Second Act (2018)
| Theatrical Performance | ||
| Domestic Box Office | $39,282,227 | Details |
| International Box Office | $33,011,839 | Details |
| Worldwide Box Office | $72,294,066 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,205,703 | |
| Blu-ray Sales (estimated) | $850,491 | |
| Total | $2,056,194 | |
| OpusData ID: 307410100 More info... | ||
| Further financial details... | ||
Synopsis
A 40-year-old woman is struggling with frustrations of not having achieved more in life. As an experienced, quick-witted, perceptive employee, she is passed over for a promotion solely because she doesn’t have a college degree. Until, that is, she gets the chance to prove that street smarts are as valuable as book smarts, and that it is never too late for a second act.
Metrics
| Opening Weekend: | $6,489,983 (16.5% of total gross) |
| Legs: | 5.34 (domestic box office/biggest weekend) |
| Domestic Share: | 54.3% (domestic box office/worldwide) |
| Production Budget: | $15,700,000 (worldwide box office is 4.6 times production budget) |
| Theater counts: | 2,607 opening theaters/2,607 max. theaters, 4.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $51,458,617 |
Movie Details
| Domestic Releases: | December 21st, 2018 (Wide) by STX Entertainment |
| International Releases: | December 7th, 2018 (Wide) (Australia)
December 14th, 2018 (Wide), released as Втори шанс (Bulgaria) December 14th, 2018 (Wide), released as Antrasis šansas (Lithuania) December 21st, 2018 (Wide), released as Hayatım Yalan (Turkey) December 21st, 2018 (Wide) (Netherlands) ... Show all releases |
| Video Release: | March 12th, 2019 by Universal Home Entertainment June 3rd, 2019 by Sony Pictures |
| MPA Rating: | PG-13 for some crude sexual references, and language. (Rating bulletin 2530 (Cert #51638), 6/6/2018) |
| Running Time: | 104 minutes |
| Plot point: | False Identity, Mid-Life Crisis, Promotion, Unexpected Families |
| Social setting: | Corporate Life |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | STX Entertainment, Huayi Brothers Pictures Ltd, Nuyorican |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 21, 2018 | 7 | $6,489,983 | 2,607 | $2,489 | $6,489,983 | 1 | |
| Dec 28, 2018 | 8 | $7,359,691 | +13% | 2,607 | $2,823 | $21,923,753 | 2 |
| Jan 4, 2019 | 8 | $4,755,291 | -35% | 2,523 | $1,885 | $32,792,366 | 3 |
| Jan 11, 2019 | 16 | $1,671,142 | -65% | 1,681 | $994 | $36,385,013 | 4 |
| Jan 18, 2019 | 19 | $675,259 | -60% | 1,051 | $642 | $37,780,452 | 5 |
| Jan 25, 2019 | 25 | $224,225 | -67% | 301 | $745 | $38,414,799 | 6 |
| Feb 1, 2019 | 27 | $418,987 | +87% | 1,250 | $335 | $38,927,406 | 7 |
| Feb 8, 2019 | 40 | $73,040 | -83% | 127 | $575 | $39,206,384 | 8 |
| Feb 15, 2019 | 48 | $30,052 | -59% | 67 | $449 | $39,266,922 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 21, 2018 | 6 | $2,480,546 | 2,607 | $951 | $2,480,546 | 1 | ||
| Dec 22, 2018 | 7 | $2,151,006 | -13% | 2,607 | $825 | $4,631,552 | 2 | |
| Dec 23, 2018 | 7 | $1,858,431 | -14% | 2,607 | $713 | $6,489,983 | 3 | |
| Dec 24, 2018 | 8 | $1,001,631 | -46% | 2,607 | $384 | $7,491,614 | 4 | |
| Dec 25, 2018 | 8 | $3,069,572 | +206% | 2,607 | $1,177 | $10,561,186 | 5 | |
| Dec 26, 2018 | 8 | $2,052,679 | -33% | 2,607 | $787 | $12,613,865 | 6 | |
| Dec 27, 2018 | 10 | $1,950,197 | -5% | 2,607 | $748 | $14,564,062 | 7 | |
| Dec 28, 2018 | 9 | $2,422,340 | +24% | -2% | 2,607 | $929 | $16,986,402 | 8 |
