Reminiscence (2021)
| Theatrical Performance | ||
| Domestic Box Office | $3,900,193 | Details |
| International Box Office | $12,500,000 | Details |
| Worldwide Box Office | $16,400,193 | |
| OpusData ID: 395540100 More info... | ||
| Further financial details... | ||
Synopsis
Nick Bannister, a private investigator of the mind, navigates the darkly alluring world of the past by helping his clients access lost memories. Living on the fringes of the sunken Miami coast, his life is forever changed when he takes on a new client, Mae. A simple matter of lost and found becomes a dangerous obsession. As Bannister fights to find the truth about Mae's disappearance, he uncovers a violent conspiracy, and must ultimately answer the question: how far would you go to hold on to the ones you love?
Metrics
| Opening Weekend: | $1,950,793 (50.0% of total gross) |
| Legs: | 2.00 (domestic box office/biggest weekend) |
| Domestic Share: | 23.8% (domestic box office/worldwide) |
| Production Budget: | $67,972,729 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 3,265 opening theaters/3,265 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,586,660 |
Movie Details
| Domestic Releases: | August 20th, 2021 (Wide) by Warner Bros. |
| International Releases: | August 18th, 2021 (Wide) (Hong Kong)
August 18th, 2021 (Wide) (United Kingdom) August 19th, 2021 (Wide) (Australia) August 19th, 2021 (Wide) (Germany) August 19th, 2021 (Wide) (Mexico) ... Show all releases |
| Video Release: | August 20th, 2021 by Max |
| MPA Rating: | PG-13 for strong violence, drug material throughout, sexual content and some strong language. (Rating bulletin 2654 (cert #52921), 11/4/2020) |
| Running Time: | 116 minutes |
| Geographical setting: | Miami |
| Plot point: | Dysfunctional Family, Exploring a Character’s Mind, Inheritance, Kidnap, Missing Person, Narcotics, Romance, Suicide, Surprise Twist |
| Social setting: | Film Noir, Organized Crime |
| Subgenre: | Crime Thriller |
| Time period setting: | Near Future |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | FilmNation Entertainment, Warner Bros., Kilter Films, Michael De Luca Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 20, 2021 | 9 | $1,950,793 | 3,265 | $597 | $1,950,793 | 1 | |
| Aug 27, 2021 | 11 | $792,408 | -59% | 3,265 | $243 | $3,485,911 | 2 |
| Sep 3, 2021 | - | $61,079 | -92% | 314 | $195 | $3,853,895 | 3 |
| Sep 10, 2021 | - | $10,366 | -83% | 70 | $148 | $3,878,349 | 4 |
| Sep 17, 2021 | - | $8,709 | -16% | 35 | $249 | $3,890,043 | 5 |
| Sep 24, 2021 | - | $7,841 | -10% | 30 | $261 | $3,898,759 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 20, 2021 | 9 | $2,693,503 | 3,265 | $825 | $2,693,503 | 1 | |
| Aug 27, 2021 | 11 | $1,099,313 | -59% | 3,265 | $337 | $3,792,816 | 2 |
| Sep 3, 2021 | - | $75,167 | -93% | 314 | $239 | $3,867,983 | 3 |
| Sep 10, 2021 | - | $13,351 | -82% | 70 | $191 | $3,881,334 | 4 |
| Sep 17, 2021 | - | $9,584 | -28% | 35 | $274 | $3,890,918 | 5 |
| Sep 24, 2021 | - | $9,275 | -3% | 35 | $265 | $3,900,193 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/19/2021 | $72,392 | 119 | 119 | 396 | $177,915 | 10/20/2022 | |||
| Czech Republic | 8/20/2021 | $18,792 | 81 | 81 | 104 | $36,589 | 10/20/2022 | |||
| Finland | 9/3/2021 | $15,975 | 35 | 35 | 61 | $36,397 | 4/21/2026 | |||
