The Goldfinch (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $5,332,621 | Details |
| International Box Office | $4,700,000 | Details |
| Worldwide Box Office | $10,032,621 | |
| OpusData ID: 313140100 More info... | ||
| Further financial details... | ||
Synopsis
Theodore “Theo” Decker was 13 years old when his mother was killed in a bombing at the Metropolitan Museum of Art. The tragedy changes the course of his life, sending him on a stirring odyssey of grief and guilt, reinvention and redemption, and even love. Through it all, he holds on to one tangible piece of hope from that terrible day… a painting of a tiny bird chained to its perch. The Goldfinch.
Metrics
| Opening Weekend: | $2,679,027 (50.2% of total gross) |
| Legs: | 1.99 (domestic box office/biggest weekend) |
| Domestic Share: | 53.2% (domestic box office/worldwide) |
| Production Budget: | $40,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 2,542 opening theaters/2,542 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $6,962,681 |
Movie Details
| Domestic Releases: | September 13th, 2019 (Wide) by Warner Bros. |
| International Releases: | September 12th, 2019 (Wide), released as ЩЕГОЛ (Russia (CIS))
September 13th, 2019 (Wide), released as O Pintassilgo (Portugal) September 13th, 2019 (Wide), released as Stehlík (Slovakia) September 13th, 2019 (Wide), released as The Goldfinch: Iluzia Libertății (Romania) September 13th, 2019 (Wide), released as Щиглецът (Bulgaria) ... Show all releases |
| Video Release: | November 19th, 2019 by Warner Home Video |
| MPA Rating: | R for drug use and language. (Rating bulletin 2553 (Cert #51907), 11/14/2018) |
| Running Time: | 149 minutes |
| Geographical setting: | New York, New York City |
| Plot point: | Addiction, Artists, Child Abuse, Coming of Age, Dysfunctional Family, Forgery, Gambling, Narcotics, Terrorism, Unrequited Love, Young Child Dealing with the Death of a Parent |
| Social setting: | Organized Crime |
| Subgenre: | Crime Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Warner Bros., Color Force, Amazon Studios |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 13, 2019 | 8 | $2,679,027 | 2,542 | $1,054 | $2,679,027 | 1 | |
| Sep 20, 2019 | 15 | $760,014 | -72% | 2,542 | $299 | $4,540,117 | 2 |
| Sep 27, 2019 | 21 | $152,511 | -80% | 442 | $345 | $5,129,636 | 3 |
| Oct 4, 2019 | 38 | $38,237 | -75% | 86 | $445 | $5,259,303 | 4 |
| Oct 11, 2019 | 48 | $21,659 | -43% | 86 | $252 | $5,300,261 | 5 |
| Oct 18, 2019 | 53 | $11,141 | -49% | 40 | $279 | $5,327,383 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 13, 2019 | 5 | $868,127 | 2,542 | $342 | $868,127 | 1 | ||
| Sep 14, 2019 | 8 | $1,106,662 | +27% | 2,542 | $435 | $1,974,789 | 2 | |
| Sep 15, 2019 | 8 | $704,238 | -36% | 2,542 | $277 | $2,679,027 | 3 | |
| Sep 16, 2019 | 5 | $257,133 | -63% | 2,542 | $101 | $2,936,160 | 4 | |
| Sep 17, 2019 | 5 | $419,867 | +63% | 2,542 | $165 | $3,356,027 | 5 | |
| Sep 18, 2019 | 6 | $248,019 | -41% | 2,542 | $98 | $3,604,046 | 6 | |
| Sep 19, 2019 | 8 | $176,057 | -29% | 2,542 | $69 | $3,780,103 | 7 | |
| Sep 20, 2019 | 15 | $219,156 | +24% | -75% | 2,542 | $86 | $3,999,259 | 8 |
