Summerland (2020)
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| Theatrical Performance | ||
| Domestic Box Office | $58,434 | Details |
| International Box Office | $1,356,162 | Details |
| Worldwide Box Office | $1,414,596 | |
| OpusData ID: 364800100 More info... | ||
| Further financial details... | ||
Synopsis
Alice is a reclusive writer, resigned to a solitary life on the seaside cliffs of Southern England while World War II rages across the channel. When she opens her front door one day to find she’s to adopt a young London evacuee named Frank, she’s resistant. It’s not long, however, before the two realize they have more in common in their pasts than Alice had assumed.
Metrics
| Opening Weekend: | $28,881 (49.4% of total gross) |
| Legs: | 2.02 (domestic box office/biggest weekend) |
| Domestic Share: | 4.1% (domestic box office/worldwide) |
| Production Budget: | $1,100,000 (worldwide box office is 1.3 times production budget) |
| Theater counts: | 99 opening theaters/99 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $76,125 |
Movie Details
| Domestic Releases: | July 31st, 2020 (Limited) by IFC Films |
| International Releases: | June 24th, 2020 (Limited) (United Kingdom)
August 6th, 2020 (Limited) (Australia) August 14th, 2020 (Wide) (Netherlands) September 11th, 2020 (Wide) (Spain) September 25th, 2020 (Wide) (Portugal) ... Show all releases |
| Video Release: | July 31st, 2020 by IFC Video |
| MPA Rating: | PG for thematic content, some suggestive comments, language, and smoking. (Rating bulletin 2636 (Cert #52776), 7/1/2020) |
| Running Time: | 99 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Quickfire Films, BFI, Shoebox Films, Iota Films, Embankment Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 31, 2020 | - | $28,881 | 99 | $292 | $28,881 | 1 | |
| Aug 7, 2020 | - | $6,435 | -78% | 68 | $95 | $44,770 | 2 |
| Aug 14, 2020 | - | $2,538 | -61% | 20 | $127 | $52,822 | 3 |
| Aug 21, 2020 | - | $1,353 | -47% | 8 | $169 | $55,564 | 4 |
| Aug 28, 2020 | 25 | $215 | -84% | 3 | $72 | $56,106 | 5 |
| Sep 4, 2020 | - | $1,066 | +396% | 3 | $355 | $57,512 | 6 |
| Sep 11, 2020 | - | $619 | -42% | 3 | $206 | $58,279 | 7 |
| Sep 18, 2020 | - | $155 | -75% | 1 | $155 | $58,434 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 31, 2020 | - | $12,553 | 99 | $127 | $12,553 | 1 | ||
| Aug 1, 2020 | - | $9,980 | -20% | 99 | $101 | $22,533 | 2 | |
| Aug 2, 2020 | - | $6,348 | -36% | 99 | $64 | $28,881 | 3 | |
| Aug 3, 2020 | - | $2,117 | -67% | 99 | $21 | $30,998 | 4 | |
| Aug 4, 2020 | - | $2,611 | +23% | 99 | $26 | $33,609 | 5 | |
| Aug 5, 2020 | - | $1,993 | -24% | 99 | $20 | $35,602 | 6 | |
| Aug 6, 2020 | - | $2,733 | +37% | 99 | $28 | $38,335 | 7 | |
| Aug 7, 2020 | - | $2,336 | -15% | -81% | 68 | $34 | $40,671 | 8 |
| Aug 8, 2020 | - | $2,302 | -1% | -77% | 68 | $34 | $42,973 | 9 |
| Aug 9, 2020 | - | $1,797 | -22% | -72% | 68 | $26 | $44,770 | 10 |
| Aug 10, 2020 | - | $1,332 | -26% | -37% | 68 | $20 | $46,102 | 11 |
| Aug 11, 2020 | - | $1,505 | +13% | -42% | 68 | $22 | $47,607 | 12 |
| Aug 12, 2020 | - | $1,437 | -5% | -28% | 68 | $21 | $49,044 | 13 |
| Aug 13, 2020 | - | $1,240 | -14% | -55% | 68 | $18 | $50,284 | 14 |
| Aug 14, 2020 | - | $691 | -44% | -70% | 20 | $35 | $50,975 | 15 |
