Ferrari (2023)
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| Theatrical Performance | ||
| Domestic Box Office | $18,550,030 | Details |
| International Box Office | $22,439,630 | Details |
| Worldwide Box Office | $40,989,660 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $367,758 | |
| Blu-ray Sales (estimated) | $458,044 | |
| Total | $825,802 | |
| OpusData ID: 464070100 More info... | ||
| Further financial details... | ||
Synopsis
It is the summer of 1957. Behind the spectacle of Formula 1, ex-racer Enzo Ferrari is in a crisis. Bankruptcy threatens the factory he and his wife, Laura built from nothing ten years earlier. Their volatile marriage has been battered by the loss of their son, Dino a year earlier. Ferrari struggles to acknowledge his son Piero with Lina Lardi. Meanwhile, his drivers’ passion to win pushes them to the edge as they launch into the treacherous 1,000-mile race across Italy, the Mille Miglia.
Metrics
| Opening Weekend: | $3,921,773 (21.1% of total gross) |
| Legs: | 4.73 (domestic box office/biggest weekend) |
| Domestic Share: | 45.3% (domestic box office/worldwide) |
| Production Budget: | $95,000,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 2,386 opening theaters/2,386 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $20,001,617 |
Movie Details
| Domestic Releases: | December 25th, 2023 (Wide) by Neon |
| International Releases: | December 14th, 2023 (Wide) (Italy)
December 21st, 2023 (Wide), released as Ferrari (Феррари) (Russia (CIS)) December 22nd, 2023 (Limited) (Turkey) December 26th, 2023 (Limited) (United Kingdom) December 26th, 2023 (Wide) (Poland) ... Show all releases |
| Video Release: | January 23rd, 2024 by Neon |
| MPA Rating: | R for language, some sexual references and drug use. (Rating bulletin 2806 (cert #54571), 10/25/2023) |
| Running Time: | 124 minutes |
| Geographical setting: | Italy |
| Plot point: | Auto Racing, Death of a Son or Daughter, Money Troubles, Relationships Gone Wrong |
| Subgenre: | Sports Drama |
| Time period setting: | 1950s |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Moto Pictures, Neon Films, STX Films, Forward Pass, Storyteller Media, Ketchup Entertainment, Esme Grace, Cecchi Gori USA, Red Sea Fund, Lady Bacardi Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 29, 2023 | 8 | $3,921,773 | 2,386 | $1,644 | $10,778,480 | 1 | |
| Jan 5, 2024 | 9 | $2,451,857 | -37% | 2,121 | $1,156 | $15,952,316 | 2 |
| Jan 12, 2024 | - | $627,479 | -74% | 662 | $948 | $17,506,584 | 3 |
| Jan 19, 2024 | - | $276,007 | -56% | 327 | $844 | $18,100,935 | 4 |
| Jan 26, 2024 | - | $122,590 | -56% | 170 | $721 | $18,358,586 | 5 |
| Feb 2, 2024 | - | $55,188 | -55% | 103 | $536 | $18,474,845 | 6 |
| Feb 9, 2024 | - | $30,381 | -45% | 60 | $506 | $18,535,665 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 25, 2023 | 6 | $2,876,285 | 2,330 | $1,234 | $2,876,285 | 1 | ||
| Dec 26, 2023 | 8 | $1,545,818 | -46% | 2,330 | $663 | $4,422,103 | 2 | |
| Dec 27, 2023 | 8 | $1,229,598 | -20% | 2,330 | $528 | $5,651,701 | 3 | |
| Dec 28, 2023 | 8 | $1,205,006 | -2% | 2,330 | $517 | $6,856,707 | 4 | |
| Dec 29, 2023 | 8 | $1,373,607 | +14% | 2,386 | $576 | $8,230,314 | 5 | |
| Dec 30, 2023 | 8 | $1,531,323 | +11% | 2,386 | $642 | $9,761,637 | 6 | |
| Dec 31, 2023 | 8 | $1,016,843 | -34% | 2,386 | $426 | $10,778,480 | 7 | |
| Jan 1, 2024 | 8 | $1,037,180 | +2% | -64% | 2,386 | $435 | $11,815,660 | 8 |
| Jan 2, 2024 | 8 | $674,167 | -35% | -56% | 2,386 | $283 | $12,489,827 | 9 |
| Jan 3, 2024 | 8 | $525,850 | -22% | -57% | 2,386 | $220 | $13,015,677 | 10 |
| Jan 4, 2024 | 8 | $484,782 | -8% | -60% | 2,386 | $203 | $13,500,459 | 11 |
| Jan 5, 2024 | 9 | $777,676 | +60% | -43% | 2,121 | $367 | $14,278,135 | 12 |
| Jan 6, 2024 | 9 | $1,073,193 | +38% | -30% | 2,121 | $506 | $15,351,328 | 13 |
