The Little Things (2021)
| Theatrical Performance | ||
| Domestic Box Office | $15,342,746 | Details |
| International Box Office | $15,500,000 | Details |
| Worldwide Box Office | $30,842,746 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,564,701 | |
| Blu-ray Sales (estimated) | $1,598,418 | |
| Total | $3,163,119 | |
| OpusData ID: 401770100 More info... | ||
| Further financial details... | ||
Synopsis
Kern County Deputy Sheriff Joe “Deke” Deacon is sent to Los Angeles for what should have been a quick evidence-gathering assignment. Instead, he becomes embroiled in the search for a killer who is terrorizing the city. Leading the hunt, L.A. Sheriff Department Sergeant Jim Baxter, impressed with Deke’s cop instincts, unofficially engages his help. But as they track the killer, Baxter is unaware that the investigation is dredging up echoes of Deke’s past, uncovering disturbing secrets that could threaten more than his case.
Metrics
| Opening Weekend: | $4,705,527 (30.7% of total gross) |
| Legs: | 3.26 (domestic box office/biggest weekend) |
| Domestic Share: | 49.7% (domestic box office/worldwide) |
| Production Budget: | $30,000,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 2,171 opening theaters/2,206 max. theaters, 7.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $18,043,191 |
Movie Details
| Domestic Releases: | January 29th, 2021 (Wide) by Warner Bros. |
| International Releases: | January 28th, 2021 (Wide) (Germany)
January 29th, 2021 (Wide) (Russia (CIS)) January 29th, 2021 (Wide) (Saudi Arabia) January 29th, 2021 (Wide) (United Arab Emirates) January 29th, 2021 (Wide) (Taiwan) ... Show all releases |
| Video Release: | January 29th, 2021 by Max |
| MPA Rating: | R for violent/disturbing images, language and full nudity. (Rating bulletin 2643 (Cert #52861), 8/19/2020) |
| Running Time: | 127 minutes |
| Cast, crew, or production detail: | Development Hell, Prologue |
| Plot point: | Crime, Serial Killer |
| Social setting: | Film Noir, LAPD |
| Subgenre: | Crime Thriller |
| Time period setting: | 1990s |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Warner Bros., Gran Via |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 29, 2021 | 1 | $4,705,527 | 2,171 | $2,167 | $4,705,527 | 1 | |
| Feb 5, 2021 | 1 | $2,051,189 | -56% | 2,206 | $930 | $7,671,457 | 2 |
| Feb 12, 2021 | 3 | $1,990,547 | -3% | 2,090 | $952 | $10,190,795 | 3 |
| Feb 19, 2021 | 2 | $1,150,696 | -42% | 2,061 | $558 | $11,701,061 | 4 |
| Feb 26, 2021 | 3 | $930,108 | -19% | 1,853 | $502 | $12,910,185 | 5 |
| Mar 5, 2021 | 6 | $550,089 | -41% | 1,448 | $380 | $13,686,314 | 6 |
| Mar 12, 2021 | 9 | $400,895 | -27% | 1,303 | $308 | $14,231,922 | 7 |
| Mar 19, 2021 | 10 | $310,072 | -23% | 1,130 | $274 | $14,677,844 | 8 |
| Mar 26, 2021 | - | $143,051 | -54% | 1,001 | $143 | $14,914,210 | 9 |
| Apr 2, 2021 | - | $104,050 | -27% | 326 | $319 | $15,051,645 | 10 |
| Apr 9, 2021 | - | $83,685 | -20% | 205 | $408 | $15,153,877 | 11 |
| Apr 16, 2021 | - | $29,319 | -65% | 136 | $216 | $15,194,002 | 12 |
| Apr 23, 2021 | - | $28,065 | -4% | 136 | $206 | $15,226,613 | 13 |
| Apr 30, 2021 | - | $15,187 | -46% | 312 | $49 | $15,244,012 | 14 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 15, 2021 | - | $430,000 | 2,090 | $206 | $10,675,000 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 29, 2021 | 1 | $5,620,268 | 2,171 | $2,589 | $5,620,268 | 1 | |
| Feb 5, 2021 | 1 | $2,579,980 | -54% | 2,206 | $1,170 | $8,200,248 | 2 |