| Dec 29, 2018 | 7 | $2,657,458 | +10% | +24% | 2,607 | $1,019 | $19,643,860 | 9 |
| Dec 30, 2018 | 7 | $2,279,893 | -14% | +23% | 2,607 | $875 | $21,923,753 | 10 |
| Dec 31, 2018 | 8 | $1,621,189 | -29% | +62% | 2,607 | $622 | $23,544,942 | 11 |
| Jan 1, 2019 | 6 | $2,434,593 | +50% | -21% | 2,607 | $934 | $25,979,535 | 12 |
| Jan 2, 2019 | 7 | $1,078,672 | -56% | -47% | 2,607 | $414 | $27,058,207 | 13 |
| Jan 3, 2019 | 8 | $978,868 | -9% | -50% | 2,607 | $375 | $28,037,075 | 14 |
| Jan 4, 2019 | 8 | $1,560,488 | +59% | -36% | 2,523 | $619 | $29,597,563 | 15 |
| Jan 5, 2019 | 8 | $2,007,439 | +29% | -24% | 2,523 | $796 | $31,605,002 | 16 |
| Jan 6, 2019 | 9 | $1,187,364 | -41% | -48% | 2,523 | $471 | $32,792,366 | 17 |
| Jan 7, 2019 | 9 | $392,781 | -67% | -76% | 2,523 | $156 | $33,185,147 | 18 |
| Jan 8, 2019 | 8 | $744,127 | +89% | -69% | 2,523 | $295 | $33,929,274 | 19 |
| Jan 9, 2019 | 8 | $431,828 | -42% | -60% | 2,523 | $171 | $34,361,102 | 20 |
| Jan 10, 2019 | 9 | $352,769 | -18% | -64% | 2,523 | $140 | $34,713,871 | 21 |
| Jan 11, 2019 | 15 | $518,876 | +47% | -67% | 1,681 | $309 | $35,232,747 | 22 |
| Jan 12, 2019 | - | $705,642 | +36% | -65% | 1,681 | $420 | $35,938,389 | 23 |
| Jan 13, 2019 | - | $446,624 | -37% | -62% | 1,681 | $266 | $36,385,013 | 24 |
| Jan 14, 2019 | 15 | $149,288 | -67% | -62% | 1,681 | $89 | $36,534,301 | 25 |
| Jan 15, 2019 | 15 | $285,832 | +91% | -62% | 1,681 | $170 | $36,820,133 | 26 |
| Jan 16, 2019 | - | $147,578 | -48% | -66% | 1,681 | $88 | $36,967,711 | 27 |
| Jan 17, 2019 | 15 | $137,482 | -7% | -61% | 1,681 | $82 | $37,105,193 | 28 |
| Jan 18, 2019 | - | $193,007 | +40% | -63% | 1,051 | $184 | $37,298,200 | 29 |
| Jan 19, 2019 | - | $268,874 | +39% | -62% | 1,051 | $256 | $37,567,074 | 30 |
| Jan 20, 2019 | - | $213,378 | -21% | -52% | 1,051 | $203 | $37,780,452 | 31 |
| Jan 21, 2019 | - | $141,789 | -34% | -5% | 1,051 | $135 | $37,922,241 | 32 |
| Jan 22, 2019 | - | $118,352 | -17% | -59% | 1,051 | $113 | $38,040,593 | 33 |
| Jan 23, 2019 | - | $71,884 | -39% | -51% | 1,051 | $68 | $38,112,477 | 34 |
| Jan 24, 2019 | - | $78,097 | +9% | -43% | 1,051 | $74 | $38,190,574 | 35 |
| Jan 25, 2019 | - | $63,141 | -19% | -67% | 301 | $210 | $38,253,715 | 36 |
| Jan 26, 2019 | - | $100,964 | +60% | -62% | 301 | $335 | $38,354,679 | 37 |
| Jan 27, 2019 | - | $60,120 | -40% | -72% | 301 | $200 | $38,414,799 | 38 |
| Jan 28, 2019 | - | $19,905 | -67% | -86% | 301 | $66 | $38,434,704 | 39 |
| Jan 29, 2019 | - | $30,335 | +52% | -74% | 301 | $101 | $38,465,039 | 40 |
| Jan 30, 2019 | - | $21,873 | -28% | -70% | 301 | $73 | $38,486,912 | 41 |
| Jan 31, 2019 | - | $21,507 | -2% | -72% | 301 | $71 | $38,508,419 | 42 |
| Feb 1, 2019 | - | $125,875 | +485% | +99% | 1,250 | $101 | $38,634,294 | 43 |
| Feb 2, 2019 | - | $203,504 | +62% | +102% | 1,250 | $163 | $38,837,798 | 44 |
| Feb 3, 2019 | - | $89,608 | -56% | +49% | 1,250 | $72 | $38,927,406 | 45 |
| Feb 4, 2019 | - | $46,764 | -48% | +135% | 1,250 | $37 | $38,974,170 | 46 |
| Feb 5, 2019 | - | $75,880 | +62% | +150% | 1,250 | $61 | $39,050,050 | 47 |
| Feb 6, 2019 | - | $47,016 | -38% | +115% | 1,250 | $38 | $39,097,066 | 48 |
| Feb 7, 2019 | - | $36,278 | -23% | +69% | 1,250 | $29 | $39,133,344 | 49 |
| Feb 8, 2019 | - | $19,083 | -47% | -85% | 127 | $150 | $39,152,427 | 50 |
| Feb 9, 2019 | - | $34,658 | +82% | -83% | 127 | $273 | $39,187,085 | 51 |