| Jan 7, 2024 | 9 | $600,988 | -44% | -41% | 2,121 | $283 | $15,952,316 | 14 |
| Jan 8, 2024 | 11 | $192,316 | -68% | -81% | 2,121 | $91 | $16,144,632 | 15 |
| Jan 9, 2024 | 10 | $313,475 | +63% | -54% | 2,121 | $148 | $16,458,107 | 16 |
| Jan 10, 2024 | 11 | $247,646 | -21% | -53% | 2,121 | $117 | $16,705,753 | 17 |
| Jan 11, 2024 | 10 | $173,352 | -30% | -64% | 2,121 | $82 | $16,879,105 | 18 |
| Jan 12, 2024 | - | $165,457 | -5% | -79% | 662 | $250 | $17,044,562 | 19 |
| Jan 13, 2024 | - | $258,113 | +56% | -76% | 662 | $390 | $17,302,675 | 20 |
| Jan 14, 2024 | - | $203,909 | -21% | -66% | 662 | $308 | $17,506,584 | 21 |
| Jan 15, 2024 | - | $110,111 | -46% | -43% | 662 | $166 | $17,616,695 | 22 |
| Jan 16, 2024 | - | $85,887 | -22% | -73% | 662 | $130 | $17,702,582 | 23 |
| Jan 17, 2024 | - | $66,133 | -23% | -73% | 662 | $100 | $17,768,715 | 24 |
| Jan 18, 2024 | - | $56,213 | -15% | -68% | 662 | $85 | $17,824,928 | 25 |
| Jan 19, 2024 | - | $80,384 | +43% | -51% | 327 | $246 | $17,905,312 | 26 |
| Jan 20, 2024 | - | $115,753 | +44% | -55% | 327 | $354 | $18,021,065 | 27 |
| Jan 21, 2024 | - | $79,870 | -31% | -61% | 327 | $244 | $18,100,935 | 28 |
| Jan 22, 2024 | - | $31,948 | -60% | -71% | 327 | $98 | $18,132,883 | 29 |
| Jan 23, 2024 | - | $39,296 | +23% | -54% | 327 | $120 | $18,172,179 | 30 |
| Jan 24, 2024 | - | $31,437 | -20% | -52% | 327 | $96 | $18,203,616 | 31 |
| Jan 25, 2024 | - | $32,380 | +3% | -42% | 327 | $99 | $18,235,996 | 32 |
| Jan 26, 2024 | - | $35,942 | +11% | -55% | 170 | $211 | $18,271,938 | 33 |
| Jan 27, 2024 | - | $58,944 | +64% | -49% | 170 | $347 | $18,330,882 | 34 |
| Jan 28, 2024 | - | $27,704 | -53% | -65% | 170 | $163 | $18,358,586 | 35 |
| Jan 29, 2024 | - | $13,852 | -50% | -57% | 170 | $81 | $18,372,438 | 36 |
| Jan 30, 2024 | - | $20,224 | +46% | -49% | 170 | $119 | $18,392,662 | 37 |
| Jan 31, 2024 | - | $14,359 | -29% | -54% | 170 | $84 | $18,407,021 | 38 |
| Feb 1, 2024 | - | $12,636 | -12% | -61% | 170 | $74 | $18,419,657 | 39 |
| Feb 2, 2024 | - | $14,833 | +17% | -59% | 103 | $144 | $18,434,490 | 40 |
| Feb 3, 2024 | - | $23,155 | +56% | -61% | 103 | $225 | $18,457,645 | 41 |
| Feb 4, 2024 | - | $17,200 | -26% | -38% | 103 | $167 | $18,474,845 | 42 |
| Feb 5, 2024 | - | $7,624 | -56% | -45% | 103 | $74 | $18,482,469 | 43 |
| Feb 6, 2024 | - | $9,780 | +28% | -52% | 103 | $95 | $18,492,249 | 44 |
| Feb 7, 2024 | - | $6,529 | -33% | -55% | 103 | $63 | $18,498,778 | 45 |
| Feb 8, 2024 | - | $6,506 | n/c | -49% | 103 | $63 | $18,505,284 | 46 |
| Feb 9, 2024 | - | $11,262 | +73% | -24% | 60 | $188 | $18,516,546 | 47 |
| Feb 10, 2024 | - | $13,263 | +18% | -43% | 60 | $221 | $18,529,809 | 48 |
| Feb 11, 2024 | - | $5,856 | -56% | -66% | 60 | $98 | $18,535,665 | 49 |
| Feb 12, 2024 | - | $3,753 | -36% | -51% | 60 | $63 | $18,539,418 | 50 |
| Feb 13, 2024 | - | $6,781 | +81% | -31% | 60 | $113 | $18,546,199 | 51 |
| Feb 14, 2024 | - | $1,951 | -71% | -70% | 60 | $33 | $18,548,150 | 52 |
| Feb 15, 2024 | - | $1,880 | -4% | -71% | 60 | $31 | $18,550,030 | 53 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 2023 | 10 | $6,856,707 | 2,330 | $2,943 | $6,856,707 | 1 | |
| Dec 29, 2023 | 8 | $6,643,752 | -3% | 2,386 | $2,784 | $13,500,459 | 2 |
| Jan 5, 2024 | 9 | $3,378,646 | -49% | 2,121 | $1,593 | $16,879,105 | 3 |
| Jan 12, 2024 | 16 | $945,823 | -72% | 662 | $1,429 | $17,824,928 | 4 |
| Jan 19, 2024 | 25 | $411,068 | -57% | 327 | $1,257 | $18,235,996 | 5 |
| Jan 26, 2024 | 27 | $183,661 | -55% | 170 | $1,080 | $18,419,657 | 6 |
| Feb 2, 2024 | 27 | $85,627 | -53% | 103 | $831 | $18,505,284 | 7 |
| Feb 9, 2024 | 36 | $44,746 | -48% | 60 | $746 | $18,550,030 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/4/2024 | $870,772 | 299 | 299 | 1,187 | $2,533,620 | 3/25/2024 | |||
| Croatia | 12/28/2023 | $55,967 | 62 | 62 | 195 | $233,043 | 2/16/2024 | |||