| France | 8/25/2021 | $662,000 | 477 | 477 | 1,156 | $1,200,000 | 9/27/2021 | |||
| Hong Kong | 8/18/2021 | $185,604 | 0 | 0 | 0 | $311,000 | 9/27/2021 | |||
| Italy | 8/26/2021 | $109,325 | 0 | 0 | 0 | $202 | 4/4/2026 | |||
| Japan | 9/17/2021 | $773,000 | 334 | 334 | 334 | $1,700,000 | 9/27/2021 | |||
| Kuwait | 9/3/2021 | $0 | 0 | 0 | 0 | $222,000 | 10/20/2022 | |||
| Lithuania | 8/20/2021 | $9,170 | 14 | 14 | 26 | $21,734 | 9/8/2021 | |||
| Mexico | 8/19/2021 | $288,862 | 0 | 0 | 0 | $668,000 | 10/20/2022 | |||
| Netherlands | 8/27/2021 | $196,623 | 134 | 134 | 282 | $356,000 | 9/27/2021 | |||
| New Zealand | 8/19/2021 | $0 | 0 | 30 | 84 | $8,928 | 10/20/2022 | |||
| Portugal | 8/20/2021 | $27,530 | 58 | 58 | 124 | $63,491 | 9/9/2021 | |||
| Romania | 8/20/2021 | $30,025 | 73 | 73 | 157 | $84,034 | 10/20/2022 | |||
| Russia (CIS) | 8/26/2021 | $685,140 | 1,333 | 1,333 | 3,719 | $1,800,000 | 10/20/2022 | |||
| Saudi Arabia | 8/20/2021 | $330,000 | 0 | 0 | 0 | $613,000 | 10/20/2022 | |||
| Slovakia | 8/27/2021 | $13,294 | 57 | 57 | 69 | $21,823 | 9/9/2021 | |||
| South Korea | 8/25/2021 | $135,375 | 495 | 495 | 534 | $292,000 | 9/27/2021 | |||
| Spain | 8/27/2021 | $216,952 | 305 | 305 | 742 | $524,000 | 9/27/2021 | |||
| Turkey | 8/20/2021 | $40,215 | 216 | 216 | 484 | $122,152 | 4/4/2026 | |||
| Ukraine | 8/19/2021 | $217,000 | 0 | 0 | 0 | $302,000 | 10/20/2022 | |||
| United Arab Emirates | 8/20/2021 | $221,000 | 0 | 0 | 0 | $331,000 | 9/13/2021 | |||
| United Kingdom | 8/18/2021 | $354,642 | 524 | 524 | 524 | $764,000 | 9/27/2021 | |||
| Rest of World | $2,843,735 | |||||||||
| International Total | $12,500,000 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Hugh Jackman | Nick Bannister | |
| Rebecca Ferguson | Mae | |
| Daniel Wu | Saint Joe | |
| Thandiwe Newton | Emily “Watts” Sanders | |
| Cliff Curtis | Cyrus Boothe |
Supporting
| Marina de Tavira | Tamara Sylvan | |
| Mojean Aria | Sebastian Sylvan | |
| Brett Cullen | Walter Sylvan | |
| Natalie Martinez | Avery Castillo | |
| Angela Sarafyan | Elsa Carine | |
| Javier Molina | Hank | |
| Sam Medina | Falks | |
| Norio Nishimura | Harris | |
| Roxton Garcia | Freddie | |
| Giovannie Cruz | Cindy | |
| Woon Young Park | Burly Bouncer | |
| Han Soto | Wesley Humphrey | |
| Rey Hernandez | Harry | |
| Gabrielle Echols | Titch | |
| Andrew Masset | Butler | |
| Nico Parker | Zoe | |
| Barbara Bonilla | ||
| Jules Hartley | Hooker | |
| Jorge Longoria | Lorenzo | |
| Ivan Mbakop | Sunburnt Man | |
| Jeff Brockton | Sylvan Guard | |
| Michael Papajohn | Sylvan Guard | |
| Claire Lanay | Protestor | |
| Aria Castillo | Protestor | |
| Roger Magee | Protestor | |
| Rene Mena | Man on Porch | |
| Enrique Abada | Man on Porch | |
| Laci Broussard | New Mom | |
| Shawn Carter Peterson | Coconut Club Pianist | |
| Thomas Francis Murphy | Armin | |
| JC Leuyer | Massive Prisoner | |
| Teri Wyble | Angela | |
| Autumn Dial | Receptionist | |
| Renes Rivera | Coconut Club Bouncer | |
| Myles Humphus | Moe |
Production and Technical Credits
| Lisa Joy | Director | |
| Lisa Joy | Screenwriter | |
| Michael De Luca | Producer | |
| Lisa Joy | Producer | |
| Aaron Ryder | Producer | |
| Jonathan Nolan | Producer | |
| Athena Wickham | Executive Producer | |
| Elishia Holmes | Executive Producer | |
| D. Scott Lumpkin | Executive Producer | |