| Sep 21, 2019 | - | $314,814 | +44% | -72% | 2,542 | $124 | $4,314,073 | 9 |
| Sep 22, 2019 | - | $226,044 | -28% | -68% | 2,542 | $89 | $4,540,117 | 10 |
| Sep 23, 2019 | 14 | $91,892 | -59% | -64% | 2,542 | $36 | $4,632,009 | 11 |
| Sep 24, 2019 | 12 | $146,350 | +59% | -65% | 2,542 | $58 | $4,778,359 | 12 |
| Sep 25, 2019 | 11 | $107,343 | -27% | -57% | 2,542 | $42 | $4,885,702 | 13 |
| Sep 26, 2019 | 13 | $91,423 | -15% | -48% | 2,542 | $36 | $4,977,125 | 14 |
| Sep 27, 2019 | - | $42,531 | -53% | -81% | 442 | $96 | $5,019,656 | 15 |
| Sep 28, 2019 | - | $62,168 | +46% | -80% | 442 | $141 | $5,081,824 | 16 |
| Sep 29, 2019 | - | $47,812 | -23% | -79% | 442 | $108 | $5,129,636 | 17 |
| Sep 30, 2019 | - | $23,528 | -51% | -74% | 442 | $53 | $5,153,164 | 18 |
| Oct 1, 2019 | - | $30,132 | +28% | -79% | 442 | $68 | $5,183,296 | 19 |
| Oct 2, 2019 | - | $21,896 | -27% | -80% | 442 | $50 | $5,205,192 | 20 |
| Oct 3, 2019 | - | $15,874 | -28% | -83% | 442 | $36 | $5,221,066 | 21 |
| Oct 4, 2019 | - | $10,392 | -35% | -76% | 86 | $121 | $5,231,458 | 22 |
| Oct 5, 2019 | - | $16,029 | +54% | -74% | 86 | $186 | $5,247,487 | 23 |
| Oct 6, 2019 | - | $11,816 | -26% | -75% | 86 | $137 | $5,259,303 | 24 |
| Oct 7, 2019 | - | $5,138 | -57% | -78% | 86 | $60 | $5,264,441 | 25 |
| Oct 8, 2019 | - | $5,573 | +8% | -82% | 86 | $65 | $5,270,014 | 26 |
| Oct 9, 2019 | - | $5,061 | -9% | -77% | 86 | $59 | $5,275,075 | 27 |
| Oct 10, 2019 | - | $3,527 | -30% | -78% | 86 | $41 | $5,278,602 | 28 |
| Oct 11, 2019 | - | $6,127 | +74% | -41% | 86 | $71 | $5,284,729 | 29 |
| Oct 12, 2019 | - | $9,241 | +51% | -42% | 86 | $107 | $5,293,970 | 30 |
| Oct 13, 2019 | - | $6,291 | -32% | -47% | 86 | $73 | $5,300,261 | 31 |
| Oct 14, 2019 | - | $4,098 | -35% | -20% | 86 | $48 | $5,304,359 | 32 |
| Oct 15, 2019 | - | $3,456 | -16% | -38% | 86 | $40 | $5,307,815 | 33 |
| Oct 16, 2019 | - | $4,041 | +17% | -20% | 86 | $47 | $5,311,856 | 34 |
| Oct 17, 2019 | - | $4,386 | +9% | +24% | 86 | $51 | $5,316,242 | 35 |
| Oct 18, 2019 | - | $2,961 | -32% | -52% | 40 | $74 | $5,319,203 | 36 |
| Oct 19, 2019 | - | $3,987 | +35% | -57% | 40 | $100 | $5,323,190 | 37 |
| Oct 20, 2019 | - | $4,193 | +5% | -33% | 40 | $105 | $5,327,383 | 38 |
| Oct 21, 2019 | - | $1,533 | -63% | -63% | 40 | $38 | $5,328,916 | 39 |
| Oct 22, 2019 | - | $1,117 | -27% | -68% | 40 | $28 | $5,330,033 | 40 |
| Oct 23, 2019 | - | $1,312 | +17% | -68% | 40 | $33 | $5,331,345 | 41 |
| Oct 24, 2019 | - | $1,276 | -3% | -71% | 40 | $32 | $5,332,621 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 13, 2019 | 7 | $3,780,103 | 2,542 | $1,487 | $3,780,103 | 1 | |
| Sep 20, 2019 | 15 | $1,197,022 | -68% | 2,542 | $471 | $4,977,125 | 2 |
| Sep 27, 2019 | 25 | $243,941 | -80% | 442 | $552 | $5,221,066 | 3 |
| Oct 4, 2019 | 40 | $57,536 | -76% | 86 | $669 | $5,278,602 | 4 |
| Oct 11, 2019 | 47 | $37,640 | -35% | 86 | $438 | $5,316,242 | 5 |
| Oct 18, 2019 | 53 | $16,379 | -56% | 40 | $409 | $5,332,621 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 9/20/2019 | $4,272 | 30 | 30 | 30 | $6,004 | 9/30/2019 | |||
| Australia | 9/27/2019 | $74,938 | 40 | 54 | 195 | $239,923 | 11/7/2019 | |||