| Czech Republic | 1/4/2024 | $141,327 | 156 | 156 | 445 | $469,196 | 2/13/2024 | |||
| Italy | 12/14/2023 | $885,210 | 0 | 0 | 0 | $3,953,508 | 1/15/2024 | |||
| Mexico | 2/22/2024 | $1,011,495 | 0 | 0 | 0 | $2,504,730 | 3/12/2024 | |||
| Netherlands | 1/26/2024 | $272,492 | 112 | 112 | 416 | $870,066 | 2/19/2024 | |||
| New Zealand | 1/4/2024 | $100,608 | 105 | 105 | 438 | $253,871 | 3/11/2024 | |||
| Portugal | 1/4/2024 | $182,692 | 79 | 79 | 349 | $702,451 | 3/12/2024 | |||
| Romania | 1/5/2024 | $147,936 | 69 | 69 | 272 | $447,161 | 3/6/2024 | |||
| Russia (CIS) | 12/21/2023 | $721,915 | 1,368 | 1,368 | 4,070 | $2,764,019 | 1/24/2024 | |||
| Slovakia | 1/4/2024 | $96,268 | 69 | 69 | 208 | $234,814 | 2/13/2024 | |||
| South Korea | 1/8/2025 | $104,872 | 527 | 527 | 656 | $277,170 | 1/29/2025 | |||
| Spain | 2/9/2024 | $608,191 | 321 | 325 | 1,204 | $1,810,055 | 3/14/2024 | |||
| Turkey | 12/22/2023 | $23,715 | 57 | 57 | 67 | $43,774 | 1/11/2024 | |||
| United Kingdom | 12/26/2023 | $2,525,394 | 621 | 643 | 1,649 | $5,342,152 | 2/5/2024 | |||
| International Total | $22,439,630 | 1/29/2025 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Adam Driver | Enzo Ferrari |
Supporting
| Penélope Cruz | Laura Ferrari | |
| Shailene Woodley | Lina Lardi | |
| Jack O'Connell | Peter Collins | |
| Sarah Gadon | Linda Christian | |
| Patrick Dempsey | Piero Taruffi | |
| Gabriel Leone | Alfonso De Portago | |
| Daniela Piperno | Adalgisa Ferrari | |
| Giuseppe Festinese | Piero Lardi | |
| Alessandro Cremona | Porter | |
| Derek Hill | Jean Behra | |
| Leonardo Caimi | Brusoni The Tenor | |
| Michele Savoia | Carlo Chiti | |
| Jacopo Bruno | Omer Orsi | |
| Domenico Fortunato | Adolfo Orsi | |
| Damiano Neviani | Stagehand | |
| Giuseppe Bonifati | Giacomo Cuoghi | |
| Franca Abategiovanni | Alda | |
| Marino Franchitti | Eugenio Castellotti | |
| Valentina Bellè | Cecilia Manzini | |
| Luciano Miele | Peppino | |
| Alessandro D’Elia | Barber | |
| Gianfilippo Grasso | Matteo | |
| Andrea Bruschi | Bishop | |
| Giuseppe Attanasio | Romolo Tavoni | |
| Andrea Dolente | Gino Rancati | |
| Marco Maccieri | Onlooker at Church | |
| Andrea Fiorillo | Carlo the Accountant | |
| Marc Gene | Test Driver in Yellow Car | |
| Jonathan Burteaux | King Hussein | |
| Massimo Scola | Tommaso | |
| Javier Cornelio Merida | Louis Klemantaski | |
| Samuel Hubinette | Mike Hawthorn | |
| Wyatt Carnel | Graf Berghe Von Trips | |
| Brett Smrz | Olivier Gendebien | |
| Lino Musella | Sergio Scaglietti | |
| Tommaso Paolucci | Cosetti | |
| Alessio Cioni | Di Massimo | |
| Biagio Caruso | Fusaro | |
| Maurizio Cardillo | Journalist | |
| Alice Zanini | Louise Collins | |
| Lulu Najafi | Lina’s Friend at the Opera | |
| Uladzislava Keizereva | Soprano | |
| Edoardo Beraldi | Dino Ferrari Three Years Old | |
| Gabriel Noto | Dino Ferrari Seven Years Old | |
| Alfredo Benedettini | Alfredo Ferrari | |
| Carlo Fei | Hotel Owner Marzotto | |
| Robert Steiner | Commentator Millie Miglia | |
| Erik Haugen | Edmund Nelson | |
| Ben Collins | Stirling Moss | |
| Daniele Carbone | Denis “Jenks” Jenkinson | |
| Tommaso Basili | Gianni Agnelli | |
| Modesto Menabue | Chief Mechanic | |
| Massimo Bottura | Desk Clerk | |
| Pietro Corradini | Mechanic | |
| Andrea Volpetti | TV Commentator | |
| Francesco Gorga | Father at Guidizzolo | |
| Pietro Piccinini | Three-Year-Old Son | |
| Edoardo Golemi | Eight-Year-Old Son | |
| Agnese Brighittini | Mother | |
| Filippo Marchi | Photographer |
Production and Technical Credits
| Michael Mann | Director | |
| Troy Kennedy Martin | Screenwriter | |
| Brock Yates | Story based on the book “Enzo Ferrari: The Man, The Cars, The Races, The Machine” by | |
| Michael Mann | Producer | |
| P.J. van Sandwijk | Producer | |
| John Lesher | Producer | |