| Feb 10, 2019 | - | $19,299 | -44% | -78% | 127 | $152 | $39,206,384 | 52 |
| Feb 11, 2019 | - | $6,077 | -69% | -87% | 127 | $48 | $39,212,461 | 53 |
| Feb 12, 2019 | - | $8,955 | +47% | -88% | 127 | $71 | $39,221,416 | 54 |
| Feb 13, 2019 | - | $5,216 | -42% | -89% | 127 | $41 | $39,226,632 | 55 |
| Feb 14, 2019 | - | $10,238 | +96% | -72% | 127 | $81 | $39,236,870 | 56 |
| Feb 15, 2019 | - | $7,352 | -28% | -61% | 67 | $110 | $39,244,222 | 57 |
| Feb 16, 2019 | - | $12,836 | +75% | -63% | 67 | $192 | $39,257,058 | 58 |
| Feb 17, 2019 | - | $9,864 | -23% | -49% | 67 | $147 | $39,266,922 | 59 |
| Feb 18, 2019 | - | $5,671 | -43% | -7% | 67 | $85 | $39,272,593 | 60 |
| Feb 19, 2019 | - | $3,469 | -39% | -61% | 67 | $52 | $39,276,062 | 61 |
| Feb 20, 2019 | - | $2,547 | -27% | -51% | 67 | $38 | $39,278,609 | 62 |
| Feb 21, 2019 | - | $3,618 | +42% | -65% | 67 | $54 | $39,282,227 | 63 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 21, 2018 | 7 | $14,564,062 | 2,607 | $5,587 | $14,564,062 | 1 | |
| Dec 28, 2018 | 7 | $13,473,013 | -7% | 2,607 | $5,168 | $28,037,075 | 2 |
| Jan 4, 2019 | 8 | $6,676,796 | -50% | 2,523 | $2,646 | $34,713,871 | 3 |
| Jan 11, 2019 | 17 | $2,391,322 | -64% | 1,681 | $1,423 | $37,105,193 | 4 |
| Jan 18, 2019 | 20 | $1,085,381 | -55% | 1,051 | $1,033 | $38,190,574 | 5 |
| Jan 25, 2019 | 25 | $317,845 | -71% | 301 | $1,056 | $38,508,419 | 6 |
| Feb 1, 2019 | 27 | $624,925 | +97% | 1,250 | $500 | $39,133,344 | 7 |
| Feb 8, 2019 | 44 | $103,526 | -83% | 127 | $815 | $39,236,870 | 8 |
| Feb 15, 2019 | 50 | $45,357 | -56% | 67 | $677 | $39,282,227 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 1/4/2019 | $76,812 | 89 | 89 | 119 | $158,030 | ||||
| Australia | 12/7/2018 | $706,014 | 303 | 303 | 889 | $1,963,207 | ||||
| Bulgaria | 12/14/2018 | $36,011 | 0 | 0 | 0 | $243,682 | 2/12/2019 | |||
| Czech Republic | 12/28/2018 | $108,171 | 93 | 93 | 247 | $328,111 | ||||
| Germany | 1/18/2019 | $904,272 | 0 | 0 | 0 | $2,072,949 | ||||
| Italy | 1/24/2019 | $980,436 | 0 | 10 | 10 | $2,496,664 | ||||
| Lithuania | 12/14/2018 | $21,250 | 70 | 70 | 113 | $59,093 | ||||
| Mexico | 1/11/2019 | $1,584,362 | 0 | 0 | 0 | $3,870,141 | ||||
| Netherlands | 12/21/2018 | $111,156 | 51 | 52 | 264 | $803,383 | ||||
| Poland | 12/28/2018 | $255,557 | 125 | 125 | 125 | $307,014 | ||||
| Portugal | 12/28/2018 | $0 | 0 | 49 | 109 | $275,502 | ||||
| Russia (CIS) | 1/10/2019 | $633,278 | 563 | 563 | 1,353 | $1,392,987 | ||||
| Slovakia | 12/28/2018 | $13,215 | 15 | 67 | 207 | $369,503 | ||||
| Spain | 2/8/2019 | $328,106 | 232 | 233 | 540 | $650,047 | ||||
| Turkey | 12/21/2018 | $20,353 | 50 | 50 | 77 | $46,740 | ||||
| United Kingdom | 1/25/2019 | $531,240 | 344 | 344 | 344 | $531,240 | ||||
| Rest of World | $17,443,546 | |||||||||
| International Total | $33,011,839 | 2/12/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jennifer Lopez | Maya |
Supporting
| Vanessa Hudgens | Zoe | |
| Leah Remini | Joan | |
| Treat Williams | Anderson Clarke | |
| Milo Ventimiglia | Trey | |
| Annaleigh Ashford | Hildy | |
| Charlyne Yi | Ariana | |
| Alan Aisenberg | Chase | |
| Freddie Stroma | Ron | |
| Dave Foley | Felix Herman | |
| Larry Miller | Weiskopf | |
| Dierdre Friel | Ant | |
| Lacretta | Suzi Teplitzky | |
| Dan Bucatinsky | Arthur Coyle | |
| Dalton Harrod | Dilly | |
| John James Cronin | Otto | |
| Phil Nee | Philip Jiang | |
| Meng Ai | Dr. Chow | |