| Aug 15, 2020 | - | $1,194 | +73% | -48% | 20 | $60 | $52,169 | 16 |
| Aug 16, 2020 | - | $653 | -45% | -64% | 20 | $33 | $52,822 | 17 |
| Aug 17, 2020 | - | $231 | -65% | -83% | 20 | $12 | $53,053 | 18 |
| Aug 18, 2020 | - | $264 | +14% | -82% | 20 | $13 | $53,317 | 19 |
| Aug 19, 2020 | - | $262 | -1% | -82% | 20 | $13 | $53,579 | 20 |
| Aug 20, 2020 | - | $153 | -42% | -88% | 20 | $8 | $53,732 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 31, 2020 | - | $38,335 | 99 | $387 | $38,335 | 1 | |
| Aug 7, 2020 | - | $11,949 | -69% | 68 | $176 | $50,284 | 2 |
| Aug 14, 2020 | - | $3,448 | -71% | 20 | $172 | $53,732 | 3 |
| Aug 21, 2020 | - | $1,680 | -51% | 8 | $210 | $55,891 | 4 |
| Aug 28, 2020 | 27 | $555 | -67% | 3 | $185 | $56,446 | 5 |
| Sep 4, 2020 | - | $1,214 | +119% | 3 | $405 | $57,660 | 6 |
| Sep 11, 2020 | - | $619 | -49% | 3 | $206 | $58,279 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/6/2020 | $0 | 0 | 119 | 578 | $428,564 | 10/20/2022 | |||
| Italy | 8/25/2022 | $17,898 | 0 | 0 | 0 | $37,112 | 9/5/2022 | |||
| Netherlands | 8/14/2020 | $20,652 | 41 | 45 | 215 | $106,666 | 10/21/2020 | |||
| New Zealand | 1/28/2021 | $1,733 | 10 | 70 | 433 | $211,798 | 5/11/2021 | |||
| Portugal | 9/25/2020 | $3,431 | 18 | 19 | 37 | $8,559 | 10/19/2022 | |||
| Spain | 9/11/2020 | $35,426 | 105 | 105 | 199 | $76,314 | 9/24/2020 | |||
| United Kingdom | 6/24/2020 | $0 | 0 | 94 | 418 | $234,870 | 5/26/2021 | |||
| Rest of World | $252,279 | |||||||||
| International Total | $1,356,162 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Gemma Arterton | Alice | |
| Gugu Mbatha-Raw | Vera | |
| Penelope Wilton | Older Alice | |
| Tom Courtenay | Mr. Sullivan | |
| Lucas Bond | Frank | |
| Dixie Egerickx | Edie |
Supporting
| Sian Phillips | Margaret Corey | |
| Amanda Root | ||
| Jessica Gunning | ||
| David Horovitch |
Production and Technical Credits
| Jessica Swale | Director | |
| Jessica Swale | Screenwriter | |
| Guy Heeley | Producer | |
| Adrian Sturges | Producer | |
| James Atherton | Executive Producer | |
| Jan Pace | Executive Producer | |
| Natascha Wharton | Executive Producer | |
| Gemma Arterton | Executive Producer | |
| Tim Haslam | Executive Producer | |
| Hugo Grumbar | Executive Producer | |
| Zygi Kamasa | Executive Producer | |
| Emma Berkofsky | Executive Producer | |
| Dixie Egerickx | Executive Producer | |
| Sian Phillips | Executive Producer | |
| Amanda Root | Executive Producer | |
| Jessica Gunning | Executive Producer | |
| Amanda Lawrence | Executive Producer | |
| Laurie Rose | Director of Photography | |
| Christina Moore | Production Designer | |
| Volker Bertelmann | Composer | |
| Tania Reddin | Editor | |
| Shaheen Baig | Casting Director | |
| Sarah Bridge | Music Supervisor | |
| Greg McManus | Line Producer | |
| Claire Finlay Thompson | Costume Designer | |
| Gisela Evert | Post-Production Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Alice is a reclusive writer, resigned to a solitary life on the seaside cliffs of Southern England while World War II rages across the channel. When she opens her front door one day to find she’s to adopt a young London evacuee named Frank, she’s resistant. It’s not long, however, before the two realize they have more in common in their pasts than Alice had assumed.