| Marie Savare | Producer | |
| John Friedberg | Producer | |
| Lars Sylvest | Producer | |
| Thomas Hayslip | Producer | |
| Monika Bacardi | Producer | |
| Andrea Iervolino | Producer | |
| Laura Rister | Producer | |
| Thorsten Schumacher | Producer | |
| Gareth West | Producer | |
| Adam Driver | Executive Producer | |
| Gianluigi Longinotti Buitoni | Executive Producer | |
| Giacomo Mattioli | Executive Producer | |
| Pamela Yates | Executive Producer | |
| Miki Emmrich | Executive Producer | |
| Robert Simonds | Executive Producer | |
| Noah Fogelson | Executive Producer | |
| Samuel J. Brown | Executive Producer | |
| Jahm Najafi | Executive Producer | |
| Adam Fogelson | Executive Producer | |
| Emanuel Nunez | Executive Producer | |
| Robin Le Chanu | Executive Producer | |
| Thomas McLeod | Executive Producer | |
| Vahan Yepremyan | Executive Producer | |
| Wei Han | Executive Producer | |
| Qi Lin | Executive Producer | |
| Mohammed Al Turki | Executive Producer | |
| Shivani Pandya Malhotra | Executive Producer | |
| Jomana Al Rashid | Executive Producer | |
| Niels Juul | Executive Producer | |
| Antonio Grande | Executive Producer | |
| Michael Fisk | Executive Producer | |
| Udaya Sharma | Executive Producer | |
| D.C. Cassidy | Executive Producer | |
| Artur Galstian | Executive Producer | |
| David Thomas Tao | Executive Producer | |
| Conor Molony | Executive Producer | |
| Neill Hughes | Executive Producer | |
| Janice Polley | Co-Producer | |
| Helen Medrano | Co-Producer | |
| Joseph Reidy | Co-Producer | |
| Maggie Chieffo | Co-Producer | |
| Kurt Weir | Co-Producer | |
| Brendan B. Sheil | Co-Producer | |
| Erik Messerschmidt | Director of Photography | |
| Maria Djurkovic | Production Designer | |
| Pietro Scalia | Editor | |
| Massimo Cantini Parrini | Costume Designer | |
| Daniel Pemberton | Composer | |
| Francine Maisler | Casting Director | |
| Miki Emmrich | Unit Production Manager | |
| Robin Le Chanu | Unit Production Manager | |
| Thomas Hayslip | Unit Production Manager | |
| Joseph Reidy | First Assistant Director | |
| John M. Valerio | Additional Editor | |
| Joe Galdo | Additional Editor | |
| Cindy Mollo | Additional Editor | |
| Lisa Gerrard | Additional Music | |
| Pieter Bourke | Additional Music | |
| Noemie Nakai | Associate Producer | |
| Dylan Weathered | Associate Producer | |
| Danielle Maloni | Associate Producer | |
| Stefano Barrese | Associate Producer | |
| Ivan D’Ambrosio | Line Producer | |
| Birsin Colakoglu | Unit Production Manager | |
| Chris Ritvo | Visual Effects Supervisor | |
| Stephan Gessler | Supervising Art Director | |
| Carmine Palmentieri | Art Director | |
| Esther Schreiner | Art Director | |
| Massimo Pauletto | Art Director | |
| Emanuela Piu | Set Designer | |
| Sophie Phillips | Set Decorator | |
| Janice Polley | Supervising Location Manager | |
| Julia Renner | Location Manager | |
| Rey Figueroa | Location Manager | |
| Daniele Manca | Location Manager | |
| Mike King | Location Manager | |
| Marcelle Genovese | Hairstylist | |
| Marco Pompei | Make up | |
| Lee Orloff | Sound Mixer | |
| Angelo Bonanni | Sound Mixer | |
| Andy Nelson | Re-recording Mixer | |
| Tony Lamberti | Re-recording Mixer | |
| Uli Nefzer | Special Effects Supervisor | |
| Robert Nagle | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
It is the summer of 1957. Behind the spectacle of Formula 1, ex-racer Enzo Ferrari is in a crisis. Bankruptcy threatens the factory he and his wife, Laura built from nothing ten years earlier. Their volatile marriage has been battered by the loss of their son, Dino a year earlier. Ferrari struggles to acknowledge his son Piero with Lina Lardi. Meanwhile, his drivers’ passion to win pushes them to the edge as they launch into the treacherous 1,000-mile race across Italy, the Mille Miglia.
