Plainclothes (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $142,747 | Details |
| International Box Office | $161,956 | Details |
| Worldwide Box Office | $304,703 | |
| OpusData ID: 741270100 More info... | ||
| Further financial details... | ||
Synopsis
Set in 1990s Syracuse, a promising undercover cop assigned to lure and arrest gay men deffies professional orders when he falls in love with a target.
Metrics
| Opening Weekend: | $17,628 (12.3% of total gross) |
| Legs: | 5.23 (domestic box office/biggest weekend) |
| Domestic Share: | 46.8% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/44 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $142,747 |
Movie Details
| Domestic Releases: | September 19th, 2025 (Limited) by Magnolia Pictures |
| International Releases: | October 10th, 2025 (Limited) (United Kingdom)
December 15th, 2025 (Limited), released as Incógnito (Spain) January 15th, 2026 (Limited) (Germany) March 5th, 2026 (Limited) (New Zealand) March 5th, 2026 (Limited) (Australia) ... Show all releases |
| MPA Rating: | Not Rated (Rated 9/23/2025) |
| Running Time: | 95 minutes |
| Geographical setting: | New York |
| Plot point: | Doomed Romance, LGBTQ+, Romance, Undercover |
| Subgenre: | Romantic Drama |
| Time period setting: | 1990s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Magnolia Pictures, Lorton Entertainment, Page 1 |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 19, 2025 | - | $17,628 | 1 | $17,628 | $17,628 | 1 | |
| Sep 26, 2025 | - | $19,002 | +8% | 9 | $2,111 | $44,652 | 2 |
| Oct 3, 2025 | - | $27,320 | +44% | 28 | $976 | $86,495 | 3 |
| Oct 10, 2025 | - | $17,894 | -35% | 44 | $407 | $123,595 | 4 |
| Oct 17, 2025 | - | $3,906 | -78% | 6 | $651 | $139,729 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 19, 2025 | 33 | $25,650 | 1 | $25,650 | $25,650 | 1 | |
| Sep 26, 2025 | 35 | $33,525 | +31% | 11 | $3,048 | $59,175 | 2 |
| Oct 3, 2025 | 26 | $46,526 | +39% | 29 | $1,604 | $105,701 | 3 |
| Oct 10, 2025 | 35 | $30,122 | -35% | 44 | $685 | $135,823 | 4 |
| Oct 17, 2025 | 47 | $6,924 | -77% | 8 | $866 | $142,747 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/5/2026 | $6,454 | 14 | 14 | 0 | $44,347 | 6/15/2026 | |||
| New Zealand | 3/5/2026 | $361 | 0 | 1 | 0 | $2,183 | 4/20/2026 | |||
| United Kingdom | 10/10/2025 | $60,254 | 51 | 51 | 88 | $115,426 | 4/4/2026 | |||
| International Total | $161,956 | 6/15/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Tom Blyth | Lucas | |
| Russell Tovey | Andrew |
Supporting
| Amy Forsyth | Emily | |
| Gabe Fazio | Uncle Paul | |
| Maria Dizzia | Marie | |
| Christian Cooke | Ron |
Production and Technical Credits
| Carmen Emmi | Director | |
| Carmen Emmi | Screenwriter | |
| Colby Cote | Producer | |
| Arthur Landon | Producer | |
| Eric Podwall | Producer | |
| Vanessa Pantley | Producer | |
| Carmen Emmi | Co-Producer | |
| April Kelley | Co-Producer | |
| Alexander Wenger | Co-Producer | |
| Ethan Palmer | Director of Photography | |
| Roxy Martinez-Michaud* | Production Designer | |
| Kaden O’Keefe | Costume Designer | |
| Erik Vogt-Nilsen | Editor | |
| Emily Wells | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Set in 1990s Syracuse, a promising undercover cop assigned to lure and arrest gay men deffies professional orders when he falls in love with a target.
Metrics
| Opening Weekend: | $17,628 (12.3% of total gross) |
| Legs: | 5.23 (domestic box office/biggest weekend) |
| Domestic Share: | 46.8% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/44 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $142,747 |
Movie Details
| Domestic Releases: | September 19th, 2025 (Limited) by Magnolia Pictures |
| International Releases: | October 10th, 2025 (Limited) (United Kingdom)
December 15th, 2025 (Limited), released as Incógnito (Spain) January 15th, 2026 (Limited) (Germany) March 5th, 2026 (Limited) (New Zealand) March 5th, 2026 (Limited) (Australia) ... Show all releases |
| MPA Rating: | Not Rated (Rated 9/23/2025) |
| Running Time: | 95 minutes |
| Geographical setting: | New York |
| Plot point: | Doomed Romance, LGBTQ+, Romance, Undercover |
| Subgenre: | Romantic Drama |
| Time period setting: | 1990s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Magnolia Pictures, Lorton Entertainment, Page 1 |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 19, 2025 | - | $17,628 | 1 | $17,628 | $17,628 | 1 | |
| Sep 26, 2025 | - | $19,002 | +8% | 9 | $2,111 | $44,652 | 2 |
| Oct 3, 2025 | - | $27,320 | +44% | 28 | $976 | $86,495 | 3 |
| Oct 10, 2025 | - | $17,894 | -35% | 44 | $407 | $123,595 | 4 |
| Oct 17, 2025 | - | $3,906 | -78% | 6 | $651 | $139,729 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 19, 2025 | 33 | $25,650 | 1 | $25,650 | $25,650 | 1 | |
| Sep 26, 2025 | 35 | $33,525 | +31% | 11 | $3,048 | $59,175 | 2 |
| Oct 3, 2025 | 26 | $46,526 | +39% | 29 | $1,604 | $105,701 | 3 |
| Oct 10, 2025 | 35 | $30,122 | -35% | 44 | $685 | $135,823 | 4 |
| Oct 17, 2025 | 47 | $6,924 | -77% | 8 | $866 | $142,747 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/5/2026 | $6,454 | 14 | 14 | 0 | $44,347 | 6/15/2026 | |||
| New Zealand | 3/5/2026 | $361 | 0 | 1 | 0 | $2,183 | 4/20/2026 | |||
| United Kingdom | 10/10/2025 | $60,254 | 51 | 51 | 88 | $115,426 | 4/4/2026 | |||
| International Total | $161,956 | 6/15/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Tom Blyth | Lucas | |
| Russell Tovey | Andrew |
Supporting
| Amy Forsyth | Emily | |
| Gabe Fazio | Uncle Paul | |
| Maria Dizzia | Marie | |
| Christian Cooke | Ron |
Production and Technical Credits
| Carmen Emmi | Director | |
| Carmen Emmi | Screenwriter | |
| Colby Cote | Producer | |
| Arthur Landon | Producer | |
| Eric Podwall | Producer | |
| Vanessa Pantley | Producer | |
| Carmen Emmi | Co-Producer | |
| April Kelley | Co-Producer | |
| Alexander Wenger | Co-Producer | |
| Ethan Palmer | Director of Photography | |
| Roxy Martinez-Michaud* | Production Designer | |
| Kaden O’Keefe | Costume Designer | |
| Erik Vogt-Nilsen | Editor | |
| Emily Wells | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.