March 28th, 2012
The Adventures of Tintin led all new releases and took top spot on the Blu-ray sales chart. It sold 504,000 units and generated $11.09 million in opening week sales. This represents an opening Blu-ray share of very nearly 50%, which is an excellent start for a kids film.
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March 27th, 2012
Like last week, new releases dominated the DVD sales chart this week with three new releases topping the chart. The best of the best was Happy Feet Two with 896,000 units / $13.43 million during its first week on the home market. The film struggled at the box office, so this start on the home market is better than expected.
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March 21st, 2012
As it was on the DVD sales chart, there was a battle for first place on the Blu-ray sales chart between two new releases. Immortals beat Game of Thrones: Season Two in terms of units, 927,000 units to 680,000 units. However, Game comes out ahead in terms of revenue at $29.89 million to $21.31 million. As far as the two releases opening week Blu-ray share, Immortals managed 59% while Game earned 57%. Both of those results are fantastic.
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March 21st, 2012
New releases dominated the DVD sales chart with two DVDs having a legitimate claim to the top spot. Immortals sold the most units 649,000 units, while its revenue was the second best for the week at $11.12 million.
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March 6th, 2012
The number of big releases coming out this week can be counted on the fingers of one hand. The biggest theatrical release of the week is Immortals, but its reviews were weak enough that I think it might struggle on the home market in comparison. There are also a few catalog titles coming out on Blu-ray that are note-worthy, like To Catch a Thief. However, by far the biggest release, and the best, is Game of Thrones: Season One on DVD or Blu-ray, the latter of which is the Pick of the Week with To Catch a Thief not too far behind.
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December 15th, 2011
For the first time in four weeks, we had a new number one film on the international chart, as Puss In Boots continued its climb reaching top spot. It expanded into 16 additional markets, including a handful of major ones. This propelled it into first place with $47.06 million on 6,749 screens in 40 markets for a total of $143.72 million, which is just over what it has made domestically. The film's biggest debuted was Germany, where it earned top spot with $6.88 million on 680 screens, including previews. It was even more impressive in Brazil with $5.56 million on 738 screens, also including previews. Brazil is more of an emerging market than a major market, so the fact that it generated more revenue than its openings in either Australia ($4.03 million on 507 screens, including previews) or in the U.K. ($3.07 million on 510) is quite stunning. With debuts in Italy, Japan, and other markets ahead of it, not to mention the Christmas holiday, it could double what it currently has internationally, which would lift its worldwide total over $400 million.
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November 30th, 2011
The Twilight Saga: Breaking Dawn, Part 1 remained in top spot on the international chart with $76 million on 10,500 screens in 68 markets for a total of $268 million internationally and $489 million worldwide. It has already topped the first film in the franchise and by the end it should improve upon the franchise's international average. Its best new market was Germany, at $10.89 million on 789 screens over the weekend, for a total opening of $13.70 million. Meanwhile, its best holdover was the U.K., where it added $7.11 million on 546 screens to its two-week total, which sits at $36.24 million.
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November 23rd, 2011
The Twilight Saga: Breaking Dawn, Part 1 wasn't the only film playing internationally, but it might as well have been with how much it dominated the box office. It opened with $152.9 million on 9,950 screens in 54 markets for a global opening of $291.0 million. This was the best opening for the franchise so far, although Part 2 will likely top it. Its biggest opening came from the U.K. where it managed $21.84 million on 543 screens, while it also topped the chart in Russia with $15.85 million on 1,268. It earned nearly identical results in Italy ($12.10 million on 719) and in Australia ($12.01 million on 618). Other first place results include Spain ($11.73 million on 957); Brazil ($10.29 million on 1,008); and Mexico ($10.12 million on 2,176). On the other hand, it had to settle for second place in France, but still managed a very strong $14.85 million on 759 screens. The film opens in Germany this weekend, while it doesn't finish its run till February when it debuts in Japan.
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November 21st, 2011
Normally the breaking of the dawn is a sign of hope, and normally a film opening with close to $140 million is a reason to celebrate. However, despite the success of The Twilight Saga: Breaking Dawn, Part 1, there are some troubling signs ahead. If we can focus on the positive for a bit, the film did help the overall box office rocket up 63% from last weekend to $222 million, which was 14% higher than the same weekend last year. That's not enough to suggest 2011 will catch up to 2010 by the end of the year. We are still 3.5% behind last year's pace at $9.09 billion to $9.42 billion and we are rapidly running out of time. Plus there are worse signs ahead.
