Richard Jewell (2019)
| Theatrical Performance | ||
| Domestic Box Office | $22,345,542 | Details |
| International Box Office | $22,300,000 | Details |
| Worldwide Box Office | $44,645,542 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,121,520 | |
| Blu-ray Sales (estimated) | $934,274 | |
| Total | $2,055,794 | |
| OpusData ID: 229430100 More info... | ||
| Further financial details... | ||
Synopsis
“There is a bomb in Centennial Park. You have thirty minutes.” The world is first introduced to Richard Jewell as the security guard who reports finding the device at the 1996 Atlanta bombing—his report making him a hero whose swift actions save countless lives. But within days, the law enforcement wannabe becomes the FBI’s number one suspect, vilified by press and public alike, his life ripped apart. Reaching out to independent, anti-establishment attorney Watson Bryant, Jewell staunchly professes his innocence. But Bryant finds he is out of his depth as he fights the combined powers of the FBI, GBI and APD to clear his client’s name, while keeping Richard from trusting the very people trying to destroy him.
Metrics
| Opening Weekend: | $4,705,265 (21.1% of total gross) |
| Legs: | 4.75 (domestic box office/biggest weekend) |
| Domestic Share: | 50.1% (domestic box office/worldwide) |
| Production Budget: | $45,000,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 2,502 opening theaters/2,502 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $29,163,193 |
Movie Details
| Domestic Releases: | December 13th, 2019 (Wide) by Warner Bros. |
| International Releases: | January 1st, 2020 (Wide), released as El caso de Richard Jewell (Mexico)
January 3rd, 2020 (Wide) (Argentina) January 3rd, 2020 (Wide) (Hong Kong) January 3rd, 2020 (Wide), released as O Caso de Richard Jewell (Portugal) January 3rd, 2020 (Wide) (Spain) ... Show all releases |
| Video Release: | March 3rd, 2020 by Warner Home Video |
| MPA Rating: | R for language including some sexual references, and brief bloody images. (Rating bulletin 2604 (Cert #52441), 11/3/2019) |
| Running Time: | 129 minutes |
| Geographical setting: | Atlanta, GA |
| Plot point: | Biography, Falsely Accused, Media Circus, Terrorism |
| Social setting: | Olympics |
| Subgenre: | Biographical Drama |
| Time period setting: | 1990s |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Appian Way, 75 Year Plan, Misher Films, Malpaso Productions, Warner Bros. |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 13, 2019 | 4 | $4,705,265 | 2,502 | $1,881 | $4,705,265 | 1 | |
| Dec 20, 2019 | 7 | $2,583,372 | -45% | 2,502 | $1,033 | $9,561,031 | 2 |
| Dec 27, 2019 | 10 | $3,062,853 | +19% | 2,502 | $1,224 | $16,120,213 | 3 |
| Jan 3, 2020 | 12 | $1,664,849 | -46% | 1,870 | $890 | $21,103,165 | 4 |
| Jan 10, 2020 | 24 | $169,850 | -90% | 376 | $452 | $22,000,127 | 5 |
| Jan 17, 2020 | 33 | $65,478 | -61% | 163 | $402 | $22,165,656 | 6 |
| Jan 24, 2020 | 33 | $56,271 | -14% | 155 | $363 | $22,272,768 | 7 |
| Jan 31, 2020 | 39 | $23,651 | -58% | 88 | $269 | $22,328,256 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 13, 2019 | 5 | $1,557,411 | 2,502 | $622 | $1,557,411 | 1 | ||
| Dec 14, 2019 | 4 | $1,951,821 | +25% | 2,502 | $780 | $3,509,232 | 2 | |
| Dec 15, 2019 | 4 | $1,196,033 | -39% | 2,502 | $478 | $4,705,265 | 3 | |
| Dec 16, 2019 | 4 | $536,102 | -55% | 2,502 | $214 | $5,241,367 | 4 | |
| Dec 17, 2019 | 4 | $824,902 | +54% | 2,502 | $330 | $6,066,269 | 5 | |
| Dec 18, 2019 | 5 | $500,132 | -39% | 2,502 | $200 | $6,566,401 | 6 | |
| Dec 19, 2019 | 4 | $411,258 | -18% | 2,502 | $164 | $6,977,659 | 7 | |
| Dec 20, 2019 | 7 | $756,349 | +84% | -51% | 2,502 | $302 | $7,734,008 | 8 |
| Dec 21, 2019 | 7 | $1,006,211 | +33% | -48% | 2,502 | $402 | $8,740,219 | 9 |
