,020 |
$14,313,803 |
| Top Grossing Director at the International Box Office (Rank 801-900) |
825 |
$97,012,900 |
| Top Grossing Executive Producer at the International Box Office (Rank 1,901-2,000) |
1,992 |
$66,702,038 |
| Top Grossing Producer at the International Box Office (Rank 3,101-3,200) |
3,153 |
$11,531,165 |
| Top Grossing Screenwriter at the International Box Office (Rank 2,001-2,100) |
2,029 |
$46,537,967 |
| Top Grossing Story Creator at the International Box Office (Rank 1,401-1,500) |
1,470 |
$27,758,270 |
| Top Grossing Director at the Worldwide Box Office (Rank 701-800) |
715 |
$227,775,088 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 1,801-1,900) |
1,845 |
$152,962,083 |
| Top Grossing Producer at the Worldwide Box Office (Rank 2,801-2,900) |
2,804 |
$38,778,794 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 2,201-2,300) |
2,271 |
$78,106,284 |
| Top Grossing Story Creator at the Worldwide Box Office (Rank 1,701-1,800) |
1,753 |
$42,072,073 |