| Bulgaria | 9/13/2019 | $5,017 | 0 | 0 | 0 | $13,525 | 10/2/2019 | |||
| Czech Republic | 10/11/2019 | $7,202 | 66 | 66 | 66 | $7,202 | 10/19/2022 | |||
| France | 9/20/2019 | $151,276 | 240 | 240 | 240 | $151,276 | 9/30/2019 | |||
| Netherlands | 10/11/2019 | $79,511 | 63 | 63 | 124 | $199,043 | 10/19/2022 | |||
| New Zealand | 9/26/2019 | $16,005 | 18 | 30 | 123 | $74,641 | 11/26/2019 | |||
| Portugal | 9/13/2019 | $19,906 | 36 | 36 | 79 | $45,202 | 10/1/2019 | |||
| Romania | 9/13/2019 | $17,873 | 59 | 59 | 120 | $40,138 | 10/21/2019 | |||
| Russia (CIS) | 9/12/2019 | $553,081 | 783 | 783 | 2,074 | $1,199,721 | 10/19/2022 | |||
| Slovakia | 9/13/2019 | $8,481 | 66 | 66 | 85 | $14,211 | 9/24/2019 | |||
| Turkey | 9/27/2019 | $15,578 | 84 | 84 | 95 | $24,865 | 10/19/2022 | |||
| United Kingdom | 9/27/2019 | $395,037 | 515 | 515 | 515 | $395,037 | 10/2/2019 | |||
| Rest of World | $2,289,212 | |||||||||
| International Total | $4,700,000 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ansel Elgort | Theodore “Theo” Decker |
Supporting
| Oakes Fegley | Young Theodore | |
| Aneurin Barnard | Boris | |
| Finn Wolfhard | Young Boris | |
| Sarah Paulson | Xandra | |
| Luke Wilson | Larry Decker | |
| Jeffrey Wright | Hobie | |
| Nicole Kidman | Mrs. Barbour | |
| Willa Fitzgerald | Adult Kitsey Barbour | |
| Ashleigh Cummings | Adult Pippa | |
| Aimee Laurence | Young Pippa | |
| Robert Joy | Welton “Welty” Blackwell | |
| Boyd Gaines | Mr. Barbour | |
| Carly Connors | Young Kitsey Barbour | |
| Luke Kleintank | Platt Barbour | |
| Hailey Wist | Theo’s Mother | |
| Ryan Foust | Young Andy Barbour | |
| Jack DiFalco | Young Platt Barbour | |
| Austin Weyant | Adult Toddy Barbour | |
| Collin Shea Schirramacher | Young Toddy Barbour | |
| Denis O'Hare | Lucius Reeve | |
| Angela Cove | Female Social Worker | |
| Alton Fitzgerald White | Male Social Worker | |
| Joey Slotnick | Dave (Theo’s Psychiatrist) | |
| Dylan Boyd | Student | |
| Gordon Winarick | Adult Tom Cable | |
| Nicky Torchia | Young Tom Cable |
Narrator
| James Donahower | Mr. Beaman |
Supporting
| Don Castro | Detective #1 | |
| Robert Turano | Detective #2 | |
| Alma Cuervo | Store Owner | |
| Hank Rogerson | Vegas Teacher | |
| Ryan Katherine Stearns | First Student | |
| Tiana Youtzy | Second Student | |
| Peter Jacobson | Mr. Silver | |
| Caroline Day | Em | |
| Kevin Owen McDonald | Boris’ Father | |
| Karl Jacob | Man | |
| Raphael Corkhill | Barman | |
| Matteo van der Grijn | Gyuri | |
| Gerson Oratmangoen | Indonesian Man | |
| Mark Kingsford | Grozdan | |
| Bill Barberis | Martin | |
| Milan Sekeris | Frits | |
| Brandon Chen | Chinese Teen | |
| Sandy Lopez | Janet | |
| Misha Osherovich | Shirley T | |
| Puja Desai Mehta | Optometrist | |
| David Makman | Forrest Longstreet | |
| Harry Smith | Everett |
Production and Technical Credits
| John Crowley | Director | |
| Nina Jacobson | Producer | |
| Brad Simpson | Producer | |
| Peter Straughan | Screenwriter | |
| Donna Tartt | Story based on the novel by | |
| Mari Jo Winkler-Ioffreda | Executive Producer | |
| Kevin McCormick | Executive Producer | |