| Feb 12, 2021 | - | $2,350,117 | -9% | 2,090 | $1,124 | $10,550,365 | 3 |
| Feb 19, 2021 | - | $1,429,712 | -39% | 2,061 | $694 | $11,980,077 | 4 |
| Feb 26, 2021 | - | $1,156,148 | -19% | 1,853 | $624 | $13,136,225 | 5 |
| Mar 5, 2021 | - | $694,802 | -40% | 1,448 | $480 | $13,831,027 | 6 |
| Mar 12, 2021 | - | $536,745 | -23% | 1,303 | $412 | $14,367,772 | 7 |
| Mar 19, 2021 | - | $403,387 | -25% | 1,130 | $357 | $14,771,159 | 8 |
| Mar 26, 2021 | - | $176,436 | -56% | 1,001 | $176 | $14,947,595 | 9 |
| Apr 2, 2021 | - | $122,597 | -31% | 326 | $376 | $15,070,192 | 10 |
| Apr 9, 2021 | - | $94,491 | -23% | 205 | $461 | $15,164,683 | 11 |
| Apr 16, 2021 | - | $33,865 | -64% | 136 | $249 | $15,198,548 | 12 |
| Apr 23, 2021 | - | $30,277 | -11% | 136 | $223 | $15,228,825 | 13 |
| Apr 30, 2021 | 27 | $16,332 | -46% | 300 | $54 | $15,245,157 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/18/2021 | $1,074,058 | 276 | 277 | 1,595 | $4,305,512 | 10/19/2022 | |||
| Colombia | 1/29/2021 | $0 | 0 | 0 | 0 | $190,000 | 10/19/2022 | |||
| Croatia | 1/29/2021 | $0 | 0 | 0 | 0 | $255,000 | 10/19/2022 | |||
| Egypt | 2/12/2021 | $0 | 0 | 0 | 0 | $60,000 | 2/16/2021 | |||
| Iceland | 1/29/2021 | $0 | 0 | 0 | 0 | $58,000 | 2/16/2021 | |||
| India | 1/29/2021 | $18,000 | 0 | 0 | 0 | $18,000 | 10/19/2022 | |||
| Italy | 5/6/2021 | $10,781 | 0 | 2 | 2 | $34,800 | 10/20/2022 | |||
| Kazakhstan | 1/29/2021 | $0 | 0 | 0 | 0 | $137,000 | 3/8/2021 | |||
| Mexico | 3/11/2021 | $33,749 | 0 | 0 | 0 | $554,000 | 10/19/2022 | |||
| New Zealand | 2/19/2021 | $95,692 | 79 | 84 | 423 | $351,173 | 10/19/2022 | |||
| Qatar | 1/29/2021 | $0 | 0 | 0 | 0 | $144,000 | 3/22/2021 | |||
| Russia (CIS) | 1/29/2021 | $1,015,829 | 655 | 661 | 2,321 | $3,000,000 | 10/20/2022 | |||
| Saudi Arabia | 1/29/2021 | $893,000 | 35 | 35 | 85 | $2,000,000 | 10/19/2022 | |||
| Serbia and Montenegro | 1/29/2021 | $0 | 0 | 0 | 0 | $42,000 | 2/16/2021 | |||
| Singapore | 1/29/2021 | $67,000 | 33 | 33 | 33 | $119,000 | 10/19/2022 | |||
| Spain | 2/26/2021 | $154,000 | 134 | 174 | 773 | $669,000 | 10/20/2022 | |||
| Taiwan | 1/29/2021 | $177,000 | 110 | 110 | 110 | $383,000 | 10/19/2022 | |||
| Ukraine | 2/5/2021 | $181,000 | 267 | 267 | 442 | $411,000 | 10/19/2022 | |||
| United Arab Emirates | 1/29/2021 | $322,000 | 103 | 103 | 208 | $821,000 | 3/29/2021 | |||
| Rest of World | $1,947,515 | |||||||||
| International Total | $15,500,000 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Denzel Washington | Deke | |
| Rami Malek | Baxter | |
| Jared Leto | Albert Sparma |
Supporting
| Natalie Morales | Detective Jamie Estrada | |
| Chris Bauer | Sal Rizoli | |
| Michael Hyatt | Flo Dunigan | |
| Terry Kinney | Captain Farris | |
| Isabel Arraiza | Anna Baxter | |
| Joris Jarsky | Detective Rogers | |
| Glenn Morshower | Captain Henry Davis | |
| Sofia Vassilieva | Tina Salvatore | |
| Jason James Richter | Detective Dennis Williams | |
| John Harlan Kim | Officer Henderson | |
| Frederick Koehler | Stan Peters | |
| Judith Scott | Marsha | |
| Maya Kazan | Ronda Rathbun | |
| Tiffany Gonzalez | Julie Brock | |
| Anna McKitrick | Mary Roberts | |
| Sheila Houlahan | Paige Callahan | |
| Ebony N. Mayo | Tamara Ewing | |
| Matthew Morrison | Guy Jogger | |
| Olivia Washington | Amy Anders | |
| Kiff VandenHeuvel | Tow Truck Driver | |
| J. Downing | Flanders | |
| Sean Spann | Ghoul Squad | |
| Sophia Castro | Jennifer Baxter | |
