Love Me (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $350,840 | Details |
| OpusData ID: 687680100 More info... | ||
| Further financial details... | ||
Synopsis
In a story that spans billions of years, a buoy and a satellite meet online long after humanity’s extinction. As they learn what life was like on Earth, they discover themselves and what it means to be alive and in love. In this groundbreaking first feature from directors Sam and Andy Zuchero, Love Me explores contemporary topics surrounding technology and identity, though at its heart is a simple, emotionally resonant tale of transformation.
Metrics
| Opening Weekend: | $212,364 (60.5% of total gross) |
| Legs: | 1.65 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 527 opening theaters/527 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $350,840 |
Movie Details
| Domestic Releases: | January 31st, 2025 (Limited) by Bleecker Street |
| MPA Rating: | R for some sexuality/nudity. (Rating bulletin 2840 (cert #54787), 6/26/2024) |
| Running Time: | 92 minutes |
| Film festival: | Sundance Film Festival 2024 |
| Plot point: | Romance |
| Release detail: | Festival Acquisition |
| Social setting: | Post Apocalypse |
| Subgenre: | Romantic Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Bleecker Street , Shivhans Pictures, 2AM, AgX |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 31, 2025 | - | $212,364 | 527 | $403 | $212,364 | 1 | |
| Feb 7, 2025 | - | $16,696 | -92% | 106 | $158 | $340,705 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 31, 2025 | - | $82,115 | 527 | $156 | $82,115 | 1 | ||
| Feb 1, 2025 | - | $73,323 | -11% | 527 | $139 | $155,438 | 2 | |
| Feb 2, 2025 | - | $56,926 | -22% | 527 | $108 | $212,364 | 3 | |
| Feb 3, 2025 | - | $29,101 | -49% | 527 | $55 | $241,465 | 4 | |
| Feb 4, 2025 | - | $33,655 | +16% | 527 | $64 | $275,120 | 5 | |
| Feb 5, 2025 | - | $29,591 | -12% | 527 | $56 | $304,711 | 6 | |
| Feb 6, 2025 | - | $19,298 | -35% | 527 | $37 | $324,009 | 7 | |
| Feb 7, 2025 | - | $4,885 | -75% | -94% | 106 | $46 | $328,894 | 8 |
| Feb 8, 2025 | - | $7,550 | +55% | -90% | 106 | $71 | $336,444 | 9 |
| Feb 9, 2025 | - | $4,261 | -44% | -93% | 106 | $40 | $340,705 | 10 |
| Feb 10, 2025 | - | $2,557 | -40% | -91% | 106 | $24 | $343,262 | 11 |
| Feb 11, 2025 | - | $3,315 | +30% | -90% | 106 | $31 | $346,577 | 12 |
| Feb 12, 2025 | - | $3,117 | -6% | -89% | 106 | $29 | $349,694 | 13 |
| Feb 13, 2025 | - | $1,146 | -63% | -94% | 106 | $11 | $350,840 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 31, 2025 | 23 | $324,009 | 527 | $615 | $324,009 | 1 | |
| Feb 7, 2025 | 42 | $26,831 | -92% | 106 | $253 | $350,840 | 2 |
Leading
| Kristen Stewart | Me / Deja | |
| Steven Yeun | Iam / Liam |
Production and Technical Credits
| Sam Zuchero | Director | |
| Andy Zuchero | Director | |
| Sam Zuchero | Screenwriter | |
| Andy Zuchero | Screenwriter | |
| Shivani Rawat | Producer | |
| Julie Goldstein | Producer | |
| Kevin Rowe | Producer | |
| Luca Borghese | Producer | |
| Ben Howe | Producer | |
| Daniel Bekerman | Executive Producer | |
| Christine D’Souza Gelb | Executive Producer | |
| Connor Flanagan | Executive Producer | |
| Germain McMicking | Director of Photography | |
| Zazu Myers | Production Designer | |
| Angela Ganderton | Costume Designer | |
| Joseph Krings | Editor | |
| Salman Handy | Editor | |
| Matt Drake | Sound Designer | |
| David Longstreth | Composer | |
| Jemma Burns | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In a story that spans billions of years, a buoy and a satellite meet online long after humanity’s extinction. As they learn what life was like on Earth, they discover themselves and what it means to be alive and in love. In this groundbreaking first feature from directors Sam and Andy Zuchero, Love Me explores contemporary topics surrounding technology and identity, though at its heart is a simple, emotionally resonant tale of transformation.