Metrics
| Opening Weekend: | $3,921,773 (21.1% of total gross) |
| Legs: | 4.73 (domestic box office/biggest weekend) |
| Domestic Share: | 45.3% (domestic box office/worldwide) |
| Production Budget: | $95,000,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 2,386 opening theaters/2,386 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $20,001,617 |
Movie Details
| Domestic Releases: | December 25th, 2023 (Wide) by Neon |
| International Releases: | December 14th, 2023 (Wide) (Italy)
December 21st, 2023 (Wide), released as Ferrari (Феррари) (Russia (CIS)) December 22nd, 2023 (Limited) (Turkey) December 26th, 2023 (Limited) (United Kingdom) December 26th, 2023 (Wide) (Poland) ... Show all releases |
| Video Release: | January 23rd, 2024 by Neon |
| MPA Rating: | R for language, some sexual references and drug use. (Rating bulletin 2806 (cert #54571), 10/25/2023) |
| Running Time: | 124 minutes |
| Geographical setting: | Italy |
| Plot point: | Auto Racing, Death of a Son or Daughter, Money Troubles, Relationships Gone Wrong |
| Subgenre: | Sports Drama |
| Time period setting: | 1950s |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Moto Pictures, Neon Films, STX Films, Forward Pass, Storyteller Media, Ketchup Entertainment, Esme Grace, Cecchi Gori USA, Red Sea Fund, Lady Bacardi Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 29, 2023 | 8 | $3,921,773 | 2,386 | $1,644 | $10,778,480 | 1 | |
| Jan 5, 2024 | 9 | $2,451,857 | -37% | 2,121 | $1,156 | $15,952,316 | 2 |
| Jan 12, 2024 | - | $627,479 | -74% | 662 | $948 | $17,506,584 | 3 |
| Jan 19, 2024 | - | $276,007 | -56% | 327 | $844 | $18,100,935 | 4 |
| Jan 26, 2024 | - | $122,590 | -56% | 170 | $721 | $18,358,586 | 5 |
| Feb 2, 2024 | - | $55,188 | -55% | 103 | $536 | $18,474,845 | 6 |
| Feb 9, 2024 | - | $30,381 | -45% | 60 | $506 | $18,535,665 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 25, 2023 | 6 | $2,876,285 | 2,330 | $1,234 | $2,876,285 | 1 | ||
| Dec 26, 2023 | 8 | $1,545,818 | -46% | 2,330 | $663 | $4,422,103 | 2 | |
| Dec 27, 2023 | 8 | $1,229,598 | -20% | 2,330 | $528 | $5,651,701 | 3 | |
| Dec 28, 2023 | 8 | $1,205,006 | -2% | 2,330 | $517 | $6,856,707 | 4 | |
| Dec 29, 2023 | 8 | $1,373,607 | +14% | 2,386 | $576 | $8,230,314 | 5 | |
| Dec 30, 2023 | 8 | $1,531,323 | +11% | 2,386 | $642 | $9,761,637 | 6 | |
| Dec 31, 2023 | 8 | $1,016,843 | -34% | 2,386 | $426 | $10,778,480 | 7 | |
| Jan 1, 2024 | 8 | $1,037,180 | +2% | -64% | 2,386 | $435 | $11,815,660 | 8 |
| Jan 2, 2024 | 8 | $674,167 | -35% | -56% | 2,386 | $283 | $12,489,827 | 9 |
| Jan 3, 2024 | 8 | $525,850 | -22% | -57% | 2,386 | $220 | $13,015,677 | 10 |
| Jan 4, 2024 | 8 | $484,782 | -8% | -60% | 2,386 | $203 | $13,500,459 | 11 |
| Jan 5, 2024 | 9 | $777,676 | +60% | -43% | 2,121 | $367 | $14,278,135 | 12 |
| Jan 6, 2024 | 9 | $1,073,193 | +38% | -30% | 2,121 | $506 | $15,351,328 | 13 |
| Jan 7, 2024 | 9 | $600,988 | -44% | -41% | 2,121 | $283 | $15,952,316 | 14 |
| Jan 8, 2024 | 11 | $192,316 | -68% | -81% | 2,121 | $91 | $16,144,632 | 15 |
| Jan 9, 2024 | 10 | $313,475 | +63% | -54% | 2,121 | $148 | $16,458,107 | 16 |
| Jan 10, 2024 | 11 | $247,646 | -21% | -53% | 2,121 | $117 | $16,705,753 | 17 |
| Jan 11, 2024 | 10 | $173,352 | -30% | -64% | 2,121 | $82 | $16,879,105 | 18 |
| Jan 12, 2024 | - | $165,457 | -5% | -79% | 662 | $250 | $17,044,562 | 19 |
| Jan 13, 2024 | - | $258,113 | +56% | -76% | 662 | $390 | $17,302,675 | 20 |