| Dec 22, 2019 | 7 | $820,812 | -18% | -31% | 2,502 | $328 | $9,561,031 | 10 |
| Dec 23, 2019 | 8 | $548,296 | -33% | +2% | 2,502 | $219 | $10,109,327 | 11 |
| Dec 24, 2019 | 7 | $551,595 | +1% | -33% | 2,502 | $220 | $10,660,922 | 12 |
| Dec 25, 2019 | 10 | $1,387,106 | +151% | +177% | 2,502 | $554 | $12,048,028 | 13 |
| Dec 26, 2019 | 10 | $1,009,332 | -27% | +145% | 2,502 | $403 | $13,057,360 | 14 |
| Dec 27, 2019 | 10 | $1,051,398 | +4% | +39% | 2,502 | $420 | $14,108,758 | 15 |
| Dec 28, 2019 | 10 | $1,103,527 | +5% | +10% | 2,502 | $441 | $15,212,285 | 16 |
| Dec 29, 2019 | 10 | $907,928 | -18% | +11% | 2,502 | $363 | $16,120,213 | 17 |
| Dec 30, 2019 | 10 | $671,811 | -26% | +23% | 2,502 | $269 | $16,792,024 | 18 |
| Dec 31, 2019 | 10 | $1,030,193 | +53% | +87% | 2,502 | $412 | $17,822,217 | 19 |
| Jan 1, 2020 | 10 | $1,121,816 | +9% | -19% | 2,502 | $448 | $18,944,033 | 20 |
| Jan 2, 2020 | 10 | $494,283 | -56% | -51% | 2,502 | $198 | $19,438,316 | 21 |
| Jan 3, 2020 | 12 | $556,235 | +13% | -47% | 1,870 | $297 | $19,994,551 | 22 |
| Jan 4, 2020 | 12 | $713,379 | +28% | -35% | 1,870 | $381 | $20,707,930 | 23 |
| Jan 5, 2020 | 12 | $395,235 | -45% | -56% | 1,870 | $211 | $21,103,165 | 24 |
| Jan 6, 2020 | 11 | $172,843 | -56% | -74% | 1,870 | $92 | $21,276,008 | 25 |
| Jan 7, 2020 | 11 | $268,142 | +55% | -74% | 1,870 | $143 | $21,544,150 | 26 |
| Jan 8, 2020 | 11 | $170,223 | -37% | -85% | 1,870 | $91 | $21,714,373 | 27 |
| Jan 9, 2020 | 14 | $115,904 | -32% | -77% | 1,870 | $62 | $21,830,277 | 28 |
| Jan 10, 2020 | - | $53,971 | -53% | -90% | 376 | $144 | $21,884,248 | 29 |
| Jan 11, 2020 | - | $68,142 | +26% | -90% | 376 | $181 | $21,952,390 | 30 |
| Jan 12, 2020 | - | $47,737 | -30% | -88% | 376 | $127 | $22,000,127 | 31 |
| Jan 13, 2020 | - | $20,194 | -58% | -88% | 376 | $54 | $22,020,321 | 32 |
| Jan 14, 2020 | - | $34,221 | +69% | -87% | 376 | $91 | $22,054,542 | 33 |
| Jan 15, 2020 | - | $24,208 | -29% | -86% | 376 | $64 | $22,078,750 | 34 |
| Jan 16, 2020 | - | $21,428 | -11% | -82% | 376 | $57 | $22,100,178 | 35 |
| Jan 17, 2020 | - | $18,834 | -12% | -65% | 163 | $116 | $22,119,012 | 36 |
| Jan 18, 2020 | - | $27,461 | +46% | -60% | 163 | $168 | $22,146,473 | 37 |
| Jan 19, 2020 | - | $19,183 | -30% | -60% | 163 | $118 | $22,165,656 | 38 |
| Jan 20, 2020 | - | $16,012 | -17% | -21% | 163 | $98 | $22,181,668 | 39 |
| Jan 21, 2020 | - | $13,437 | -16% | -61% | 163 | $82 | $22,195,105 | 40 |
| Jan 22, 2020 | - | $11,004 | -18% | -55% | 163 | $68 | $22,206,109 | 41 |
| Jan 23, 2020 | - | $10,388 | -6% | -52% | 163 | $64 | $22,216,497 | 42 |
| Jan 24, 2020 | - | $14,721 | +42% | -22% | 155 | $95 | $22,231,218 | 43 |
| Jan 25, 2020 | - | $24,382 | +66% | -11% | 155 | $157 | $22,255,600 | 44 |
| Jan 26, 2020 | - | $17,168 | -30% | -11% | 155 | $111 | $22,272,768 | 45 |
| Jan 27, 2020 | - | $5,926 | -65% | -63% | 155 | $38 | $22,278,694 | 46 |
| Jan 28, 2020 | - | $10,033 | +69% | -25% | 155 | $65 | $22,288,727 | 47 |
| Jan 29, 2020 | - | $7,014 | -30% | -36% | 155 | $45 | $22,295,741 | 48 |
| Jan 30, 2020 | - | $8,864 | +26% | -15% | 155 | $57 | $22,304,605 | 49 |
| Jan 31, 2020 | - | $7,032 | -21% | -52% | 88 | $80 | $22,311,637 | 50 |
| Feb 1, 2020 | - | $12,237 | +74% | -50% | 88 | $139 | $22,323,874 | 51 |
| Feb 2, 2020 | - | $4,382 | -64% | -74% | 88 | $50 | $22,328,256 | 52 |
| Feb 3, 2020 | - | $3,761 | -14% | -37% | 88 | $43 | $22,332,017 | 53 |
| Feb 4, 2020 | - | $4,656 | +24% | -54% | 88 | $53 | $22,336,673 | 54 |
| Feb 5, 2020 | - | $3,948 | -15% | -44% | 88 | $45 | $22,340,621 | 55 |
| Feb 6, 2020 | - | $4,921 | +25% | -44% | 88 | $56 | $22,345,542 | 56 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 13, 2019 | 4 | $6,977,659 | 2,502 | $2,789 | $6,977,659 | 1 | |