| Howard Cummings | Production Designer | |
| Mark Yoshikawa | Editor | |
| Ramin Djawadi | Composer | |
| Paul Cameron | Director of Photography | |
| Brian Machleit | Stunt Coordinator | |
| Buster Reeves | Stunt Coordinator | |
| Bobby Talbert | Stunt Coordinator | |
| Frank Torres | Stunt Coordinator | |
| Sam Gilberg | Associate Producer | |
| Bruce Jones | Visual Effects Supervisor | |
| Jennifer Starzyk | Costume Designer | |
| John Papsidera | Casting Director | |
| D. Scott Lumpkin | Unit Production Manager | |
| Brandon Lambdin | First Assistant Director | |
| Kevin Lum | Second Assistant Director | |
| Alex Capaldi | Production Supervisor | |
| Scott Plauche | Supervising Art Director | |
| Matthew Gatlin | Art Director | |
| Nicole Reed LeFevre | Set Designer | |
| Cierra Madison | Set Designer | |
| Stephanie Parker | Set Designer | |
| Walter Schneider | Set Designer | |
| Brett Murray | Sound Mixer | |
| Jeremy Peirson | Sound Designer | |
| Jeremy Peirson | Supervising Sound Editor | |
| Thomas Jones | Supervising Sound Editor | |
| Michael Babcock | Re-recording Mixer | |
| Jeremy Peirson | Re-recording Mixer | |
| Ralph Osborn | Dialogue Editor | |
| Chris Diebold | Sound Effects Editor | |
| Dan Kenyon | Sound Effects Editor | |
| Mitch Osias | Sound Effects Editor | |
| David Jobe | Foley Mixer | |
| Ari Nikjeh | Visual Effects Producer | |
| Leslie Sungail | Costume Supervisor | |
| Donald Kozma | Make up | |
| Bernadette Mazur | Make up | |
| Anji Bemben | Hairstylist | |
| Peter Chesney | Special Effects Supervisor | |
| Pete Chesney, Jr. | Special Effects Coordinator | |
| Brandon Goertz | Location Manager | |
| Steve LeBlanc | Supervising Location Manager | |
| Lorna Street Dopson | Script Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Nick Bannister, a private investigator of the mind, navigates the darkly alluring world of the past by helping his clients access lost memories. Living on the fringes of the sunken Miami coast, his life is forever changed when he takes on a new client, Mae. A simple matter of lost and found becomes a dangerous obsession. As Bannister fights to find the truth about Mae's disappearance, he uncovers a violent conspiracy, and must ultimately answer the question: how far would you go to hold on to the ones you love?
Metrics
| Opening Weekend: | $1,950,793 (50.0% of total gross) |
| Legs: | 2.00 (domestic box office/biggest weekend) |
| Domestic Share: | 23.8% (domestic box office/worldwide) |
| Production Budget: | $67,972,729 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 3,265 opening theaters/3,265 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,586,660 |
Movie Details
| Domestic Releases: | August 20th, 2021 (Wide) by Warner Bros. |
| International Releases: | August 18th, 2021 (Wide) (Hong Kong)
August 18th, 2021 (Wide) (United Kingdom) August 19th, 2021 (Wide) (Australia) August 19th, 2021 (Wide) (Germany) August 19th, 2021 (Wide) (Mexico) ... Show all releases |
| Video Release: | August 20th, 2021 by Max |
| MPA Rating: | PG-13 for strong violence, drug material throughout, sexual content and some strong language. (Rating bulletin 2654 (cert #52921), 11/4/2020) |
| Running Time: | 116 minutes |
| Geographical setting: | Miami |