| Calliah Sophie Estrada | Chloe Baxter | |
| Thomas Crawford | Burns | |
| Eric Satterberg | LASD Tech | |
| Ian Gary | LASD Tech | |
| Linara Washington | Waitress | |
| Jeff Corbett | Bill Rathbun | |
| Stephanie Erb | Phyllis Rathbun | |
| Samantha Cormier | Teenage Girl | |
| Smalls | Truck Driver | |
| Lee Garlington | Landlady | |
| Dimiter D. Marinov | St. Agnes Hotel Manager | |
| Julia Vera | ABC Appliance Owner | |
| Jack Topalian | AAA Appliance Owner | |
| Charlie Saxton | Felix | |
| Justin Barnhill | Grunge Kid | |
| Emil Beheshti | Lab Coat Tech | |
| James Bradley | LAPD | |
| Ben Kliewer | LAPD | |
| Hank Northrop | LAPD | |
| Bob Golub | Bum | |
| Ben Sanders | Delinquent Kid | |
| Adam Harrington | Greg Alberts | |
| Neil Garcia | Pike’s Bartender |
Production and Technical Credits
| John Lee Hancock | Director | |
| John Lee Hancock | Screenwriter | |
| Mark Johnson | Producer | |
| John Lee Hancock | Producer | |
| Mike Drake | Executive Producer | |
| Kevin McCormick | Executive Producer | |
| John Schwartzman | Director of Photography | |
| Michael Corenblith | Production Designer | |
| Robert Frazen | Editor | |
| Thomas Newman | Composer | |
| Daniel Orlandi | Costume Designer | |
| Denise Chamian | Casting Director | |
| Leigh Shanta | Unit Production Manager | |
| Donald L. Sparks | First Assistant Director | |
| Donald L. Sparks | Co-Producer | |
| Stephanie Tull | Second Assistant Director | |
| Lauren Polizzi | Supervising Art Director | |
| Samantha Avila | Art Director | |
| Lorrie Campbell | Set Designer | |
| Michael Budge | Set Designer | |
| Dawn Gilliam | Script Supervisor | |
| Erica Frauman | Post-Production Supervisor | |
| Chris Jackson | First Assistant Editor | |
| Susan Benjamin | Set Decorator | |
| Edward Hanley | Costume Supervisor | |
| Donald Mowat | Make up | |
| Ruth Haney | Make up | |
| Mark Nieman | Special Make-up Effects | |
| Michael White | Hairstylist | |
| Michael S. Ward | Hairstylist | |
| Jose Antonio Garcia | Sound Mixer | |
| Andrew Ullman | Supervising Location Manager | |
| Michael Dunitz | Location Manager | |
| Martin Allen | Key Location Manager | |
| Pierce Nudd | Key Location Manager | |
| Matthew Cassel | Key Location Manager | |
| Mark Hawker | Special Effects Supervisor | |
| Robert Malina | Assistant Editor | |
| Jon Johnson | Supervising Sound Editor | |
| Darren King | ADR Supervisor/Dialogue Editor | |
| Jessie Spence | Dialogue Editor | |
| Dan Gamache | Sound Effects Editor | |
| Yann Delpuech | Sound Effects Editor | |
| David E. Fluhr | Re-recording Mixer | |
| Gregory King | Re-recording Mixer | |
| Darrin Mann | Foley Mixer | |
| Shinnosuke Miyazawa | Music Editor | |
| Gabriel Sanchez | Visual Effects Supervisor | |
| Tim LeDoux | Visual Effects Supervisor | |
| Jason Sanford | Visual Effects Producer | |
| Andrew Kalicki | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Kern County Deputy Sheriff Joe “Deke” Deacon is sent to Los Angeles for what should have been a quick evidence-gathering assignment. Instead, he becomes embroiled in the search for a killer who is terrorizing the city. Leading the hunt, L.A. Sheriff Department Sergeant Jim Baxter, impressed with Deke’s cop instincts, unofficially engages his help. But as they track the killer, Baxter is unaware that the investigation is dredging up echoes of Deke’s past, uncovering disturbing secrets that could threaten more than his case.