| Adam Ray | Technician | |
| Elizabeth Masucci | Claire | |
| Michael Boatman | Edward Taylor | |
| Ed Jewett | Walt Benjamin | |
| Anna Suzuki | Alicia Zhou | |
| Ellen Cleghorne | Shaniqua | |
| Denise Schaefer | Anderson’s Receptionists | |
| Rachael Emrich | Anderson’s Receptionists | |
| Kenneth Lee | Chemist | |
| Tina McKissick | Woman Customer | |
| Roya Shanks | Reporter | |
| Brianda Agramonte | Young Maya | |
| Karl Lake | Vondel |
Production and Technical Credits
| Peter Segal | Director | |
| Justin Zackham | Screenwriter | |
| Elaine Goldsmith-Thomas | Screenwriter | |
| Jennifer Lopez | Producer | |
| Elaine Goldsmith-Thomas | Producer | |
| Justin Zackham | Producer | |
| Benny Medina | Producer | |
| Robert Simonds | Executive Producer | |
| Adam Fogelson | Executive Producer | |
| Wang Zhongjun | Executive Producer | |
| Wang Zhonglei | Executive Producer | |
| Felice Bee | Executive Producer | |
| Mark Kamine | Executive Producer | |
| Peter Segal | Executive Producer | |
| Donald Tang | Executive Producer | |
| Ueli Steiger | Director of Photography | |
| Richard Hoover | Production Designer | |
| Jason Gourson | Editor | |
| Patricia Field | Costume Designer | |
| Molly Rogers | Costume Designer | |
| Michael Andrews | Composer | |
| Jason Markey | Music Supervisor | |
| Roger Mussenden | Casting Director | |
| Regina Heyman | Unit Production Manager | |
| Mark Kamine | Unit Production Manager | |
| Urs Hirscvhbiegel | First Assistant Director | |
| Ginger Gonzalez | Second Assistant Director | |
| Jery Hewitt | Stunt Coordinator | |
| Mandy Moore | Choreography | |
| Alexandra Brown | Co-Producer | |
| Jordan Jacobs | Art Director | |
| Stephanie Bowen | Art Director | |
| Mary A. Kelly | Script Supervisor | |
| Anthony Ortiz | Sound Mixer | |
| Graydon Pihlaja | Special Effects Coordinator | |
| Christopher George | Location Manager | |
| Mark Agnes | Costume Supervisor | |
| Louise McCarthy | Make up | |
| Joanna McCarthy | Make up | |
| Mandy Lyons | Hairstylist | |
| Gina M. Leone | Hairstylist | |
| Timothy Feeley | First Assistant Editor | |
| Paul A. Levin | Post-Production Supervisor | |
| Jeffrey J. Haboush | Sound Supervisor | |
| Fred Rosenberg | Sound Supervisor | |
| Jeffrey J. Haboush | Re-recording Mixer | |
| Joel D. Catalan | Re-recording Mixer | |
| Tim Terusa | Dialogue Editor | |
| Daniel Pagan | Sound Designer | |
| David Torres | Foley Mixer | |
| Michael Andrews | Score Producer | |
| Todd Burke | Score Mixer | |
| Todd Burke | Score Recordist | |
| Alexander Thompson | Score Recordist | |
| Stuart Grusin | Music Editor | |
| Justin Zackham | Second Unit Director | |
| Samuel J. Brown | Executive in Charge of Production | |
| Edwardo Mendez | Senior Visual Effects Supervisor | |
| Bob Lowery | Visual Effects Executive Producer | |
| Ruben Rodas | Visual Effects Supervisor | |
| Katherine Soares | Visual Effects Producer | |
| Adrienne McNeary | Visual Effects Producer | |
| Jonathan Stone | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A 40-year-old woman is struggling with frustrations of not having achieved more in life. As an experienced, quick-witted, perceptive employee, she is passed over for a promotion solely because she doesn’t have a college degree. Until, that is, she gets the chance to prove that street smarts are as valuable as book smarts, and that it is never too late for a second act.