| Jan 14, 2024 | - | $203,909 | -21% | -66% | 662 | $308 | $17,506,584 | 21 |
| Jan 15, 2024 | - | $110,111 | -46% | -43% | 662 | $166 | $17,616,695 | 22 |
| Jan 16, 2024 | - | $85,887 | -22% | -73% | 662 | $130 | $17,702,582 | 23 |
| Jan 17, 2024 | - | $66,133 | -23% | -73% | 662 | $100 | $17,768,715 | 24 |
| Jan 18, 2024 | - | $56,213 | -15% | -68% | 662 | $85 | $17,824,928 | 25 |
| Jan 19, 2024 | - | $80,384 | +43% | -51% | 327 | $246 | $17,905,312 | 26 |
| Jan 20, 2024 | - | $115,753 | +44% | -55% | 327 | $354 | $18,021,065 | 27 |
| Jan 21, 2024 | - | $79,870 | -31% | -61% | 327 | $244 | $18,100,935 | 28 |
| Jan 22, 2024 | - | $31,948 | -60% | -71% | 327 | $98 | $18,132,883 | 29 |
| Jan 23, 2024 | - | $39,296 | +23% | -54% | 327 | $120 | $18,172,179 | 30 |
| Jan 24, 2024 | - | $31,437 | -20% | -52% | 327 | $96 | $18,203,616 | 31 |
| Jan 25, 2024 | - | $32,380 | +3% | -42% | 327 | $99 | $18,235,996 | 32 |
| Jan 26, 2024 | - | $35,942 | +11% | -55% | 170 | $211 | $18,271,938 | 33 |
| Jan 27, 2024 | - | $58,944 | +64% | -49% | 170 | $347 | $18,330,882 | 34 |
| Jan 28, 2024 | - | $27,704 | -53% | -65% | 170 | $163 | $18,358,586 | 35 |
| Jan 29, 2024 | - | $13,852 | -50% | -57% | 170 | $81 | $18,372,438 | 36 |
| Jan 30, 2024 | - | $20,224 | +46% | -49% | 170 | $119 | $18,392,662 | 37 |
| Jan 31, 2024 | - | $14,359 | -29% | -54% | 170 | $84 | $18,407,021 | 38 |
| Feb 1, 2024 | - | $12,636 | -12% | -61% | 170 | $74 | $18,419,657 | 39 |
| Feb 2, 2024 | - | $14,833 | +17% | -59% | 103 | $144 | $18,434,490 | 40 |
| Feb 3, 2024 | - | $23,155 | +56% | -61% | 103 | $225 | $18,457,645 | 41 |
| Feb 4, 2024 | - | $17,200 | -26% | -38% | 103 | $167 | $18,474,845 | 42 |
| Feb 5, 2024 | - | $7,624 | -56% | -45% | 103 | $74 | $18,482,469 | 43 |
| Feb 6, 2024 | - | $9,780 | +28% | -52% | 103 | $95 | $18,492,249 | 44 |
| Feb 7, 2024 | - | $6,529 | -33% | -55% | 103 | $63 | $18,498,778 | 45 |
| Feb 8, 2024 | - | $6,506 | n/c | -49% | 103 | $63 | $18,505,284 | 46 |
| Feb 9, 2024 | - | $11,262 | +73% | -24% | 60 | $188 | $18,516,546 | 47 |
| Feb 10, 2024 | - | $13,263 | +18% | -43% | 60 | $221 | $18,529,809 | 48 |
| Feb 11, 2024 | - | $5,856 | -56% | -66% | 60 | $98 | $18,535,665 | 49 |
| Feb 12, 2024 | - | $3,753 | -36% | -51% | 60 | $63 | $18,539,418 | 50 |
| Feb 13, 2024 | - | $6,781 | +81% | -31% | 60 | $113 | $18,546,199 | 51 |
| Feb 14, 2024 | - | $1,951 | -71% | -70% | 60 | $33 | $18,548,150 | 52 |
| Feb 15, 2024 | - | $1,880 | -4% | -71% | 60 | $31 | $18,550,030 | 53 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 2023 | 10 | $6,856,707 | 2,330 | $2,943 | $6,856,707 | 1 | |
| Dec 29, 2023 | 8 | $6,643,752 | -3% | 2,386 | $2,784 | $13,500,459 | 2 |
| Jan 5, 2024 | 9 | $3,378,646 | -49% | 2,121 | $1,593 | $16,879,105 | 3 |
| Jan 12, 2024 | 16 | $945,823 | -72% | 662 | $1,429 | $17,824,928 | 4 |
| Jan 19, 2024 | 25 | $411,068 | -57% | 327 | $1,257 | $18,235,996 | 5 |
| Jan 26, 2024 | 27 | $183,661 | -55% | 170 | $1,080 | $18,419,657 | 6 |
| Feb 2, 2024 | 27 | $85,627 | -53% | 103 | $831 | $18,505,284 | 7 |
| Feb 9, 2024 | 36 | $44,746 | -48% | 60 | $746 | $18,550,030 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/4/2024 | $870,772 | 299 | 299 | 1,187 | $2,533,620 | 3/25/2024 | |||
| Croatia | 12/28/2023 | $55,967 | 62 | 62 | 195 | $233,043 | 2/16/2024 | |||
| Czech Republic | 1/4/2024 | $141,327 | 156 | 156 | 445 | $469,196 | 2/13/2024 | |||
| Italy | 12/14/2023 | $885,210 | 0 | 0 | 0 | $3,953,508 | 1/15/2024 | |||
| Mexico | 2/22/2024 | $1,011,495 | 0 | 0 | 0 | $2,504,730 | 3/12/2024 | |||