| Plot point: | Dysfunctional Family, Exploring a Character’s Mind, Inheritance, Kidnap, Missing Person, Narcotics, Romance, Suicide, Surprise Twist |
| Social setting: | Film Noir, Organized Crime |
| Subgenre: | Crime Thriller |
| Time period setting: | Near Future |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | FilmNation Entertainment, Warner Bros., Kilter Films, Michael De Luca Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 20, 2021 | 9 | $1,950,793 | 3,265 | $597 | $1,950,793 | 1 | |
| Aug 27, 2021 | 11 | $792,408 | -59% | 3,265 | $243 | $3,485,911 | 2 |
| Sep 3, 2021 | - | $61,079 | -92% | 314 | $195 | $3,853,895 | 3 |
| Sep 10, 2021 | - | $10,366 | -83% | 70 | $148 | $3,878,349 | 4 |
| Sep 17, 2021 | - | $8,709 | -16% | 35 | $249 | $3,890,043 | 5 |
| Sep 24, 2021 | - | $7,841 | -10% | 30 | $261 | $3,898,759 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 20, 2021 | 9 | $2,693,503 | 3,265 | $825 | $2,693,503 | 1 | |
| Aug 27, 2021 | 11 | $1,099,313 | -59% | 3,265 | $337 | $3,792,816 | 2 |
| Sep 3, 2021 | - | $75,167 | -93% | 314 | $239 | $3,867,983 | 3 |
| Sep 10, 2021 | - | $13,351 | -82% | 70 | $191 | $3,881,334 | 4 |
| Sep 17, 2021 | - | $9,584 | -28% | 35 | $274 | $3,890,918 | 5 |
| Sep 24, 2021 | - | $9,275 | -3% | 35 | $265 | $3,900,193 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/19/2021 | $72,392 | 119 | 119 | 396 | $177,915 | 10/20/2022 | |||
| Czech Republic | 8/20/2021 | $18,792 | 81 | 81 | 104 | $36,589 | 10/20/2022 | |||
| Finland | 9/3/2021 | $15,975 | 35 | 35 | 61 | $36,397 | 4/21/2026 | |||
| France | 8/25/2021 | $662,000 | 477 | 477 | 1,156 | $1,200,000 | 9/27/2021 | |||
| Hong Kong | 8/18/2021 | $185,604 | 0 | 0 | 0 | $311,000 | 9/27/2021 | |||
| Italy | 8/26/2021 | $109,325 | 0 | 0 | 0 | $202 | 4/4/2026 | |||
| Japan | 9/17/2021 | $773,000 | 334 | 334 | 334 | $1,700,000 | 9/27/2021 | |||
| Kuwait | 9/3/2021 | $0 | 0 | 0 | 0 | $222,000 | 10/20/2022 | |||
| Lithuania | 8/20/2021 | $9,170 | 14 | 14 | 26 | $21,734 | 9/8/2021 | |||
| Mexico | 8/19/2021 | $288,862 | 0 | 0 | 0 | $668,000 | 10/20/2022 | |||
| Netherlands | 8/27/2021 | $196,623 | 134 | 134 | 282 | $356,000 | 9/27/2021 | |||
| New Zealand | 8/19/2021 | $0 | 0 | 30 | 84 | $8,928 | 10/20/2022 | |||
| Portugal | 8/20/2021 | $27,530 | 58 | 58 | 124 | $63,491 | 9/9/2021 | |||
| Romania | 8/20/2021 | $30,025 | 73 | 73 | 157 | $84,034 | 10/20/2022 | |||
| Russia (CIS) | 8/26/2021 | $685,140 | 1,333 | 1,333 | 3,719 | $1,800,000 | 10/20/2022 | |||
| Saudi Arabia | 8/20/2021 | $330,000 | 0 | 0 | 0 | $613,000 | 10/20/2022 | |||
| Slovakia | 8/27/2021 | $13,294 | 57 | 57 | 69 | $21,823 | 9/9/2021 | |||
| South Korea | 8/25/2021 | $135,375 | 495 | 495 | 534 | $292,000 | 9/27/2021 | |||
| Spain | 8/27/2021 | $216,952 | 305 | 305 | 742 | $524,000 | 9/27/2021 | |||
| Turkey | 8/20/2021 | $40,215 | 216 | 216 | 484 | $122,152 | 4/4/2026 | |||
| Ukraine | 8/19/2021 | $217,000 | 0 | 0 | 0 | $302,000 | 10/20/2022 | |||
| United Arab Emirates | 8/20/2021 | $221,000 | 0 | 0 | 0 | $331,000 | 9/13/2021 | |||
| United Kingdom | 8/18/2021 | $354,642 | 524 | 524 | 524 | $764,000 | 9/27/2021 | |||
| Rest of World | $2,843,735 | |||||||||
| International Total | $12,500,000 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Hugh Jackman | Nick Bannister | |
| Rebecca Ferguson | Mae | |
| Daniel Wu | Saint Joe | |
| Thandiwe Newton | Emily “Watts” Sanders | |