| Dec 20, 2019 | 10 | $6,079,701 | -13% | 2,502 | $2,430 | $13,057,360 | 2 |
| Dec 27, 2019 | 10 | $6,380,956 | +5% | 2,502 | $2,550 | $19,438,316 | 3 |
| Jan 3, 2020 | 11 | $2,391,961 | -63% | 1,870 | $1,279 | $21,830,277 | 4 |
| Jan 10, 2020 | 24 | $269,901 | -89% | 376 | $718 | $22,100,178 | 5 |
| Jan 17, 2020 | 30 | $116,319 | -57% | 163 | $714 | $22,216,497 | 6 |
| Jan 24, 2020 | 34 | $88,108 | -24% | 155 | $568 | $22,304,605 | 7 |
| Jan 31, 2020 | 40 | $40,937 | -54% | 88 | $465 | $22,345,542 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 1/3/2020 | $79,182 | 102 | 102 | 163 | $157,501 | 1/20/2020 | |||
| Australia | 2/14/2020 | $398,722 | 252 | 252 | 867 | $840,843 | 3/24/2020 | |||
| Brazil | 1/3/2020 | $199,000 | 124 | 124 | 239 | $353,000 | 1/15/2020 | |||
| Bulgaria | 1/10/2020 | $11,139 | 0 | 0 | 0 | $21,399 | 1/28/2020 | |||
| China | 1/10/2020 | $225,000 | 1,394 | 1,654 | 3,048 | $685,000 | 1/22/2020 | |||
| Czech Republic | 1/17/2020 | $19,361 | 69 | 69 | 99 | $35,172 | 10/19/2022 | |||
| France | 2/20/2020 | $2,300,000 | 485 | 561 | 2,046 | $5,700,000 | 3/24/2020 | |||
| Germany | 6/26/2020 | $0 | 0 | 0 | 0 | $379,717 | 4/12/2021 | |||
| Hong Kong | 1/3/2020 | $108,485 | 0 | 0 | 0 | $238,000 | 1/15/2020 | |||
| Italy | 1/16/2020 | $1,297,359 | 0 | 7 | 7 | $3,066,573 | 10/19/2022 | |||
| Japan | 1/17/2020 | $786,000 | 244 | 244 | 488 | $2,700,000 | 3/4/2020 | |||
| Mexico | 1/1/2020 | $360,456 | 365 | 365 | 365 | $1,000,000 | 10/19/2022 | |||
| Netherlands | 3/6/2020 | $123,501 | 83 | 83 | 165 | $242,712 | 10/19/2022 | |||
| New Zealand | 2/13/2020 | $25,229 | 67 | 67 | 224 | $58,494 | 10/19/2022 | |||
| Portugal | 1/3/2020 | $109,340 | 65 | 65 | 192 | $270,400 | 10/19/2022 | |||
| Romania | 2/14/2020 | $22,641 | 61 | 61 | 122 | $45,534 | 3/23/2020 | |||
| Russia (CIS) | 1/9/2020 | $489,169 | 430 | 430 | 1,109 | $1,100,000 | 10/19/2022 | |||
| Slovakia | 1/24/2020 | $9,308 | 44 | 44 | 54 | $15,002 | 2/5/2020 | |||
| Spain | 1/3/2020 | $579,632 | 270 | 299 | 1,073 | $2,100,000 | 3/4/2020 | |||
| United Kingdom | 1/31/2020 | $209,616 | 319 | 319 | 319 | $209,616 | 4/4/2026 | |||
| Rest of World | $3,081,037 | |||||||||
| International Total | $22,300,000 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sam Rockwell | Watson Bryant | |
| Kathy Bates | Bobi Jewell |
Supporting
| Jon Hamm | Tom Shaw | |
| Olivia Wilde | Kathy Scruggs |
Leading
| Paul Walter Hauser | Richard Jewell |
Supporting
| Brandon Stanley | Student | |
| Ryan Boz | Student | |
| Charles Green | Dr. W. Ray Cleere | |
| Mike Pniewski | Brandon Hamm | |
| Ian Gomez | Agent Dan Bennet | |
| Nina Arianda | Nadya Light | |
| Ronnie Allen | Kenny Rogers Impersonator | |
| David Lengel | Cameraman | |
| Elizabeth Keener | Pregnant Woman | |
| Grant Roberts | Will Jones — APD | |
| Alan Heckner | Bill Miller — GBI | |
| Desmond Phillips | Mike Silver — APD | |
| Alex Collins | Max Green — APD | |
| Michael Otis | Mr. Braden | |
| Izzy Herbert | Mariah Braden | |
| Kelly Collins Lintz | Mrs. Braden | |
| Jonathan D. Bergman | Jerrod Braden | |
| Daniel Annone | Drunk Teen | |
| Zack Shires | Drunk Teen | |
| Christian Adam | Drunk Teen | |
| Megan Mieduch | 911 Operator #1 | |
| Eric Mendenhall | Eric Rudolph | |
| Randy Havens | Sound Tech | |
| Kevin Patrick Murphy | Sound Tech | |
| Mitchell Hoog | Teen Intern | |
| David Shae | Ron Martz | |
| Brian Brightman | Zoeller | |
| Mike Wilson | Forsythe | |
| Andrea Laing | 911 Operator #2 | |
| Aubriana Davis | Girl in Park | |
| Deja Dee | Woman in Park | |
| Franco Castan | APD Cop | |
| Kendrick Cross | GBI Guy | |
| Brandon Morris | ATF Guy | |
| Billy Slaughter | Tim Barker | |