| Netherlands | 1/26/2024 | $272,492 | 112 | 112 | 416 | $870,066 | 2/19/2024 | |||
| New Zealand | 1/4/2024 | $100,608 | 105 | 105 | 438 | $253,871 | 3/11/2024 | |||
| Portugal | 1/4/2024 | $182,692 | 79 | 79 | 349 | $702,451 | 3/12/2024 | |||
| Romania | 1/5/2024 | $147,936 | 69 | 69 | 272 | $447,161 | 3/6/2024 | |||
| Russia (CIS) | 12/21/2023 | $721,915 | 1,368 | 1,368 | 4,070 | $2,764,019 | 1/24/2024 | |||
| Slovakia | 1/4/2024 | $96,268 | 69 | 69 | 208 | $234,814 | 2/13/2024 | |||
| South Korea | 1/8/2025 | $104,872 | 527 | 527 | 656 | $277,170 | 1/29/2025 | |||
| Spain | 2/9/2024 | $608,191 | 321 | 325 | 1,204 | $1,810,055 | 3/14/2024 | |||
| Turkey | 12/22/2023 | $23,715 | 57 | 57 | 67 | $43,774 | 1/11/2024 | |||
| United Kingdom | 12/26/2023 | $2,525,394 | 621 | 643 | 1,649 | $5,342,152 | 2/5/2024 | |||
| International Total | $22,439,630 | 1/29/2025 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Adam Driver | Enzo Ferrari |
Supporting
| Penélope Cruz | Laura Ferrari | |
| Shailene Woodley | Lina Lardi | |
| Jack O'Connell | Peter Collins | |
| Sarah Gadon | Linda Christian | |
| Patrick Dempsey | Piero Taruffi | |
| Gabriel Leone | Alfonso De Portago | |
| Daniela Piperno | Adalgisa Ferrari | |
| Giuseppe Festinese | Piero Lardi | |
| Alessandro Cremona | Porter | |
| Derek Hill | Jean Behra | |
| Leonardo Caimi | Brusoni The Tenor | |
| Michele Savoia | Carlo Chiti | |
| Jacopo Bruno | Omer Orsi | |
| Domenico Fortunato | Adolfo Orsi | |
| Damiano Neviani | Stagehand | |
| Giuseppe Bonifati | Giacomo Cuoghi | |
| Franca Abategiovanni | Alda | |
| Marino Franchitti | Eugenio Castellotti | |
| Valentina Bellè | Cecilia Manzini | |
| Luciano Miele | Peppino | |
| Alessandro D’Elia | Barber | |
| Gianfilippo Grasso | Matteo | |
| Andrea Bruschi | Bishop | |
| Giuseppe Attanasio | Romolo Tavoni | |
| Andrea Dolente | Gino Rancati | |
| Marco Maccieri | Onlooker at Church | |
| Andrea Fiorillo | Carlo the Accountant | |
| Marc Gene | Test Driver in Yellow Car | |
| Jonathan Burteaux | King Hussein | |
| Massimo Scola | Tommaso | |
| Javier Cornelio Merida | Louis Klemantaski | |
| Samuel Hubinette | Mike Hawthorn | |
| Wyatt Carnel | Graf Berghe Von Trips | |
| Brett Smrz | Olivier Gendebien | |
| Lino Musella | Sergio Scaglietti | |
| Tommaso Paolucci | Cosetti | |
| Alessio Cioni | Di Massimo | |
| Biagio Caruso | Fusaro | |
| Maurizio Cardillo | Journalist | |
| Alice Zanini | Louise Collins | |
| Lulu Najafi | Lina’s Friend at the Opera | |
| Uladzislava Keizereva | Soprano | |
| Edoardo Beraldi | Dino Ferrari Three Years Old | |
| Gabriel Noto | Dino Ferrari Seven Years Old | |
| Alfredo Benedettini | Alfredo Ferrari | |
| Carlo Fei | Hotel Owner Marzotto | |
| Robert Steiner | Commentator Millie Miglia | |
| Erik Haugen | Edmund Nelson | |
| Ben Collins | Stirling Moss | |
| Daniele Carbone | Denis “Jenks” Jenkinson | |
| Tommaso Basili | Gianni Agnelli | |
| Modesto Menabue | Chief Mechanic | |
| Massimo Bottura | Desk Clerk | |
| Pietro Corradini | Mechanic | |
| Andrea Volpetti | TV Commentator | |
| Francesco Gorga | Father at Guidizzolo | |
| Pietro Piccinini | Three-Year-Old Son | |
| Edoardo Golemi | Eight-Year-Old Son | |
| Agnese Brighittini | Mother | |
| Filippo Marchi | Photographer |
Production and Technical Credits
| Michael Mann | Director | |
| Troy Kennedy Martin | Screenwriter | |
| Brock Yates | Story based on the book “Enzo Ferrari: The Man, The Cars, The Races, The Machine” by | |