| Sue Kroll | Executive Producer | |
| Courtenay Valenti | Executive Producer | |
| Roger Deakins | Director of Photography | |
| K.K. Barrett | Production Designer | |
| Kelley Dixon | Editor | |
| Kasia Walicka Maimone | Costume Designer | |
| Susan Jacobs | Music Supervisor | |
| Trevor Gureckis | Composer | |
| Ellen Chenoweth | Casting Director | |
| Maggie G. Engelhardt | Unit Production Manager | |
| Mari Jo Winkler-Ioffreda | Unit Production Manager | |
| Christopher Surgent | First Assistant Director | |
| Takahide Kawakami | Second Assistant Director | |
| Margaret Chernin | Co-Producer | |
| Lesley Robson-Foster | Visual Effects Supervisor | |
| Samantha Dyer | Production Supervisor | |
| Deb Jensen | Supervising Art Director | |
| Rena DeAngelo | Set Decorator | |
| Mary Bailey | Script Supervisor | |
| Drew Kunin | Sound Mixer | |
| J. Kevin Draves | Costume Supervisor | |
| Evelyne Noraz | Make up | |
| Mandy Lyons | Hairstylist | |
| Lauri Pitkus | Location Manager | |
| Mark Bero | Special Effects Coordinator | |
| Brad Rohrer | Post-Production Supervisor | |
| Eric Kench | First Assistant Editor | |
| Skip Lievsay | Re-recording Mixer | |
| Paul Urmson | Re-recording Mixer | |
| Skip Lievsay | Supervising Sound Editor | |
| Paul Urmson | Supervising Sound Editor | |
| Blake Leyh | Sound Designer | |
| Larry Zipf | Sound Designer | |
| Wyatt Sprague | Sound Effects Editor | |
| Patrick Cicero | Sound Effects Editor | |
| Michael Feuser | Dialogue Editor | |
| Lidia Tamplenizza | Dialogue Editor | |
| Igor Nikolic | Foley Editor | |
| Matthew Kay | Foley Recordist | |
| Nancy Allen | Music Editor | |
| Parker Chehak | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Theodore “Theo” Decker was 13 years old when his mother was killed in a bombing at the Metropolitan Museum of Art. The tragedy changes the course of his life, sending him on a stirring odyssey of grief and guilt, reinvention and redemption, and even love. Through it all, he holds on to one tangible piece of hope from that terrible day… a painting of a tiny bird chained to its perch. The Goldfinch.
Metrics
| Opening Weekend: | $2,679,027 (50.2% of total gross) |
| Legs: | 1.99 (domestic box office/biggest weekend) |
| Domestic Share: | 53.2% (domestic box office/worldwide) |
| Production Budget: | $40,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 2,542 opening theaters/2,542 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $6,962,681 |
Movie Details
| Domestic Releases: | September 13th, 2019 (Wide) by Warner Bros. |
| International Releases: | September 12th, 2019 (Wide), released as ЩЕГОЛ (Russia (CIS))
September 13th, 2019 (Wide), released as O Pintassilgo (Portugal) September 13th, 2019 (Wide), released as Stehlík (Slovakia) September 13th, 2019 (Wide), released as The Goldfinch: Iluzia Libertății (Romania) September 13th, 2019 (Wide), released as Щиглецът (Bulgaria) ... Show all releases |
| Video Release: | November 19th, 2019 by Warner Home Video |
| MPA Rating: | R for drug use and language. (Rating bulletin 2553 (Cert #51907), 11/14/2018) |
| Running Time: | 149 minutes |
| Geographical setting: | New York, New York City |