Metrics
| Opening Weekend: | $6,489,983 (16.5% of total gross) |
| Legs: | 5.34 (domestic box office/biggest weekend) |
| Domestic Share: | 54.3% (domestic box office/worldwide) |
| Production Budget: | $15,700,000 (worldwide box office is 4.6 times production budget) |
| Theater counts: | 2,607 opening theaters/2,607 max. theaters, 4.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $51,458,617 |
Movie Details
| Domestic Releases: | December 21st, 2018 (Wide) by STX Entertainment |
| International Releases: | December 7th, 2018 (Wide) (Australia)
December 14th, 2018 (Wide), released as Втори шанс (Bulgaria) December 14th, 2018 (Wide), released as Antrasis šansas (Lithuania) December 21st, 2018 (Wide), released as Hayatım Yalan (Turkey) December 21st, 2018 (Wide) (Netherlands) ... Show all releases |
| Video Release: | March 12th, 2019 by Universal Home Entertainment June 3rd, 2019 by Sony Pictures |
| MPA Rating: | PG-13 for some crude sexual references, and language. (Rating bulletin 2530 (Cert #51638), 6/6/2018) |
| Running Time: | 104 minutes |
| Plot point: | False Identity, Mid-Life Crisis, Promotion, Unexpected Families |
| Social setting: | Corporate Life |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | STX Entertainment, Huayi Brothers Pictures Ltd, Nuyorican |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 21, 2018 | 7 | $6,489,983 | 2,607 | $2,489 | $6,489,983 | 1 | |
| Dec 28, 2018 | 8 | $7,359,691 | +13% | 2,607 | $2,823 | $21,923,753 | 2 |
| Jan 4, 2019 | 8 | $4,755,291 | -35% | 2,523 | $1,885 | $32,792,366 | 3 |
| Jan 11, 2019 | 16 | $1,671,142 | -65% | 1,681 | $994 | $36,385,013 | 4 |
| Jan 18, 2019 | 19 | $675,259 | -60% | 1,051 | $642 | $37,780,452 | 5 |
| Jan 25, 2019 | 25 | $224,225 | -67% | 301 | $745 | $38,414,799 | 6 |
| Feb 1, 2019 | 27 | $418,987 | +87% | 1,250 | $335 | $38,927,406 | 7 |
| Feb 8, 2019 | 40 | $73,040 | -83% | 127 | $575 | $39,206,384 | 8 |
| Feb 15, 2019 | 48 | $30,052 | -59% | 67 | $449 | $39,266,922 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 21, 2018 | 6 | $2,480,546 | 2,607 | $951 | $2,480,546 | 1 | ||
| Dec 22, 2018 | 7 | $2,151,006 | -13% | 2,607 | $825 | $4,631,552 | 2 | |
| Dec 23, 2018 | 7 | $1,858,431 | -14% | 2,607 | $713 | $6,489,983 | 3 | |
| Dec 24, 2018 | 8 | $1,001,631 | -46% | 2,607 | $384 | $7,491,614 | 4 | |
| Dec 25, 2018 | 8 | $3,069,572 | +206% | 2,607 | $1,177 | $10,561,186 | 5 | |
| Dec 26, 2018 | 8 | $2,052,679 | -33% | 2,607 | $787 | $12,613,865 | 6 | |
| Dec 27, 2018 | 10 | $1,950,197 | -5% | 2,607 | $748 | $14,564,062 | 7 | |
| Dec 28, 2018 | 9 | $2,422,340 | +24% | -2% | 2,607 | $929 | $16,986,402 | 8 |
| Dec 29, 2018 | 7 | $2,657,458 | +10% | +24% | 2,607 | $1,019 | $19,643,860 | 9 |
| Dec 30, 2018 | 7 | $2,279,893 | -14% | +23% | 2,607 | $875 | $21,923,753 | 10 |
| Dec 31, 2018 | 8 | $1,621,189 | -29% | +62% | 2,607 | $622 | $23,544,942 | 11 |
| Jan 1, 2019 | 6 | $2,434,593 | +50% | -21% | 2,607 | $934 | $25,979,535 | 12 |
| Jan 2, 2019 | 7 | $1,078,672 | -56% | -47% | 2,607 | $414 | $27,058,207 | 13 |
| Jan 3, 2019 | 8 | $978,868 | -9% | -50% | 2,607 | $375 | $28,037,075 | 14 |
