We Summon the Darkness (2020)
| Theatrical Performance | ||
| Domestic Box Office | $60,794 | Details |
| International Box Office | $120,913 | Details |
| Worldwide Box Office | $181,707 | |
| OpusData ID: 368570100 More info... | ||
| Further financial details... | ||
Synopsis
The killing spree of murderous Satanists has already led to 18 deaths throughout America’s Heartland. Three best friends Alexis, Val and Beverly embark on a road trip to a heavy metal music festival. Naive, they bond with three seemingly fun-loving dudes and soon the group heads off to Alexis’ country home, a very secluded place, for an afterparty. What should be a night of fun and youthful debauchery may instead take a dark, deadly turn. With killers on the loose, can anyone be trusted?
Metrics
| Opening Weekend: | $30,232 (49.7% of total gross) |
| Legs: | 2.01 (domestic box office/biggest weekend) |
| Domestic Share: | 33.5% (domestic box office/worldwide) |
| Theater counts: | 10 opening theaters/10 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $79,199 |
Movie Details
| Domestic Releases: | May 22nd, 2020 (Limited) by Saban Films |
| International Releases: | July 10th, 2020 (Wide) (Netherlands)
August 28th, 2020 (Limited) (Germany) September 17th, 2020 (Wide) (South Korea) October 2nd, 2020 (Wide), released as Мы призываем тьму (Russia (CIS)) ... Show all releases |
| Video Release: | April 10th, 2020 by Saban Films |
| MPA Rating: | R for bloody violence, pervasive language, some drug use and sexual references. (Rating bulletin 2620 (Cert #52644), 3/11/2020) |
| Running Time: | 83 minutes |
| Subgenre: | Horror Comedy |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Saban Films, MEP Capital, Highland Film Group, Iconic Media One, Litecoin Foundation, Grey Hawk Productions, The Fyzz Facility, Nightshade, Common Enemy |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 22, 2020 | - | $30,232 | 10 | $3,023 | $30,232 | 1 | |
| May 29, 2020 | - | $26,112 | -14% | 6 | $4,352 | $60,794 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 7/10/2020 | $37,437 | 58 | 58 | 108 | $79,365 | 10/19/2022 | |||
| Russia (CIS) | 10/2/2020 | $11,374 | 194 | 194 | 236 | $20,309 | 10/19/2022 | |||
| South Korea | 9/17/2020 | $2,939 | 24 | 24 | 35 | $13,234 | 10/7/2020 | |||
| Rest of World | $8,005 | |||||||||
| International Total | $120,913 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Alexandra Daddario | Alexis | |
| Maddie Hasson | Val | |
| Johnny Knoxville | Pastor John Henry Butler |
Supporting
| Keean Johnson | Mark | |
| Tanner Beard | Sheriff Dembrowski | |
| Amy Forsyth | Bev | |
| Austin Swift | Ivan | |
| Logan Miller | Kovacs | |
| Allison McAtee | Susan |
Production and Technical Credits
| Marc Meyers | Director | |
| Alan Trezza | Screenwriter | |
| Robert Jones | Producer | |
| James Harris | Producer | |
| Mark Lane | Producer | |
| Kyle Tekiela | Producer | |
| Jarod Einsohn | Producer | |
| Christian Armogida | Producer | |
| Alexandra Daddario | Producer | |
| Thomas E. Van Dell* | Producer | |
| Henry Winterstern | Executive Producer | |
| Rebecca Schaper | Executive Producer | |
| William V. Bromley Jr | Executive Producer | |
| Shanan Becker | Executive Producer | |
| Jonathan Saba | Executive Producer | |
| Arianne Fraser | Executive Producer | |
| Delphine Perrier | Executive Producer | |
| Jim Schaper | Executive Producer | |
| Robert Girard | Executive Producer | |
| Charles Auty | Executive Producer | |
| Charlie Lee | Executive Producer | |
| Lee Broda | Executive Producer | |
| Mike Donovan | Executive Producer | |
| Eytan Rockaway | Executive Producer | |
| Alan Trezza | Executive Producer | |
| Jody Girgenti | Executive Producer | |
| Phyllis Laing | Executive Producer | |
| Devan Towers | Executive Producer | |
| Elizabeth Zavoyskiy | Executive Producer | |
| Andrew Kotliar | Executive Producer | |
| Alana Crow | Co-Producer | |
| Ryan Winterstern | Co-Producer | |
| Nathan Klingher | Co-Producer | |
| Austin Swift | Co-Producer | |
| Tarin Anderson* | Director of Photography | |
| Kathy McCoy | Production Designer | |
| Joe Murphy | Editor | |
| Jamie Kirkpatrick | Editor | |
| Timothy Mark Williams* | Composer | |
| Maxyne Lockhart | Costume Designer | |
| Phil Canning | Music Supervisor | |
| Michelle Lewitt | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The killing spree of murderous Satanists has already led to 18 deaths throughout America’s Heartland. Three best friends Alexis, Val and Beverly embark on a road trip to a heavy metal music festival. Naive, they bond with three seemingly fun-loving dudes and soon the group heads off to Alexis’ country home, a very secluded place, for an afterparty. What should be a night of fun and youthful debauchery may instead take a dark, deadly turn. With killers on the loose, can anyone be trusted?