| Plot point: | Addiction, Artists, Child Abuse, Coming of Age, Dysfunctional Family, Forgery, Gambling, Narcotics, Terrorism, Unrequited Love, Young Child Dealing with the Death of a Parent |
| Social setting: | Organized Crime |
| Subgenre: | Crime Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Warner Bros., Color Force, Amazon Studios |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 13, 2019 | 8 | $2,679,027 | 2,542 | $1,054 | $2,679,027 | 1 | |
| Sep 20, 2019 | 15 | $760,014 | -72% | 2,542 | $299 | $4,540,117 | 2 |
| Sep 27, 2019 | 21 | $152,511 | -80% | 442 | $345 | $5,129,636 | 3 |
| Oct 4, 2019 | 38 | $38,237 | -75% | 86 | $445 | $5,259,303 | 4 |
| Oct 11, 2019 | 48 | $21,659 | -43% | 86 | $252 | $5,300,261 | 5 |
| Oct 18, 2019 | 53 | $11,141 | -49% | 40 | $279 | $5,327,383 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 13, 2019 | 5 | $868,127 | 2,542 | $342 | $868,127 | 1 | ||
| Sep 14, 2019 | 8 | $1,106,662 | +27% | 2,542 | $435 | $1,974,789 | 2 | |
| Sep 15, 2019 | 8 | $704,238 | -36% | 2,542 | $277 | $2,679,027 | 3 | |
| Sep 16, 2019 | 5 | $257,133 | -63% | 2,542 | $101 | $2,936,160 | 4 | |
| Sep 17, 2019 | 5 | $419,867 | +63% | 2,542 | $165 | $3,356,027 | 5 | |
| Sep 18, 2019 | 6 | $248,019 | -41% | 2,542 | $98 | $3,604,046 | 6 | |
| Sep 19, 2019 | 8 | $176,057 | -29% | 2,542 | $69 | $3,780,103 | 7 | |
| Sep 20, 2019 | 15 | $219,156 | +24% | -75% | 2,542 | $86 | $3,999,259 | 8 |
| Sep 21, 2019 | - | $314,814 | +44% | -72% | 2,542 | $124 | $4,314,073 | 9 |
| Sep 22, 2019 | - | $226,044 | -28% | -68% | 2,542 | $89 | $4,540,117 | 10 |
| Sep 23, 2019 | 14 | $91,892 | -59% | -64% | 2,542 | $36 | $4,632,009 | 11 |
| Sep 24, 2019 | 12 | $146,350 | +59% | -65% | 2,542 | $58 | $4,778,359 | 12 |
| Sep 25, 2019 | 11 | $107,343 | -27% | -57% | 2,542 | $42 | $4,885,702 | 13 |
| Sep 26, 2019 | 13 | $91,423 | -15% | -48% | 2,542 | $36 | $4,977,125 | 14 |
| Sep 27, 2019 | - | $42,531 | -53% | -81% | 442 | $96 | $5,019,656 | 15 |
| Sep 28, 2019 | - | $62,168 | +46% | -80% | 442 | $141 | $5,081,824 | 16 |
| Sep 29, 2019 | - | $47,812 | -23% | -79% | 442 | $108 | $5,129,636 | 17 |
| Sep 30, 2019 | - | $23,528 | -51% | -74% | 442 | $53 | $5,153,164 | 18 |
| Oct 1, 2019 | - | $30,132 | +28% | -79% | 442 | $68 | $5,183,296 | 19 |
| Oct 2, 2019 | - | $21,896 | -27% | -80% | 442 | $50 | $5,205,192 | 20 |
| Oct 3, 2019 | - | $15,874 | -28% | -83% | 442 | $36 | $5,221,066 | 21 |
| Oct 4, 2019 | - | $10,392 | -35% | -76% | 86 | $121 | $5,231,458 | 22 |
| Oct 5, 2019 | - | $16,029 | +54% | -74% | 86 | $186 | $5,247,487 | 23 |
| Oct 6, 2019 | - | $11,816 | -26% | -75% | 86 | $137 | $5,259,303 | 24 |
| Oct 7, 2019 | - | $5,138 | -57% | -78% | 86 | $60 | $5,264,441 | 25 |
| Oct 8, 2019 | - | $5,573 | +8% | -82% | 86 | $65 | $5,270,014 | 26 |
| Oct 9, 2019 | - | $5,061 | -9% | -77% | 86 | $59 | $5,275,075 | 27 |
| Oct 10, 2019 | - | $3,527 | -30% | -78% | 86 | $41 | $5,278,602 | 28 |
| Oct 11, 2019 | - | $6,127 | +74% | -41% | 86 | $71 | $5,284,729 | 29 |
| Oct 12, 2019 | - | $9,241 | +51% | -42% | 86 | $107 | $5,293,970 | 30 |
| Oct 13, 2019 | - | $6,291 | -32% | -47% | 86 | $73 | $5,300,261 | 31 |