| Jan 4, 2019 | 8 | $1,560,488 | +59% | -36% | 2,523 | $619 | $29,597,563 | 15 |
| Jan 5, 2019 | 8 | $2,007,439 | +29% | -24% | 2,523 | $796 | $31,605,002 | 16 |
| Jan 6, 2019 | 9 | $1,187,364 | -41% | -48% | 2,523 | $471 | $32,792,366 | 17 |
| Jan 7, 2019 | 9 | $392,781 | -67% | -76% | 2,523 | $156 | $33,185,147 | 18 |
| Jan 8, 2019 | 8 | $744,127 | +89% | -69% | 2,523 | $295 | $33,929,274 | 19 |
| Jan 9, 2019 | 8 | $431,828 | -42% | -60% | 2,523 | $171 | $34,361,102 | 20 |
| Jan 10, 2019 | 9 | $352,769 | -18% | -64% | 2,523 | $140 | $34,713,871 | 21 |
| Jan 11, 2019 | 15 | $518,876 | +47% | -67% | 1,681 | $309 | $35,232,747 | 22 |
| Jan 12, 2019 | - | $705,642 | +36% | -65% | 1,681 | $420 | $35,938,389 | 23 |
| Jan 13, 2019 | - | $446,624 | -37% | -62% | 1,681 | $266 | $36,385,013 | 24 |
| Jan 14, 2019 | 15 | $149,288 | -67% | -62% | 1,681 | $89 | $36,534,301 | 25 |
| Jan 15, 2019 | 15 | $285,832 | +91% | -62% | 1,681 | $170 | $36,820,133 | 26 |
| Jan 16, 2019 | - | $147,578 | -48% | -66% | 1,681 | $88 | $36,967,711 | 27 |
| Jan 17, 2019 | 15 | $137,482 | -7% | -61% | 1,681 | $82 | $37,105,193 | 28 |
| Jan 18, 2019 | - | $193,007 | +40% | -63% | 1,051 | $184 | $37,298,200 | 29 |
| Jan 19, 2019 | - | $268,874 | +39% | -62% | 1,051 | $256 | $37,567,074 | 30 |
| Jan 20, 2019 | - | $213,378 | -21% | -52% | 1,051 | $203 | $37,780,452 | 31 |
| Jan 21, 2019 | - | $141,789 | -34% | -5% | 1,051 | $135 | $37,922,241 | 32 |
| Jan 22, 2019 | - | $118,352 | -17% | -59% | 1,051 | $113 | $38,040,593 | 33 |
| Jan 23, 2019 | - | $71,884 | -39% | -51% | 1,051 | $68 | $38,112,477 | 34 |
| Jan 24, 2019 | - | $78,097 | +9% | -43% | 1,051 | $74 | $38,190,574 | 35 |
| Jan 25, 2019 | - | $63,141 | -19% | -67% | 301 | $210 | $38,253,715 | 36 |
| Jan 26, 2019 | - | $100,964 | +60% | -62% | 301 | $335 | $38,354,679 | 37 |
| Jan 27, 2019 | - | $60,120 | -40% | -72% | 301 | $200 | $38,414,799 | 38 |
| Jan 28, 2019 | - | $19,905 | -67% | -86% | 301 | $66 | $38,434,704 | 39 |
| Jan 29, 2019 | - | $30,335 | +52% | -74% | 301 | $101 | $38,465,039 | 40 |
| Jan 30, 2019 | - | $21,873 | -28% | -70% | 301 | $73 | $38,486,912 | 41 |
| Jan 31, 2019 | - | $21,507 | -2% | -72% | 301 | $71 | $38,508,419 | 42 |
| Feb 1, 2019 | - | $125,875 | +485% | +99% | 1,250 | $101 | $38,634,294 | 43 |
| Feb 2, 2019 | - | $203,504 | +62% | +102% | 1,250 | $163 | $38,837,798 | 44 |
| Feb 3, 2019 | - | $89,608 | -56% | +49% | 1,250 | $72 | $38,927,406 | 45 |
| Feb 4, 2019 | - | $46,764 | -48% | +135% | 1,250 | $37 | $38,974,170 | 46 |
| Feb 5, 2019 | - | $75,880 | +62% | +150% | 1,250 | $61 | $39,050,050 | 47 |
| Feb 6, 2019 | - | $47,016 | -38% | +115% | 1,250 | $38 | $39,097,066 | 48 |
| Feb 7, 2019 | - | $36,278 | -23% | +69% | 1,250 | $29 | $39,133,344 | 49 |
| Feb 8, 2019 | - | $19,083 | -47% | -85% | 127 | $150 | $39,152,427 | 50 |
| Feb 9, 2019 | - | $34,658 | +82% | -83% | 127 | $273 | $39,187,085 | 51 |
| Feb 10, 2019 | - | $19,299 | -44% | -78% | 127 | $152 | $39,206,384 | 52 |
| Feb 11, 2019 | - | $6,077 | -69% | -87% | 127 | $48 | $39,212,461 | 53 |
| Feb 12, 2019 | - | $8,955 | +47% | -88% | 127 | $71 | $39,221,416 | 54 |
