Cell (2016)

Cell poster
Theatrical Performance
Domestic Box Office n/a
International Box Office $1,019,475Details
Worldwide Box Office $1,019,475
Home Market Performance
Est. Domestic DVD Sales $1,485,428 Details
Est. Domestic Blu-ray Sales $687,968 Details
Total Est. Domestic Video Sales $2,173,396
Further financial details...

Synopsis

When a strange signal pulsates through all cell phone networks worldwide, it starts a murderous epidemic of epic proportions when users become bloodthirsty creatures, and a group of people in New England are among the survivors to deal with the ensuing chaos after.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time International Box Office (Rank 10,701-10,800) 10,742 $1,019,475
All Time Worldwide Box Office (Rank 15,301-15,400) 15,374 $1,019,475
All Time International Box Office for R Movies (Rank 2,301-2,400) 2,348 $1,019,475
All Time Worldwide Box Office for R Movies (Rank 3,801-3,900) 3,839 $1,019,475

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: July 8th, 2016 (Limited) by Saban Films
International Releases: June 23rd, 2016 (Wide) (South Korea)
July 8th, 2016 (Wide) (Russia (CIS))
July 8th, 2016 (Wide) (Turkey)
July 14th, 2016 (Wide) (Italy)
July 22nd, 2016 (Wide), released as Conexión Mortal (Mexico)
... Show all releases
Video Release: June 10th, 2016 by Lionsgate Home Entertainment
MPAA Rating: R for disturbing violent content, terror, brief sexuality and language.
(Rating bulletin 2418 (Cert #50384), 3/30/2016)
Running Time: 97 minutes
Comparisons: Create your own comparison chart…
Keywords: Novel or Other Work Adapted by Author, Zombies, Early / Simultaneous Video-on-Demand release, Missing Person, Rescue
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Benaroya Pictures, The Genre Company, Saban Films, International Film Trust, 120dB Films, Cargo Entertainment
Production Countries: United States
Languages: English

Weekend Box Office Performance

Daily Box Office Performance

Weekly Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 8/19/2016 $61,128 81 81 83 $75,434 11/30/2018
China 4/13/2018 $120,175 0 0 0 $189,981 8/10/2018
Italy 7/14/2016 $159,821 0 0 0 $323,915 7/27/2016
Mexico 7/22/2016 $160,976 0 0 0 $107,791 7/27/2016
Portugal 9/2/2016 $17,993 19 20 41 $32,928 9/23/2016
Russia (CIS) 7/8/2016 $71,879 404 404 681 $133,326 11/14/2018
South Korea 6/23/2016 $0 0 77 77 $40,315 8/2/2016
Turkey 7/8/2016 $41,979 134 134 281 $115,734 2/26/2019
United Kingdom 8/26/2016 $51 2 2 2 $51 9/1/2016
 
International Total$1,019,475 2/26/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Oct 2, 2016741,169 41,169$533,550$533,55017

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Oct 2, 20161312,806 12,806$229,989$229,98917

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Samuel L. Jackson    Tom McCourt
John Cusack    Clay Riddell

Supporting Cast

Isabelle Fuhrman    Alice Maxwell
Owen Teague    Jordan
Clark Sarullo    Sharon Riddell
Anthony Reynolds    Ray
Erin Elizabeth Burns    Denise
Stacy Keach    Charles Ardai
Joshua Mikel    Raggedy
Griffin Freeman    Mike Mattick

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Tod Williams    Director
Stephen King    Screenwriter
Adam Alleca    Screenwriter
Stephen King    Based on the book by
Richard Saperstein    Producer
Michael Benaroya    Producer
Brian Witten    Producer
Shara Kay    Producer
John Cusack    Executive Producer
Edward Mokhtarian    Executive Producer
Armen Aghaeian    Executive Producer
Xavier Gens    Executive Producer
Laurence Freed    Executive Producer
Stephen Hays    Executive Producer
Peter Graham    Executive Producer
Ben Sachs    Executive Producer
Paddy Cullen    Executive Producer
Tyler Hawes    Executive Producer
Brian Pope    Executive Producer
Geno Tazioli    Executive Producer
Marina Grasic    Executive Producer
Jan Korbelin    Executive Producer
Mark Leyner    Co-Producer
James Lejsek    Co-Producer
Ben Insler    Co-Producer
Michael Simmonds    Director of Photography
Jacob Craycroft    Editor
John Collins    Production Designer
Andy Ross    Music Supervisor
Marcelo Zarvos    Composer
Lorraine Coppin    Costume Designer