Metrics
| Opening Weekend: | $4,705,527 (30.7% of total gross) |
| Legs: | 3.26 (domestic box office/biggest weekend) |
| Domestic Share: | 49.7% (domestic box office/worldwide) |
| Production Budget: | $30,000,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 2,171 opening theaters/2,206 max. theaters, 7.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $18,043,191 |
Movie Details
| Domestic Releases: | January 29th, 2021 (Wide) by Warner Bros. |
| International Releases: | January 28th, 2021 (Wide) (Germany)
January 29th, 2021 (Wide) (Russia (CIS)) January 29th, 2021 (Wide) (Saudi Arabia) January 29th, 2021 (Wide) (United Arab Emirates) January 29th, 2021 (Wide) (Taiwan) ... Show all releases |
| Video Release: | January 29th, 2021 by Max |
| MPA Rating: | R for violent/disturbing images, language and full nudity. (Rating bulletin 2643 (Cert #52861), 8/19/2020) |
| Running Time: | 127 minutes |
| Cast, crew, or production detail: | Development Hell, Prologue |
| Plot point: | Crime, Serial Killer |
| Social setting: | Film Noir, LAPD |
| Subgenre: | Crime Thriller |
| Time period setting: | 1990s |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Warner Bros., Gran Via |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 29, 2021 | 1 | $4,705,527 | 2,171 | $2,167 | $4,705,527 | 1 | |
| Feb 5, 2021 | 1 | $2,051,189 | -56% | 2,206 | $930 | $7,671,457 | 2 |
| Feb 12, 2021 | 3 | $1,990,547 | -3% | 2,090 | $952 | $10,190,795 | 3 |
| Feb 19, 2021 | 2 | $1,150,696 | -42% | 2,061 | $558 | $11,701,061 | 4 |
| Feb 26, 2021 | 3 | $930,108 | -19% | 1,853 | $502 | $12,910,185 | 5 |
| Mar 5, 2021 | 6 | $550,089 | -41% | 1,448 | $380 | $13,686,314 | 6 |
| Mar 12, 2021 | 9 | $400,895 | -27% | 1,303 | $308 | $14,231,922 | 7 |
| Mar 19, 2021 | 10 | $310,072 | -23% | 1,130 | $274 | $14,677,844 | 8 |
| Mar 26, 2021 | - | $143,051 | -54% | 1,001 | $143 | $14,914,210 | 9 |
| Apr 2, 2021 | - | $104,050 | -27% | 326 | $319 | $15,051,645 | 10 |
| Apr 9, 2021 | - | $83,685 | -20% | 205 | $408 | $15,153,877 | 11 |
| Apr 16, 2021 | - | $29,319 | -65% | 136 | $216 | $15,194,002 | 12 |
| Apr 23, 2021 | - | $28,065 | -4% | 136 | $206 | $15,226,613 | 13 |
| Apr 30, 2021 | - | $15,187 | -46% | 312 | $49 | $15,244,012 | 14 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 15, 2021 | - | $430,000 | 2,090 | $206 | $10,675,000 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 29, 2021 | 1 | $5,620,268 | 2,171 | $2,589 | $5,620,268 | 1 | |
| Feb 5, 2021 | 1 | $2,579,980 | -54% | 2,206 | $1,170 | $8,200,248 | 2 |
| Feb 12, 2021 | - | $2,350,117 | -9% | 2,090 | $1,124 | $10,550,365 | 3 |
| Feb 19, 2021 | - | $1,429,712 | -39% | 2,061 | $694 | $11,980,077 | 4 |
| Feb 26, 2021 | - | $1,156,148 | -19% | 1,853 | $624 | $13,136,225 | 5 |
| Mar 5, 2021 | - | $694,802 | -40% | 1,448 | $480 | $13,831,027 | 6 |
| Mar 12, 2021 | - | $536,745 | -23% | 1,303 | $412 | $14,367,772 | 7 |
| Mar 19, 2021 | - | $403,387 | -25% | 1,130 | $357 | $14,771,159 | 8 |