| Philip Fornah | Grateful APD Cop | |
| Dani Deette | Grateful APD Cop | |
| John Atwood | Mr. Brenner | |
| Dylan Kussman | Bruce Hughes | |
| Max Bickelhaup | Unnamed Swimmer | |
| Robert Treveiler | Patrick Williams | |
| David DeVries | John Walter | |
| Maury Morgan | News Anchor | |
| Tommy Kane | Horde Reporter | |
| Mallory Hoff | Horde Reporter | |
| Jill-Michele Melean | Horde Reporter | |
| Gregory Clarkson | Horde Reporter | |
| Nicole Sellars | Horde Reporter | |
| Garon Grigsby | Bryant Gumbel | |
| Niko Nicotera | Dave Dutchess | |
| Josh Henry | FBI Physical Evidence Guy | |
| Wayne Duvall | Richard Rackleff | |
| Jesse Burt | Supply Cart Guy |
Production and Technical Credits
| Clint Eastwood | Director | |
| Clint Eastwood | Producer | |
| Tim Moore | Producer | |
| Jessica Meier | Producer | |
| Kevin Misher | Producer | |
| Jonah Hill | Producer | |
| Leonardo DiCaprio | Producer | |
| Jennifer Davisson Killoran | Producer | |
| Billy Ray | Screenwriter | |
| Marie Brenner | Story Based on the Article “American Nightmare: The Ballad of Richard Jewell” by | |
| Yves Belanger | Director of Photography | |
| Kevin Ishioka | Production Designer | |
| Joel Cox | Editor | |
| Deborah Hopper | Costume Designer | |
| Arturo Sandoval | Composer | |
| Tim Gunny Moore | Unit Production Manager | |
| David M. Bernstein | First Assistant Director | |
| Jeff Hubbard | Second Assistant Director | |
| Stephen S. Campanelli | Second Unit Director | |
| Holly Hagy | Associate Producer | |
| Priscilla Elliott | Supervising Art Director | |
| Chris Craine | Art Director | |
| Ronald R. Reiss | Set Decorator | |
| Nathan Godley | Assistant Editor | |
| David Cox | Assistant Editor | |
| Adam Ohl | Visual Effects Producer | |
| Erin Mast | Script Supervisor | |
| Alan Robert Murray | Supervising Sound Editor | |
| Jose Antonio Garcia | Sound Mixer | |
| Chris McGeary | Music Editor | |
| Chris McGeary | Score Producer | |
| Chris McGeary | Score Coordinator | |
| Juan Lopez | Costume Supervisor | |
| Kimberly Felix-Burke | Make up | |
| Mark Bautista | Make up | |
| Ashley McGuire | Make up | |
| Joy Zapata | Hairstylist | |
| Vito Trotta | Hairstylist | |
| Deaundra Metzger | Hairstylist | |
| Holly Hagy | Production Supervisor | |
| Patrick O. Mignano | Supervising Location Manager | |
| Elizabeth Wright | Location Manager | |
| Clarke McAlarney | Set Designer | |
| Jake Ewonus | Set Designer | |
| Cameron Steenhagen | Supervising Dialogue Editor | |
| John Joseph Thomas | Sound Effects Editor | |
| Doug Jackson | Sound Effects Editor | |
| Michael W. Mitchell | Sound Effects Editor | |
| Christian Wenger | Sound Effects Editor | |
| Tom Ozanich | Sound Designer | |
| Michael Dressel | Supervising Foley Editor | |
| Willard Overstreet | Foley Editor | |
| John Reitz | Re-recording Mixer | |
| Dean A. Zupancic | Re-recording Mixer | |
| Richard Duarte | Foley Mixer | |
| Jack Cucci | Foley Mixer | |
| Thom Williams | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
“There is a bomb in Centennial Park. You have thirty minutes.” The world is first introduced to Richard Jewell as the security guard who reports finding the device at the 1996 Atlanta bombing—his report making him a hero whose swift actions save countless lives. But within days, the law enforcement wannabe becomes the FBI’s number one suspect, vilified by press and public alike, his life ripped apart. Reaching out to independent, anti-establishment attorney Watson Bryant, Jewell staunchly professes his innocence. But Bryant finds he is out of his depth as he fights the combined powers of the FBI, GBI and APD to clear his client’s name, while keeping Richard from trusting the very people trying to destroy him.