Limited and VOD Releases: Few Fantastic Limited Releases

July 8th, 2016

Captain Fantastic

Captain Fantastic is the only film on this week’s list that I think will do well in theaters. There are some films that are earning better reviews, like Our Little Sister, but no film on this week’s list has the same buzz as this film does. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

When a strange signal pulsates through all cell phone networks worldwide, it starts a murderous epidemic of epic proportions when users become bloodthirsty creatures, and a group of people in New England are among the survivors to deal with the ensuing chaos after.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time International Box Office (Rank 10,701-10,800) 10,742 $1,019,475
All Time Worldwide Box Office (Rank 15,301-15,400) 15,374 $1,019,475
All Time International Box Office for R Movies (Rank 2,301-2,400) 2,348 $1,019,475
All Time Worldwide Box Office for R Movies (Rank 3,801-3,900) 3,839 $1,019,475

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: July 8th, 2016 (Limited) by Saban Films
International Releases: June 23rd, 2016 (Wide) (South Korea)
July 8th, 2016 (Wide) (Russia (CIS))
July 8th, 2016 (Wide) (Turkey)
July 14th, 2016 (Wide) (Italy)
July 22nd, 2016 (Wide), released as Conexión Mortal (Mexico)
... Show all releases
Video Release: June 10th, 2016 by Lionsgate Home Entertainment
MPAA Rating: R for disturbing violent content, terror, brief sexuality and language.
(Rating bulletin 2418 (Cert #50384), 3/30/2016)
Running Time: 97 minutes
Comparisons: Create your own comparison chart…
Keywords: Novel or Other Work Adapted by Author, Zombies, Early / Simultaneous Video-on-Demand release, Missing Person, Rescue
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Benaroya Pictures, The Genre Company, Saban Films, International Film Trust, 120dB Films, Cargo Entertainment
Production Countries: United States
Languages: English

Leading Cast

Samuel L. Jackson    Tom McCourt
John Cusack    Clay Riddell

Supporting Cast

Isabelle Fuhrman    Alice Maxwell
Owen Teague    Jordan
Clark Sarullo    Sharon Riddell
Anthony Reynolds    Ray
Erin Elizabeth Burns    Denise
Stacy Keach    Charles Ardai
Joshua Mikel    Raggedy
Griffin Freeman    Mike Mattick

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Tod Williams    Director
Stephen King    Screenwriter
Adam Alleca    Screenwriter
Stephen King    Based on the book by
Richard Saperstein    Producer
Michael Benaroya    Producer
Brian Witten    Producer
Shara Kay    Producer
John Cusack    Executive Producer
Edward Mokhtarian    Executive Producer
Armen Aghaeian    Executive Producer
Xavier Gens    Executive Producer
Laurence Freed    Executive Producer
Stephen Hays    Executive Producer
Peter Graham    Executive Producer
Ben Sachs    Executive Producer
Paddy Cullen    Executive Producer
Tyler Hawes    Executive Producer
Brian Pope    Executive Producer
Geno Tazioli    Executive Producer
Marina Grasic    Executive Producer
Jan Korbelin    Executive Producer
Mark Leyner    Co-Producer
James Lejsek    Co-Producer
Ben Insler    Co-Producer
Michael Simmonds    Director of Photography
Jacob Craycroft    Editor
John Collins    Production Designer
Andy Ross    Music Supervisor
Marcelo Zarvos    Composer
Lorraine Coppin    Costume Designer

Limited and VOD Releases: Few Fantastic Limited Releases

July 8th, 2016

Captain Fantastic

Captain Fantastic is the only film on this week’s list that I think will do well in theaters. There are some films that are earning better reviews, like Our Little Sister, but no film on this week’s list has the same buzz as this film does. More...

Weekend Box Office Performance

Daily Box Office Performance

Weekly Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 8/19/2016 $61,128 81 81 83 $75,434 11/30/2018
China 4/13/2018 $120,175 0 0 0 $189,981 8/10/2018
Italy 7/14/2016 $159,821 0 0 0 $323,915 7/27/2016
Mexico 7/22/2016 $160,976 0 0 0 $107,791 7/27/2016
Portugal 9/2/2016 $17,993 19 20 41 $32,928 9/23/2016
Russia (CIS) 7/8/2016 $71,879 404 404 681 $133,326 11/14/2018
South Korea 6/23/2016 $0 0 77 77 $40,315 8/2/2016
Turkey 7/8/2016 $41,979 134 134 281 $115,734 2/26/2019
United Kingdom 8/26/2016 $51 2 2 2 $51 9/1/2016
 
International Total$1,019,475 2/26/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Oct 2, 2016741,169 41,169$533,550$533,55017

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Oct 2, 20161312,806 12,806$229,989$229,98917

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.