| Oct 14, 2019 | - | $4,098 | -35% | -20% | 86 | $48 | $5,304,359 | 32 |
| Oct 15, 2019 | - | $3,456 | -16% | -38% | 86 | $40 | $5,307,815 | 33 |
| Oct 16, 2019 | - | $4,041 | +17% | -20% | 86 | $47 | $5,311,856 | 34 |
| Oct 17, 2019 | - | $4,386 | +9% | +24% | 86 | $51 | $5,316,242 | 35 |
| Oct 18, 2019 | - | $2,961 | -32% | -52% | 40 | $74 | $5,319,203 | 36 |
| Oct 19, 2019 | - | $3,987 | +35% | -57% | 40 | $100 | $5,323,190 | 37 |
| Oct 20, 2019 | - | $4,193 | +5% | -33% | 40 | $105 | $5,327,383 | 38 |
| Oct 21, 2019 | - | $1,533 | -63% | -63% | 40 | $38 | $5,328,916 | 39 |
| Oct 22, 2019 | - | $1,117 | -27% | -68% | 40 | $28 | $5,330,033 | 40 |
| Oct 23, 2019 | - | $1,312 | +17% | -68% | 40 | $33 | $5,331,345 | 41 |
| Oct 24, 2019 | - | $1,276 | -3% | -71% | 40 | $32 | $5,332,621 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 13, 2019 | 7 | $3,780,103 | 2,542 | $1,487 | $3,780,103 | 1 | |
| Sep 20, 2019 | 15 | $1,197,022 | -68% | 2,542 | $471 | $4,977,125 | 2 |
| Sep 27, 2019 | 25 | $243,941 | -80% | 442 | $552 | $5,221,066 | 3 |
| Oct 4, 2019 | 40 | $57,536 | -76% | 86 | $669 | $5,278,602 | 4 |
| Oct 11, 2019 | 47 | $37,640 | -35% | 86 | $438 | $5,316,242 | 5 |
| Oct 18, 2019 | 53 | $16,379 | -56% | 40 | $409 | $5,332,621 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 9/20/2019 | $4,272 | 30 | 30 | 30 | $6,004 | 9/30/2019 | |||
| Australia | 9/27/2019 | $74,938 | 40 | 54 | 195 | $239,923 | 11/7/2019 | |||
| Bulgaria | 9/13/2019 | $5,017 | 0 | 0 | 0 | $13,525 | 10/2/2019 | |||
| Czech Republic | 10/11/2019 | $7,202 | 66 | 66 | 66 | $7,202 | 10/19/2022 | |||
| France | 9/20/2019 | $151,276 | 240 | 240 | 240 | $151,276 | 9/30/2019 | |||
| Netherlands | 10/11/2019 | $79,511 | 63 | 63 | 124 | $199,043 | 10/19/2022 | |||
| New Zealand | 9/26/2019 | $16,005 | 18 | 30 | 123 | $74,641 | 11/26/2019 | |||
| Portugal | 9/13/2019 | $19,906 | 36 | 36 | 79 | $45,202 | 10/1/2019 | |||
| Romania | 9/13/2019 | $17,873 | 59 | 59 | 120 | $40,138 | 10/21/2019 | |||
| Russia (CIS) | 9/12/2019 | $553,081 | 783 | 783 | 2,074 | $1,199,721 | 10/19/2022 | |||
| Slovakia | 9/13/2019 | $8,481 | 66 | 66 | 85 | $14,211 | 9/24/2019 | |||
| Turkey | 9/27/2019 | $15,578 | 84 | 84 | 95 | $24,865 | 10/19/2022 | |||
| United Kingdom | 9/27/2019 | $395,037 | 515 | 515 | 515 | $395,037 | 10/2/2019 | |||
| Rest of World | $2,289,212 | |||||||||
| International Total | $4,700,000 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ansel Elgort | Theodore “Theo” Decker |
Supporting
| Oakes Fegley | Young Theodore | |
| Aneurin Barnard | Boris | |
| Finn Wolfhard | Young Boris | |
| Sarah Paulson | Xandra | |
| Luke Wilson | Larry Decker | |
| Jeffrey Wright | Hobie | |
| Nicole Kidman | Mrs. Barbour | |
| Willa Fitzgerald | Adult Kitsey Barbour | |
| Ashleigh Cummings | Adult Pippa | |
| Aimee Laurence | Young Pippa | |
| Robert Joy | Welton “Welty” Blackwell | |
| Boyd Gaines | Mr. Barbour | |
| Carly Connors | Young Kitsey Barbour | |
| Luke Kleintank | Platt Barbour | |
| Hailey Wist | Theo’s Mother | |
| Ryan Foust | Young Andy Barbour | |
| Jack DiFalco | Young Platt Barbour | |