Metrics
| Opening Weekend: | $4,705,265 (21.1% of total gross) |
| Legs: | 4.75 (domestic box office/biggest weekend) |
| Domestic Share: | 50.1% (domestic box office/worldwide) |
| Production Budget: | $45,000,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 2,502 opening theaters/2,502 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $29,163,193 |
Movie Details
| Domestic Releases: | December 13th, 2019 (Wide) by Warner Bros. |
| International Releases: | January 1st, 2020 (Wide), released as El caso de Richard Jewell (Mexico)
January 3rd, 2020 (Wide) (Argentina) January 3rd, 2020 (Wide) (Hong Kong) January 3rd, 2020 (Wide), released as O Caso de Richard Jewell (Portugal) January 3rd, 2020 (Wide) (Spain) ... Show all releases |
| Video Release: | March 3rd, 2020 by Warner Home Video |
| MPA Rating: | R for language including some sexual references, and brief bloody images. (Rating bulletin 2604 (Cert #52441), 11/3/2019) |
| Running Time: | 129 minutes |
| Geographical setting: | Atlanta, GA |
| Plot point: | Biography, Falsely Accused, Media Circus, Terrorism |
| Social setting: | Olympics |
| Subgenre: | Biographical Drama |
| Time period setting: | 1990s |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Appian Way, 75 Year Plan, Misher Films, Malpaso Productions, Warner Bros. |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 13, 2019 | 4 | $4,705,265 | 2,502 | $1,881 | $4,705,265 | 1 | |
| Dec 20, 2019 | 7 | $2,583,372 | -45% | 2,502 | $1,033 | $9,561,031 | 2 |
| Dec 27, 2019 | 10 | $3,062,853 | +19% | 2,502 | $1,224 | $16,120,213 | 3 |
| Jan 3, 2020 | 12 | $1,664,849 | -46% | 1,870 | $890 | $21,103,165 | 4 |
| Jan 10, 2020 | 24 | $169,850 | -90% | 376 | $452 | $22,000,127 | 5 |
| Jan 17, 2020 | 33 | $65,478 | -61% | 163 | $402 | $22,165,656 | 6 |
| Jan 24, 2020 | 33 | $56,271 | -14% | 155 | $363 | $22,272,768 | 7 |
| Jan 31, 2020 | 39 | $23,651 | -58% | 88 | $269 | $22,328,256 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 13, 2019 | 5 | $1,557,411 | 2,502 | $622 | $1,557,411 | 1 | ||
| Dec 14, 2019 | 4 | $1,951,821 | +25% | 2,502 | $780 | $3,509,232 | 2 | |
| Dec 15, 2019 | 4 | $1,196,033 | -39% | 2,502 | $478 | $4,705,265 | 3 | |
| Dec 16, 2019 | 4 | $536,102 | -55% | 2,502 | $214 | $5,241,367 | 4 | |
| Dec 17, 2019 | 4 | $824,902 | +54% | 2,502 | $330 | $6,066,269 | 5 | |
| Dec 18, 2019 | 5 | $500,132 | -39% | 2,502 | $200 | $6,566,401 | 6 | |
| Dec 19, 2019 | 4 | $411,258 | -18% | 2,502 | $164 | $6,977,659 | 7 | |
| Dec 20, 2019 | 7 | $756,349 | +84% | -51% | 2,502 | $302 | $7,734,008 | 8 |
| Dec 21, 2019 | 7 | $1,006,211 | +33% | -48% | 2,502 | $402 | $8,740,219 | 9 |
| Dec 22, 2019 | 7 | $820,812 | -18% | -31% | 2,502 | $328 | $9,561,031 | 10 |
| Dec 23, 2019 | 8 | $548,296 | -33% | +2% | 2,502 | $219 | $10,109,327 | 11 |
| Dec 24, 2019 | 7 | $551,595 | +1% | -33% | 2,502 | $220 | $10,660,922 | 12 |
| Dec 25, 2019 | 10 | $1,387,106 | +151% | +177% | 2,502 | $554 | $12,048,028 | 13 |
| Dec 26, 2019 | 10 | $1,009,332 | -27% | +145% | 2,502 | $403 | $13,057,360 | 14 |
| Dec 27, 2019 | 10 | $1,051,398 | +4% | +39% | 2,502 | $420 | $14,108,758 | 15 |
| Dec 28, 2019 | 10 | $1,103,527 | +5% | +10% | 2,502 | $441 | $15,212,285 | 16 |
| Dec 29, 2019 | 10 | $907,928 | -18% | +11% | 2,502 | $363 | $16,120,213 | 17 |