| Feb 13, 2019 | - | $5,216 | -42% | -89% | 127 | $41 | $39,226,632 | 55 |
| Feb 14, 2019 | - | $10,238 | +96% | -72% | 127 | $81 | $39,236,870 | 56 |
| Feb 15, 2019 | - | $7,352 | -28% | -61% | 67 | $110 | $39,244,222 | 57 |
| Feb 16, 2019 | - | $12,836 | +75% | -63% | 67 | $192 | $39,257,058 | 58 |
| Feb 17, 2019 | - | $9,864 | -23% | -49% | 67 | $147 | $39,266,922 | 59 |
| Feb 18, 2019 | - | $5,671 | -43% | -7% | 67 | $85 | $39,272,593 | 60 |
| Feb 19, 2019 | - | $3,469 | -39% | -61% | 67 | $52 | $39,276,062 | 61 |
| Feb 20, 2019 | - | $2,547 | -27% | -51% | 67 | $38 | $39,278,609 | 62 |
| Feb 21, 2019 | - | $3,618 | +42% | -65% | 67 | $54 | $39,282,227 | 63 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 21, 2018 | 7 | $14,564,062 | 2,607 | $5,587 | $14,564,062 | 1 | |
| Dec 28, 2018 | 7 | $13,473,013 | -7% | 2,607 | $5,168 | $28,037,075 | 2 |
| Jan 4, 2019 | 8 | $6,676,796 | -50% | 2,523 | $2,646 | $34,713,871 | 3 |
| Jan 11, 2019 | 17 | $2,391,322 | -64% | 1,681 | $1,423 | $37,105,193 | 4 |
| Jan 18, 2019 | 20 | $1,085,381 | -55% | 1,051 | $1,033 | $38,190,574 | 5 |
| Jan 25, 2019 | 25 | $317,845 | -71% | 301 | $1,056 | $38,508,419 | 6 |
| Feb 1, 2019 | 27 | $624,925 | +97% | 1,250 | $500 | $39,133,344 | 7 |
| Feb 8, 2019 | 44 | $103,526 | -83% | 127 | $815 | $39,236,870 | 8 |
| Feb 15, 2019 | 50 | $45,357 | -56% | 67 | $677 | $39,282,227 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 1/4/2019 | $76,812 | 89 | 89 | 119 | $158,030 | ||||
| Australia | 12/7/2018 | $706,014 | 303 | 303 | 889 | $1,963,207 | ||||
| Bulgaria | 12/14/2018 | $36,011 | 0 | 0 | 0 | $243,682 | 2/12/2019 | |||
| Czech Republic | 12/28/2018 | $108,171 | 93 | 93 | 247 | $328,111 | ||||
| Germany | 1/18/2019 | $904,272 | 0 | 0 | 0 | $2,072,949 | ||||
| Italy | 1/24/2019 | $980,436 | 0 | 10 | 10 | $2,496,664 | ||||
| Lithuania | 12/14/2018 | $21,250 | 70 | 70 | 113 | $59,093 | ||||
| Mexico | 1/11/2019 | $1,584,362 | 0 | 0 | 0 | $3,870,141 | ||||
| Netherlands | 12/21/2018 | $111,156 | 51 | 52 | 264 | $803,383 | ||||
| Poland | 12/28/2018 | $255,557 | 125 | 125 | 125 | $307,014 | ||||
| Portugal | 12/28/2018 | $0 | 0 | 49 | 109 | $275,502 | ||||
| Russia (CIS) | 1/10/2019 | $633,278 | 563 | 563 | 1,353 | $1,392,987 | ||||
| Slovakia | 12/28/2018 | $13,215 | 15 | 67 | 207 | $369,503 | ||||
| Spain | 2/8/2019 | $328,106 | 232 | 233 | 540 | $650,047 | ||||
| Turkey | 12/21/2018 | $20,353 | 50 | 50 | 77 | $46,740 | ||||
| United Kingdom | 1/25/2019 | $531,240 | 344 | 344 | 344 | $531,240 | ||||
| Rest of World | $17,443,546 | |||||||||
| International Total | $33,011,839 | 2/12/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jennifer Lopez | Maya |
Supporting
| Vanessa Hudgens | Zoe | |
| Leah Remini | Joan | |
| Treat Williams | Anderson Clarke | |
| Milo Ventimiglia | Trey | |
| Annaleigh Ashford | Hildy | |
| Charlyne Yi | Ariana | |
| Alan Aisenberg | Chase | |
| Freddie Stroma | Ron | |
| Dave Foley | Felix Herman | |
| Larry Miller | Weiskopf | |
| Dierdre Friel | Ant | |
| Lacretta | Suzi Teplitzky | |
| Dan Bucatinsky | Arthur Coyle | |
| Dalton Harrod | Dilly | |