| Austin Weyant | Adult Toddy Barbour | |
| Collin Shea Schirramacher | Young Toddy Barbour | |
| Denis O'Hare | Lucius Reeve | |
| Angela Cove | Female Social Worker | |
| Alton Fitzgerald White | Male Social Worker | |
| Joey Slotnick | Dave (Theo’s Psychiatrist) | |
| Dylan Boyd | Student | |
| Gordon Winarick | Adult Tom Cable | |
| Nicky Torchia | Young Tom Cable |
Narrator
| James Donahower | Mr. Beaman |
Supporting
| Don Castro | Detective #1 | |
| Robert Turano | Detective #2 | |
| Alma Cuervo | Store Owner | |
| Hank Rogerson | Vegas Teacher | |
| Ryan Katherine Stearns | First Student | |
| Tiana Youtzy | Second Student | |
| Peter Jacobson | Mr. Silver | |
| Caroline Day | Em | |
| Kevin Owen McDonald | Boris’ Father | |
| Karl Jacob | Man | |
| Raphael Corkhill | Barman | |
| Matteo van der Grijn | Gyuri | |
| Gerson Oratmangoen | Indonesian Man | |
| Mark Kingsford | Grozdan | |
| Bill Barberis | Martin | |
| Milan Sekeris | Frits | |
| Brandon Chen | Chinese Teen | |
| Sandy Lopez | Janet | |
| Misha Osherovich | Shirley T | |
| Puja Desai Mehta | Optometrist | |
| David Makman | Forrest Longstreet | |
| Harry Smith | Everett |
Production and Technical Credits
| John Crowley | Director | |
| Nina Jacobson | Producer | |
| Brad Simpson | Producer | |
| Peter Straughan | Screenwriter | |
| Donna Tartt | Story based on the novel by | |
| Mari Jo Winkler-Ioffreda | Executive Producer | |
| Kevin McCormick | Executive Producer | |
| Sue Kroll | Executive Producer | |
| Courtenay Valenti | Executive Producer | |
| Roger Deakins | Director of Photography | |
| K.K. Barrett | Production Designer | |
| Kelley Dixon | Editor | |
| Kasia Walicka Maimone | Costume Designer | |
| Susan Jacobs | Music Supervisor | |
| Trevor Gureckis | Composer | |
| Ellen Chenoweth | Casting Director | |
| Maggie G. Engelhardt | Unit Production Manager | |
| Mari Jo Winkler-Ioffreda | Unit Production Manager | |
| Christopher Surgent | First Assistant Director | |
| Takahide Kawakami | Second Assistant Director | |
| Margaret Chernin | Co-Producer | |
| Lesley Robson-Foster | Visual Effects Supervisor | |
| Samantha Dyer | Production Supervisor | |
| Deb Jensen | Supervising Art Director | |
| Rena DeAngelo | Set Decorator | |
| Mary Bailey | Script Supervisor | |
| Drew Kunin | Sound Mixer | |
| J. Kevin Draves | Costume Supervisor | |
| Evelyne Noraz | Make up | |
| Mandy Lyons | Hairstylist | |
| Lauri Pitkus | Location Manager | |
| Mark Bero | Special Effects Coordinator | |
| Brad Rohrer | Post-Production Supervisor | |
| Eric Kench | First Assistant Editor | |
| Skip Lievsay | Re-recording Mixer | |
| Paul Urmson | Re-recording Mixer | |
| Skip Lievsay | Supervising Sound Editor | |
| Paul Urmson | Supervising Sound Editor | |
| Blake Leyh | Sound Designer | |
| Larry Zipf | Sound Designer | |
| Wyatt Sprague | Sound Effects Editor | |
| Patrick Cicero | Sound Effects Editor | |
| Michael Feuser | Dialogue Editor | |
| Lidia Tamplenizza | Dialogue Editor | |
| Igor Nikolic | Foley Editor | |
| Matthew Kay | Foley Recordist | |
| Nancy Allen | Music Editor | |
| Parker Chehak | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.