| Dec 30, 2019 | 10 | $671,811 | -26% | +23% | 2,502 | $269 | $16,792,024 | 18 |
| Dec 31, 2019 | 10 | $1,030,193 | +53% | +87% | 2,502 | $412 | $17,822,217 | 19 |
| Jan 1, 2020 | 10 | $1,121,816 | +9% | -19% | 2,502 | $448 | $18,944,033 | 20 |
| Jan 2, 2020 | 10 | $494,283 | -56% | -51% | 2,502 | $198 | $19,438,316 | 21 |
| Jan 3, 2020 | 12 | $556,235 | +13% | -47% | 1,870 | $297 | $19,994,551 | 22 |
| Jan 4, 2020 | 12 | $713,379 | +28% | -35% | 1,870 | $381 | $20,707,930 | 23 |
| Jan 5, 2020 | 12 | $395,235 | -45% | -56% | 1,870 | $211 | $21,103,165 | 24 |
| Jan 6, 2020 | 11 | $172,843 | -56% | -74% | 1,870 | $92 | $21,276,008 | 25 |
| Jan 7, 2020 | 11 | $268,142 | +55% | -74% | 1,870 | $143 | $21,544,150 | 26 |
| Jan 8, 2020 | 11 | $170,223 | -37% | -85% | 1,870 | $91 | $21,714,373 | 27 |
| Jan 9, 2020 | 14 | $115,904 | -32% | -77% | 1,870 | $62 | $21,830,277 | 28 |
| Jan 10, 2020 | - | $53,971 | -53% | -90% | 376 | $144 | $21,884,248 | 29 |
| Jan 11, 2020 | - | $68,142 | +26% | -90% | 376 | $181 | $21,952,390 | 30 |
| Jan 12, 2020 | - | $47,737 | -30% | -88% | 376 | $127 | $22,000,127 | 31 |
| Jan 13, 2020 | - | $20,194 | -58% | -88% | 376 | $54 | $22,020,321 | 32 |
| Jan 14, 2020 | - | $34,221 | +69% | -87% | 376 | $91 | $22,054,542 | 33 |
| Jan 15, 2020 | - | $24,208 | -29% | -86% | 376 | $64 | $22,078,750 | 34 |
| Jan 16, 2020 | - | $21,428 | -11% | -82% | 376 | $57 | $22,100,178 | 35 |
| Jan 17, 2020 | - | $18,834 | -12% | -65% | 163 | $116 | $22,119,012 | 36 |
| Jan 18, 2020 | - | $27,461 | +46% | -60% | 163 | $168 | $22,146,473 | 37 |
| Jan 19, 2020 | - | $19,183 | -30% | -60% | 163 | $118 | $22,165,656 | 38 |
| Jan 20, 2020 | - | $16,012 | -17% | -21% | 163 | $98 | $22,181,668 | 39 |
| Jan 21, 2020 | - | $13,437 | -16% | -61% | 163 | $82 | $22,195,105 | 40 |
| Jan 22, 2020 | - | $11,004 | -18% | -55% | 163 | $68 | $22,206,109 | 41 |
| Jan 23, 2020 | - | $10,388 | -6% | -52% | 163 | $64 | $22,216,497 | 42 |
| Jan 24, 2020 | - | $14,721 | +42% | -22% | 155 | $95 | $22,231,218 | 43 |
| Jan 25, 2020 | - | $24,382 | +66% | -11% | 155 | $157 | $22,255,600 | 44 |
| Jan 26, 2020 | - | $17,168 | -30% | -11% | 155 | $111 | $22,272,768 | 45 |
| Jan 27, 2020 | - | $5,926 | -65% | -63% | 155 | $38 | $22,278,694 | 46 |
| Jan 28, 2020 | - | $10,033 | +69% | -25% | 155 | $65 | $22,288,727 | 47 |
| Jan 29, 2020 | - | $7,014 | -30% | -36% | 155 | $45 | $22,295,741 | 48 |
| Jan 30, 2020 | - | $8,864 | +26% | -15% | 155 | $57 | $22,304,605 | 49 |
| Jan 31, 2020 | - | $7,032 | -21% | -52% | 88 | $80 | $22,311,637 | 50 |
| Feb 1, 2020 | - | $12,237 | +74% | -50% | 88 | $139 | $22,323,874 | 51 |
| Feb 2, 2020 | - | $4,382 | -64% | -74% | 88 | $50 | $22,328,256 | 52 |
| Feb 3, 2020 | - | $3,761 | -14% | -37% | 88 | $43 | $22,332,017 | 53 |
| Feb 4, 2020 | - | $4,656 | +24% | -54% | 88 | $53 | $22,336,673 | 54 |
| Feb 5, 2020 | - | $3,948 | -15% | -44% | 88 | $45 | $22,340,621 | 55 |
| Feb 6, 2020 | - | $4,921 | +25% | -44% | 88 | $56 | $22,345,542 | 56 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 13, 2019 | 4 | $6,977,659 | 2,502 | $2,789 | $6,977,659 | 1 | |
| Dec 20, 2019 | 10 | $6,079,701 | -13% | 2,502 | $2,430 | $13,057,360 | 2 |
| Dec 27, 2019 | 10 | $6,380,956 | +5% | 2,502 | $2,550 | $19,438,316 | 3 |