Metrics
| Opening Weekend: | $30,232 (49.7% of total gross) |
| Legs: | 2.01 (domestic box office/biggest weekend) |
| Domestic Share: | 33.5% (domestic box office/worldwide) |
| Theater counts: | 10 opening theaters/10 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $79,199 |
Movie Details
| Domestic Releases: | May 22nd, 2020 (Limited) by Saban Films |
| International Releases: | July 10th, 2020 (Wide) (Netherlands)
August 28th, 2020 (Limited) (Germany) September 17th, 2020 (Wide) (South Korea) October 2nd, 2020 (Wide), released as Мы призываем тьму (Russia (CIS)) ... Show all releases |
| Video Release: | April 10th, 2020 by Saban Films |
| MPA Rating: | R for bloody violence, pervasive language, some drug use and sexual references. (Rating bulletin 2620 (Cert #52644), 3/11/2020) |
| Running Time: | 83 minutes |
| Subgenre: | Horror Comedy |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Saban Films, MEP Capital, Highland Film Group, Iconic Media One, Litecoin Foundation, Grey Hawk Productions, The Fyzz Facility, Nightshade, Common Enemy |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 22, 2020 | - | $30,232 | 10 | $3,023 | $30,232 | 1 | |
| May 29, 2020 | - | $26,112 | -14% | 6 | $4,352 | $60,794 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 7/10/2020 | $37,437 | 58 | 58 | 108 | $79,365 | 10/19/2022 | |||
| Russia (CIS) | 10/2/2020 | $11,374 | 194 | 194 | 236 | $20,309 | 10/19/2022 | |||
| South Korea | 9/17/2020 | $2,939 | 24 | 24 | 35 | $13,234 | 10/7/2020 | |||
| Rest of World | $8,005 | |||||||||
| International Total | $120,913 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Alexandra Daddario | Alexis | |
| Maddie Hasson | Val | |
| Johnny Knoxville | Pastor John Henry Butler |
Supporting
| Keean Johnson | Mark | |
| Tanner Beard | Sheriff Dembrowski | |
| Amy Forsyth | Bev | |
| Austin Swift | Ivan | |
| Logan Miller | Kovacs | |
| Allison McAtee | Susan |
Production and Technical Credits
| Marc Meyers | Director | |
| Alan Trezza | Screenwriter | |
| Robert Jones | Producer | |
| James Harris | Producer | |
| Mark Lane | Producer | |
| Kyle Tekiela | Producer | |
| Jarod Einsohn | Producer | |
| Christian Armogida | Producer | |
| Alexandra Daddario | Producer | |
| Thomas E. Van Dell* | Producer | |
| Henry Winterstern | Executive Producer | |
| Rebecca Schaper | Executive Producer | |
| William V. Bromley Jr | Executive Producer | |
| Shanan Becker | Executive Producer | |
| Jonathan Saba | Executive Producer | |
| Arianne Fraser | Executive Producer | |
| Delphine Perrier | Executive Producer | |
| Jim Schaper | Executive Producer | |
| Robert Girard | Executive Producer | |
| Charles Auty | Executive Producer | |
| Charlie Lee | Executive Producer | |
| Lee Broda | Executive Producer | |
| Mike Donovan | Executive Producer | |
| Eytan Rockaway | Executive Producer | |
| Alan Trezza | Executive Producer | |
| Jody Girgenti | Executive Producer | |
| Phyllis Laing | Executive Producer | |
| Devan Towers | Executive Producer | |
| Elizabeth Zavoyskiy | Executive Producer | |
| Andrew Kotliar | Executive Producer | |
| Alana Crow | Co-Producer | |
| Ryan Winterstern | Co-Producer | |
| Nathan Klingher | Co-Producer | |
| Austin Swift | Co-Producer | |
| Tarin Anderson* | Director of Photography | |
| Kathy McCoy | Production Designer | |
| Joe Murphy | Editor | |
| Jamie Kirkpatrick | Editor | |
| Timothy Mark Williams* | Composer | |
| Maxyne Lockhart | Costume Designer | |
| Phil Canning | Music Supervisor | |
| Michelle Lewitt | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.