| Cliff Curtis | Cyrus Boothe |
Supporting
| Marina de Tavira | Tamara Sylvan | |
| Mojean Aria | Sebastian Sylvan | |
| Brett Cullen | Walter Sylvan | |
| Natalie Martinez | Avery Castillo | |
| Angela Sarafyan | Elsa Carine | |
| Javier Molina | Hank | |
| Sam Medina | Falks | |
| Norio Nishimura | Harris | |
| Roxton Garcia | Freddie | |
| Giovannie Cruz | Cindy | |
| Woon Young Park | Burly Bouncer | |
| Han Soto | Wesley Humphrey | |
| Rey Hernandez | Harry | |
| Gabrielle Echols | Titch | |
| Andrew Masset | Butler | |
| Nico Parker | Zoe | |
| Barbara Bonilla | ||
| Jules Hartley | Hooker | |
| Jorge Longoria | Lorenzo | |
| Ivan Mbakop | Sunburnt Man | |
| Jeff Brockton | Sylvan Guard | |
| Michael Papajohn | Sylvan Guard | |
| Claire Lanay | Protestor | |
| Aria Castillo | Protestor | |
| Roger Magee | Protestor | |
| Rene Mena | Man on Porch | |
| Enrique Abada | Man on Porch | |
| Laci Broussard | New Mom | |
| Shawn Carter Peterson | Coconut Club Pianist | |
| Thomas Francis Murphy | Armin | |
| JC Leuyer | Massive Prisoner | |
| Teri Wyble | Angela | |
| Autumn Dial | Receptionist | |
| Renes Rivera | Coconut Club Bouncer | |
| Myles Humphus | Moe |
Production and Technical Credits
| Lisa Joy | Director | |
| Lisa Joy | Screenwriter | |
| Michael De Luca | Producer | |
| Lisa Joy | Producer | |
| Aaron Ryder | Producer | |
| Jonathan Nolan | Producer | |
| Athena Wickham | Executive Producer | |
| Elishia Holmes | Executive Producer | |
| D. Scott Lumpkin | Executive Producer | |
| Howard Cummings | Production Designer | |
| Mark Yoshikawa | Editor | |
| Ramin Djawadi | Composer | |
| Paul Cameron | Director of Photography | |
| Brian Machleit | Stunt Coordinator | |
| Buster Reeves | Stunt Coordinator | |
| Bobby Talbert | Stunt Coordinator | |
| Frank Torres | Stunt Coordinator | |
| Sam Gilberg | Associate Producer | |
| Bruce Jones | Visual Effects Supervisor | |
| Jennifer Starzyk | Costume Designer | |
| John Papsidera | Casting Director | |
| D. Scott Lumpkin | Unit Production Manager | |
| Brandon Lambdin | First Assistant Director | |
| Kevin Lum | Second Assistant Director | |
| Alex Capaldi | Production Supervisor | |
| Scott Plauche | Supervising Art Director | |
| Matthew Gatlin | Art Director | |
| Nicole Reed LeFevre | Set Designer | |
| Cierra Madison | Set Designer | |
| Stephanie Parker | Set Designer | |
| Walter Schneider | Set Designer | |
| Brett Murray | Sound Mixer | |
| Jeremy Peirson | Sound Designer | |
| Jeremy Peirson | Supervising Sound Editor | |
| Thomas Jones | Supervising Sound Editor | |
| Michael Babcock | Re-recording Mixer | |
| Jeremy Peirson | Re-recording Mixer | |
| Ralph Osborn | Dialogue Editor | |
| Chris Diebold | Sound Effects Editor | |
| Dan Kenyon | Sound Effects Editor | |
| Mitch Osias | Sound Effects Editor | |
| David Jobe | Foley Mixer | |
| Ari Nikjeh | Visual Effects Producer | |
| Leslie Sungail | Costume Supervisor | |
| Donald Kozma | Make up | |
| Bernadette Mazur | Make up | |
| Anji Bemben | Hairstylist | |
| Peter Chesney | Special Effects Supervisor | |
| Pete Chesney, Jr. | Special Effects Coordinator | |
| Brandon Goertz | Location Manager | |
| Steve LeBlanc | Supervising Location Manager | |
| Lorna Street Dopson | Script Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.