| Jan 3, 2020 | 11 | $2,391,961 | -63% | 1,870 | $1,279 | $21,830,277 | 4 |
| Jan 10, 2020 | 24 | $269,901 | -89% | 376 | $718 | $22,100,178 | 5 |
| Jan 17, 2020 | 30 | $116,319 | -57% | 163 | $714 | $22,216,497 | 6 |
| Jan 24, 2020 | 34 | $88,108 | -24% | 155 | $568 | $22,304,605 | 7 |
| Jan 31, 2020 | 40 | $40,937 | -54% | 88 | $465 | $22,345,542 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 1/3/2020 | $79,182 | 102 | 102 | 163 | $157,501 | 1/20/2020 | |||
| Australia | 2/14/2020 | $398,722 | 252 | 252 | 867 | $840,843 | 3/24/2020 | |||
| Brazil | 1/3/2020 | $199,000 | 124 | 124 | 239 | $353,000 | 1/15/2020 | |||
| Bulgaria | 1/10/2020 | $11,139 | 0 | 0 | 0 | $21,399 | 1/28/2020 | |||
| China | 1/10/2020 | $225,000 | 1,394 | 1,654 | 3,048 | $685,000 | 1/22/2020 | |||
| Czech Republic | 1/17/2020 | $19,361 | 69 | 69 | 99 | $35,172 | 10/19/2022 | |||
| France | 2/20/2020 | $2,300,000 | 485 | 561 | 2,046 | $5,700,000 | 3/24/2020 | |||
| Germany | 6/26/2020 | $0 | 0 | 0 | 0 | $379,717 | 4/12/2021 | |||
| Hong Kong | 1/3/2020 | $108,485 | 0 | 0 | 0 | $238,000 | 1/15/2020 | |||
| Italy | 1/16/2020 | $1,297,359 | 0 | 7 | 7 | $3,066,573 | 10/19/2022 | |||
| Japan | 1/17/2020 | $786,000 | 244 | 244 | 488 | $2,700,000 | 3/4/2020 | |||
| Mexico | 1/1/2020 | $360,456 | 365 | 365 | 365 | $1,000,000 | 10/19/2022 | |||
| Netherlands | 3/6/2020 | $123,501 | 83 | 83 | 165 | $242,712 | 10/19/2022 | |||
| New Zealand | 2/13/2020 | $25,229 | 67 | 67 | 224 | $58,494 | 10/19/2022 | |||
| Portugal | 1/3/2020 | $109,340 | 65 | 65 | 192 | $270,400 | 10/19/2022 | |||
| Romania | 2/14/2020 | $22,641 | 61 | 61 | 122 | $45,534 | 3/23/2020 | |||
| Russia (CIS) | 1/9/2020 | $489,169 | 430 | 430 | 1,109 | $1,100,000 | 10/19/2022 | |||
| Slovakia | 1/24/2020 | $9,308 | 44 | 44 | 54 | $15,002 | 2/5/2020 | |||
| Spain | 1/3/2020 | $579,632 | 270 | 299 | 1,073 | $2,100,000 | 3/4/2020 | |||
| United Kingdom | 1/31/2020 | $209,616 | 319 | 319 | 319 | $209,616 | 4/4/2026 | |||
| Rest of World | $3,081,037 | |||||||||
| International Total | $22,300,000 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sam Rockwell | Watson Bryant | |
| Kathy Bates | Bobi Jewell |
Supporting
| Jon Hamm | Tom Shaw | |
| Olivia Wilde | Kathy Scruggs |
Leading
| Paul Walter Hauser | Richard Jewell |
Supporting
| Brandon Stanley | Student | |
| Ryan Boz | Student | |
| Charles Green | Dr. W. Ray Cleere | |
| Mike Pniewski | Brandon Hamm | |
| Ian Gomez | Agent Dan Bennet | |
| Nina Arianda | Nadya Light | |
| Ronnie Allen | Kenny Rogers Impersonator | |
| David Lengel | Cameraman | |
| Elizabeth Keener | Pregnant Woman | |
| Grant Roberts | Will Jones — APD | |
| Alan Heckner | Bill Miller — GBI | |
| Desmond Phillips | Mike Silver — APD | |
| Alex Collins | Max Green — APD | |
| Michael Otis | Mr. Braden | |
| Izzy Herbert | Mariah Braden | |
| Kelly Collins Lintz | Mrs. Braden | |
| Jonathan D. Bergman | Jerrod Braden | |
| Daniel Annone | Drunk Teen | |
| Zack Shires | Drunk Teen | |
| Christian Adam | Drunk Teen | |
| Megan Mieduch | 911 Operator #1 | |
| Eric Mendenhall | Eric Rudolph | |
| Randy Havens | Sound Tech | |
| Kevin Patrick Murphy | Sound Tech | |
| Mitchell Hoog | Teen Intern | |
| David Shae | Ron Martz | |
| Brian Brightman | Zoeller | |