Metrics
| Opening Weekend: | $28,881 (49.4% of total gross) |
| Legs: | 2.02 (domestic box office/biggest weekend) |
| Domestic Share: | 4.1% (domestic box office/worldwide) |
| Production Budget: | $1,100,000 (worldwide box office is 1.3 times production budget) |
| Theater counts: | 99 opening theaters/99 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $76,125 |
Movie Details
| Domestic Releases: | July 31st, 2020 (Limited) by IFC Films |
| International Releases: | June 24th, 2020 (Limited) (United Kingdom)
August 6th, 2020 (Limited) (Australia) August 14th, 2020 (Wide) (Netherlands) September 11th, 2020 (Wide) (Spain) September 25th, 2020 (Wide) (Portugal) ... Show all releases |
| Video Release: | July 31st, 2020 by IFC Video |
| MPA Rating: | PG for thematic content, some suggestive comments, language, and smoking. (Rating bulletin 2636 (Cert #52776), 7/1/2020) |
| Running Time: | 99 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Quickfire Films, BFI, Shoebox Films, Iota Films, Embankment Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 31, 2020 | - | $28,881 | 99 | $292 | $28,881 | 1 | |
| Aug 7, 2020 | - | $6,435 | -78% | 68 | $95 | $44,770 | 2 |
| Aug 14, 2020 | - | $2,538 | -61% | 20 | $127 | $52,822 | 3 |
| Aug 21, 2020 | - | $1,353 | -47% | 8 | $169 | $55,564 | 4 |
| Aug 28, 2020 | 25 | $215 | -84% | 3 | $72 | $56,106 | 5 |
| Sep 4, 2020 | - | $1,066 | +396% | 3 | $355 | $57,512 | 6 |
| Sep 11, 2020 | - | $619 | -42% | 3 | $206 | $58,279 | 7 |
| Sep 18, 2020 | - | $155 | -75% | 1 | $155 | $58,434 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 31, 2020 | - | $12,553 | 99 | $127 | $12,553 | 1 | ||
| Aug 1, 2020 | - | $9,980 | -20% | 99 | $101 | $22,533 | 2 | |
| Aug 2, 2020 | - | $6,348 | -36% | 99 | $64 | $28,881 | 3 | |
| Aug 3, 2020 | - | $2,117 | -67% | 99 | $21 | $30,998 | 4 | |
| Aug 4, 2020 | - | $2,611 | +23% | 99 | $26 | $33,609 | 5 | |
| Aug 5, 2020 | - | $1,993 | -24% | 99 | $20 | $35,602 | 6 | |
| Aug 6, 2020 | - | $2,733 | +37% | 99 | $28 | $38,335 | 7 | |
| Aug 7, 2020 | - | $2,336 | -15% | -81% | 68 | $34 | $40,671 | 8 |
| Aug 8, 2020 | - | $2,302 | -1% | -77% | 68 | $34 | $42,973 | 9 |
| Aug 9, 2020 | - | $1,797 | -22% | -72% | 68 | $26 | $44,770 | 10 |
| Aug 10, 2020 | - | $1,332 | -26% | -37% | 68 | $20 | $46,102 | 11 |
| Aug 11, 2020 | - | $1,505 | +13% | -42% | 68 | $22 | $47,607 | 12 |
| Aug 12, 2020 | - | $1,437 | -5% | -28% | 68 | $21 | $49,044 | 13 |
| Aug 13, 2020 | - | $1,240 | -14% | -55% | 68 | $18 | $50,284 | 14 |
| Aug 14, 2020 | - | $691 | -44% | -70% | 20 | $35 | $50,975 | 15 |
| Aug 15, 2020 | - | $1,194 | +73% | -48% | 20 | $60 | $52,169 | 16 |
| Aug 16, 2020 | - | $653 | -45% | -64% | 20 | $33 | $52,822 | 17 |
| Aug 17, 2020 | - | $231 | -65% | -83% | 20 | $12 | $53,053 | 18 |