Metrics
| Opening Weekend: | $212,364 (60.5% of total gross) |
| Legs: | 1.65 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 527 opening theaters/527 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $350,840 |
Movie Details
| Domestic Releases: | January 31st, 2025 (Limited) by Bleecker Street |
| MPA Rating: | R for some sexuality/nudity. (Rating bulletin 2840 (cert #54787), 6/26/2024) |
| Running Time: | 92 minutes |
| Film festival: | Sundance Film Festival 2024 |
| Plot point: | Romance |
| Release detail: | Festival Acquisition |
| Social setting: | Post Apocalypse |
| Subgenre: | Romantic Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Bleecker Street , Shivhans Pictures, 2AM, AgX |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 31, 2025 | - | $212,364 | 527 | $403 | $212,364 | 1 | |
| Feb 7, 2025 | - | $16,696 | -92% | 106 | $158 | $340,705 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 31, 2025 | - | $82,115 | 527 | $156 | $82,115 | 1 | ||
| Feb 1, 2025 | - | $73,323 | -11% | 527 | $139 | $155,438 | 2 | |
| Feb 2, 2025 | - | $56,926 | -22% | 527 | $108 | $212,364 | 3 | |
| Feb 3, 2025 | - | $29,101 | -49% | 527 | $55 | $241,465 | 4 | |
| Feb 4, 2025 | - | $33,655 | +16% | 527 | $64 | $275,120 | 5 | |
| Feb 5, 2025 | - | $29,591 | -12% | 527 | $56 | $304,711 | 6 | |
| Feb 6, 2025 | - | $19,298 | -35% | 527 | $37 | $324,009 | 7 | |
| Feb 7, 2025 | - | $4,885 | -75% | -94% | 106 | $46 | $328,894 | 8 |
| Feb 8, 2025 | - | $7,550 | +55% | -90% | 106 | $71 | $336,444 | 9 |
| Feb 9, 2025 | - | $4,261 | -44% | -93% | 106 | $40 | $340,705 | 10 |
| Feb 10, 2025 | - | $2,557 | -40% | -91% | 106 | $24 | $343,262 | 11 |
| Feb 11, 2025 | - | $3,315 | +30% | -90% | 106 | $31 | $346,577 | 12 |
| Feb 12, 2025 | - | $3,117 | -6% | -89% | 106 | $29 | $349,694 | 13 |
| Feb 13, 2025 | - | $1,146 | -63% | -94% | 106 | $11 | $350,840 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 31, 2025 | 23 | $324,009 | 527 | $615 | $324,009 | 1 | |
| Feb 7, 2025 | 42 | $26,831 | -92% | 106 | $253 | $350,840 | 2 |
Leading
| Kristen Stewart | Me / Deja | |
| Steven Yeun | Iam / Liam |
Production and Technical Credits
| Sam Zuchero | Director | |
| Andy Zuchero | Director | |
| Sam Zuchero | Screenwriter | |
| Andy Zuchero | Screenwriter | |
| Shivani Rawat | Producer | |
| Julie Goldstein | Producer | |
| Kevin Rowe | Producer | |
| Luca Borghese | Producer | |
| Ben Howe | Producer | |
| Daniel Bekerman | Executive Producer | |
| Christine D’Souza Gelb | Executive Producer | |
| Connor Flanagan | Executive Producer | |
| Germain McMicking | Director of Photography | |
| Zazu Myers | Production Designer | |
| Angela Ganderton | Costume Designer | |
| Joseph Krings | Editor | |
| Salman Handy | Editor | |
| Matt Drake | Sound Designer | |
| David Longstreth | Composer | |
| Jemma Burns | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.