| John James Cronin | Otto | |
| Phil Nee | Philip Jiang | |
| Meng Ai | Dr. Chow | |
| Adam Ray | Technician | |
| Elizabeth Masucci | Claire | |
| Michael Boatman | Edward Taylor | |
| Ed Jewett | Walt Benjamin | |
| Anna Suzuki | Alicia Zhou | |
| Ellen Cleghorne | Shaniqua | |
| Denise Schaefer | Anderson’s Receptionists | |
| Rachael Emrich | Anderson’s Receptionists | |
| Kenneth Lee | Chemist | |
| Tina McKissick | Woman Customer | |
| Roya Shanks | Reporter | |
| Brianda Agramonte | Young Maya | |
| Karl Lake | Vondel |
Production and Technical Credits
| Peter Segal | Director | |
| Justin Zackham | Screenwriter | |
| Elaine Goldsmith-Thomas | Screenwriter | |
| Jennifer Lopez | Producer | |
| Elaine Goldsmith-Thomas | Producer | |
| Justin Zackham | Producer | |
| Benny Medina | Producer | |
| Robert Simonds | Executive Producer | |
| Adam Fogelson | Executive Producer | |
| Wang Zhongjun | Executive Producer | |
| Wang Zhonglei | Executive Producer | |
| Felice Bee | Executive Producer | |
| Mark Kamine | Executive Producer | |
| Peter Segal | Executive Producer | |
| Donald Tang | Executive Producer | |
| Ueli Steiger | Director of Photography | |
| Richard Hoover | Production Designer | |
| Jason Gourson | Editor | |
| Patricia Field | Costume Designer | |
| Molly Rogers | Costume Designer | |
| Michael Andrews | Composer | |
| Jason Markey | Music Supervisor | |
| Roger Mussenden | Casting Director | |
| Regina Heyman | Unit Production Manager | |
| Mark Kamine | Unit Production Manager | |
| Urs Hirscvhbiegel | First Assistant Director | |
| Ginger Gonzalez | Second Assistant Director | |
| Jery Hewitt | Stunt Coordinator | |
| Mandy Moore | Choreography | |
| Alexandra Brown | Co-Producer | |
| Jordan Jacobs | Art Director | |
| Stephanie Bowen | Art Director | |
| Mary A. Kelly | Script Supervisor | |
| Anthony Ortiz | Sound Mixer | |
| Graydon Pihlaja | Special Effects Coordinator | |
| Christopher George | Location Manager | |
| Mark Agnes | Costume Supervisor | |
| Louise McCarthy | Make up | |
| Joanna McCarthy | Make up | |
| Mandy Lyons | Hairstylist | |
| Gina M. Leone | Hairstylist | |
| Timothy Feeley | First Assistant Editor | |
| Paul A. Levin | Post-Production Supervisor | |
| Jeffrey J. Haboush | Sound Supervisor | |
| Fred Rosenberg | Sound Supervisor | |
| Jeffrey J. Haboush | Re-recording Mixer | |
| Joel D. Catalan | Re-recording Mixer | |
| Tim Terusa | Dialogue Editor | |
| Daniel Pagan | Sound Designer | |
| David Torres | Foley Mixer | |
| Michael Andrews | Score Producer | |
| Todd Burke | Score Mixer | |
| Todd Burke | Score Recordist | |
| Alexander Thompson | Score Recordist | |
| Stuart Grusin | Music Editor | |
| Justin Zackham | Second Unit Director | |
| Samuel J. Brown | Executive in Charge of Production | |
| Edwardo Mendez | Senior Visual Effects Supervisor | |
| Bob Lowery | Visual Effects Executive Producer | |
| Ruben Rodas | Visual Effects Supervisor | |
| Katherine Soares | Visual Effects Producer | |
| Adrienne McNeary | Visual Effects Producer | |
| Jonathan Stone | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.