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November 17th, 2011
2011 got some much needed good news last weekend, as the overall box office topped expectations and we saw year-over-year growth. The industry sure hopes we can continue that winning trend this week. There are some reasons to be optimistic, even though this weekend last year saw the release of Harry Potter and the Deathly Hallows, Part 1, which made just over $125 million during its opening weekend. Most analysts think The Twilight Saga: Breaking Dawn, Part 1 will top that figure with relative ease. Additionally, Happy Feet 2 looks like it will be a very solid counter-programming release and, on the high end, the top two films could make more this weekend than the entire box office made last year. It's probably too late for 2011 to catch up with 2010, but every victory is still worth celebrating.
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November 16th, 2011
Immortals opened in first place internationally with an estimated $38 million in three dozen theaters. (Because the film's international run is being handled by multiple studios, getting exact numbers was delayed.) Its biggest market was Russia, where it earned first place with $8.68 million on 1,236 screens, while it earned $5.5 million in China. The film also debuted in first place in South Korea with $3.99 million on 633 screens over the weekend for a total opening of $4.95 million. It took top spot in the U.K. with $3.45 million on 428 screens and in Germany with $2.63 million on 440. On the other hand, it bombed in Japan earning just $1.26 million on 462 screens over the weekend for a total opening of $1.69 million.
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November 16th, 2011
Melancholia led the way on the per theater chart with an average of $13,535 in 19 theaters. It was playing in more theaters than most limited releases debut in, but for a film with Oscar aspirations, this was a weaker result that I would have liked. It also might hurt the film's Oscar chances; after all, people can't vote for films they haven't seen. The overall box office leader, Immortals, placed second with an average of $10,349, which is about $3,000 more than I was expecting.
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November 14th, 2011
We finally had some good news, as there was a surprise hit at the box office. Immortals opened with substantially more than expected, while the rest of the top five at least came within $500,000 of weekend predictions. This led to an increase from last weekend of 20% to $136 million, while compared to last year, the box office was 12% higher. There is still some bad news. For instance, 2011 is still behind 2010's pace by about 4% at $8.83 billion to $9.19 billion. Also, in order to catch up, we need to maintain year-over-year gains that are about twice as high as they were this weekend. I don't see that happening.
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November 13th, 2011
Relativity will enjoy a relatively comfortable win at the box office this weekend, based on Sunday estimates. 3D fantasy action movie Immortals is set to earn about $32 million, according to their Sunday estimate, and will comfortably beat fellow-opener Jack and Jill. The Adam Sandler comedy is projected to earn $26 million, which makes it essentially tied with Puss in Boots. The animated adventure will be down just 22% this weekend and has passed $100 million at the box office in its third weekend.
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November 10th, 2011
2011 continues to stumble to the finish line and I'm starting to get more than a little depressed at the overall box office numbers. This week we have three wide releases, if you stretch the definition of wide a little bit, as J. Edgar will open in less than 2,000 theaters. On the other hand, both Jack and Jill and Immortals are opening in 3,000 theaters and both have a shot at first place. However, Puss in Boots has an even better shot at holding onto first place for the third weekend in a row. While this is good news for Puss in Boots, it's bad news for the box office as a whole. It will likely earn substantially less than last year's number one film, Megamind. The combined openings of the three wide releases coming out this week will likely be larger than three wide releases from last year. If there's a pleasant surprise or two, 2011 will be able to earn the win. At least there's little chance we will see the kind of year-over-year declines we saw the last two weeks.
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November 1st, 2011
October was a bit of a write-off. After the last weekend of September, the 2011 box office was about $280 million behind 2010's pace, but after the final weekend in October, that gap increased to $340 million. November will obviously bring in more box office dollars than October did. After all, it has one of the most important long holiday weekends of the year, Thanksgiving. However, the important question is not, "Can this November top last month?" It's, "Can this November top last year?" The biggest hit of last November was Harry Potter and the Deathly Hallows, Part I, which earned just shy of $300 million. The Twilight Saga: Breaking Dawn, Part 1 should match that figure. Tangled reached $200 million and maybe Happy Feet 2 will match that figure, but that's far less certain. There's a chance The Muppets will match Megamind while Tower Heist should top Due Date. If Jack and Jill and / or Hugo can become surprise $100 million hits and one of the limited releases can become a monster hit, like The King's Speech was able to, then suddenly the box office looks whole lot rosier going into the final month of the year. It's possible, but it's kind of like getting a backdoor full house in Texas Hold'em to beat a straight. I wouldn't bet on it. On the other hand, there doesn't appear to be many Skyline, The Next Three Days or Faster films that bombed at the box office. So while we might not be as strong at the top, there is better depth this year and hopefully that will be enough.
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