| Mar 26, 2021 | - | $176,436 | -56% | 1,001 | $176 | $14,947,595 | 9 |
| Apr 2, 2021 | - | $122,597 | -31% | 326 | $376 | $15,070,192 | 10 |
| Apr 9, 2021 | - | $94,491 | -23% | 205 | $461 | $15,164,683 | 11 |
| Apr 16, 2021 | - | $33,865 | -64% | 136 | $249 | $15,198,548 | 12 |
| Apr 23, 2021 | - | $30,277 | -11% | 136 | $223 | $15,228,825 | 13 |
| Apr 30, 2021 | 27 | $16,332 | -46% | 300 | $54 | $15,245,157 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/18/2021 | $1,074,058 | 276 | 277 | 1,595 | $4,305,512 | 10/19/2022 | |||
| Colombia | 1/29/2021 | $0 | 0 | 0 | 0 | $190,000 | 10/19/2022 | |||
| Croatia | 1/29/2021 | $0 | 0 | 0 | 0 | $255,000 | 10/19/2022 | |||
| Egypt | 2/12/2021 | $0 | 0 | 0 | 0 | $60,000 | 2/16/2021 | |||
| Iceland | 1/29/2021 | $0 | 0 | 0 | 0 | $58,000 | 2/16/2021 | |||
| India | 1/29/2021 | $18,000 | 0 | 0 | 0 | $18,000 | 10/19/2022 | |||
| Italy | 5/6/2021 | $10,781 | 0 | 2 | 2 | $34,800 | 10/20/2022 | |||
| Kazakhstan | 1/29/2021 | $0 | 0 | 0 | 0 | $137,000 | 3/8/2021 | |||
| Mexico | 3/11/2021 | $33,749 | 0 | 0 | 0 | $554,000 | 10/19/2022 | |||
| New Zealand | 2/19/2021 | $95,692 | 79 | 84 | 423 | $351,173 | 10/19/2022 | |||
| Qatar | 1/29/2021 | $0 | 0 | 0 | 0 | $144,000 | 3/22/2021 | |||
| Russia (CIS) | 1/29/2021 | $1,015,829 | 655 | 661 | 2,321 | $3,000,000 | 10/20/2022 | |||
| Saudi Arabia | 1/29/2021 | $893,000 | 35 | 35 | 85 | $2,000,000 | 10/19/2022 | |||
| Serbia and Montenegro | 1/29/2021 | $0 | 0 | 0 | 0 | $42,000 | 2/16/2021 | |||
| Singapore | 1/29/2021 | $67,000 | 33 | 33 | 33 | $119,000 | 10/19/2022 | |||
| Spain | 2/26/2021 | $154,000 | 134 | 174 | 773 | $669,000 | 10/20/2022 | |||
| Taiwan | 1/29/2021 | $177,000 | 110 | 110 | 110 | $383,000 | 10/19/2022 | |||
| Ukraine | 2/5/2021 | $181,000 | 267 | 267 | 442 | $411,000 | 10/19/2022 | |||
| United Arab Emirates | 1/29/2021 | $322,000 | 103 | 103 | 208 | $821,000 | 3/29/2021 | |||
| Rest of World | $1,947,515 | |||||||||
| International Total | $15,500,000 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Denzel Washington | Deke | |
| Rami Malek | Baxter | |
| Jared Leto | Albert Sparma |
Supporting
| Natalie Morales | Detective Jamie Estrada | |
| Chris Bauer | Sal Rizoli | |
| Michael Hyatt | Flo Dunigan | |
| Terry Kinney | Captain Farris | |
| Isabel Arraiza | Anna Baxter | |
| Joris Jarsky | Detective Rogers | |
| Glenn Morshower | Captain Henry Davis | |
| Sofia Vassilieva | Tina Salvatore | |
| Jason James Richter | Detective Dennis Williams | |
| John Harlan Kim | Officer Henderson | |
| Frederick Koehler | Stan Peters | |
| Judith Scott | Marsha | |
| Maya Kazan | Ronda Rathbun | |
| Tiffany Gonzalez | Julie Brock | |
| Anna McKitrick | Mary Roberts | |
| Sheila Houlahan | Paige Callahan | |
| Ebony N. Mayo | Tamara Ewing | |
| Matthew Morrison | Guy Jogger | |
| Olivia Washington | Amy Anders | |
| Kiff VandenHeuvel | Tow Truck Driver | |
| J. Downing | Flanders | |
| Sean Spann | Ghoul Squad | |