| Aug 18, 2020 | - | $264 | +14% | -82% | 20 | $13 | $53,317 | 19 |
| Aug 19, 2020 | - | $262 | -1% | -82% | 20 | $13 | $53,579 | 20 |
| Aug 20, 2020 | - | $153 | -42% | -88% | 20 | $8 | $53,732 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 31, 2020 | - | $38,335 | 99 | $387 | $38,335 | 1 | |
| Aug 7, 2020 | - | $11,949 | -69% | 68 | $176 | $50,284 | 2 |
| Aug 14, 2020 | - | $3,448 | -71% | 20 | $172 | $53,732 | 3 |
| Aug 21, 2020 | - | $1,680 | -51% | 8 | $210 | $55,891 | 4 |
| Aug 28, 2020 | 27 | $555 | -67% | 3 | $185 | $56,446 | 5 |
| Sep 4, 2020 | - | $1,214 | +119% | 3 | $405 | $57,660 | 6 |
| Sep 11, 2020 | - | $619 | -49% | 3 | $206 | $58,279 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/6/2020 | $0 | 0 | 119 | 578 | $428,564 | 10/20/2022 | |||
| Italy | 8/25/2022 | $17,898 | 0 | 0 | 0 | $37,112 | 9/5/2022 | |||
| Netherlands | 8/14/2020 | $20,652 | 41 | 45 | 215 | $106,666 | 10/21/2020 | |||
| New Zealand | 1/28/2021 | $1,733 | 10 | 70 | 433 | $211,798 | 5/11/2021 | |||
| Portugal | 9/25/2020 | $3,431 | 18 | 19 | 37 | $8,559 | 10/19/2022 | |||
| Spain | 9/11/2020 | $35,426 | 105 | 105 | 199 | $76,314 | 9/24/2020 | |||
| United Kingdom | 6/24/2020 | $0 | 0 | 94 | 418 | $234,870 | 5/26/2021 | |||
| Rest of World | $252,279 | |||||||||
| International Total | $1,356,162 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Gemma Arterton | Alice | |
| Gugu Mbatha-Raw | Vera | |
| Penelope Wilton | Older Alice | |
| Tom Courtenay | Mr. Sullivan | |
| Lucas Bond | Frank | |
| Dixie Egerickx | Edie |
Supporting
| Sian Phillips | Margaret Corey | |
| Amanda Root | ||
| Jessica Gunning | ||
| David Horovitch |
Production and Technical Credits
| Jessica Swale | Director | |
| Jessica Swale | Screenwriter | |
| Guy Heeley | Producer | |
| Adrian Sturges | Producer | |
| James Atherton | Executive Producer | |
| Jan Pace | Executive Producer | |
| Natascha Wharton | Executive Producer | |
| Gemma Arterton | Executive Producer | |
| Tim Haslam | Executive Producer | |
| Hugo Grumbar | Executive Producer | |
| Zygi Kamasa | Executive Producer | |
| Emma Berkofsky | Executive Producer | |
| Dixie Egerickx | Executive Producer | |
| Sian Phillips | Executive Producer | |
| Amanda Root | Executive Producer | |
| Jessica Gunning | Executive Producer | |
| Amanda Lawrence | Executive Producer | |
| Laurie Rose | Director of Photography | |
| Christina Moore | Production Designer | |
| Volker Bertelmann | Composer | |
| Tania Reddin | Editor | |
| Shaheen Baig | Casting Director | |
| Sarah Bridge | Music Supervisor | |
| Greg McManus | Line Producer | |
| Claire Finlay Thompson | Costume Designer | |
| Gisela Evert | Post-Production Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.