| Mike Wilson | Forsythe | |
| Andrea Laing | 911 Operator #2 | |
| Aubriana Davis | Girl in Park | |
| Deja Dee | Woman in Park | |
| Franco Castan | APD Cop | |
| Kendrick Cross | GBI Guy | |
| Brandon Morris | ATF Guy | |
| Billy Slaughter | Tim Barker | |
| Philip Fornah | Grateful APD Cop | |
| Dani Deette | Grateful APD Cop | |
| John Atwood | Mr. Brenner | |
| Dylan Kussman | Bruce Hughes | |
| Max Bickelhaup | Unnamed Swimmer | |
| Robert Treveiler | Patrick Williams | |
| David DeVries | John Walter | |
| Maury Morgan | News Anchor | |
| Tommy Kane | Horde Reporter | |
| Mallory Hoff | Horde Reporter | |
| Jill-Michele Melean | Horde Reporter | |
| Gregory Clarkson | Horde Reporter | |
| Nicole Sellars | Horde Reporter | |
| Garon Grigsby | Bryant Gumbel | |
| Niko Nicotera | Dave Dutchess | |
| Josh Henry | FBI Physical Evidence Guy | |
| Wayne Duvall | Richard Rackleff | |
| Jesse Burt | Supply Cart Guy |
Production and Technical Credits
| Clint Eastwood | Director | |
| Clint Eastwood | Producer | |
| Tim Moore | Producer | |
| Jessica Meier | Producer | |
| Kevin Misher | Producer | |
| Jonah Hill | Producer | |
| Leonardo DiCaprio | Producer | |
| Jennifer Davisson Killoran | Producer | |
| Billy Ray | Screenwriter | |
| Marie Brenner | Story Based on the Article “American Nightmare: The Ballad of Richard Jewell” by | |
| Yves Belanger | Director of Photography | |
| Kevin Ishioka | Production Designer | |
| Joel Cox | Editor | |
| Deborah Hopper | Costume Designer | |
| Arturo Sandoval | Composer | |
| Tim Gunny Moore | Unit Production Manager | |
| David M. Bernstein | First Assistant Director | |
| Jeff Hubbard | Second Assistant Director | |
| Stephen S. Campanelli | Second Unit Director | |
| Holly Hagy | Associate Producer | |
| Priscilla Elliott | Supervising Art Director | |
| Chris Craine | Art Director | |
| Ronald R. Reiss | Set Decorator | |
| Nathan Godley | Assistant Editor | |
| David Cox | Assistant Editor | |
| Adam Ohl | Visual Effects Producer | |
| Erin Mast | Script Supervisor | |
| Alan Robert Murray | Supervising Sound Editor | |
| Jose Antonio Garcia | Sound Mixer | |
| Chris McGeary | Music Editor | |
| Chris McGeary | Score Producer | |
| Chris McGeary | Score Coordinator | |
| Juan Lopez | Costume Supervisor | |
| Kimberly Felix-Burke | Make up | |
| Mark Bautista | Make up | |
| Ashley McGuire | Make up | |
| Joy Zapata | Hairstylist | |
| Vito Trotta | Hairstylist | |
| Deaundra Metzger | Hairstylist | |
| Holly Hagy | Production Supervisor | |
| Patrick O. Mignano | Supervising Location Manager | |
| Elizabeth Wright | Location Manager | |
| Clarke McAlarney | Set Designer | |
| Jake Ewonus | Set Designer | |
| Cameron Steenhagen | Supervising Dialogue Editor | |
| John Joseph Thomas | Sound Effects Editor | |
| Doug Jackson | Sound Effects Editor | |
| Michael W. Mitchell | Sound Effects Editor | |
| Christian Wenger | Sound Effects Editor | |
| Tom Ozanich | Sound Designer | |
| Michael Dressel | Supervising Foley Editor | |
| Willard Overstreet | Foley Editor | |
| John Reitz | Re-recording Mixer | |
| Dean A. Zupancic | Re-recording Mixer | |
| Richard Duarte | Foley Mixer | |
| Jack Cucci | Foley Mixer | |
| Thom Williams | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.