| Sophia Castro | Jennifer Baxter | |
| Calliah Sophie Estrada | Chloe Baxter | |
| Thomas Crawford | Burns | |
| Eric Satterberg | LASD Tech | |
| Ian Gary | LASD Tech | |
| Linara Washington | Waitress | |
| Jeff Corbett | Bill Rathbun | |
| Stephanie Erb | Phyllis Rathbun | |
| Samantha Cormier | Teenage Girl | |
| Smalls | Truck Driver | |
| Lee Garlington | Landlady | |
| Dimiter D. Marinov | St. Agnes Hotel Manager | |
| Julia Vera | ABC Appliance Owner | |
| Jack Topalian | AAA Appliance Owner | |
| Charlie Saxton | Felix | |
| Justin Barnhill | Grunge Kid | |
| Emil Beheshti | Lab Coat Tech | |
| James Bradley | LAPD | |
| Ben Kliewer | LAPD | |
| Hank Northrop | LAPD | |
| Bob Golub | Bum | |
| Ben Sanders | Delinquent Kid | |
| Adam Harrington | Greg Alberts | |
| Neil Garcia | Pike’s Bartender |
Production and Technical Credits
| John Lee Hancock | Director | |
| John Lee Hancock | Screenwriter | |
| Mark Johnson | Producer | |
| John Lee Hancock | Producer | |
| Mike Drake | Executive Producer | |
| Kevin McCormick | Executive Producer | |
| John Schwartzman | Director of Photography | |
| Michael Corenblith | Production Designer | |
| Robert Frazen | Editor | |
| Thomas Newman | Composer | |
| Daniel Orlandi | Costume Designer | |
| Denise Chamian | Casting Director | |
| Leigh Shanta | Unit Production Manager | |
| Donald L. Sparks | First Assistant Director | |
| Donald L. Sparks | Co-Producer | |
| Stephanie Tull | Second Assistant Director | |
| Lauren Polizzi | Supervising Art Director | |
| Samantha Avila | Art Director | |
| Lorrie Campbell | Set Designer | |
| Michael Budge | Set Designer | |
| Dawn Gilliam | Script Supervisor | |
| Erica Frauman | Post-Production Supervisor | |
| Chris Jackson | First Assistant Editor | |
| Susan Benjamin | Set Decorator | |
| Edward Hanley | Costume Supervisor | |
| Donald Mowat | Make up | |
| Ruth Haney | Make up | |
| Mark Nieman | Special Make-up Effects | |
| Michael White | Hairstylist | |
| Michael S. Ward | Hairstylist | |
| Jose Antonio Garcia | Sound Mixer | |
| Andrew Ullman | Supervising Location Manager | |
| Michael Dunitz | Location Manager | |
| Martin Allen | Key Location Manager | |
| Pierce Nudd | Key Location Manager | |
| Matthew Cassel | Key Location Manager | |
| Mark Hawker | Special Effects Supervisor | |
| Robert Malina | Assistant Editor | |
| Jon Johnson | Supervising Sound Editor | |
| Darren King | ADR Supervisor/Dialogue Editor | |
| Jessie Spence | Dialogue Editor | |
| Dan Gamache | Sound Effects Editor | |
| Yann Delpuech | Sound Effects Editor | |
| David E. Fluhr | Re-recording Mixer | |
| Gregory King | Re-recording Mixer | |
| Darrin Mann | Foley Mixer | |
| Shinnosuke Miyazawa | Music Editor | |
| Gabriel Sanchez | Visual Effects Supervisor | |
| Tim LeDoux | Visual Effects Supervisor | |
| Jason Sanford | Visual Effects Producer | |
| Andrew Kalicki | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.