| Michael Mann | Producer | |
| P.J. van Sandwijk | Producer | |
| John Lesher | Producer | |
| Marie Savare | Producer | |
| John Friedberg | Producer | |
| Lars Sylvest | Producer | |
| Thomas Hayslip | Producer | |
| Monika Bacardi | Producer | |
| Andrea Iervolino | Producer | |
| Laura Rister | Producer | |
| Thorsten Schumacher | Producer | |
| Gareth West | Producer | |
| Adam Driver | Executive Producer | |
| Gianluigi Longinotti Buitoni | Executive Producer | |
| Giacomo Mattioli | Executive Producer | |
| Pamela Yates | Executive Producer | |
| Miki Emmrich | Executive Producer | |
| Robert Simonds | Executive Producer | |
| Noah Fogelson | Executive Producer | |
| Samuel J. Brown | Executive Producer | |
| Jahm Najafi | Executive Producer | |
| Adam Fogelson | Executive Producer | |
| Emanuel Nunez | Executive Producer | |
| Robin Le Chanu | Executive Producer | |
| Thomas McLeod | Executive Producer | |
| Vahan Yepremyan | Executive Producer | |
| Wei Han | Executive Producer | |
| Qi Lin | Executive Producer | |
| Mohammed Al Turki | Executive Producer | |
| Shivani Pandya Malhotra | Executive Producer | |
| Jomana Al Rashid | Executive Producer | |
| Niels Juul | Executive Producer | |
| Antonio Grande | Executive Producer | |
| Michael Fisk | Executive Producer | |
| Udaya Sharma | Executive Producer | |
| D.C. Cassidy | Executive Producer | |
| Artur Galstian | Executive Producer | |
| David Thomas Tao | Executive Producer | |
| Conor Molony | Executive Producer | |
| Neill Hughes | Executive Producer | |
| Janice Polley | Co-Producer | |
| Helen Medrano | Co-Producer | |
| Joseph Reidy | Co-Producer | |
| Maggie Chieffo | Co-Producer | |
| Kurt Weir | Co-Producer | |
| Brendan B. Sheil | Co-Producer | |
| Erik Messerschmidt | Director of Photography | |
| Maria Djurkovic | Production Designer | |
| Pietro Scalia | Editor | |
| Massimo Cantini Parrini | Costume Designer | |
| Daniel Pemberton | Composer | |
| Francine Maisler | Casting Director | |
| Miki Emmrich | Unit Production Manager | |
| Robin Le Chanu | Unit Production Manager | |
| Thomas Hayslip | Unit Production Manager | |
| Joseph Reidy | First Assistant Director | |
| John M. Valerio | Additional Editor | |
| Joe Galdo | Additional Editor | |
| Cindy Mollo | Additional Editor | |
| Lisa Gerrard | Additional Music | |
| Pieter Bourke | Additional Music | |
| Noemie Nakai | Associate Producer | |
| Dylan Weathered | Associate Producer | |
| Danielle Maloni | Associate Producer | |
| Stefano Barrese | Associate Producer | |
| Ivan D’Ambrosio | Line Producer | |
| Birsin Colakoglu | Unit Production Manager | |
| Chris Ritvo | Visual Effects Supervisor | |
| Stephan Gessler | Supervising Art Director | |
| Carmine Palmentieri | Art Director | |
| Esther Schreiner | Art Director | |
| Massimo Pauletto | Art Director | |
| Emanuela Piu | Set Designer | |
| Sophie Phillips | Set Decorator | |
| Janice Polley | Supervising Location Manager | |
| Julia Renner | Location Manager | |
| Rey Figueroa | Location Manager | |
| Daniele Manca | Location Manager | |
| Mike King | Location Manager | |
| Marcelle Genovese | Hairstylist | |
| Marco Pompei | Make up | |
| Lee Orloff | Sound Mixer | |
| Angelo Bonanni | Sound Mixer | |
| Andy Nelson | Re-recording Mixer | |
| Tony Lamberti | Re-recording Mixer | |
| Uli Nefzer | Special Effects Supervisor | |
| Robert Nagle | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.